Hesster Mofet is what I got after writing with an old and weathered calligraphic marker on textured paper. The characters were smoothened for a clean result, but since the original sketches had such a nice rough, edgy feel to them, they were also made into a complete font set. A couple of ligatures and a Hannibal Lecter reference were thrown in the mix as well. You can get both versions at a discount.

EVERY is designed to be the most valuable typography equipment in your repertoire! Rich in visions, a wide range of features have been created to master all your typographic challenges par excellence: Italics, small caps, old-style figures, ligatures & arrows are just some of the many possibilities that EVERY offers. 28 Styles in three optical sizes gives you the opportunity to create fascinating design with the scent of iconic elegance. Be exceptional – EVERY day. www.typethis.studio

In the old Amsterdam neighborhood of 'De Jordaan', you will find a canal called Bloemgracht (Flower Canal). For many years, a coffee store called Schildmeijer could be found here. Their paper coffee bags and advertisements sported a hand made font which I have tried to recreate and the result is Bloemgracht typeface. It is an all caps art deco font, quite angular, but very legible and distinct. Bloemgracht comes with extensive language support.

PT Orden™ was designed by Oleg Karpinsky in 2000-2001 and licensed by ParaType. Orden is a genuine Cyrillic typeface, it contains antique Cyrillic letter forms such as d, z, N with a diagonal stroke, symmetrical Y ,× and Ù, rare in modern typography. Another specialties: one alphabet and old style figures. Lower case consists of upper case letters except for some alternative variants of the capitals. For use in advertising and display typography.

Ivan Bilibin was one of the best artists and designers of the Russian folk art movement of the early 1900s. His posters and his illustrative work are exceptional, and like many of the artists of the period he did a lot of hand lettering in various old-fashioned and modernistic interpretations of traditional Russian folk calligraphy. Our first Bilibin font is based on his lettering from an illustrated folk story by Alexander Pushkin.

Oblivian Grotesque is a sans serif type family of ten weights. The typeface is based on geometric forms with bits and pieces of modern humanistic grotesque fonts. Due to the rounded edges it has a very soft / warm look and feel. It comes along with varius OpenType features such as table and old style figures. Oblivian Grotesque as an extended character set that support Central and Eastern European as well as Western European.

Trop Magus is a rugged typeface following in the tradition of Ramon Llull and Jean Jannon. Llull’s illuminated manuscripts from the Middle Ages inspired many later Alchemical texts in the Renaissance. And it was during this era, in 1615, that Jannon cut the matrices for Typi Academiae. The Trop Magus typeface includes: - Sixty-five Alchemical and Astrological symbols - Multi-language glyph set - Old Style figures - Four sets of alternate glyphs - Pseudo-Random OpenType features

The Font has an aggressive and bloody appearance, evoking the wild west and supernatural horror. The design is dense and strong, with each letter occupying a significant space in the line. Overall, the font creates a sense of danger, death, and horror in the old west. It's perfect for use in horror western movie posters, event advertisements, or anywhere you want to create an atmosphere of suspense and tension in the wild west.

Rockford is a geometrical Sans Serif with subtly rounded edges. Rockford comes in eight weights and matching Italics. With its large x-height and round features it’s both legible and friendly. It’s suited to cover a wide variety of tasks from editorial to brand design, advertising, logos and more. Rockford is equipped with plenty of OpenType features to perform well. Rockford comes with Small Caps, Old Style Figures, superior and inferior figures and fractions.

Lamp Post JNL is a digital interpretation of a design popular in the early 1900s called Post Old Style; no doubt inspired by a certain Saturday periodical with a similar name. There is an intrinsic charm to lettering that evokes a hand-made look, and this design is a perfect example of the genre. Available in both regular and oblique versions, it will add the nostalgia of simpler times to any print or web project.

Big Hug Weeny is a playful contemporary handwritten font, inspired by fun good old days cartoon in the late 80s and 90s. It will elevate a wide range of design projects to the highest level. You can use this font for many design ideas such as stickers, t-shirt designs, amazing logo designs, magazine or book covers, comics, cartoon drawings, and many more. This font will add a super cool touch to your designs!

Lavah Pro is the upgrade from old version of Lava Arabic 1.0. It's Arabic condensed/narrow with grunge and rough style for vintage style posters, brands or ads maybe for food ads or movie poster. Lavah Pro is supported by OpenType Features with many Stylistic Alternates and Discretionary Ligatures and It's support Arabic, Persian, Urdu and Latin. Designed and Created by Ibrahim Hamdi Copyright © 2019 by Protype Foundry. All rights reserved.

Folkner born from an inspiring vintage display. This font gives a feel of a vintage, classic, old, and based on handmade. With messy line stamp touch in Folkner Stamp give you a vintage taste. Already PUA Encoded and I think this font is perfect for people looking for vintage aesthetic or logo-type. Suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc.

