A functional, constructive sans-serif with universal, geometric forms. Dedicated to the life and work of Bauhaus pioneer Josef Albers, the typeface follows a disciplined approach to composition using a limited palette of modular blocks. II Vorkurs has 3 weights and 6 styles with extensive latin language support and squared, stylistic alternates.

Mix Teapot is a handwritten sans serif, short & stout. This was written on an iPad using the Poppy procreate brush from my Procreate Lettering Brush Bundle. Mix Teapot includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ (plus an alternate for each) abcdefghijklmnopqrstuvwxyz (plus an alternate for each) 0123456789 !@$#%^&*()`~♥• +=[]:;'”,.\|/?{}<>“”‘’-–—_…©®™«»°²³¡¿₱¢€£¥½¼¾ ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜGĤÍÌÎÏIĪĮĴKŁŃÑŇ ÓÒÔÖÕØŌŐŒŔŘŚŜŠȘŞŤȚÚÙÛÜŮŰŪŲẀẂŴÝŶŸŹŽŻ áàâäãåăāąæćĉčçðđéèêëėēęĝgĥíìîïiīįĵkłńñň óòôöõøōőœŕřśŝšșşťțúùûüůűūųẁẃŵýŷÿźžż

Based off of research into Nevada cattle branding irons of the 19th century, Ranchstyle takes the vernacular from rancher’s brands of the old west, digitizes it, and brings it into the contemporary world as a vivacious spunky typeface. The letterforms mimic bent metal and have the fluidity that follows such a material.

Tectura II is Greater Albion's answer to the infamous Comic Sans. It's a family of four 'hand printed' typefaces that provides our very own answer to the infamous 'Comic Sans', and follows on from one of our early release 'Tectura'. Tectura II offers a distinctive blend of hand written character with legibility.

Backstreet is a purely handwritten typeface with its own unique characteristics. It has an elegant, feminine style with good readability. Perfect for Valentine day, neon design, signatures, invitations, titles, and much more! To stay up to date for my latest job, follow me and let’s be friends because there will be many promos.

Epic Kantona Signature is an elegant and a smooth casual monoline signature stylish script. It is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery and any projects that need handwriting taste. Epic Kantona works both on Mac & PC. Simple installations, Alternates & Ligature and Multi-lingual Support. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw. This type requires the support of OTF font such as AI, Photoshop, Affinity, Corel and so on. Follow our behance for updates : https://www.behance.net/hikhstudio

Architype Crouwel is a collection of typefaces created in collaboration with Wim Crouwel, following his agreement with The Foundry, to recreate his experimental alphabets as digital fonts. Crouwel's most recognized work was for the Van Abbe and Stedelijk museums (1954 –72) where he established his reputation for radical, grid-based design. Architype Catalogue originates from Wim Crouwel’s Stedelijk Museum exhibition catalogue for sculptor Claes Oldenburg, 1970. The cover’s soft ‘padded’ letterforms evoke the artist’s work. Oldenburg was so taken with the design, that he asked Crouwel to complete the alphabet.

Imagine there's an explosion in a comic book, the exclamation that follows is set in PAGODA INTERNATIONAL. This font is inspired by the graphics on one of Honolulu's 1950's skyscrapers - The Pagoda Hotel with the International Ballroom. Created by former wine label designer, Wesley Poole, Pagoda is the opposite of sophisticated elegance. "Big, fat, and horsy, that's what I was after. It's the wacky juxtaposition of these familiar shapes that makes it work. Just try a couple words. You'll be surprised! I'm glad this one's behind me. It's my first pancake."

Karben 205 is inspired by the classic, no nonsense DIN, and has a form that follows its highly legible function. Based on a lozenge, it has a clean and pure geometry with even stroke weights. Karben 205 is available in a family of five weights, and is also available with character variations as Karben 105. There are also monospaced variants of both Karben 105 and Karben 205 and a stencil version. All of the Karben fonts feature an extended character set, including accented characters for Central European languages.

Many years ago I created two upside-down typefaces, UpsidedownJJ and UpsidedownTOC. They were based on monospaced or typewriter fonts, and were rotated 180 degrees, which is the same as a vertical flip followed by a horizontal flip. Recently I was reminded that this way of creating an upside-down typeface is not the only way to create an upside-down typeface--a simple vertical flip creates a different one. That is what this typeface is, a simple vertical flip. The original typeface on which this one is based is JetJaneMono.

