A Bold Powerful Condensed serif face; great for book jackets, magazines, ads and just about any application.

Introducing Borex, the ultimate font for all your sport racing needs. With its bold and dynamic letterforms, it captures the excitement and energy of the race track. And with four unique variations, including regular, slant, and taper styles, you can customize your designs to fit the tone and theme of your project. Not to mention, the font also comes equipped with alternate characters and unique ligatures to add an extra touch of creativity. So rev up your designs with Borex and get ready for the finish line! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Sutixo is the font for speed enthusiasts. Designed with the sports racing theme in mind, this font is perfect for creating bold and attention-grabbing designs. It comes with four variations, each with its own distinct style, and various alternate characters and ligatures to take your plans to the next level. Whether you’re creating graphics for a motorsport event or simply want to add a touch of excitement to your branding, Sutixo is the font you need. So gear up and get ready to race with Sutixo! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Besley Clarendon ML is our version of the Clarendon registered by Robert Besley and the Fann Street Foundry in 1845. Besley Clarendon ML represents a significant change from the slab-serif Antiques & Egyptians that had become so popular in the prior three decades. Like Caslon’s Ionic of 1844, it brackets the serifs and strongly differentiates between the thick and thin strokes. Besley Clarendon is also what today is considered a condensed face, as a comparison to the various contemporary Clarendons will show. Robert Besley’s Clarendon was so popular that many foundries quickly copied it, a fact that caused him to complain vigorously. The reason it was so widely copied is simple ó it was extremely useful. It provided the attention-getting boldness to highlight a word or phrase, yet at the same time was compact and easier to read than the fat faces and antiques of the period. It wasn't until sixty years later that the concept of a typeface family of different weights was developed with DeVinne and Cheltenham. Until then, Clarendon served as everyone’s all-purpose bold face. It can be used for ads, flyers, headers or even short text. Don't leave home without it. Besley Clarendon ML includes the following features: 1. Glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Added glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 353 glyphs. 158 kerning pairs. 2. OpenType GSUB layout features: pnum, salt, liga, dlig, hist and ornm. 3. Inclusion of tabular (std) and proportional (opt) numbers. 4. Kreska-accented letters.

Tin Stencil JNL was modeled from examples of an antique metal stencil letter and number set.

A simplistic but usable sans-serif from DooleyType. Qurillian includes a number of advanced OpenType features.

A collection of 197 graphic, pointer, numbering, leaf sun and arrow illustrative and printer cut designs.

Vabi Dasabi is a unique japanese hand drawn brush font. It comes with uppercase and lowercase characters, set of punctuation marks, numbers, alternative set of latin characters and numbers, Cyrillic characters, ligatures and multilingual support. Perfect for logos, quotes, posters, branding projects, product packaging, t-shirt, book cover, greeting cards and applicable for any graphic design.

This font contains every variant found in the Hebrew Bible such as the “mutilated” Waw in Numbers 25: verse 12, the small Heh in Genesis 2: verse 4 and the Nun Inversum before Numbers 10: verse 35 and after verse 36 and elsewhere as well as oversized consonants and various double-wide consonants used in inscriptions.

This font contains every variant found in the Hebrew Bible such as the “mutilated” Waw in Numbers 25: verse 12, the small Heh in Genesis 2: verse 4 and the Nun Inversum before Numbers 10: verse 35 and after verse 36 and elsewhere as well as oversized consonants and various double-wide consonants used in inscriptions.

Rush Funky is a serif typeface with vintage and retro look!. Equipped with all complete characters ranging from uppercase letters, lowercase letters, numbers, punctuation marks and multi-lingual support, this font is ready to be used in any project. Uppercase & Lowercase Numbers & Punctuation Multilingual Alternate character & ornament How to access alternate / ornament ? : https://hanscostudio.com/tutorial/ Enjoy!

There has long been interest in the talismanic value of different numbers and their varied many - pointed stars or patterns. This font presents star designs with points numbering between five and twelve, in solid form, outlined, interlaced, and placed within a circle. Whether your interest is mathematical or mystical, We hope you will enjoy this collection of forms.

This font contains every variant found in the Hebrew Bible such as the “mutilated” Waw in Numbers 25: verse 12, the small Heh in Genesis 2: verse 4 and the Nun Inversum before Numbers 10: verse 35 and after verse 36 and elsewhere as well as oversized consonants and various double-wide consonants used in inscriptions.