No mystery here: this monocase neon face is based on the old logotype lettering for The Electric Company TV show. This version adds a little jolt with happy outlet characters in the dagger and double dagger positions, a plug at the section mark, and a rather novel treatment of the mu character. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Yellow Balloon is a typeface named after my two year old son's favorite book: The Yellow Balloon by Dutch author/illustrator Charlotte Dematons. Every night before he goes to sleep, he wants to read the book and manages to find the yellow balloon on every page. Yellow Balloon is a cartoonesque font with an uneven baseline. It would look great on book covers or posters. Yellow Balloon comes with extensive language support.

AZ Varsity Brushed font was inspired from a combination of typical collegiate t-shirts designs and also the current wave of Hollister t-shirt designs (rough painted look). This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. It is designed to compliment it's sister font; AZ Vintage. This font is designed for use as a worn and antiqued headline or subheadline.

I'm really excited to introduce Hamer, a new old school typeface with a vintage look! Hamer is available in 2 different styles, solid and rough. Hamer is perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. Features UPPERCASE Lowercase Numbers & Symbol International Glyphs Alternative UPPERCASE Alternative Lowercase Ligatures If you need anything else, just shoot me on email at: dedukvic@gmail.com

With the very high contrast, elegant proportions, many alternate glyphs and ligature overload, Prestiggio is an instant fashionizer. Prestiggio ships with 95 discretionary ligatures (uppercase and lowercase), alternate characters, old-style figures, pictograms, arrows, prebuilt words and support for 85 Latin-based languages. The characters can be replaced automatically with the stylistic sets function, but you will get the best results using the glyphs palette. Recommended for editorial, book, poster and packaging use.

An inspiration for two fonts of FA Modernista was the second page of Polish vanguard magazine "Praesens" Nr 1 from 1926 designed (as the first page) by Henryk Stażewski. The type applied - Baccarat was a sans serif from Polish foundry Jan Idźkowski i S-ka. Fonts FA Modernista imitate the effect of letterpress with spilled printing ink. Letters of two cuts vary in distortion as in the old days of letterpress technology.

This whimsical wonder is based on the lettering of Laurence Schall, as presented in Lewis F. Day's 1910 classic, Alphabets Old and New. The typeface radiates a charm reminiscent of the works of many talented artists (including Howard Pyle and Arthur Rackham) who illustrated children's books around the turn of the twentieth century. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Decutto is a neo-grotesque that packs the Marionette formula and some blackletter ideas into a low-contrast sans serif design. Its name plays on the phrases “off cut” and “cut to” which express the key feature – the contemporary legible letter shape is decorated with cut carved edges and counters, giving the typeface crisp and simplistic look, like that of an old minted coin. Scripts: Latin, Greek, Cyrillic, Hebrew. Hinting: Manual PostScript.

This is a stylized sans serif font family that is very high-waisted and sleek. The stroke is only slightly modulated. The letterforms are higher, with a more open aperture, and sprinkled with breaks to add light and sparkle. This an attempt at a readable sans serif for text. It has many OpenType features and 465 characters per font: Caps, lower case, small caps, old style figures, numerators, denominators, accents characters and so on.

Sextan serif is a typographic family with 10 styles designed for editorial, corporate, advertising or web use. The excellent readability allows the use in long texts, the coherence of forms make these fonts have a great personality. The fonts have an extra set of lower case letters accessible through the Discretional Ligatures. Also support for Open Type Functions such as Old Style Number, Superiors, Inferiors, Dynamic Fractions, etc. Includes the Bitcoin symbol: b #

Doire is a monowidth font based on the face used on the old Royal Gaelic manual typewriter. Doire Royal is a “rough” version of that font. Doire was first digitized in 1993 by Michael Everson and originally used the MacGaelic character set on the Macintosh platform, and ISO/IEC 8859-14 on the PC. In 2008 Doire version 3 was released in OpenType format, completely compliant with Unicode encoding and with an extended character set.

Asturias is a contemporary take on script fonts. Its characters are wider than most scripts, and the letterforms are somewhat geometric, giving it a modern and refined feel. The font is well suited for any occasion that calls for a sophisticated air and appearance. As with all insigne releases, Asturias comes with a wide range of OpenType features; a full complement of artistic alternates, ligatures and old style figures to add a touch of sophistication.

Artuso is a unique condensed typeface, ideal for branding projects and editorials headlines. It Will be a great addition to a modern web or app. The super-tight kerning give this font a distinctive retro feel. A font is a go-to tool for making stand out projects. Artuso has an extended character set to support Central and Eastern European as well as a Western European plus Cyrillic and old Russian letter too.

