A bold powerful design with a bit of Latin flare, great for headlines yet suitable for text.

Sign Designer JNL was inspired by a set of 1960s-era gold foil embossed self-adhesive letters.

Hans Bacher created a comic styled caps only font with the movement of his bold lettering stylus.

Rounded, tapered and bold, Bindle was designed as an alternative to overused or outdated informal sans serifs.

A revival of one of the popular of the early 20th century fonts, suitable for bold text.

A Bold new re cut of Bodoni, designed with a more contemporary look. Also has matching Italic.

Brutal is a not stencil calligraphic typeface designed in light, regular and bold. language: all latin glyphs

A Bold Powerful Condensed serif face; great for book jackets, magazines, ads and just about any application.

Rum Soft Serif is a soft version of Rum Serif with softly rounded outer corners. Rum Soft Serif is a text & display family suitable for any purpose, any media, any size. A humanistic modular Serif in five weights containing small caps, italic, swashes, alternative characters, old style, lining, tabular & proportional figures. Design date: 2011-2023 The complete family consists of Sans Serif & Serif in both sharp and soft version + the display fonts Rum Plakat & Rum Silhouette.

Klik is a universal sans serif family – clean and timeless. Both iconic and legible, Klik is suited to cover many needs from brand identities to editorial design, advertising, logos and beyond. Cyrillic characters are featured and a wide range of languages is supported. OpenType features are abundant – from built-in small capitals to various numeral styles (linear and old style; tabular and proportional, subscript and superscript). Klik comes in three widths – each featuring eight weights and corresponding italics.

The common Slavic word Osnova means basis in English and βάση in Greek. This universal but still distinctive typeface can make a good ground for any design project. Osnova has six weights from Thin to Heavy with Italic, Small Caps, Old Style & Tabular Figures, some ligatures, alternatives and letter variations. It supports Central European, Greek and Cyrillic codepages, and will be suited for both display and text use. Look how people use it: http://use.type.org.ua/tagged/osnova

Rum Soft Sans is a soft version of Rum Sans with softly rounded outer corners. Rum Soft Sans is a text & display family suitable for any purpose, any media, any size. A humanistic modular sans serif in five weights containing small caps, italic, swashes, alternative characters, old style, lining, tabular & proportional figures. Design date: 2001-2021 The complete family consists of Sans Serif & Serif in both sharp and soft version + the display fonts Rum Plakat & Rum Silhouette.

From the remnants of an old freeware font by Ray Larabie comes Cardholder Dispute SRF. Thoroughly rebuilt from the ground up by Jeff Levine, this post-80s techno lettering can also double as a pop culture font evoking 60s or 70s rock concerts and hippie colonies or (as the name implies) credit cards. The net profits from my font sales help defer medical expenses for mysiblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Hello dears! I fulfilled my old dream and drew (wrote it to whom as you like :) a font in the Modern Calligraphy style. Also I added Ligatures and Swashes, have fun :) Orchard Trees will look beautiful on holiday invitations, wedding invites and stationery, logos, and more. Test it out below to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7

This font was inspired by a 1950’s Royal Quiet De Luxe Typewriter, and features textured letters & symbols, creating a realistic look & feel without needing to source your own antique machine! Each keystroke on an old typewriter shows variations based on the ink ribbon & how hard or soft the typebars strike the ribbon & paper. This font was designed to provide multiple options for each letter so that you can further customize the look & feel of your text.

Team Tribox Design created the font to improve the old font print of Doctrina Christiana. Each letter is designed for better readability even in small sizes, particularly for books, and is designed for poets, writers, and anyone who needs a font used in publishing. The font is personally designed and is intended for use by publishers and those seeking publication. Regine Ylaya: Art Director, Research Inu Catapusan: Font/Typeface Designer, Creative Director, Copywriter Faye Penetrante: Copy Editor

Brewery Factory This is a vintage font collection inspired by old brewery, pubs, bars and the style of their design. This collection includes 16 font styles - Serif and Script has a regular, rough, vintage, halftone style, as well as a regular and rough style for Serif and Script there are shadows in two versions - short and long. The script font includes alternatives for Uppercase and Lowercase, as well as swashes. This font is easy to use has OpenType features.

Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood's 'Elston' typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new design quickly took on a life of its own, and we decided to call it ‘Creighton’. Originally released as a four font family, we have now added eight more weights and made the entire family into 'Pro' versions for good measure.

In designing a font that had a Mayan or Aztec quality to it without the usual "Mariachi" look, I decided to make it single weight with some open ends and offbeat rounded serifs to give it a more serious feel which will lend itself to other non ethnic uses. I have added a few discretionary ligatures, which also contain old-style numerals, titling caps and small caps. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets, manuals, and menus.

Albyona English Nº 1 is ideal for titlings and headings in novels or fairy tales. It has a sentimental flavour of history, memories and the good-old-days feeling. Suitable for children’s books, fantasy literature, crime novels, natural food packaging and poison labeling, for infancy memories, vanitas kitsch items, dungeon museum bar menu cards, introductions to herbalism and witchcraft manuals. Albyona supports every Euro-Latin language. For the choice of a similar font go to Abendschroth.

Cowboy Burt was once a cowboy, but now he's a carnie at who runs the tilt-a -whirl. This hand drawn font was designed for use in a skate-punk layout, but will be quite at home in the old west, the circus, or underground cartoons. There are two versions Regular, and Extrude which work together or apart. There are even some goofy dingbats scatter throughout. You'll have hours of fun with Cowboy Burt...Where's my waitress?

