Nürnberg (Nuremberg in eng.) New blackletter-sans font family in modern look with contrasts elements in six widths. Impressive style with non-typical Blackletter uppercases as alternates and normal Sans as standard. In the company with good-looking lowercases and their alternates you can get outstanding result for your project. Six widths give you wide range of use. Massive Bold or Black will be really good in none-long magazine headlines, some logos or cafe/bar signs, menu's or coffeeshops. Medium or Regular is for normally (not giant) text blocks or any of accented texts. Light and Thin are good in big pt. Short word forms or numerals is just awesome.

Devoid is a sans serif typeface with a no frills stripped down design. The design has all the features of the neo grotesk typeface, horizontally cut endings, modern capitals, oval counters, with a bare bones appearance. The typeface comes in three subtle widths, Devoid Slim, which is spaced most narrowly, Devoid and Devoid Set, which have a wider letterspacing. There are regular, medium and bold weights with accompanying italics. The vertical metrics align across weights and widths, this allows for optical size adjustment as well as adjusting for same size text fit. Dutch designer Pier Taylor designed the typeface in 2020 for use in catalogs, lists and registers.

Valsity is a squarish slab-serif family with five weights and two widths, each with an italics for a total of twenty members. With negligible contrast, it is almost monoline. It is for decorative uses; it is too square and lacks the contrast to make it a good choice for extensive text. Valsity began with a blending of two other squarish slab-serifs, Valgal and Kwersity, and its name reflects that ancestry. From there it took on a life of its own, often diverging from its parents.

Encorpada Classic, designed by Eduilson Coan, brings the best features of the Didone genre, but with a 21st century look and feel. With smooth details Encorpada Classic is an elegant choice for your type library. The family has three widths – compressed, condensed & normal, support for more than 40 languages and opentype features.

FF Dora Display is the Display version of FF Dora. It provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Encorpada Classic, designed by Eduilson Coan, brings the best features of the Didone genre, but with a 21st century look and feel. With smooth details Encorpada Classic is an elegant choice for your type library. The family has three widths – compressed, condensed & normal, support for more than 40 languages and opentype features.

Rambla is a humanist sans for medium-long texts. It’s slightly condensed, with a generous x-height and short ascender/descenders. Its proportions have as objective to gain space in height and width. It’s elegant at large sizes and legible at the same time, with a lot of rhythm in small sizes.

Dopetta is a beautiful light handwritten font with a unique feel and a stunning impact. It will add a luxury spark to web design, invitaition, quotes and branding project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Gremlin is a modern sans-serif font designed with an extended width for a bold and impactful presence. Its clean and sleek lines contribute to a contemporary aesthetic, making it suitable for a variety of design applications. The bold weight of Gremlin ensures that your message stands out with confidence and authority.

This type family is the lighter, more open companion to the eye-catching Sliced volume, a masculine display face with boldly sliced terminals and angles, available in 3 widths. The complete Sliced volume numbers 14 styles, a versatile modern suite of fonts with extended European language coverage, available in OpenType, TrueType & web formats.

Clock Bird is a new font that is brushed and very attractive with a natural, detailed and perfect texture. It also includes a weight with underline swashes. Clock Bird is perfect for brand projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, and everything where you wish to add a personal charm.

Introducing the Thole font, a very elegant and clean san serif family, with a characteristic width and graceful impression, for designs with feminine or masculine themes, this font will look strong and strong in your design projects. There is a strong impression in this font, both from the width of the letters, the corners in this font are also equipped with ligatures and alternates to complement your needs. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, clothing, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

