Kinera is a display elegant serif . It seduces your eyes with its curves yet still looks serene and classy. Perfect for any kind of creativity you are about to start :). with a binder in it will add a very memorable impression to the writing you want. Note : Ligature can be active in CAPSLOCK File Included : - All Caps - Ligature

Sone is designed to be bold with stripped off nonessential details making it uncomplicated, simple in expression, yet appealing and easy to decipher, even from a distance. Serene and gentle in quality by low contrast, slow ductus and large x-height reducing the up down motion, plus enhance the legibility. It works beautifully in both, display and body copy.

Yazan is a New Arabic display typeface for desktop applications, inspired by oriental kufi and Qairawani kufi . Designed and developed by Sultan M. Saeed, Yazan has updated proportions and details, and is distinguished by its traditional serenity, modern aesthetics, This makes it suitable for large display sizes, especially in the area of advertising, while still functioning well as a text face.

This roly-poly romp through the alphabets is based on a showing from Carl Holmes' 1950s book, ABC of Lettering, published by art-for-the-masses magnate Walter T. Foster. Named as an apt companion to my East Coast Frolics.

Designed by Romanian lettering artist Andrea Stan, Thanks is a contemporary script packed full of quirky shapes, bouncy baselines and uneven letter heights. This makes Thanks a truly fun and friendly design (Oh and also very polite!). This off-beat font is Bold, monolinear and has a subtle inline twist.

There are times when a typeface is used so consistently that it becomes somewhat synonymous with the subject it's used in. The opening and end titles for the ABC-TV series "Naked City" (1958-1963) were set in a bold version of a popular font emulating the look of calligraphic hand lettering. Arcaro JNL is a somewhat lighter and slightly modified version of this typeface and is offered in both regular and oblique versions. The name Arcaro comes from one of the regular characters in this superbly-written police drama, Detective Frank Arcaro.

Joe Canelli is a crooked cop working in a corrupt police force. Joe is haunted by nightmares of powerlessness. When his partner is brutally murdered and he's betrayed by his colleagues, it appears that Joe's nightmares are coming true. With his back against the wall there's only one thing he can do -- turn against the criminal network that he once embraced... KICKBACK is a fast-paced, action-filled, noir-style, crime thriller from the co-creator of V FOR VENDETTA, David Lloyd. KICKBACK is also a font. This one.

Big Jim Roberts was my dad. A dedicated family man who taught us about faith, values and love is missed by our family. Jim just about did it all. He was a military man, a police officer, a power company engineer and a photographer. This typeface (which is comprised of a bold lower-case alphabet) has a 70s retro feel. Jim might have like it. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Harbour is a clash of Latin and Germanic typestyles - two conflicting letterforms, culturally, politically and aesthetically. Latin letterforms have a geometric base, blackletter types are calligraphic. Harbour takes calligraphic forms that derive from writing with quills, but is a typeface that is clearly drawn‚ rather than written‚ to produce graphic, dynamic letterforms.

This roly-poly, rollicking display font is based on a design from the 1946 book Blue print text book of sign and show card lettering by Charles Louis Henry Wagner, who seems to have had an aversion to combination words (like blueprint, textbook and showcard).

A small book entitled “Portfolio of Alphabet Designs for Artists, Architects, Designers & Craftsmen” [published in 1938 by Irene K. Ames] contained a number of pages displaying hand lettered alphabet examples. One sample in particular stood out for its bold Art Deco look and unusual design. This is now available as Dance Moderne JNL, in both regular and oblique versions.

This roly-poly romp through the alphabet is based on Jürgen Riebling's irrepressible Mr. Big from the 1970s. Big, bold, bubbly and a little brash, it's a natural choice for happy headlines. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Bassen is a contemporary neo-grotesque typefaces that offers 10 uprights and matching italics. This typeface harmoniously combines classic respect with modern inspiration. Bassen is polite, neutral, highly legible, and aesthetically pleasing. Its low cap height makes it particularly versatile for mobile and website applications. Bassen seamlessly blends with any project, providing natural elegance, harmony, and perfect balance.