We've gathered the old characters together, and added a bunch of young new hotshots, to create the long-anticipated sequel to our STORMTROOPER font! The digitally remastered Special Edition STORMTROOPER is now a trilogy, with two new weights -- outlined ARMOR and inlined BLASTER -- each containing more than 100 autoconnecting letter combos*. Yes, you'd have to be crazy to attempt a font like this; our man JG certainly has courage... * Hutts, dewbacks and point blank misfired laser shots not included

A Pixel Font with Wild West Spirit inspired by the daring cowboys and classic MS DOS games. Immerse in the rustic landscapes of Deadwood saloons and tumbleweeds as you evoke the nostalgia of retro gaming graphics. ND Raster West delivers crisp and sharp letterforms, reminiscent of arcade games and early computer screens. Its authentic Western flair and rugged edges capture the essence of the Old West, perfect for titles, headings, or body text in various creative projects.

Noelia Script is a typeface inspired on the work of Doyald Young, Tommy Thompson, Matthew Carter and Giambattista Bodoni. This project is great to use in designs about sports, travel, and city postals, among others. This font has about 360 glyphs with stylistic alternates, old style numbers, serif caps, and a nice touch of classic penmanship. This is the result of a few months of work and that is it! Enjoy it! Thanks for buy it!

The Bariyet is an organic hand drawn script. This script typeface gives a feel of vintage, classic, old, handmade looked like.This typefaces is perfect for people looking for vintage aesthetic. Suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

I don't know what other typedesigners call those long swirling embellishment, but I call them "Monkeytails". So when I decided on this version of my good old Royal Bavarian, I decided to call the new font "Monkeytails". I just fell in love with this name. Monkeytails and Royal Bavarian should be used together, in order not to have too many embellishments. That's why I offer the two together for a good price. Your swinging typedesigner Gert Wiescher

ND Gambit is a quirky sans serif with an unusual variation between back slant and upright glyph by glyph. It comes in 9 weights. Watch out, the regular weight is free of charge, so you can use it to your heart’s content. Each weight includes extended language support (Latin + Cyrillic + Greek), arrows, fractions, old-style figures, ligatures, and more. It is perfectly suited for graphic design and will work for web, corporate as well as for editorial design.

High contrast, sharp endings and geometrical shapes – these are the main features of Artigua. The relation of vertical and horizontal lines reduces with weight – this makes regular weight appropriate for longer texts and black ideal weight for headings. Whole family contains small caps, subscript, superscript, italics, fractions old style and tabular figures. Over 1100 glyphs and 18 fonts makes a perfect match for clean and minimal projects. With Artigua it’s super easy to prepare adverts, books or web headings.

Rossanova is a complete semi-serif font family. Its consist of 36 fonts; 2 optical sizes, 8 weight from thin to black with each matching italics. Rossanova is enriched with beautiful personality, it's shaped in high contrast strokes for the normal optical style and moderate contrast strokes for the text styles which fit for reading. Contains more than 470 glyphs with some OpenType features e.g, stylistic alternates, ligature, discretionary ligature, old number, variation of figures etc.

Without serifs and without exaggeration. A project that seeks simplicity, with focus on reading and coverage in many languages. Arche has 5 weights and its italics. 10 fonts ranging from Light to Black. It also has a set of styles, old and modern numbers, arrows and ornaments. Excellent alternative to standards such as Akzidenz Grotesk or Helvetica, with a contemporary look, focus on legibility and with Latin American freshness. For more information visit our website Contrafonts.cl

Cordon is a textured font that gives a feel of vintage, classic, old and handmade. Already PUA Encoded, this font is perfect for people looking for vintage aesthetic and suitable for any graphic designs such as branding materials, t-shirts, print, business cards, logos, posters, photography, quotes, and more. Cordon has support for 23 languages: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish and Zulu.

Level is a spurless sans serif family that takes a more calligraphic approach to the popular square sans. The subtle swelling and shrinking in the strokes of the curves and terminals contrast with the slight squared corners for a sans family that straddles the line between machine-made and human-crafted. Generous spacing and simple, narrow construction make for airy text that still conserves real estate on the page. Three weights include italics and small-caps + old-style numbers.

Lewis F. Day, in his 1910 classic Alphabets Old and New, filed this work by Laurence Schall under the category of Celtic-inspired, and surely it is both. This font included a few special extras, including a Celtic cross in the florin position, a Celtic knot is the dagger position, a shamrock as the asterisk, and a double shamrock in the double-dagger position. Both versions of this font include the Latin 1252 and Central European 1250 character sets.

What is an inverted squircle? To answer that we must first identify a squircle, which is a square with rounded edges. An inverted squircle isn't just a regular old square. It is a square with inverted rounded edges. This font is a modular font designed to create inverted rounded square edges. This font was created with using just a few shapes stacked and rotated to make a unique, digital font with a little bit of quirky personality.

With it's distressed markings and rough edges, Docket mimics the appearance of a vintage typewriter from the 1940s. With Docket, you can quickly create graphics with an instant classic feel, and it's application is quite versatile. Create logos, stamps, sublimation designs, social media quotes, monogram products, and even websites with this bohemian typewriter font! Docket's characters are proudly hand-crafted, meticulously kerned, and come in two variations to capture the unique look of an old grunge typewriter.