Bay Area Nouveau JNL is an ultra bold, Art Nouveau headline font inspired by hand lettering on the cover of a piece of 1911 sheet music entitled "The Only Pal I Ever Had Came from 'Frisco Town'".

A lot of interesting variations in lettering style can be found in sets of antique tin or brass marking stencils. One such set was the model for Metalmark Stencil JNL, a bold sans with a chamfered look.

Here's a trip back to the Disco Age, based on a font called Gemini Biform from Fotostar. Big, bold, brassy and sassy. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Hello, introducing the new font Thursday Routine. Thursday Routine is a Bold Friendly font. The font is available on Italic too. Good reading, Readability 100%. Perfect for your graphic. What's Included ? Uppercase Lowercase Symbols Numerals Multilingual Support

Hello, Morgan Nice Two is here. This font is inspired from our previous font, Nice One. In Morgan Nice Two we have three versions: light, regular and bold. It has modern and strong looks with a little decoration on it. We hope you enjoy in using Morgan Nice Two! :)

Tomboy is a type design based on informal handwriting. Its presence on the page is friendly and easy to read, suitable for correspondence, brief text, and for display use in titles and headlines. Three weights -- Light, Medium & Bold -- allow Tomboy to speak in a wide range of voices.

Introducing Heroid, the typeface that’s as powerful as a superhero! With its bold and daring letterforms, this font is guaranteed to make your design stand out from the crowd. Heroid comes in both regular and bold, so you can choose just how much of an impact you want to make. And with a selection of alternate caps, you can customize your design even further, making it truly one-of-a-kind. This typeface is so strong, it could punch its way through a steel door! So why settle for a plain, boring font when you can have Heroid, the typeface that’s as heroic as you are. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Corzinair—the typeface that exudes confidence and practicality. Its rugged serifs add a touch of grit and determination to any message. Perfect for businesses looking to make a bold statement, Corzinair was inspired by the iconic IBM Selectric typewriter fonts of the 1960s. Its wide, squarish shapes are reminiscent of a time when simplicity and functionality were the driving forces of innovation. Available in three weights—regular, bold, and italic—Corzinair is versatile enough to suit any design need. And with separate Small-Caps styles, it’s even easier to deploy on the web and in applications. Make your mark with Corzinair—the typeface that means business. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Although it is an orthodox semi-cursive script, Kana is designed to be somewhat larger for better line alignment and is tailored to both horizontal and vertical typesetting. Bold can be selected for the subheading, body text, or headline. オーソドックスな行書体ですが、タテ組ヨコ組両方に適した書体となるよう、仮名をやや大きめにデザインし、ライン揃えを意識しました。独特の組み版効果が特徴です。太さに合わせて、小見出し用から本文、大見出し用に活用いただけます。一筆書きの脈絡を多用し、続け書きによる「連綿線」を持つ書体です。行書体の特徴である流れるような筆の運びを表現できるよう心がけました。同じ部首でも「へん」と「つくり」で処理が異なる字があるのは行書体の特徴でもあります。

Maleha Bold Modern Sans Serif Font Introducing Maleha, a bold and sophisticated modern sans serif font designed to elevate your projects with its confident and sleek aesthetic. Crafted with precision, Maleha embodies a perfect balance between professionalism and contemporary style. With two versatile styles—regular and slant—Maleha offers a dynamic range of possibilities, enabling you to effortlessly convey a sense of authority and modernity in your designs. The bold strokes and clean lines of Maleha's characters exude confidence, making it ideal for headlines, branding, editorial designs, logos, posters, and more. Its versatile nature ensures readability across various mediums while maintaining a strong visual impact. Maleha's boldness is matched by its adaptability; whether for digital or print, its clarity and elegance remain consistent. The regular style presents a crisp, clean appearance, while the slant adds a touch of dynamic flair, perfect for emphasis or adding a contemporary twist to your typography. Features: - Uppercase, Lowercase, Number, and Punctuation - Standard and Special Ligatures and alternates - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works on Microsoft Word - Fully accessible without additional design software - Multilingual Support, ä, ö, ü, Ä, Ö, Ü, ß, ¿, and ¡. Unleash the power of expression and professionalism with Maleha, the bold modern sans serif font that effortlessly commands attention while conveying a sense of sophistication and modernity in every project.