Introducing Marga is a groovy sans family with much special alternative glyphs and ligatures comes with 9 variable weight to get more stunning. Use this font family for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature 9 Weight Uppercase & Lowercase Number & Symbol International Glyphs Alternative & Ligatures Multilingual support Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com and find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/?hl=en Hope you enjoy it.

Introducing Daimon is a sans serif simplistic high-contrast sans that is at home in high-end fashion and cultural environments comes in weights with various width and weight that you can explore and combine. Use this font family for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Character Set 18 Style Uppercase & Lowercase Number & Symbol International Glyphs Ligatures Multilingual support Feel free to drop us a message or shoot me on email at: Suandana_Ipandemade@hotmail.com any time and follow my shop for upcoming updates

Many years ago I created two upside-down typefaces, UpsidedownJJ and UpsidedownTOC. They were based on monospaced or typewriter fonts, and were rotated 180 degrees, which is the same as a vertical flip followed by a horizontal flip. Recently I was reminded that this way of creating an upside-down typeface is not the only way to create an upside-down typeface--a simple vertical flip creates a different one. That is what this typeface is, a simple vertical flip. The unflipped typeface from which VerticalFlipTOC is derived is TiredOfCourier.

JY Ætna was designed originally by Francesco Griffo in 1495, and appeared in a book by Cardinal Bembo the following year. The typeface was re-created by Jack Yan in 1994, in time for its 500th anniversary. The original x-heights, quaint letters and other niceties have been restored. An italic complement, based on the design by Giovantonio Tagliente, has also been developed. JY Ætna has been one of JY&A Fonts’ more popular families over the years, with some typographers preferring its taller ascenders and descenders for headline work.

Introducing Pacho is a brand new serif family with much special alternative glyphs and ligatures comes with 9 variable weight to get more stunning. Use this font family for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature 9 Weight UPPERCASE & Lowercase Number & Symbol International Glyphs Alternative & Ligatures Multilingual support Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com and find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/?hl=en Hope you enjoy it.

William Caslon (1692-1766) laid the foundation for English typefounding, when he cut his first roman face in London in 1722. He modeled his designs on late seventeenth-century Dutch types; thus his typefaces are classified as Old Styles. The original Caslon punches have been preserved, enabling a perfect recutting of his faces. Notice the hollow in the apex of A and the two full serifs or beaks in the C. The italic capitals are irregular in their inclination. The Caslon font family is distinctive for use in subheadings or continuous text.

Larch is a clear and crisp high quality script typeface. It consists of five weights: White, Bright, Shaded, Dark & Black. Each style is working great separately, but they make the perfect combination together. Larch is designed by Måns Grebäck in 2016. The font supports hundreds of languages. It contains contextual and stylistic alternates, swashes and ligatures. Write # after any lowercase letter to make swashes! You can also write % after the following letters to make left swashes: b d f h i j k l t Example: Black% Lar#ch

Architype Crouwel is a collection of typefaces created in collaboration with Wim Crouwel, following his agreement with The Foundry, to recreate his experimental alphabets as digital fonts. Crouwel's most recognized work was for the Van Abbe and Stedelijk museums (1954 –72) where he established his reputation for radical, grid-based design. Architype Vierkant was developed from the few letterforms that Crouwel created for an opening spread in a 1972 Drupa catalogue, on the theme ‘typo vision international’ – this single reference showed an interesting interplay of the experimental ideas underpinning his controversial ‘new alphabet’ and Fodor.

Introducing Graves is a display sans family with much special alternative glyphs and ligatures comes with 9 weight to get more stunning. Use this font family for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature 9 Weight Uppercase & Lowercase Number & Symbol International Glyphs Alternative & Ligatures Multilingual support Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com and find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/?hl=en Hope you enjoy it.

Karben 105 is inspired by the classic, no nonsense DIN, and has a form that follows its highly legible function. Based on a lozenge, it has a clean and pure geometry with even stroke weights. Karben 105 is available in a family of five weights, and is also available with character variations as Karben 205. There are also monospaced variants of both Karben 105 and Karben 205 and a stencil version. All of the Karben fonts feature an extended character set, including accented characters for Central European languages.