Divenire is derived from a custom typeface designed for the Partito Democratico (Italian Democratic Party), it is used in their political communication. It has variation of tension in its design, alternating curved and almost straight elements. The glyphlist includes many alternatives like a set of odd punctuation marks: the famous "interrobang" and others, starting from Hervé Bazin's work.

The inspiration for Mimosa comes directly from the packaging for “Moulinard Jeune”, a line of French toiletries from the 1920s. I created the 240-odd glyphs needed to make up a complete font based upon the style of a handful of hand-lettered characters that were used on the original items. Mimosa is a mono-weight, connecting vertical script with a fairly regular set of lower case and slightly more decorative upper case glyphs. As with any decorative script, if you set copy in all caps, you will be tracked down and severely punished by the type police.

The Typorium presents a new optimized and enriched version of ITC Ellipse which first appeared in 1996 in the International Typeface Corporation typeface library. ITC Ellipse Script is a complementary typeface to ITC Ellipse Neo, designed a very legible handwriting style. ITC Ellipse Script is both modern and classic. Modern in the unusual shape based on the geometric ellipse form. And classic in the structure of some letters like the lower cases c, e, g, o, s. These letters alone could come from a traditional typeface, but they fit perfectly with the atypical rest of the alphabet giving it a present-day and traditional mix. Furthermore, the ellipse shape fits naturally in the italic styles, giving the font an organic and fluid feeling. ITC Ellipse Script offers OpenType features such as alternate characters for upper and lower case, and an extended accented character set to support many languages. Five weights have been created for each style to offer a wide range of graphic possibilities in a tidy digital footprint. Designer: Jean-Renaud Cuaz Publisher: Typorium MyFonts debut: Nov 1, 2020 Le Typorium présente une nouvelle version optimisée et enrichie d'ITC Ellipse qui est apparue pour la première fois en 1996 dans la bibliothèque de caractères de l'International Typeface Corporation. ITC Ellipse Script est une police complémentaire à ITC Ellipse Neo, conçue dans un style d'écriture très lisible. ITC Ellipse Script est à la fois moderne et classique. Moderne dans le dessin inhabituel basé sur la forme géométrique de l’ellipse. Et classique dans la structure de certaines lettres comme les minuscules c, e, g, o, s. Ces lettres pourraient provenir d'une police de caractères traditionnelle, mais elles s'intègrent parfaitement avec le reste de l'alphabet plus insolite en lui donnant un mélange de modernité et de tradition. De plus, la forme de l'ellipse s'intègre naturellement dans les styles italiques, donnant à la police une sensation organique et fluide. ITC Ellipse Script offre des fonctionnalités OpenType telles que des caractères alternatifs pour les capitales et les bas de casse, et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues. Cinq graisses ont été créés pour chaque style afin d'offrir un large éventail de possibilités graphiques pour une empreinte numérique rigoureuse.

Steglstan is a luxurious serif with an elegant style. It seduces your eyes with its curves yet manages to maintain its classy serenity, perfect for your branding, logos, invitations, long texts and more. FEATURES: OpenType support Playful to use (with ligatures options) Multilingual support PUA Encoded If you need support or more information about this item, please kindly contact me: alphardtype@gmail.com Thank you so much...I really hope you enjoy when using it!

La plupart des fontes “script” tentent de reproduire l’écriture humaine et se heurtent au problème suivant: la lettre tracée à la main n’a pas la méme forme suivant la lettre qui la précède ou celle qui la suit, ou suivant sa position au début ou à la fin du mot. La fonte “delicate” résoud ce problème grâce à la récente technologie OpenType, et propose de nombreuses ligatures - des groupes de lettres pré-dessinés - qui permettent toutes les combinaisons fondamentales. Ainsi, “delicate” n’est-elle pas seulement élégante et calligraphique, mais également fluide et énergique. Pour profiter au maximum de cette police, veuillez activer les fonctions OpenType de votre logiciel.

