Hilmar Sans is a neo-grotrsque typeface family in 7 weights, support most European Languages and features. The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.

Cadmus Pro is the newly remastered and greatly expanded version of a Jim Rimmer design based on a type originally done by hand lettering artist Robert Foster. Foster’s type, named Pericles, was published by ATF in the 1930s, and used in lettering magazines and advertising headings. The design is based closely on early inscriptional Greek. Cadmus Pro comes with over 1130 glyphs, covering pretty much all Latin languages (including Vietnamese) as well as Cyrillic, Greek and Hebrew. OpenType features include stylistic alternates, automatic fractions, ordinals, and small figure ranges for superiors and inferiors. Proceeds from this font will be put towards a variety of Canadian typography education causes.

Quinshai Script a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! Quinshai Script including alternate glyph and beautiful swirl in a font including stylistic sets, Ligatures etc. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Thanks and happy designing :-)

Fort Mayhem is a display marker font with hand drawn feel. The strokes make this font outstanding and looks great for title. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : 3 Styles-Regular, Extrude, & Online numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Introducing Giomonte Handwritten Script. Signature script font that feels beautiful classy, elegant, and modern. This type of font is perfectly made to be applied especially in logos, and other various formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, makeup, stationery, novels, labels, or any type of advertising purpose. Multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Originally created with cutting in red litho film, as a headlining typeface for Vinyl music magazine. Its geometric structure was very applicable for early type design experiments on the computer. ...in the early 1980s, he (Max Kisman) became the designer of a small, independent music magazine Vinyl. This Amsterdam-based publication was set up very much as a response to the innovative British magazine, The Face. Responding to Neville Brody's radical designs for that magazine, Kisman began to experiment by creating new headline typefaces for each issue... (Emily King. New Faces: type design in the first decade of device-independent digital typesetting. 1987-1997.

Introducing, Broadley, a pair of hand drawn bold serif and script with a touch of vintage look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Railhead is a revival of an 1870s type style that was originally available from both the Bruce foundry in New York and James Conner's Sons type foundry. The Redux version is the original design but only the uppercase and punctuation were ever created the rest of this font design including numbers, accented characters and lowercase are of my own design. Looking at the original font the inside rails reminded me of a railroad so I created a new version by adding horizontal lines in the lower portion of each letter which resemble railroad ties and Railhead seemed to be the most logical name for this old revival.

Introducing the Garden Collection. A new Garden Grown font family by Cultivated Mind Type. This hand-painted collection includes four scripts, two caps fonts, plant art, extras art and free words.  Garden Grown Pro scripts includes 260 alternates and 46 ligatures. Ligatures are programmed to pop up when specific letter pairs are typed. Try the alternates and ligatures together to give your designs a realistic hand-painted look. The all caps fonts and basic scripts do not include alternates or ligatures. Use the free words font for keyword and hashtag ideas. Garden Grown works great for cookbook covers, product design, packaging design, restaurant marketing, magazines and film.

Royce is a cute and minimalist designed font family with rounded edges on each character to make a fun and modern impression on your designs. It is very easy to combine this font with other types because it comes with 10 complete weights ranging from thin to extrablack, with a modern impression Royce has many useful features for example Alternate which is more formal in feel and Discretionary Ligature which is very eye-catching so it is ready to be used for various kinds design types such as displays, titles, body text, magazines, cover art, social media, logos, web Ui, clothing, posters, and others. Royce also has multilingual support.

Linotype Mateo is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Jürgen Ellenberger included three styles in his font, roman, bold and outline. The characters of Mateo consist exclusively of lines, giving the font an extremely angular look. However, Mateo retains a certain handwritten style somewhat reminiscent of the graffiti left on wooden grade school desks by previous classes. The bold and outline styles have emphasized stroke contrasts but keep the angular, consciously irregular look. The roman style is best for smaller texts and the bold and outlines styles for headlines.

This highly stylish, engraved blackletter font was cut by Rudolf Koch between 1919 and 1921 for Klingspor in Offenbach on Main. It was then sold under the name Deutsche Zierschrift. I completely redraw and extended this font and called it Zierfraktur. To take full advantage of this fine headline blackletter font, please use it from, at least, 18 points upward. This font contains a bunch of useful ligatures, and it is recommended to activate both Standard and Discretionary Ligatures. The round s can be reached by typing the # key, and you get the numero sign by typing the combination N-o-period and activating the OT feature Ordinals.

Introducing, The Vindale - a vintage script with reverse contrast and a touch of nostalgic look. The unusual reverse contrast make this typeface one of a kind. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Eckhardt Bold JNL continues a series of sign painter-inspired type designs and is named in honor of the late Al Eckhardt, a talented sign man who was a good friend of Jeff Levine for about 18 years until his passing. The font is available in both regular and oblique versions and was inspired by an example found in the 1928 edition of E.C. Mattthews' "How to Paint Signs and Sho' Cards". Both squat and wide for maximum use in wall and window applications, the original name for the design is "Heavy Plug". Plug was the sign painter's term at the time for describing this type of letter form.