Montarsi is a typeface designed by Jeremy Dooley, inspired by Arabic calligraphy and contemporary design trends. The letters are fluid and graceful, inspired by the curves and swirls of Arabic script. Montarsi is a bold, contemporary calligraphic face with broad strokes and high contrast. It has a variety of styles and weights to give you an extensive range of design options. This font family, which includes eight weights, is ideal for producing brief texts for editorial, fashion, branding, magazine, television, window displays, and other media applications. Small caps, old-style figures, and width variations are also included. It's ideal for writing brief sentences because of the increased x-height. Montarsi is a classic spirit reinvented in a modern language, influenced by the delicate curves of letters and the way ink glides across paper. We especially thank Lucas Azevedo and ikern.

This steam era typeface, created by Gustav Schroeder in 1884, found popular use on soap box labels and tobacco tins during its initial release. Then, later, a successful and stout revival of Gustav's face, named Othello, was carried out by Morris Fuller Benton in 1934, and the typeface's appeal widened to include items such as broadside posters featuring Boris Karloff's Frankenstein. After metal gave way to film type, Gustav's creation experienced a brief fashion moment in the 1960's, but then disappeared entirely, never re-surfacing as a full digital typeface. With the release of Bathysphere, the typeface comes full circle, having been completely redrawn from scratch using Gustav's original specimens. The new extended language support establishes the typeface firmly in the modern era, while Bathysphere's refinement of subtle blunt corners restores a deep-sea grace to this iron giant.

Pricing Labels JNL gives you a set of digital price gun labels in fifty-one of the most common store departments, plus an untitled title label on the lower case ‘z’ key. Additionally, numbers for creating prices are on the standard keystrokes (for dollar amounts), and smaller numbers/underscores (for cents amounts) are on the shift key groupings for the number keys. The dollar and cents sign are on the left and right brackets, the decimal point is on the period key and the words “each” and “for” [set sideways] are on the greater and lesser keys.

A graceful kid if ever you’ve seen one, Cabrito Didone joins the Cabrito family of fonts--a family designed to provide young infants with clear recognition of letter forms. The original letters were released as part of the children’s book about fonts, The Clothes Letters Wear. Now, this latest addition brings a new Didone flavor to the table. But don’t judge the book by its cover. While Didones can be stodgy in the way they deliver a sense of luxury, this stubborn goat of a Didone bucks the stodgy stereotypes with its high-contrast, carefree, flowing fun, taking a more calligraphic direction than most. Cabrito Didone joins structure and handwriting to create a flowing balance of both characteristics. It’s a unique combination of functional and friendly. Its 42 well-designed fonts give you plenty of easy-going, highly readable options to work with as you craft your design. The typeface has unique serifs that give the sense of ink pooling slightly at the points, drawn with a sharp nib. Cabrito Didone supports OpenType features and is packaged with upright obliques, alternates, ligatures, old-fashioned figures, and compact caps. Preview any and all of these features in the interactive PDF manual. The family member font also includes glyphs for 72 languages; over 600 glyphs per font await. Cabrito Didone is an excellent choice for websites as well as flyers and packaging. Like Cabrito, which is currently used by a number of visible brands, Cabrito Didone is also a great option for defining your brand. Grab a taste of the Cabrito Didone flavor--and those of the other Cabrito members: Sans, Semi and Inverto.

People often come into your life and make a significant impression that lasts a lifetime. Be they friend, family member or relationship partner, such people are rare and endearing. Sadly, we lose many of these individuals before their time. Femi SRF is dedicated to one such person who was in Stella's life and whose memory will live on long past the duration of his mortal existence. Like Femi himself, this typeface offers a touch of bold elegance and discipline. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Operina is based on a 16th-century lettering model of the scribe Ludovico degli Arrighi (Vicentino Ludovico degli Arrighi) used in his 1522 instructional lettering book, "La Operina da Imparare di scrivere littera Cancellarescha." This book contains what is considered to be the earliest printed examples of Chancery Cursive. Rather than try to reproduce a perfect, smooth, type-like version of Ludovico's hand, which has been attempted in the past, the designer opted to leave in some rough edges and, thereby, create a look that mimics the endearing artifacts of quill and ink lettering on parchment. When reviving an old style, a designer is faced with many challenging decisions, such as whether to aim for ultimate authenticity or to modify the alphabet for modern use. The decision here was to create a font that resembles the 16th-century Italian hand-lettering master's, but is also useful to the contemporary user. Because the letters U u W w J j and our modern Arabic numerals were not in use during the advent of these original letterforms, these had to be interpolated. To make a complete and useable font set, we also had to fashion many of the extra and diacritical characters to match the look of the alphabet. There are three fonts in this set: Romano(simple), Corsivo(more complex), and Fiore(swash). Romano is the most subdued, it contains Roman looking caps and has lining figures. Corsivo is more elaborate, it has more decorative capital letters and an alternate version of the lowercase with longer ascenders and descenders, and old style figures. Fiore, the swash font, is the most elaborate with the longest ascenders and descenders. You may not wish to use the Fiore version on its own, especially as all caps; it is meant to enhance the other two alphabets because it contains the most elaborate capitals and has many extra ligatures. P22 Operina Pro is an OpenType version that contains over 1200 characters. It features Small Caps, Old Style Figures, full European, Cyrillic and Greek character sets and a new OpenType first with automatic Roman Numerals. Just type any number and with the feature, it will convert to Roman Numerals!