Coppint is a font formed with serenity and imagery in patterns that refer to warmth and harmony. Even so, this font also gives each letter an elegant and semi-modern impression. When this font was created, Ridwan Fadilah, the designer, said that this font must race in a contextual and basic fundamental hierarchy. Thus, this font also provides stylistic weight, from smallest to largest. So that it can become a unit that can be used in optical text.

This font is not a rebel or a political font, but a simple and grungy stencil font. Use it for anything that needs a clear and catchy headline. The font is even suitable for massive text - perhaps for that skateboarding poster you have plans to do? Maybe a heavy metal concert flyer? Please don't use it for any war business, because war is stupid!

Skyline Hotel is a brand new hand painted font from Dathan Boardman of Open Window. It utilizes Art Deco structures but is greatly amplified by organic paint brush strokes. The font would be best used in designs that require an organic degraded look and feel. Skyline Hotel… optimal for back alley graffiti mural or a poster to begin a political revolution. Geometric essentials betrayed by fluid expression.

One of countless variations possible from the modular lettering system called "Super Veloz", developed by Spanish type designer Joan Trouchut-Blanchard in the 1930s. The name is a play on the old G.I. acronymn FUBAR, translated politely as "fouled up beyond all recognition". Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Introducing Gingersans, the typeface that's basically a font party in 12 different weights! Imagine a font that's not just a font but a personality chameleon, smoothly transitioning from easygoing and polite in the regular weights to downright wild and fun in the bolds. It's like having multiple distinct characters living in one seamless universe. The design? Oh, it's calligraphy meets sans serif – the rebel child of fonts. The curves are having a party of their own; they go wild on the Black, get too cute on the Hairline, and throw in some artsy politeness on the Regulars. It's a typographic adventure that keeps the vibe consistent, whether you're going Hairline, Regular or Black. And here's the best part – Gingersans is not just a font; it's a variable font too, with a weight axis to cater to your every design mood swing. Get ready to fall in love with the font that's as versatile as your ever-changing design whims! 🎉✨ #Gingersans #TypefaceMagic

This charming, disarming, roly-poly typeface is based on handlettering discovered on a Sabena Airlines travel brochure of the 1930s. Include it in your next project, and a good time will be had by all. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

A circa-1925 poster for the chanteuse Arlette Montal, signed simply "Bouchard," provided the inspiration for this roly-poly romp through the alphabet. It takes its name from a popular East Texas summertime porch dance...or not. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

From the pages of a small book entitled “A Portfolio of Alphabet Designs for Artists, Architects, Designers & Craftsmen” [Irene K. Ames, 1938] comes a bold Art Deco sans poster display face. The digital version is called Throughway JNL, and is available in both regular and oblique versions. [To note, throughway (or sometimes spelled thruway) is a popular term from the 1950s and 1960s for a major road or highway.]

This typeface is inspired by 60s and 70s Chilean murals and posters artwork. On the walls, big and heavy letterforms were presented pictorially for political propaganda. Muralista is a low contrast condensed typeface, similar to classic forms of the early nineteenth century humanist grotesque. The sinuous, rounded and asymmetric terminations remind us the artist’s brush strokes. This typeface is ideal for editorial sentences and logo designs. Designed by Jorge Cisterna.

Made in La Chaux-de-Fonds (Switzerland), Hyper Schlag is born while the designer drinks a beer with friends. One of his fellow beverage partner wears a sweatshirt written in embroidery. The text is quite clumsy, at least this is what he saw. This is how the most spontaneous font ever designed by Bisou is born. Hyper Schlag is thought from ground up to give a strong feeling of friendliness. Clumsy, naive, playful, this handwriting font is best suitable slogans of sweet revolution. It works perfectly with short texts, punk music album covers or underground film festival posters. Be aware that it is not recommended for police stations or administrative office signboard.

Mensrea is a versatile display and text superfamily combining 32 different styles into a urban, street, themed design bundle. Based on a functional and condensed sans serif, Mensrea equally includes a large range of complimentary weights that can either be used as stand alone styles or then combined with other weights to create layered design. Two Graffiti styles add a further style contrast with a handwritten and fluid dynamic to contrast the main weights, the Bubble style equally features three extra layers for styling. And lastly, a small set of pictograms have equally been included and feature symbols from office icons to themed police iconography in relation to the overall Mensrea theme.