Changing nature of work FS Industrie is an extraordinarily versatile new type system, with 70 variants built around five different widths and seven different weights. Type in the future will be increasingly variable, and FS Industrie is specifically designed to address the changing needs of brands. As more of the things we make exist primarily in a digital space, so our need to create type that can adapt within that space grows. It is the spirit of variable design, adaptation and flexibility that drove us to create FS Industrie. A typeface for future work in a future world. FS Industrie is a response to the changing nature of type, for brands that are responding to the changing nature of work. Industrial style Stylistically, FS Industrie feels direct and simple without sacrificing its humanity. It takes inspiration from German fonts of the 1930s, with their roots in manufacturing and signage. A classic sense of functional utility combined with a progressive view of where type is heading. Expressions in width A fundamental challenge with variable type is to ensure that craft and precision is preserved at every interval. Each width and weight is drawn by hand, with subtle variations in terminals and angles as you progress through the system. This ensures each variant can play to its unique strengths, while also pairing perfectly with its siblings. From the closed terminals of the Condensed and the open terminals of the Extended. FS Industrie is a design system that maintains a practical, grounded and robust tone throughout every variable style. Variable nature The 70 styles offer a range of expression. Each width contrasts with the next to clearly define typographic roles in graphic layouts. Every glyph is crafted with adaptability and scalability in mind, creating a pliable design space for the user. The proportions of each letterform flex as weight scales up, stem weights increase as letter width broadens. These subtle design changes create an optically consistent visual impression.

Changing nature of work FS Industrie is an extraordinarily versatile new type system, with 70 variants built around five different widths and seven different weights. Type in the future will be increasingly variable, and FS Industrie is specifically designed to address the changing needs of brands. As more of the things we make exist primarily in a digital space, so our need to create type that can adapt within that space grows. It is the spirit of variable design, adaptation and flexibility that drove us to create FS Industrie. A typeface for future work in a future world. FS Industrie is a response to the changing nature of type, for brands that are responding to the changing nature of work. Industrial style Stylistically, FS Industrie feels direct and simple without sacrificing its humanity. It takes inspiration from German fonts of the 1930s, with their roots in manufacturing and signage. A classic sense of functional utility combined with a progressive view of where type is heading. Expressions in width A fundamental challenge with variable type is to ensure that craft and precision is preserved at every interval. Each width and weight is drawn by hand, with subtle variations in terminals and angles as you progress through the system. This ensures each variant can play to its unique strengths, while also pairing perfectly with its siblings. From the closed terminals of the Condensed and the open terminals of the Extended. FS Industrie is a design system that maintains a practical, grounded and robust tone throughout every variable style. Variable nature The 70 styles offer a range of expression. Each width contrasts with the next to clearly define typographic roles in graphic layouts. Every glyph is crafted with adaptability and scalability in mind, creating a pliable design space for the user. The proportions of each letterform flex as weight scales up, stem weights increase as letter width broadens. These subtle design changes create an optically consistent visual impression.

Our Stint Family was originally influenced by extra wide letterform styles and developed later to create an ultra condensed range of fonts and the widths in-between. Highly legible throughout its width & weight ranges, the Stint Pro Family is both perfect for powerful headlines and copy. It also works well for getting as much information as possible into limited realty websites with the ultra condensed widths, as well as when realty on websites and designs is less of a concern and the wider widths can play. A small caps feature within all of the widths and weights gives this family more versatility and a serious tone, while the Stylistic Alternates feature offers a Caps to SmallCaps feature. Reserved and straightforward, with subtle distinctive notes of its own, the Stint Pro Family presents a visually strong yet subdued visual dynamic. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Figuera Variable is inspired by Victorian style serif typefaces. With a different width and weight you can make your design more fluid using only a single font family. These new fonts come with a new feature allowing you to create a variable widths and weights without using additional fonts. There are some limitations on the use of the new variable features because of the software compatibility, and currently requires Adobe CC 2018 or later. Creating webfonts using these variables is a fantastic feature.

Tomkin font is an extra large super family of 54 fonts! Tomkin have such a big abundance of contrast, styles, weights, width. Typesketchbook consists of a very usable, clean and modern sans typeface with Semi-square struture. The complete Tomkin type family includes 9 weights with italic and 3 width (normal, narrow, condense) versions for each of them all in all 54 fonts for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

Zimric is a family with 28 styles. It has the look of neat hand printing. It is monoline and sans-serif, friendly and legible. The Zimric family has three widths, each width has four or five weights, and each weight comes in both upright and italic styles.