Introducing Taylor Johnson Display Font is a handmade font style dance and then traces of life to have a Grungy brush and unique calligraphic shape, the writing style is very natural and simple. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

TradaSerif is a new addition to the Trada family. Crisp and clear in appearance, it preserves the same formal spirit and the principal structural elements of TradaSans. TradaSerif offers a wide range of styles, from tenderly thin to thundering black. It also affords excellent text qualities and works brilliantly as a distinctive headline face. TradaSerif consists of 20 well-tuned weights and is well-equipped for advanced typography. It comes in OpenType format with extended support for up to 80 languages. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows, and alternate characters.

Cynosure Soft is a rounded, friendly version of Cynosur, a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces. The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required. Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.

Carrara is a highly readable text face with a loose reference to classical transitional types. Carrara was designed 2016. It presents a solid structure which makes it very assertive in text applications. In headlines it shows the individual details of the forms which gives it a gentle flow and makes for a distinguished and distinct appearance, while avoiding any noisiness. The Carrara family consists of 12 styles and is well equipped for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Bella Bangsa feels equally charming and graceful. It looks ravishing on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a customized touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Font Features : • Regular version • Character set A-Z in uppercase and lowercase • Ligatures in Lowercase and special • Alternates option • Numerals & Punctuation • Accented Characters • Multiple Languages Supported Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. If you have questions, just send me a message and I'm glad to help. Best Regards, Supersemar Letter

These six faces are interpreted from examples shown in Rob Roy Kelly's "American Wood Types" They are not merely scanned copies, but have been redrawn from scratch with various optical adjustments. Kelly points out that the true glory of the American Wood Types are the negative spaces, which are, in their dynamic active forms, the antithesis of the anemic flimsy letters produced by type foundries in the 19th century. The Alphabets Wood Types are designed with digital manipulation in mind. Stretch, curve and distort at will! These designs were released prior to similar revivals from Adobe. Each font has two full alphabets (one full height, one smaller) and numerals. However, certain points and accents will not be found.

A Blocky face with a slight hint of angularity. The Omnilots are a free addition to the set.

For headlines, text, or anything inbetween; a beautiful readable face with just a touch of the Far East.

Terminal Guise is a display typeface with detached or uncompleted forms to create a graceful and stylistic termination.

Decorative Arrows JNL is a collection of twenty-six decorative arrows provided in right and left facing directions.

A collection of over 30 antique style hands; the typeface includes the hands facing both right and left.

A heavy bold serif face, packs great punch; excellent headline font. Can be used for many different applications.

Patented in 1867, this face adds peaks and shadows to the Egyptian form so popular at the time.

Need some help to finish your designs? There are a lot of considerations when selecting a font type for an important project either for your own company or a daily used font. Therefore, Automove, a display font in the racing theme capital letters, is carefully and accurately created to meet your design needs. This font is available in two versions, regular and italic. Automove, which seems to be a long lasting font amid other typographies owing to its unique styles and shapes, is generally applicable to large-sized texts in titles instead of the contents of the texts due to its readability in such large-sized letters. In addition, this font provides interesting features to help designers improve their design products. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Automove is perfectly suitable for doing design projects such as posters, logos, book covers, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview.

Hot Pursuit: A Hand-Drawn Grind-house Roller Derby Font A grungy hand-drawn font with attitude inspired by comic books, Roller Derby and bad Grindhouse movies. Hot Pursuit is a boiling pot of pop-culture references ranging from 70s chase movies to Roller Derby, horror comics to Grindhouse cinema. All combining to create a hand-drawn font for grungy designs with maximum punch. Supplied in regular and italic styles, it creates titles that race off the page, perfectly suited for dynamic movie posters and headlines. Along with the 4 font styles you’ll also find a host of original comic art by Christopher King, plus symbols and underlines to compliment your type. Hot Pursuit contains unique uppercase and lowercase characters, numerals, punctuation and language support. It’s a bad-ass font ready for your t-shirts, posters, stickers, movie titles, YouTube videos and more! Check out the visuals to see it in action for yourself.

I regard Sabio as an evolutionary face. By this I mean that it merges elements of script and Roman design into one elegant whole. The design was 'evolved' somewhere between these two classic approaches. The resulting family of faces makes an excellent display family, but is also clear and legible at small sizes and can be used as a text face with a distinctive flair. Sabio is a wonderfully flexible face that can sit happily alongside artwork that owes its inspiration to any era from the Art Deco onwards. The regular form is gently and subtly oblique, and the glyphs have a slight hint of swash about them. Alternate and perpendicular forms are also offered. The regular, alternate and perpendicular forms are all in turn offered in regular, and bold weights as well as in a condensed form. All in all Sabio is a humanist face with which almost anything can be done offering flair and elegance for almost any project. Whether it's a distinctive way of setting paragraph text, or poster work that's eye catching yet flowing and clearly legible, Sabio offers the answer.

Originally published by OurType, Dan Milne’s Tasman has found a new home at Retype. Milne first conceived Tasman as a typeface for newspapers. This influenced the proportions and look of the face considerably: the goal was to keep the personality as warm and playful as possible without losing the credible tone required to deliver all kinds of news. A sturdy, warm type family that is neither mechanical nor fragile. It borrows its name from Abel Janszoon Tasman (1603–1659), a Dutch seafarer, explorer, and merchant who mapped parts of Australia in 1642, including Van Diemen’s Land (now known as Tasmania). Tasman’s primary purpose is an unbiased presentation of information; it strives for neutrality over elegance. Its characters are sturdy and unambiguous, sporting strong serifs, punctuation, and diacritics, as well as generously sized small caps and hybrid figures. Rationalized letterforms give the face enough robustness to withstand the stress of screen applications and laser printing. The figures’ three-quarter x-height makes them considerably larger than traditional oldstyle numerals, yet they still integrate with the lowercase much better than lining figures do. Although initially intended for newspapers, Tasman’s somewhat corporate, objective appearance also makes it an excellent candidate for digital and print magazines, websites, annual reports, and corporate identities. Tasman is a suite of feature-rich OpenType fonts fully equipped to tackle complex, professional typography. The character set includes small caps, fractions, case-sensitive forms, bullets, arrows, special quotes, and nine sets of numerals. Besides standard Latin, its extensive character set supports Central European, Baltic, and Turkish languages.

Queulat is a hybrid typeface that combines two different styles, reflecting charm, freshness and, especially, a strong personality. The font is inspired by Modern and Grotesk styles. The former is shown in some characteristic features such as teardrop terminals, which give the typeface an attractive unique look, making it an ideal choice for logotypes and labelling. The latter, with its rationality, makes Queulat a stable and strong face for headings and subheadings. The combination of styles can be clearly seen by comparing the regular with the alt version. The regular version is more simple than the alt one. Differently, the alternative version possesses more features of the Modern style, like teardrop terminals in ‘k’ and ‘v’. Queulat also comes with a Unicase version, in which a higher number of shapes can be found, resulting in a unique colourful display.

Maister is a contemporary look serif typeface with sharp and dynamic strokes, strong contrasts that are subtle. Giving traditional serif design elements a modern feel, this is a graceful and confident set of timeless simple, easy-to-read typefaces that can easily become a staple in your font library perfect for branding, logos, invitations, magazines, product packaging, and more. Features: All Caps Font with different uppercase and lowercase Number & Symbol Supported Languages Alternates and Ligatures PUA Encoded We highly recommend using a program that supports OpenType features and Glyphs panels like Adobe apps and Corel Draw, so you can see and access all Glyph variations. This type of family has become the work of true love, making it as easy and fun as possible.I really hope you enjoy it! Thank you Enjoy the font and go get creative :)

Here is a profoundly delicate and graceful design that has its roots in art deco fashion. This elegant typeface is based on an old 1930s lettering style popularized by Carl Holmes in his wonderful book on the subject. Somewhat condensed with a very tall lowercase, Panorama carries itself beautifully. It is similar to such classics as Stellar and Optima with stems flaring slightly at the ends. Panorama has a great number of alternate capital, small capital, and lowercase characters including two sets of alternate figures. Panorama, Panorama Alts, and Panorama SC are also available in the OpenType Std format. Some new characters have been added to these OpenType versions. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.