I made this font during the rather hectic start of 2021. Popular Vote is an easygoing, laid-back kinda font. It fits just about anywhere, regardless of your political orientation, your sense of aesthetics or the job you will use it for. Popular Vote will feel at home on a box of crackers, on the cover of a book about keto diets, or on that T-shirt you have always wanted to design. Enjoy!

D Sert—based on the Pirata typeface—is inspired by 70s Chilean constructivist design and the political propaganda posters artwork of La Unidad Popular (Chilean political coalition). D Sert is the result of the combination of the Chilean graphic art revival with new trends, such as the handmade movement and super font families. The super family comprises 47 weights and comes with two versions: D Sert and D Sert Alt, plus extras. Diagonal strokes are significantly different between the two versions: diagonals of the Alt version are much more logical than the diagonals of the normal version. Another difference is the bowls of the capitals: in the D Sert version, they slightly project above the cap height, making it a more daring version and bringing it closer to calligraphy; contrarily, in the Alt version, bowls do not project above the cap height, which makes it a more tidy font. This way, the combination of the two versions and extras provides the user with the freedom to create any kind of artwork.

Sarlotte is a luxurious serif with an elegant style. It seduces your eyes with its curves yet still manages to maintain its classy serenity, it's perfect for branding, logos, invitations, long texts, and many more of your other needs. Sarlotte Features: Multilanguange PUA Encoded Alternates Ligatures. To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. If you need help, please contact me :) Check out Holen Vintage which is a great pair for Sarlotte.

Complement your collection of animal-shaped fonts with an illustration series that brings the different moods and moments of wildlife right to your desktop. Formed by shadows of animals in a variety of real life poses, it's perfect for design situations that require animals with a non whimsical look and a more correct morphology. 87 silhouettes and 9 pairs of tracks that range from the enigmatic energy of dodgy rats and rabbits, to the mysterious serenity of amphibians and much more. A simple and useful picture of nature.

While Walking along the shore of our Main Port to Europe in Rotterdam, The Netherlands, my 14 year old son Jules first hardly dared to step in the mud for he was wearing his brand new sneakers. Concentrating in where he put his feet, he noticed he made a character! The FootPrint-Regular was born! The FootPrint-Regular is a powerful header-typeface, but funny enough it's usable as small copy too! Blaze your Trail! Anything you can imagine on Police investigations, Bloodhound Thrillers, Trails, Tracks and Traces, anything about Outdoor Stores, Tracking or even maybe Pedestrian Clubs, or things like Survival Sports, Walking Events or Hiking Gear; Blaze'm your FootPrint-Regular Trail on all Banners, Blimps, Ads and Doormats!

La Portenia pays homage to the spirit of early 20th-century show card writers and type designers. This face has two variations: La Portenia de Recoleta is slightly more formal and polite, while La Portenia de la Boca has longer, more extravagant flourishes and indulges in more interletter space. This showier variant is reminiscent of signs found in Buenos Aires. Both have been designed by Diego Giaccone and Angel Koziupa, and engineered and expanded by Alejandro Paul.

Isbellium is a sans serif version of Dick Isbell’s Americana type, designed in 1967 and the last type cut in metal by the American Type Founders Co. (ATF). Isbellium retains the large x-height, open character, wide stance and elegance of Americana, but with a quieter voice and polite authority. Isbellium is a display face with broad Latin support along with small caps, fraction support and other typographic niceties are included in the ten font family.

Pincoya Black Pro is a font based on lettering found on a poster from the Spanish Civil War, complemented with graphics developed in “La Unidad Popular” (Chilean political coalition) during the seventies. Pincoya has many alternate characters in Opentype format that provide multiple options when composing a text. It is an ideal font for high impact sentences, logotypes, magazine layouts, poster designs, etc. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin.