4,774 search results (0.076 seconds)
  1. FF You Can Read Me by FontFont, $41.99
    British type designer Phil Baines created this display FontFont in 1995. The font is ideally suited for festive occasions, editorial and publishing, logo, branding and creative industries as well as poster and billboards. FF You Can Read Me provides advanced typographical support with features such as ligatures and alternate characters. It comes with tabular oldstyle figures.
  2. the King & Queen font - Unknown license
  3. Basileus - Unknown license
  4. Queen Empress - Unknown license
  5. Source Code Pro - 100% free
  6. Spade - Unknown license
  7. Days - 100% free
  8. Vivala Line by Johannes Hoffmann, $16.00
    Vivala Line is a real italic, and it was inspired by old Polish children's books with its charming hand drawn lettering titles. Fields of application are posters, magazines, packaging design, books, corporate design up to consolidating reading.
  9. F2F Allineato by Linotype, $29.99
    Allineato was part of the Face2Face project, a fontlabel created with a couple of friend in order to stimulate new ideas and forms in the typographical landscape. Most of the Typefaces were used by Alexander Branczyk in his famous techno magazine "Frontpage". About Allineato: "Al" means "Alessio Leonardi" and Lineato "lined", but if you read it as an italian world means "conformed to a given line".
  10. Futurex SCOSF - Unknown license
  11. F2F OCRAlexczyk by Linotype, $29.99
    The Face2Face (F2F) series was inspired by the sound of 1990s music, personal computers, and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. The typeface F2F OCRAlexczyk is one of the Face2Face fonts in Linotype's Take Type Library. It is based on the popular computer font OCR A, which was developed by the American National Standards Institute in 1966 as a system of letters that both humans and machines could easily read. Alexander Branczyk made a more 1990s/techno version, which later became this font.
  12. EDGE - 100% free
  13. Romvel - Unknown license
  14. Jakob by ParaType, $30.00
    Designed at ParaType in 1994 by Alexander Tarbeev. Based on informal handwriting. For use in advertising and display typography.
  15. Stop by Linotype, $29.99
    Stop is a heavy futuristic sans serif display font, designed by the famed Italian type designer Aldo Novarese. Stop's forms are vaguely stencil-like, and some of them only read as letters when used in combination with each other. Nevertheless, Stop has a real computer-technology" feel to its design. It should be used exclusively for headlines or logo work."
  16. Cuivrerie by JBFoundry, $19.98
    Cuivrerie is a free interpretation of relatively common lapidary inscriptions in Burgundy. Letters fit together. Thus the engraver gains room and we lose legibility. No matter, we have forever to read !
  17. Magnum - Unknown license
  18. Wind by ParaType, $25.00
    Developed at ParaType in 1995 by Alexander Tarbeev, based on TextBook, 1987, by Emma Zakharova. For use in advertising and display typography.
  19. Crash by ParaType, $25.00
    Developed at ParaType in 1995 by Alexander Tarbeev, based on Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.
  20. Barbara - Unknown license
  21. Dagger by ParaType, $30.00
    Developed at ParaType in 1996 by Alexander Tarbeev, based on PT Compact, 1991, by Vladimir Yefimov. For use in advertising and display typography.
  22. Fix Sys by ParaType, $25.00
    Developed for ParaType (ParaGraph) in 1995 by Alexander Tarbeev, based on letterforms of various screen fonts. For use in advertising and display typography.
  23. Tobu by Hanoded, $15.00
    Tobu means 'to jump' in Japanese. I came across a haiku by Matsuo Bashô wich reads: The old pond… a frog jumps in… the sound of water (Furu ike ya… kawazu tobikomu… mizu no oto). The font is named Tobu because of its jumpy character: it doesn't have a real baseline, which makes it playful and fun to use. Tobu comes with a pond full of diacritics.
  24. Sreet Pieces by Tomatstudio, $12.00
    Now everyone can create simple pieces of graffiti in an easy way. With all our experiences in the real graffiti scene combined with our skill in creating fonts, we create these "Street Pieces." This is a simple version of a wildstyle graffiti piece; you can clearly read the font; unlike heavy wildstyle, which not everyone can read clearly, your message is still clear with this font. It's very easy to use, but for a better result, you should adjust the kerning and lead manually because the real graffiti is like that, and use your own graffiti style because there are no rules in graffiti. In this package, you’ll get two fonts. "Street Pieces Line" for the line, and "Street Pieces Fill" for the fill. Don’t forget to combine with "alternate" fonts; see the preview fonts for the sample; and also add a drop shadow or extrude effect to make it more realistic.
  25. Marcione by Eko Bimantara, $24.00
    Marcione is the real deal, a contemporary and dynamic condensed display font family that blends the classic Deco and Grotesk styles in a playful and modern way. This font family got personality, you can see it right away in the lowercase letters, with a diagonal stem in characters like “a”, “h”, “m”, and “n” that gives it that extra kick. You can use Marcione to create some killer designs in editorial, branding, or advertising. This font family packs a punch with six distinct styles, ranging from Light to ExtraBold, and it’s got you covered with broad Latin language support. That means no matter where you’re from, Marcione can help you make a statement. This font is highly versatile and visually engaging, a true boss. With its condensed design, it takes up minimal space while still commanding attention and conveying a sense of sophistication. Trust me, you won’t regret having Marcione in your font library, it’s the real deal.
  26. Drunk by ParaType, $25.00
    Developed for ParaType (ParaGraph) in 1997 by Alexander Tarbeev, based on PT Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.
  27. Mono Condensed by ParaType, $30.00
    The typeface was designed at ParaType (ParaGraph) in 1990 by Alexander Tarbeev based on Pragmatica typeface, 1989 by Vladimir Yefimov. A monospaced condensed sans serif.
  28. TecoSans by Gaslight, $20.00
    Another techno-sans with interesting compensators, inspirit by Alexander Rodchenko works. Clean, strong, ultra here and there. Plus free symbol typeface for supporting in various situation.
  29. Tauern by ParaType, $25.00
    A family of extra compressed styles designed at ParaType in 1993 by Alexander Tarbeev. For use in advertising and display typography. Decorative versions were added in 1996.
  30. F2F TechLand by Linotype, $29.99
    Inspired by the Techno sound of the 1990s, Alexander Branczyk designed a series of new, wild and controversial fonts which mark a complete departure from typographic traditions.
  31. F2F Entebbe by Linotype, $29.99
    Inspired by the Techno sound of the 1990s, Alexander Branczyk designed a series of new, wild and controversial fonts which mark a complete departure from typographic traditions.
  32. Gusto Black by BA Graphics, $45.00
    A real heavy weight, a chunky sans serif that packs some real Punch. No fancy frills here.
  33. Aphrosine by ParaType, $30.00
    Aphrosine is a font based on pointed pen script. A huge lot of alternatives and smart OpenType features allow it to look almost indistinguishable from real live handwriting. Aphrosine is something between handwriting and calligraphy: it took too much effort for being “just handwriting” but lacks seriousness and regularity comparing to true calligraphic fonts. That’s why it was called after a peculiar character from a children’s book: a witch who was very fond of dressing, makeup and writing letters. Aphrosine has three faces. But unlike most other type families, the glyphs from one face do not match exactly the glyphs from another one. The faces are based on writing with different nibs but by the same hand. The type is designed by Alexandra Korolkova and Alexander Lubovenko and released by ParaType in 2015.
  34. Fulmar by CAST, $45.00
    Named after a practical seabird, Fulmar is a modern Scotch intended for extended reading. More European than American, it draws on a range of influences from around the North Sea, from Fife’s Alexander Wilson to 17th-century French experiments in modulation and 18th-century Belgian flash, and combines them with contemporary structure and proportions. The result is crisp yet warm, steadfast yet lively, sharp yet robust, rational but humane. It can be appropriate for new translations, new histories and new understanding. With five weights, ten styles, small caps, a clamjamfry of OpenType features and unicorn manicules, Fulmar dispenses with sprawl while retaining range and dexterity.
  35. Star by ParaType, $25.00
    Designed at ParaType in 1995 by Alexander Tarbeev, based on PT Compact, 1991, by Vladimir Yefimov. A decorative style was added in 1996. For use in advertising and display typography.
  36. Graffiti by ParaType, $25.00
    An experimental type family designed at ParaType in 1996 by Alexander Tarbeev, based on the forms of PT Hermes, 1993, by Tagir Safayev. For use in advertising and display typography.
  37. Courier by ParaType, $30.00
    Designed at ParaType in 1990 by Tagir Safayev. Based on Courier typewriter face of International Business Machines, 1956, by Howard Kettler. The decorative styles were added in 1997 by Alexander Tarbeev.
  38. Buntaro by Hanoded, $15.00
    I am reading a great book by David Mitchell, called Number 9 Dream. One of the characters is called Buntaro, so I decided to call my new inky font after him. Like the book, Buntaro is quite unusual: it has no real baseline, comes with some strange characters, feels familiar, but surprises you nonetheless. It was made with a broken bamboo satay-skewer, Chinese ink and a lot of patience. Buntaro comes with a wealth of diacritics.
  39. Xenia by ParaType, $25.00
    Designed for ParaType in 1990 by Lyubov Kuznetsova. A bold square-serif style. For use in advertising and display typography. The decorative style was added in 1993 by Lyubov Kuznetsova and Alexander Tarbeev.
  40. Hypocrite by ParaType, $30.00
    Hypocrite is a wide and black display serif face with a hint of decay and black humor. Handle with care. Shelf-life unlimited. Designed by Alexander Lubovenko and released by Paratype in 2017.
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