Introducing Retro Star Typeface: Unleash Nostalgia in Every Letter! Step into a time capsule with Retro Star, our latest vintage-themed font that oozes old-world charm. Radiating a sense of nostalgia, this typeface takes you back to the elegance pop from days gone by. Retro Star lends an air of authenticity to your designs. Embrace the past and craft designs that resonate with the soul of yesteryears – discover Retro Star today!

Danger Gothic by Holyline is a casual black letter typeface. This font comes with modern and unique shape inspire by Old English style. It's very unique, playful, elegant and very easy to combine with your design style. Danger Gothic perfect for headline, Magazine ,custom logo, packaging, quote, merchandise, watermark, social media posts, label, anything for your creativity and Danger Gothic is perfect font if you want something new with your project. Happy creating!

Mortale is a display font a typeface which is inspired by vintage lettering. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / vintage as well as modern theme. Features : Uppercase & lowercase Numbers and punctuation Alternate & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

This is a squared sans serif font family developed out of a taller Bank Gothic model plus a true lower case with many OpenType features and over 600 characters: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters (including CE), ordinal numbers (1st-infinity: lining and oldstyle), and so on. It is designed for text use in body copy. For display tighten the tracking.

Bright Grotesk is inspired by grotesque & humanist typefaces suggesting a serious yet friendly personality. It is designed to be legible in small sizes yet charmingly attractive in large settings. Bright Grotesk is a neutral design with a subtle touch of flair. It feels old but looks new, warm yet active, symmetrical yet organic, classic yet modern. Bright Grotesk has great details that reveals in display sizes and can be felt in small sizes as well.

Amecane is a mecane. (Mecanes are slab Fonts) inspired by old style typography introduced in the early nineteenth century. Amecane is a slab serif font - designed by Loïc Choquet. The Amecane font family consists of 16 fonts, 2 widths and 8 weights, with italics. Well-suited for editorial projects, logotypes, posters, packaging, etc. The font contains 348 glyphs with a wide range of flexibility for Latin language support for every typographical needs.

Straight from the ‘extras’ drawer, the mismatched Sluicebox character set is comprised mainly of serif type specimens. The OpenType versions of Sluicebox have 52 ligature features that automatically substitute a unique pair of distressed characters when any upper or lower case letter is keyed twice in a row, as well as features for Old Style Numerals and Small Caps. Sluicebox Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

Slabic is modern slab serif font family available in 12 styles. It’s main characteristics are gently rounded edges, unique serifs and ink traps. Looks and feels compact, harmonized and visually balanced, so readers flow don’t get interrupted during reading. Slabic recommends itself for editorial use or main body webfont, for logos, package design and posters. Slabic contains Small Caps, Fractions, Tabular and Old Style Numerals as Open Type features. Supports extended Latin character map.

Pixter straddles the lines between the extreme forms of grid based pixel fonts, and more conventional grotesque fonts. Its array of styles create a palette of textures to work with multiple scenarios, from large format display to oversized passages of copy. Inspiration for Pixter initially grew from old computer bitmap fonts, but branched out into Swiss and Dutch graphic design, such as the graphic work of Josef Müller-Brockmann and typography of Wim Crouwel.

Bietka is a high quality squarish display font - geometric, modernist and playful at the same time. It supports multiple languages, as well as open type features, alternate styles, lining, old style, proportional and tabular figures, fractions, ordinals, subscript and superscript, arrows, symbols and special characters. It was designed for all kinds of display uses - great for posters, headlines, banners, logos and short paragraphs of text. Bietka comes in two styles - regular and italic.

Korto is a highly legible, geometric text and display font. Inspired by classic sans-serifs Futura and Avant Garde, this elegantly minimal typeface is available in a comprehensive family of seven weights. It includes old style non-aligning (lower case) numbers, both proportional and tabular, as well as accented characters for Central European languages. A highly versatile, contemporary sans-serif, Korto is suitable for more-or-less any text or display purpose.

The classic font as designed by F. W. Goudy for ATF in 1901, now in a hand-drawn version for a little bit of variation. Everybody else just offers another version of the same old Copperplate, but I now have a new rough one. Oh, just for the record, I have a couple of other versions of this font in my collection of the Copperplate Classic fonts. Your rough designer Gert Wiescher

The Keepsake™ family has five members that can be combined to provide a range of creative options. Rich with OpenType features including discretionary and contextual alternate characters and ligatures, and other stylistic alternates. Each face includes three options for every capital letter and multiple lowercase options. All five fonts support Latin, Eastern European and Baltic languages. Other features include four decorative elements, and optional old-style figures accessible by supporting application’s OpenType menu.

Rodfat is a gorgeous, old-timey display font with a modern feel! Inspired by the industrial revolution, It will bring back the early days of the 20th century. This collection comes in two styles: One and Two. It is possible to be paired perfectly when used together. Perfectly suited for any display use. It could easily work for design product names, posters, signage, packages, logos, labels, and eye-pleasing typographic designs and more.