A Modern Classy Beauty Elegant Font that we created special for Luxury and Fashion branding needs, And specially for this font, We prepared any alternate characters to help you create unlimited variations for your creative needs. Guaine - Modern Beauty Elegant Font ready with: Any options to get creative variations (combination of Any Alternates) Preview as a inspirations that you can do with Guaine font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

American Type Founders released the pattern for this typeface under the name "Thermotype". In the days of cast-metal foundry type, copyfitting headlines could prove problemmatic at times; this typeface, with a wide uppercase and narrower lowercase of exactly the same “color”, allowed stacked lines of type to be composed with uniform width. Clean, crisp and practical. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Balogent is a elegant script with a new lovely stylish, a perfection style of the letters you want to use, modern handwriting with many alternatives. Now this is an opentype! It's smart and in line with your wishes! You are welcome to use it, suitable for various purposes: logo, signatures, corporate symbol, wedding invitation, title, creative, t-shirt, business card, letterhead, nameplate, headings, label, poster, news, badge, letterhead, cutting, hot stamping, quotation, etc. Thanks !

A Unique Display Logo Font that we created special for Beauty and Modern branding needs that will give you more elegant look.We prepared any alternate characters to help you create unlimited variations for your creative needs. Maniola Display Logo font ready with: Any options to get creative variations (combination of Alternates) Preview as a inspirations that you can do with Maniola font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Nearly Brush is bold, stylish and elegant handwritten font with distinctive strokes. Its round letters will add a luxury spark to any design project that you wish to create!

Segment B is a powerful display type family with 18 styles inspired by condensed European grotesques of 19th-century with a reference to the first grotesques, which differ in the contrast of strokes, but with clear geometric proportions. In Black weights, the letterforms are inspired by the aggressive industrial graphic design of the 1960s and 70s. Both have 3 axes and are adjustable in weight, width and 10? italic. It is a typeface with narrow proportions, distinctive character, high-quality outline and lots of details. Characters have oblique cuts, sharp tails and highly visible ink traps. All this makes the font more aggressive and edgy. The huge x-height with short ascenders and descenders allows this typeface to be used in blocks with minimal line spacing. Features: – Total glyph set: 631 glyphs; – 18 styles (3 weights x 3 widths + italic); – Support 210+ languages; – Latin Extended; – Cyrillic Basic + Bulgarian letters; OpenType features: – Proportional numerals, tabular numerals, superiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic alternates (ss01-ss05); – Ligatures; – Case-sensitive forms.

MONIK is a A New Elegant Classy Serif Font A serif that we created special for elegant branding needs, with extra ligature and alternates in unique shape will be ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more classy and modern. MONIK serif font ready with: Ready 3 Weights (Light, Regular, and Bold) Preview as a inspirations that you can do with MONIK font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Raguel is Classy Elegant Luxury Font with Sharp shape make your design look classy and elegant A new Serif Font that we created special for Headline, Title and more stand out typography needs, we crafted for unique style and modern feels so enjoy to create any project that will show your main idea out. Raguel is Classy Elegant Luxury Font ready with: Any options to get creative variations Preview as a inspirations that you can do with Raguel font Ready with All characters Wish you enjoy our font. :)

Graphite was designed by David Siegel, who began thinking about the typeface in 1982, looking for an architect's handwriting with a chiselled pencil" look. The handwriting of San Francisco architect Anthony Celis LaRosa became Siegel's choice. With the assistance of David Berlow and Tom Rickner, Graphite was designed and released as a multiple master typeface with weight and width axes that allow for its use in a dynamic range from light condensed to black extended. Graphite is an upright script with simple lines, and is usable in a large variety of informal copysetting situations."