Astropicks is a modern and playful typeface which is purposely made for headline, display or logotype. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Ristaga Script is an old-school inspired script typeface that pairs perfectly with bold and tough type. Very awesome for labels & logos. I'm starting to create typefaces to use in a branding project and I think Gibson is the missing font from my Type Collection. Perfect for use in everything from Branding, Web, Packaging, Etc. The Ristaga script features OpenType style alternatives, International binders, and support for most Western Languages included. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. Thank you very much for viewing and Enjoying it.

introducing a new font Cithally Handwritten Font is a handwritten font with a distinctive and sharp brush texture. Cithally was handwritten on paper with a coarse type brush, resulting in a consistent texture. You can customize Cithally to create a unique style when multiple characters of the same letter meet, because Cithally has alternative lowercase letters in different styles. The Cithally handwritten font can also be used for projects such as stationery invitations, social media, logos, weddings, branding, graphic designs with the addition of some binding and strokes. and can be combined with various types of serif fonts to perfect the project you want to work on.

Honess is a luxurious handwritten script font with a thick classic feel this font is perfect for craft artists to elevate their work into beautiful masterpieces. Honess is also great for graphic designers looking for a cute font for their work. includes : - uppercase, - lowercase, - standard punctuation, - standard ligature, - bigining swash. - ending swash - numbers. - multi lingual to use a character with a line prefix is quite easy, that is, simply by typing an unterscore is added to the desired character, for example (_a) then the character a will have a line at the beginning, as well as a ending swash, type the character then followed by an underscore (a_).

Introducing, Chopader - a vintage sans serif font duo. Inspired by 50s 60s signages, this font made to bring back the good ol' days. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Two fonts (Thin and bold style) numbers and punctuation multilingual PUA encoded Only caps We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Morocco is a round, curvaceous font from Swiss designer Michael Parson. Many of the letterforms in Morocco are inspired by the Modern Greek alphabet. Five of the lowercase letters have additional ascenders/descenders that are not typical in the Roman alphabet (h, n, s, u, x). This experimentation continues into the uppercase as well; many capital letters in this font have been bequeathed with ascender or descender-like elements, and some capital letters, like the Q", only come up to the x-height of the lowercase letters. This experiment in type design is one of ten from Parson that has been included in the Take Type 5 collection from Linotype GmbH."

Inspired by today's modern logo with a unique style but with an elegant shape. So we tried to do and create fonts as per the current market needs. MISHELIA is perfect for BRANDING and LOGO DESIGN. You will get a classy, elegant, and of course aesthetic logo with this font. Besides that, this font has a unique ligature which is very suitable for various types of work such as posters, packaging, T-shirts, coffee shops, restaurants, magazine's headers, signs or gift/post cards, cafe's and weddings or any type of advertising purpose. if you have any questions, don’t hesitate to contact us Ergibi Studio

Linotype Minos is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font was designed by Swiss artist Christian Goetz, who named it after King Minos of Crete of the Bronze Age. Typical of scripts of this time were the ornamental borders around the characters, found on palaces of Knossos, Phaistos and Mallia. These borders surround every character of Linotype Minos, making it exclusively for headlines in larger point sizes. Single characters can also be used as initials mixed with other alphabets, especially with constructed sans serif and modern serif fonts.

Antapani is a grotesk sans style with some stylistic style to some letter. Designed for readability but can also function as a display text. Come with 9 style from Thin to Black so you can choose which style you want. Designed with opentype features in mind. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. Designed by Abdurrahman Hanif, a young Jakartans Graphic Designer who fell in love into type design after his graduation. Published by Monoco Type

Linotype Finerliner is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contest. The American artist Gary Munch, from whom we also have Linotype Ergo and Ergo Sketch, designed Linotype Finerliner as a handwriting font with calligraphic influences. The small, regularly formed lower case letters contrast nicely with the generous, sweeping capitals. The font is available in a light and medium weight and displays no stroke contrast. The lighter weight, micro, is best used for shorter texts in point sizes 18 or larger and the medium weight, macro, is mainly intended for headlines in larger point sizes.

Linotype Sinah is part of the Take Type Library, selected from the contestants of Linotype’s International Type Design Contests of 1994 and 1997. Designed by the German artist Peter Huschka, Linotype Sinah is a rounded, ornamental font with many strokes ending in teardrop forms. The letters of this wide-running font do not share a common base line. The capital S and the lower case l both drop under it although neither have descenders. Overall, Linotype Sinah has an almost Asian or Indian feel. The font must be used with generous line spacing and is intended exclusively for headlines or shorter texts in point sizes of 12 or larger.

Linotype Schachtelhalm is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The inspiration of German designer Ilka Kwiatkowski is not hard to figure out and the font carries the German name of the plant which was its model. The alphabet consists exclusively of capital letters with clear geometric basic forms. The font is meant for headlines in point sizes of 18 and larger. The details which make Linotype Schachtelhalm unique and true to its inspiration are however best seen in large point sizes, such as on posters, and Schachtelhalm is best combined with neutral fonts.