Introducing Westiga - a Modern & Luxury Serif Font Westiga is a modern and luxury serif typeface designed with beautiful crafted characters that follow the trend. It can be used for adding a unique touch to logos, heading, branding business, magazines, product packaging, invitation, monograms, merchandise, poster book title, movie title or pull quotes and so much more. FEATURES - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Malkone is a modern sans serif, simplistic, high-contrast sans that is at home in high-end fashion and cultural environments comes in nine weights with various width and weight that you can explore and combine. use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

Trigly is an elegant sans serif, simplistic, high-contrast sans that is at home in high-end fashion and cultural environments comes in nine weights with various width and weight that you can explore and combine. use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

Ebratho is a superhero-themed display font that brings strength, courage, and modernity to your projects. With a strong, bold, and full-of-character style, this font is the perfect solution for creating an impressive and aggressive look. In every letter, Ebratho radiates soul-stirring power. Each character is designed with meticulous detail and a unique style, creating a strong and compelling impression on your audience. With a modern and charismatic look, this font will give your project an unforgettable touch. Ebratho is packed with creative tools, including ligatures and alternates, that allow you to combine elements of this font in various ways to create interesting and unique stylistic variations. Additionally, multilingual support allows you to use Ebratho in multiple languages, making your project accessible to a global audience. If you’re looking for a strong, bold, modern, and bold font with a superhero touch, Ebratho is the right choice. With benefits that include the ability to create impressive looks and creative features such as ligatures and alternates, this font will quickly catch the attention of your potential customers and make a memorable impression in no time. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

We have created this family inspired by the old-fashioned stencil letters like those the French army used during the WWI to write on soldiers' clothes, blankets, signals, ammunition, supplies and so on. This is a Didone-style font. We offer two variants for the same font: monospaced or proportionally spaced. Our Open Type specification allows automatic substitution of letters to avoid repeating the same glyph when a letter is repeated (for example “ee” or “bb”)(Not available with accented characters and a few others like “Q” that are never repeated in common use).

Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine the words Salaam and Shalom to the font family name. Salom’s sibling, Salom Sans, features the same letter proportions and therefore allows a rich spectrum of diverse typography, yet keeping the harmony between all styles. The sans has an additional light weight, while the serif comes with an expressive stencil style.

The elegant handwritten font for this brand exudes sophistication and timeless charm. Its strokes are fluid and graceful, reminiscent of a skilled calligrapher's penmanship. The letters are carefully crafted with a balance of curves and straight lines, creating a harmonious and refined look. The font maintains a moderate size, allowing for readability without sacrificing the delicate details that make it elegant. Each letter flows seamlessly into the next, creating a sense of continuity and grace. The spacing between characters is thoughtfully considered, striking the right balance between openness and cohesion.

Rockner is a family of fraktur typefaces designed by the calligrapher/designer Julius de Goede. Like all Blackletter styles, fraktur evolved out of Northern Europe's medieval manuscript tradition. Fraktur was the most used Blackletter variety between the sixteenth and twentieth centuries. Unlike many similar fraktur font families, Rockner is available in three weights: Regular, Medium, and Bold. This flexibility allows for richer design possibilities. The OT fonts contain the many alternate characters, such as the long s and historical ligatures, which are often necessary for the setting of historical documents.

Galigo is a captivating hand-drawn font that seamlessly blends artistic flair with versatile functionality. This unique typeface showcases a delightful variety with both light and regular forms, allowing you to effortlessly convey different moods and styles in your projects. Whether you're designing invitations, posters, branding materials, or any other creative endeavor, Galigo provides the versatility to express your ideas with finesse. Features: Regular & Light Uppercase & Lowercase Basic Latin Glyphs Multilingual Support Numeral and Punctuation Ligatures & Alternates Thankyou for picking up this font, hope you enjoy it. Regard. Grontype

Multipa takes inspiration from old-style grotesque fonts and reinterprets them for the present. Its contrast structure distinguishes it from other sans serif fonts. Thanks to style sets, letters like t, b, d, k, l are synchronized with capitalization height. It allows you to create powerful typographic designs with body text and heading styles. It is equipped with rich opentype features, style sets and ligatures for professional typography designs. Ideal for packaging, labels, routing designs, mobile applications, brand designs, logos, all kinds of presentation and editorial designs, indoor and outdoor printing works.

