Rodinia displays my love of the carnival and the Slavic culture.

Looking for a big, bold and curvy font? Here’s Black Damon! She is a hand-drawn typeface with explicit curves and angles that still retains softness and has a handcrafted feel. All glyphs are handcrafted by illustrative designer Zeptonn. She might not be your best friend for body text, but still, she won't hesitate to perform well under pressure. She will make an interesting yet unusual partner for headlines. Awesome and distinctive in use for titles, displays and fresh illustrations. Prepare to make a statement!

ITC Zinzinnati is based on a font called Ohio, released in 1924 by Die Schriftguss A.G. Typical of the Plakatstil letterforms of the time, the original font had a rough outline, as if drawn with a brush. Nick Curtis has smoothed the rough edges, which enhances the design's playful curves and engaging charm. As for the name: it's the punchline to an old vaudeville routine that starts with the question, Name a city in Ohio that begins with a 'Z.'" Pie in the face, comin' atcha!"

Toshiko is an experimental typeface which mixes techno and traditional designs, creating a straight edged but curly serif font. The characters themselves are very carefully crafted, with precise, accurate lines and predictable forms, but the serifs, as well as the indecision between curved and square corners, gives the font an impression of unpredictability that shows off its creative freedom. Whether you’re looking to brand something technological or express rebellion, Toshiko can create the mix of conformist and nonconformist that will draw readers into interest and attentiveness.

Aljaraz (meaning “small bell” in english) is a curvy typeface inspired on the “Fat face" letters with an extremely bold design from the early 19th century, but with an insolent touch of brave and psychedelic distortions. Aljaraz has a regular and italic variable, and in both styles the capital letters have a swash alternative where the naughty touch reaches its maximum expression. It is ideal to recall the lysergic era of the 60s, write funny words, or simply to express small texts in a display way that powerfully attracts attention. Let Aljaraz inspire you groovy kind of love! Designed by Carlos Campos cuchi@cuchiquetipo.com Secondary typeface: 'Escuela', also by Carlos Campos _ Aljaraz (“campanita”) es una tipografía curvy inspirada en las letras con un diseño extremadamente grueso y atrevido de principios del siglo XIX (las “Fat face”), pero con un toque insolente de valientes distorsiones psicodélicas. Aljaraz tiene una variable regular y cursiva, y en ambos estilos las mayúsculas tienen una alternativa súper decorada donde el toque travieso alcanza su máxima expresión. Es ideal para rememorar la época lisérgica de los años 60, escribir palabras graciosas, o simplemente expresar textos graciosos de una forma visual que llame poderosamente la atención. ¡Deja que Aljaraz te inspire su maravilloso amor!

Show your lovely, unique points of view with this font script. Honest Sky is a script font made from handwriting to show modern, elegant designs to any of your designs. The letters are created in interconnected cursive styles with a lot of curved wipes. The lines’ proportions and thickness are consistent enough. Use Honest Sky for big-sized texts for a legibility reason. Enjoy the available features in this font. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Honest Sky fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

Rapuntaz – A Handwritten Signature Script Font Rapuntaz is an exquisite handwritten signature script font that embodies elegance and sophistication. With its graceful strokes and fluid curves, each letter exudes a sense of personalized artistry, mimicking the nuanced movements of a pen gliding effortlessly across paper. The font captures the essence of a carefully crafted signature, adding a touch of refinement to any design or document. Rapuntaz seamlessly blends cursive elements with a contemporary flair, resulting in a timeless and versatile typeface that conveys both individuality and class. Whether used for formal documents, invitations, or branding, Rapuntaz lends an air of authenticity and style to every project it graces. Rapuntaz is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Clarence is a modern, original typeface that has been designed to have a warm and slightly antiquated feel. It is slightly too idiosyncratic for great lengths of continuous text but does work very well at both small and display sizes. The serif structure takes some inspiration from architectural buttresses (a structure built against a wall to provide support or reinforcement). The serifs only protrude a small way from the body of the letter, which serves to ground the letter and, because the serifs bracket (the curve) joins the vertical at a relatively great distance from the tip of the serif, it remains subtle. The italic variant draws on the roman but has a more pronounced and curvier serif structure, analogous to the cursive element expected of an italic. This serif structure is present throughout the italic, even extending into the uppercase, making it more of a true italic than the commonplace sloped roman.