ATTACK OS font version: 1.0 is the first version, including 340 characters, there are 4 types of handwriting that are: Regular; Italic; Bold; Bold Italic. We work with agencies and brands on visual identities and custom type design. Do you need a new font? Or an adjustment of the existing one? We can handle it on a best technological and creative level. New font design We create a concept and drawing of a completely new font to emphasise the character of your brand or project. Modifications to our fonts We adjust one of our retail fonts to your needs. It usually means a small change in design, an extension of the language set or icons. Let’s discuss how we can work together

BUMBLE OS font version: 1.0 is the first version, including 340 characters, there are 3 types of handwriting that are: Regular (Regular); Italic (Italic); Bold (Bold). We work with agencies and brands on visual identities and custom type design. Do you need a new font? Or an adjustment of the existing one? We can handle it on a best technological and creative level. New font design We create a concept and drawing of a completely new font to emphasise the character of your brand or project. Modifications to our fonts We adjust one of our retail fonts to your needs. It usually means a small change in design, an extension of the language set or icons. Let’s discuss how we can work together

Lina sans is an Arabic typeface from Lina type family, it expresses modern vigor based on simplicity and clarity. It's Strong, Bold, legible, clear, simple, Modern. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. the design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina sans was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina sans consists of 7-weight versions from thin to bold.

Lingua is the unlikely offspring of our CAPUT font. Wondering what the undercast characters of this font would look like, I started writing. I was pleased with the first results and this encouraged me to pursue the process. The final font still has some slight resemblance to its predecessor, but stands completely on its own. This bold, sturdy typeface is very suitable for headers, posters and other designs where large sizes are needed. It comes with both a western and a cyrillic character set.

Patches is a multi-faceted, victorian-era serif typeface for when you need something more than plain text. Get that extra attention while adding a genuine, original appearance to your message. Patches was designed from scratch to give a sense quality and depth. Its designer Mans Greback has created a typeface with a complex structure, yet one that will be easy to master. This work will suit every style, taste and skill level. It is a decorative and completely hand-drawn design in vintage lettering, with the perks and flexibility of present-day technology, which is exactly what you'd expect from a modern typeface. Whether you are making a decorative floral headline, drawing a cowboy logo, or creating a unique design based on this ornamental font, the hopes are that Patches can give you a set of tools and inspiration to bring out the best of your artistry. Standing on the shoulders of giants, it was inspired by a wide range of works, and will hopefully be able to continue to teach and inspire future artists. Or at least help you become a better designer when you're designing an elegant and classic headline. Set the coloring of Patches to light gold and cream tones to apply a luxurious look, or in dark tones for a more rugged impression. Bold, bright colors will make it appear In the mid-1800s, decorative design flourished in the Western major cities. Victorian style thrived and encouraged techniques such as enamelling, embroidery and calligraphy. From the 1880s onwards, there were a series of reactions to higher Victorian tastes, with Art Deco reaching the heights of the 20th century. However, the Victorian art persisted popularity, as it changed to more sophisticated designs which made it more attractive to specific professions and groups. The evolution of the Victorian style in the mid-20th century was a key factor in the succession of the movement. Classic shops and salons, sport designs and traditional festivals, and later Rock'n'Roll and Harley Davidson-themed graphics ​inspired the continued development of the art. Aspiring to carry on this tradition, this typeface family consists twelve different high-quality variations. The main ones are Patched and Patched In – an outlined variation – and each one provided in five weights: Thin, Light, Medium, Bold and Black. Additionally, the two rough fonts Hangaround and Prospects, that tries to grasp the rough, earthy atmosphere of a shady motorcycle club. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Pista is a unique decorative typeface which is applicable for web, print especially for magazines, brochures, posters, flyers and motion graphics. Pista has six weights - regular, bold, outline, rounded, rounded bold and rounded outline. The weights are perfect for logos - regular size has an elegant look, the bold and outline gives a unique feel.

Will Ransom designed the exemplar for this series for Barnhart Brothers & Spindler in the early 1900s. The typeface was originally named "Parsons", after the advertising director of a Chicago department store (evidently a very BIG customer of BB&S). Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Ziboulateur is French slang for bottle opener. The word consists of two parts: Zibula (a word from Congo-Brazzaville meaning: ‘to decork’) and the French suffix -ateur. I thought this rather creative word would be a good name for this particular font! Ziboulateur is a handmade, all caps display font. It comes with extensive language support, including Sami and Vietnamese.

Spaced out and a bit nutty. This typeface revisits the futuristic atmosphere of the 50s and 60s cartoons and is complemented with an amazing, wacky and super cool series of 50 pictograms, designed by the master designer Dimitris Foussekis. This is a very popular informal typeface which was expanded recently into a ‘Pro’ version that includes Latin, Greek and Cyrillic.

Designed with visual novels and romantic text in mind, Doki Doki Tokimeki (taken from the Japanese sound for a heartbeat and the word heartbeat itself) is a romantically-inclined sans serif. From playful, yet friendly letters to a range of dingbats and a series of alternate heart-shaped glyphs, it’s sure to make your heart go pitter-patter as well!

German type designer Manfred Klein created this script FontFont in 1994. The family contains 3 weights: Light, Demi, and Extra and is ideally suited for advertising and packaging, festive occasions, film and tv as well as poster and billboards. FF Quill provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

A whimsical and fun calligraphy style font that is perfect for informal and fun occasions. The design was inspired by a series of scrapbooking style fonts that I have been exploring over the past couple of years. Inspired by a hand lettered sample in a lettering how to book. Contains language support for both Latin-based and most Eastern European languages.

The Classic Charles Rennie Mackintosh Font has been a massive seller over the years. Its use in the Hollywood motion picture "Spider Man 2", has now been emulated by the branding of the the new Fox TV series "American Horror Story". Very unusual for the horror genre, this slightly tweaked version of the classic original mirrors how the show's producers have used it.

Sponge Bear is a playful heavy display font, this unique font is suitable for various designs that require thick text and designs with funny, cheerful, happy, spirit, adventure themes. The stylistics of the Sponge Bear font will change the vertical position of the letters randomly, this will make the series of words more unique and interesting. Have fun creating with Sponge Bear.

XIKAS is the newest font in our gothic series, featuring a classic and elegantly designed typeface. With a classic design, this font uses striking details to exude a confident elegance that appeals to all genders, ages, and tastes. It can be used in a variety of projects to create an attractive vintage and elegant style that evokes elegance, luxury, and a strong personality.

No secret here: this typeface was inspired by the opening credits for the television series "Justified." Alternate upper and lowercase letter to achieve the effect, or—in OpenType-savvy programs—activate the Contextual Alternates (calt) feature. Thin numbers can be found in these positions: ~^{}[]|\<>. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Here’s a collection of fifty-eight handy-dandy vintage Victorian and Art Deco panels to dress up your next design project. Letters A-Z, a-z and numbers 0, 7, 8 and 9 have single-element designs, and the number series 1-2-3 and 4-5-6 contain Victorian tapestry elements. Enjoy a wealth of design elements at a very attractive price.

Elina continues the series of graceful calligraphic typefaces by Natalia Vasilyeva that partially imitate broad pen drawings. The family consists of two styles -- normal and decorative. Decorative style contains characters ornamented with thin strokes that add a beauty and charm to the design. The fonts can be used in display matters, advertising and celebration texts. Released by ParaType in 2011.

Churchward Maori is the second of a series of eight Maori style typefaces designed by New Zealand type designer Joseph Churchward, and released by BluHead Studio, LLC. Churchward Maori infuses standard Latin glyph forms with traditional Maori decorative elements to create a wildly organic design. BluHead Studio expanded the character set to support standard Latin character sets. BluHead previously released Churchward Ta Tiki.

Wyoming Macroni is the split-serif (or Tuscan) version of the Wyoming series. The Pegged version adds a horizontal spike through the middle of the stems, which has been a popular variation of this style. Included in the family are two shadowed versions. The ShadowedInside styles can be used in layers with the Shadowed styles to easily create two-colored letters.

Sharpless is a handwritten script font in a natural and modern handwritten style. It's perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermarks, special events and more. This font includes Ligatures and also Multilingual support. A series of additional dingbats/doodles can be accessed as an OpenType feature in the stylistic set 01.

After researching the type styles contemporary graphic designers have been using over the past few years, I noticed a consistent use of Copperplate Gothic, and its derivative designs, for various corporate advertising campaigns. That level of usage gave me the inspiration to design a display font possessing subtle characteristics of Copperplate Gothic, and various Latin Condensed designs. The font I ended up designing was semi-condensed, with more contrast between thicks and thins than in Copperplate. Baltra also has a subtle flair in its otherwise traditional lowercase, while possessing a larger than average lowercase x-height. Copperplate Gothic, on the other hand, has minimal contrast and uses small capitals for its lowercase. After examining extensive type specimens from wood type, metal type, phototype and digital type, I was not able to find a single design possessing a majority of Baltra's characteristics. Consequently, I consider Baltra to be a truly unique design, sharing with Copperplate Gothic only its flairs on stems, and having only subtle characteristics in common with traditional Latin designs.