Qiomy is A New Display font that perfect for unique Branding and any Design needs A New font that we created special for Unique branding needs, with unique style that ready to add value of your brand. It's so nice to leverage designer or product owner that need solutions to make their design look more unique, Stylish and elegant. Qiomy New Display font ready with: Lowercase and Uppercase characters with Ligatures Numbers and Punctuations Preview as a inspirations that you can do with Qiomy font Available for PC and Mac Wish you enjoy our font.

A Modern Pixelate font are prepared special for NFT, pixel style, game, or poster design needs that will add your value. It's so perfect to add your style and headline overview. And specially for Micro font, we crafted for old style, NFT and unique feels so enjoy to create any project that will show your main idea out. Micro Pixelate Modern Font ready with: Perfect to get creative with this font Preview as a inspirations that you can do with Micro font Ready with Uppercase and Lowercase characters Wish you enjoy our font. :)

Modeling is a Modern Fashion Sans Serif In a new generations, we analyze that any designer or brand owner need to make their brand standout. As our focus that analyze any typeface that helps to leverage any logo design to look more modern, fashionable and unique. We prepared this font with expanded style characters to help you create a classy branding in any projects. Modeling Modern Fashion font ready with: Creative Expanded Characters Preview as a inspirations that you can do with Modeling font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Aprex Sans perfectly balances the minimalist quality associated with contemporary sans with flair within the width of the counters and comfortable, breathable apertures. — Throughout weights and sizes, the typeface has great legibility and good contrast between positive and negative space, making it stunningly versatile. — With a seamless combination of contemporary details and classic styles, Aprex Sans draws inspiration from the mid-century humanist and grotesque typefaces, and its solid and straightforward structure is characterized by angular connections between curves and stems. Aprex Sans is geometric in nature with humanist qualities rooted in the Swiss tradition.

Comenia Sans was designed in the framework of a unique typographic project for all types of schools. It is a complementary face for Comenia Serif, released by our friends at Storm Type Foundry. Comenia Sans has a lot in common with its serif sister: the height of both upper and lower case, the length of ascenders and descenders, and the general weight. This makes the two perfect partners which work well even when set side by side in a single line of text. Comenia Sans does, however, lack all serifs, ornamental elements and stroke stress variation. All these elements freshen up the feel of long texts, but for shorter texts use, they are not necessary. Despite that, Comenia Sans retains the soft, friendly character of its big sister, as well as a few tiny details which lend it its unique character without compromising legibility or utility. Open counters give all letters an airy feel and permit enough variation in construction. This is why the face works well even in multiple-page texts. All its letters are easily distinguished from each other, so the reader's eyes are not strained. Diacritics and punctuation harmonize with both upper and lower case. As usually, all diacritical marks fully respect conventional shapes of accents and they are perfectly suitable for Czech, Slovak, Polish and other Central European languages, where a lot of diacritics abounds. Similarly to the renaissance italics which refers to the cursive forms, Comenia Sans introduces novel shapes of some characters drawing from the hand-written heritage. This is most apparent in the single-bellied a, the simplified g, and the stem of f which crosses the baseline and ends with a distinct terminal. In the text, emphasized words are thus distinguished not only by the slant of letters, but also by the shapes of the letters themselves. All twelve styles contain set of small caps, suitable for the names, in the indexes or the headlines in longer texts. Legibility in small sizes under 10 points was at the center of designers' attention, too. This is why the counters of a, e and g are large enough to prevent ink spread in small sizes, both on-screen and in print. After all, the font was specifically optimized for screen use: its sober, simple forms are perfectly fit to be displayed on the computer screen and in other low-resolution devices. When used in the context of architecture, the smoothness of all contours stands out, permitting to enlarge the letters almost without limit. A standard at the Suitcase Type Foundry, each style of Comenia Sans boasts a number of ligatures, an automatic replacement of small caps and caps punctuation, a collection of mathematical symbols, and several types of numerals which make it easy to set academic and other texts in an organised, well-arranged way. For the same purpose, fractions may come in handy, too. Apart from the standard emphasis styles, the family also contains six condensed cuts (each set has the same number of characters), designated for situations where space is limited or the need for striking, poster-like effect arises. Comenia Sans is the ideal choice for the setting of magazines, picture books, and navigation systems alike. Its excellent legibility and soft, fine details will be appreciated both in micro-typography and in poster sizes. Although it was designed as a member of a compact system, it will work equally well on its own or in combination with other high-quality typefaces.