Foundry Flek and Foundry Plek are created on the same dot matrix grid system. Each family includes: light, regular, medium and bold weights – with a selection of dot patterns that can extend the grid vertically and horizontally. The underlying matrix common to each weight allows experimentation with overlays, and mixing weights produces varying effects. Foundry Plek used conventionally works well for serious correspondence, with a 'typewriter font' effect. Foundry Flek has an integral dot matrix grid as a background. With these two fonts a whole new graphic language can be explored.

Big. Bold. Beautiful. Slinkster is an intricately unique display face created by carefully overlapping equally-sized circles. The geometric patterns formed become increasingly mesmerizing the larger the type is set. Slinkster works best for display, headers, logotypes, and any other large-scale applications that allow the viewer to become hypnotized by its complexity. Due to how detailed Slinkster is, you may experience some lagging as it can take a while to render. Like this font? Consider donating to encourage further development and new fonts! Donations accepted through this Paypal address: willryan042@gmail.com

Straight Angles is a precisely designed three-dimensional font with a clean and futuristic look. The predominant angles are 90 degrees and 180 degrees with parallel and perpendicular lines. Each character is surrounded by a crisp black border of even thickness throughout the font. Upper- and lower-case letters are the same, providing a constant maximum top height while the stems extending below are allowed to show off their distinct personalities in order to spice things up. The 3D extrusion effect makes text appear to stand out from the page.

"Great Squater" is a graffiti font with two layers: solid and shadow. By using both of these layers in your design, you can create a three-dimensional (3D) effect on your text. Fonts like this are often used in street art, posters, or other designs that aim to add depth and dimension to their typography. With "Great Squater," you have the flexibility to make your text appear more dynamic and three-dimensional by using different layers. This allows you to customize the text's appearance to fit your design concept.

"Urban Crazy" is a graffiti font that contains several different styles and layers within it. When these styles and layers are properly combined in a design, they can create a three-dimensional (3D) effect on the text. Fonts like this are often used in street art, posters, and other designs that aim to add dimension and depth to their typography. With "Urban Crazy," you have the flexibility to create text with various effects and styles, ranging from simple to highly complex. This allows you to customize the design according to your creative vision.

Centuria is a sanserif humanistic family. Unlike many sanserif fonts, Centuria has modulated strokes and a moderate x-height. Centuria has a contemporary design with a soul of early grotesque fonts. Its slightly condensed letterforms and its short descenders allow a considerable amount of text per column. Centuria is very readable at small sizes! It is suitable for use in: newsletters, magazines, newspapers or just for any simple editorial application. Works very well in continuous text, short paragraphs or headlines. Provides a balanced and friendly texture. Match very well with Century.

In few words, Monodia is a small but widely applicable slab serif (nearly monoweight) font family with only two weight and one cut effect version. To those who agree with the fact that less is actually more, three fonts should be sufficient for branding, headlines and other display uses. With that reason regular and bold weights are designed with huge contrast. In order to avoid clogging of certain (especially Cyrillic) letters in the text, some serifs are atypically modified or allowed. Unlike uppercase letters and numbers, lowercase letters don’t have forked serifs. Еnjoy!

Scharf is a sturdy serif of eight weights with matching true italics. Accurate serif details are carefully drawn to allow improvements to readability and further enhance the fonts' fluid and dynamic personality. This extensive type system is purposefully suited for editorial design and complex typographic hierarchy. Details include eight weights with matching true italics, over 950 characters per font with alternative lowercase a, e, g and y, eight variations of numerals, true small caps with accents, discretionary ligatures and language support covering Western, South and Central European and Vietnamese.

Four Seasons is a display handwritten typeface inspired by nature and its four seasons. The font was designed by Coto Mendoza and Luciano Vergara during the winter of 2010 and 2013. Four Seasons’ real handmade stroke allows for an authentic lettering and makes the font perfect for photography and illustration composition. Four Seasons comes with an extensive character set and includes OpenType features such as titlings, endings, initials, swashes, ligatures and alternates plus a sweet set of ornaments, dingbats and words, all inspired by branches, leaves and flowers.