Moon Slayer is a display brush script font with fun and pop feel. The strokes make this font outstanding and looks great for title. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Future Concept is Sans Serif fonts inspired by future design concept great for product logo, technology, game, design, space concept, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo type with fonts. Future Concept has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Future Concept can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

Introducing, The Mogaster - a bold monoline script with a touch of vintage look and feel. You will get 3 styles of font. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Android is an experimental 3D shadow outline font developed by the American type designer Alex Kaczun. The unique lighting created by the beveled edge in combination with an outline font was particularly difficult to create. But the result was worth the effort. Android makes for a powerful headline display that virtually pops off the page. There is a true three dimensional quality to this innovative new typeface. Use the regular Android when setting tight leading for smaller point sizes, and use Android Tall which has taller capitals for larger headlines. By experimenting with Type Effects in Illustrator or PhotoShop you can achieve some spectacular additional 3D effects.

Silver Broom is a display font with fun and playful looks. This type of font perfectly made to be applied especially in storybook children or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase and lowercase numbers and punctuation multilingual swashes feature ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Hollow House is an eye-catching typeface with a great looks in horror / creepy font. This type of font perfectly made to be applied especially in movies which is need a standout font, and the other simple forms such as invitations, labels, logos, magazines, books, greeting, packaging, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual alternates ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Haystack is a handwritten script with many . You can use also for headline or signature. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Introducing, Huyton- a unique display script with reverse contrast, comes with extrude. The unusual reverse contrast make this typeface one of a kind. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : extrude version uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

The Arabetic Sans Serif type family follows the guidelines of the Mutamathil type style but also illustrates the effects of adding and removing Latin-like serifs on Arabetic scripts legibility. It has only one glyph for every basic Arabic Unicode character or letter as defined in Unicode Standards version 5.1. Arabetic Sans Serif employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph’s isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Arabetic Sans Serif family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular, italic, bold, and bold italic styles.

This script font was inspired by the type called “Bastarde Flamande”, a much appreciated one in the Duke of Burgundy’s court at the end of 1400s for handwritten books. A book titled Histoire Romaine (Roman history), from Roman author Tite Live, translated in French by Pierre Bersuire, circa 1475, was our main source for drawing the lower case characters and many of the upper case. Each character was written by hand with a quill pen on rough paper so as to look like the originals as much as possible. This font includes “long s”, naturally, as typically medieval , also a few ligatures, final and initial characters but there aren't any abbreviations because the text was written in French rather than Latin. Instructions for use are enclosed in the file and identify how to keyboard these special characters. This font can be used for web-site titles, posters, fliers, ancient looking texts, greeting cards, indeed for many types of presentations as it is a very decorative, elegant and luxurious font. Large type size shows this font at its best.

Rock Champ is a beautiful display font that is suitable for branding with a contemporary 3D style because of its unique and thick shape, wedding invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Rock Champ : Uppercase & Lowercase International Language & Symbols Support Punctuation & Number PUA Unicode Range Standard Stylistic Alternates Stylistic Set Character Variant Contextual. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me. Thanks for your visit.

Introducing Baby Sillentha Script Baby Sillentha Script a fresh & modern new script with a handcrafted calligraphy style, decorative characters and dancing baseline! Very pretty for invitations such as greeting cards, branding materials, business cards, quotes, posters and more!! Baby Sillentha Script comes with 360+ glyphs. Alternative characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. The Open Type feature can be accessed using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop version of Corel Draw X, and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Baby Sillentha Script Uppercase & Lowercase Letters International Languages ​​& Symbols Support Punctuation & PUA Numbers Unicode Range Standard Alternative Style. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternative glyphs using Font Book (Mac) or Character Map (Windows). Best Regards, Alpha Bento

Thunderboss is a strong modern sans style with upper and lowercase feel nice balanced. Its wide range of uppercase with alternates and ligatures allow versatile design options and works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Font Features : Regular and Italic version Character set A-Z Ligatures in Uppercase Alternates in Uppercase Numerals & Punctuation Accented Characters Multiple Languages Supported Format File: OTF Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please klick fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please klick fi symbol How to access Alternate Characters? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Haksen Std

First presented by the Bauer Type Foundry in 1928, Futura is commonly considered the major typeface development to come out of the Constructivist orientation of the Bauhaus.movement in Germany. Paul Renner (type designer, painter, author and teacher) sketched the original drawings and based them loosely on the simple forms of circle, triangle and square. The design office at Bauer assisted him in turning these geometric forms into a sturdy, functioning type family, and over time, Renner made changes to make the Futura fonts even more legible. Its long ascenders and descenders benefit from generous line spacing. The range of weights and styles make it a versatile family. Futura is timelessly modern; in 1928 it was striking, tasteful, radical - and today it continues to be a popular typographic choice to express strength, elegance, and conceptual clarity. The PL Futura Maxi font family was created by Victor Caruso in 1960 to add more display weights to Paul Renner's 1927 Futura family. Typefaces in the same style like Futura are: Avenir, Metromedium, Neuzeit Grotesk,