A typeface family inspired by water. The family comes with a text version of two weights and matching italics —Regular, Regular Italic, Bold and Bold Italic. In addition, both weights come with a characteristic “glitch” version wich makes the family outstanding and suitable for branding and visual communication projects. The fonts support 207 different languages.

Harland Roselyn is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! Bold decorative script with modern handwritten touch, warm, romantic and jolly. perfect for wedding invitations, logos, branding, packaging as well as cuttable designs.

Mansel – an exquisite sans serif font that takes inspiration from retro design. Boasting an impressive range of weights, widths, and italic angles in both classic and variable formats, Mansel offers unparalleled flexibility for creating stunning visual compositions. With support for most Latin-based languages, this versatile font is perfect for professional projects with global reach.

Philson Block is a family with upright and oblique versions. The structure of each character is based on a square divided into simple fractions. Each letter has at least one variation, with angled corners, increased widths, or altered shapes. This font is recommended for display lettering, headlines, and blocks of type that mask images.

While searching through microfilm of an old, 1932 newspaper, I stumbled on the word "Poultry" written with trapezoidal letters. I did not recall seeing lettering like this and it inspired me to design a typeface that could produce a similar result. Poultry Sign has two widths each with three weights giving the family six styles. It is monoline, monospaced, and all caps. The letters on the lower-case keys reverse the trapezoid of those on the upper-case keys. The designer's expectation is that the most common use for this typeface will alternate upper-case and lower-case keys, and to make this effect easy, included in the font is a contextual alternatives (calt) OpenType feature that automatically produces this result if your word processor supports this feature. To get text with all letters with big bottoms or all letters with with big tops, this feature must be turned off. The spacing of the letters is identical within each width so the styles can be layered to produce bi-colored or tri-colored letters. There is a second set of numbers that can be accessed with an OpenType stylistic alternative. Also accessible with OpenType stylistic alternatives are variations of letters T, N, L, Y, and V.

Technology in mind in 12 fonts Allumi is a different font. Different from anything Jean François Porchez has designed in the past. Allumi is a sleek typeface designed with technology in mind. It’s a perfect font family for any communication concerning design, robotics, or functionality. Pushed to its extreme limits, the Allumi shapes are neither perfectly round or geometrically square. It’s a human design with a high tech touch. Allumi can be described as the Eurostyle (designed by Aldo Novarese in 1964) of the new century, mixed with Frutiger. Allumi is a serious typeface because of the unique design and sturdy form. The pure shapes can create a global presence today with an eye on the world of tomorrow. Two widths The Allumi family has been built around two series of widths, standard and extended. Italics have been carefully designed as slanted roman with all necessary optical and human corrections to create a perfect and neat italic. I Love Typography 2009

IL Palamede is a typeface with just one style, referring by its name to the French chess magazine Le Palamède. Connects with chess here not only the name. Each symbol is built on a 5x5 grid with 3x3 priority. At the same time, the logic here is higher than optical compensation, so you can observe here quite dense, for example "b". Thanks to this solution, the typed text is balanced in width, and it also creates the feeling of a chess cell, where black and white cells alternate. Connects with chess here not only the name. Each symbol is built on a 5x5 grid with 3x3 priority. At the same time, the logic here is higher than optical compensation, so you can observe here quite dense, for example, "s". Thanks to this solution, the typed text is balanced in width, and it also creates the feeling of a chess cell, where black and white cells alternate. Use this font for any purpose that includes winning or enjoying.