Marit Otto about New Daily: This typeface design has a modern but yet classic appearance. That is why she listens to the name New Daily. I took some elements from the Art Nouveau and Art Deco (type) styles. And modernized it by cultivating the beautiful curved features of both styles and playing with the stylish fluid lines and open structures. By adding a bit of the no-nonsense office look of a typeface like Nimbus Sans a new but familiar look occurs. This typeface is very readable and useful for many purposes. It has a playful distinguished character.

Fairlady is a somewhat chunky script font that is developed from my own handlettered brush letters. My idea was to design a bold cursive script font with a strong 1950's vintage feeling to it. Fairlady is a decorative and quite tightly spaced font with preserved legibility which makes it perfect for vintage cards, labels, posters, logos, packaging and more. It has multilingual support for most European countries.

A casual sans that harks back to the very English style of book jacket and poster art of the late 50's and early 60's. The turned-in terminals are reminicent of Stephenson Blake's Grotesque 9, and the italic provides unique cursive versions of the lowercase characters. Available in a "narrow" version as well as two standard weights, this face lends itself to the wider letterspacing that evokes hot metal.

Inspired by classic sport logo lock-ups, Bandbox delivers with its heavy, streaming cursive letterforms. Bandbox's wide, gently-sloped script comes bundled with a collection of ligatures and 18 athletic swash banners, perfect for logotype, posters and t-shirt designs. Here's what's included in the single-weight typeface Bandbox: Upper (A-Z) and lower case (a-z) characters Numbers (0-9) Standard punctuation and glyphs Alternates, Ligatures and Swashes Multilingual support

Bingley is a beautifully old-fashioned, proper, and full of class body typeface. The British feel of this face comes from its inspirational source—a tombstone script from Oxford. The characters are squat and nearly square in proportions, even cursive comes with a pronounced breadth. Generous counters and pleasant stroke weight contrast ensure high legibility of any text set in Bingley. Pronounced serifs and drop-shaped terminals further enrich the experience.

Meet Kidsnote, where each letter is like a letter in the margins of the page, written with a ballpoint pen. This dissimilar family of different fonts is framed by the atmosphere of handwritten notes. From block and cursive letters to underlining and mini-doodles, every typeface captures the feeling of writing with a real pen. Like the pages of a notebook, written in small handwriting. Features: - Extras - Kerning

Scratch was designed by Andrew Smith in 1995. It looks as thought many fine lines were drawn next to and over each other with a felt-tipped pen. Small bits of white peek out among the strokes and give the font its dynamic character. Flexible and sketchy, the forms are based on those of a classic sans serif cursive typeface. Scratch is meant exclusively as a headline or display font.

Explore a diverse range of 23 different handwriting styles with the new Go Font Yourself! Volume 2 Fontpak. This is a collection of 23 new, genuine handwriting fonts in OpenType format for Mac or PC. Fancy cursive or extrabold marker, stylish script or sassy scribbles; this fontpack is loaded a lot of personality. And if that's not enough handwriting styles for you, check out the original: GFY Handwriting Fontpak (Volume 1).

This is our first experience of creating serif fonts. It resulted in a modern slab serif family designed with symmetrical bracketed serifs for uprights and cursive serifs for Italics. Crafted with low contrast strokes, it makes this font versatile and can be used for text and printing. Counte contains many International diacritics and OpenType Features. It consists of 9 weight, going from Thin to Black with matching italics.

The typeface Ruano was inspired from “Lettera cancelleresca formata” by the Vatican calligrapher Ferdinando Ruano, carved and cast in 1926 by Nebiolo of Turin on the advice of Raffaello Bertieri who designed the capital letters and numbers, missing in the original. The difficulty of the design of this chancery font lies in its original vertical layout, bending the calligraphic harmonies to the Gothic style, thus distinguishing it from contemporary cursive alphabets.

Introducing Tyloos Signature - Inspired by handwritten font cursive, signature font word that perfect for any design project you have! Tyloos Signature is perfect for winter sale design, branding, logo, invitation, stationery, wedding, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title, movie poster, youtube thumbnail and more. Features : - Tyloos Signature.otf - Uppercase & lowercase - numeral & punctuation - Ligatures - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Ottbelix is signature monoline font. Clean and elegant, cursive, legible script font which can be used on a wide variety of designs such as: headlines, titles, headings, logos, branding, posters, invitations, books, and any other creative design. This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Flores del Sol is a cursive, calligraphic script font with swashed characters, ligatures and full latin and cyrillic support. It is elegant yet friendly and playful and is perfect for logotypes, floral and boutique themes, products T-shirts, scrapbooking postcards or even weddings and name cards. Hope you like this one, good luck with your creative projects! Any questions, feedback or customiztion request please contact me. Cheers, Roland