When you are trying to solve any problem, surely you round the solution like a swirl. This typeface represents that continuous search of creative solutions. So, our recommendation is “Be Creative” always. Based on the skeleton of the classic typeface from Corradine Fonts “Mussica”, this softened semi-serif type family comes in eight useful weights and has many full functional Open Type features that allow you to play with the extension and type of the ornaments including three levels of swash caps and many ascender, descender, starting and ending forms for the lower case set. Use the Swashes and Titling features separately or mixed to extend the length of the swashes and apply the Contextual alternates feature to obtain wonderful smart swashes. If you prefer to use the common lowercase “r”, instead the original one of the typeface, you could replace it just by applying the Stylistic Alternates feature. And finally you can enjoy the numerous discretionary ligatures that Be Creative has available to obtain a completely improved appearance of your design.

Centro Slab Press: Specimen Manual PDF Ever since its first release, Centro Slab has been particularly popular with corporate applications, branding and print media. The new Centro Slab Press version was redesigned with narrower proportions which are better suited for publications such as magazines and newspapers as well as web applications. Centro Slab Press is a very clean and legible typeface even at heavier weights, a characteristic which is not often seen among slab typefaces. This is part due to the fact that Centro Slab Press is not overpowered by clumsy serifs. Instead it incorporates semi-slabs which provide comfortable reading without compromising its modern profile. The italics are narrower than the romans and incorporate beautiful cursive characteristics. Each style consists of 659 glyphs with several opentype features and an extended set of characters which support more that 100 languages such as those based on the Latin, Greek and Cyrillic alphabet. The family is composed of 16 styles from ExtraThin to UltraBlack along with their italics. All weights were meticulously hinted for excellent display performance on the web.

The first typeface developed by Latinotype Team. Corporative is a semi serif font that has a marked personality and distinctive traits, what makes it suitable to be used at large text sizes.Since it is a condensed font, it can also be used in smaller sizes. Corporative and Corporative Sans come with the Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative provides users with a wide range of characters, weights and widths for every project. By combining different variants,designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Latinotype has added new faces to its team. Latinotype Team nowcomprises: Javier Quintana, César Araya, Bruno Jara, Luciano Vergara and DanielHernández. Corporative was created by Latinotype Team and developed by Javier Quintana and César Araya, under the supervision of Luciano Vergara, Miguel Hernández and Daniel Hernández.

Shabwa is An Arabic typeface for Print And screen. this font family is from Kufi style and contains 3 weights: Regular, Medium and bold. Shabwa is simple and a little detailed font and its three weights are fully harmonized, one letter with one length on the line, and words with a uniform length on the line, gives a comfortable reading look.

Meila Arabic is sibling of Meila with the addition of Arabic glyphs, for Arabic, Urdu, and Farsi. Still carrying a childish character with a cheerful font, visually featuring bold and cute characters. Meila has smooth lines on each side, especially on the outside, almost no sharp corners. On the inside there is only one line that functions as a counter space.

A practical sans serif need not appear dry, constructed, or derivative. It can excel in its sensible role and yet possess a distinct flair. Iskra (spark or flash) is a new sans serif designed by Tom Grace. It was conceived to challenge the limits between utilitarian and decorative. Sporting a low-contrast profile, it is a study of bridled energy in the Cyrillic and Latin scripts. Its eye-catching forms are an oblique tribute to the less-predictable style of brush lettering, and contain daring, elegant curves, economical proportions, and a slight top-heavy asymmetry. Its warmth comes from the subtle emphasis on the structures and details of individual letterforms, whereas its solidity is demonstrated through its balanced rhythm over long spans of text. Each font supports over 75 languages and is hand-tuned for a pleasing legibility and aesthetic both in print and on screen. This type family makes an excellent choice for presentations, articles, branding, and advertising. Available in 14 styles, Iskra represents a fresh, stimulating, forward-looking perspective on how we see both the vitality of the particular letter and the overall harmony of text. Iskra is available in three different character repertoires: Iskra, complete set — Iskra CYR, Cyrillic-based subset with a Latin supplement — Iskra Cyr, Latin-based subset. Both the LAT and CYR series conform to most standard codepages used by typical software covering their respective scripts. All three series have similar OpenType functionality."