Introducing, Just Because - a Sans Serif typeface. This type of font perfectly made to be applied especially in headlines which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.Caps only fonts. Features : numbers and punctuation multilingual ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Gecomach robotic mecha typeface is inspired by a modern futuristic. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Lepharto Is a modern classic mystic with a classic serif style. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Try something different, we proudly present our new exploration named "Retroma Vibes" a mixed font inspired by retro collage art and clipping of old newspapers. Feel the old school taste with this block font mixed of sans serif, condensed serif, blackletter, handwriting, and old typewriter style, combined into a chaotic collage style. You can also mix and match the letter by using the alternates characters or switching with the lowercase which gives you a more attractive design. What you'll get : Uppercase Lowercase Numbers & punctuation Stylistic alternates Multilingual support Hope you enjoy this font!

Archimelo is a handwritten signature script with a natural & stylish flow. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Miguna is a san serif family with relaxed, clean, and charming characteristics. its use is also very flexible, can be used for various design projects, both formal and informal, this font is really amazing. Miguna comes with alternatives from the thinnest to the thickest, helping you in creating titles and text. This font is perfect for packaging, special moment events, branding, banners, posters, movie titles, food and beverages, quotes, clothing, logotypes, and more. Of course, your various design projects will be perfect and amazing, start using our fonts for your amazing projects.

Lettichossa is an old-fashioned typeface, inspired by victorian and ornamental typography styles. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Stencil Creek font family is a rounded stencil typeface that comes in eight weights and two rough versions. It is inspired by classic sans serifs and influenced by street signs of the North West Pacific. You can also overlap some of the weights and get an extra inline font. Stencil Creek is a legible typeface family designed for contemporary typography, especially for use in headlines, but also for reading purposes, includes extensive language support and many more OpenType features. This font contains, different swashes and alternates. Check out also ‘Orbita’

Eddieth Handbrush is a best-handwritten brush that is written casually and quickly. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

The new sans-serif Franzi typeface family – as neutral as can be, but at the same time individual and striking. Its unmistakable character lies in the detail, with no effect pushing itself to the fore. As a wide-running typeface with a relatively large x-height, the typeface family is perfectly suited to small text sizes but, with its elegant details, it leaves nothing to be desired in display applications either. Originally designed with constructed, often rectangular elements, Franzi has gradually been rounded during the development process and is now less hard in order to guarantee optimal legibility. A total of 20 well-developed fonts are available: 10 line thicknesses from hairline to black, each of which can be upright and italic. The italics are softly and elegantly drawn, while the upright characters appear much more severe. The design appeal reveals itself in the two-storey ‘a’ – a tribute to legibility in body copy; however, for those who prefer the geometric in applications, an alternative single-storey ‘a’ is also available. All styles have small caps, superscript and subscript lowercase letters, lining, non-lining and small caps figures, fractions as well as several ligatures, alternative fonts, symbols and arrows. The Latin uppercase letters are also available as discreet swash variants. In addition to the extended Latin alphabet, the typeface family also includes the complete Greek, Cyrillic and International Phonetic Alphabet IPA. Franzi was created as a further development of an order to produce a sign for a therapy practice in Vienna’s Franz-Hochedlinger-Gasse – hence the name, which is more common as an abbreviation for Franziska than as a diminutive for the male name Franz: Franzi is therefore a hybrid typeface name which has female tendencies.

Introducing our sleek and modern condensed sans-serif font - Meuga. Meuga is condensed sans-serif font offers a minimalist design with its narrow width and clean lines, perfect for any branding or design project. This condensed sans-serif font is perfect for anyone looking for a clean and modern look, with its narrow width and elegant lines. Add a contemporary touch to your designs with our condensed sans-serif font, perfect for headlines and titles in digital and print design. This font is perfect for Headlines and titles, digital advertisements, brochures and flyers, infographics and data visualizations, navigation menus and labels, web designs, logotypes, t-shirts, and many more. Meuga features: A full set of uppercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features Condensed Style +235 Total Glyphs

About the Product Badgear is an organic font duo consist of a bold monoline script paired with a sans serif with a touch of vintage look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Badgear script and sans serif uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

The Combi collection includes Sans, Sans Oblique, a true Italic, Serif, Serif Oblique and a set of Openface capitals. Combi fonts have 5 compatible weights and metrics allowing them to be used in free combination. Inspiration came from Jan Van Krimpen’s 'Romulus' (Enschedé, 1931). In addition to the Roman style, Van Krimpen created a set of open capitals, a simple oblique variant and subsequently, an attractive calligraphic italic, Cancelleresca Bastarda. In addition to Van Krimpen’s idea, Combi has been influenced by features from many faces including Bembo, Melior and Optima. The object was to create a versatile family of body text and titling faces for use in books, magazines and on the web. Glyphs are available for most Latin based languages and all text fonts include small caps, proportional numerals and other Opentype features.

SK Leshiy is an authentic monumental font inspired by ancient Slavic legends and fairy tales. This font combines geometric and natural forms, each of its symbols creates a unique image of a fabulous creature that hides in the forest thicket. The SK Leshiy font has a basic and alternative character sets that allow you to expand the font's capabilities and its decorative functions. The font supports a multilingual set and an extended table of Cyrillic and Latin characters.

A lovingly handwritten, hand-traced and developed font family that you can use in all sort of design projects - branding, invitations, quotes design etc. The family contains 33 fonts in total. Script fonts all have initial and end swashes as well as ligatures and contextual alternates. Serif and Sans serif fonts are all capitals fonts and all of them have stylistic alternates and catchwords ligatures. The fonts are fully unicode mapped so you can use them basically in any software. If the software you are working in is not OpenType-aware one, you'll need an additional software to help you to find the glyphs you want - PopChar (MAC & Windows) or Ultra Character Map (MAC) will do the job. Take a look at the How-to PDF in the Gallery Section showing how to use OpenType features within the font.

The Brushability is a brush-written font family that contains 9 fonts, all united by a brushy look. All fonts compliment each other perfectly and can be used either together or with many other brush-looking fonts on the market. The script contains a lot of alternates, swashes, ligatures, arrows etc. while the Extras font has quite a few design elements with the same brush look - such as arrows, frames and swashes - to add more personality to the design. The 5 sans serif fonts (ranging from Light to Black) also contain alternate glyphs for certain letters - just to make your design process even more fun. All fonts, as usual, are fully unicode mapped so you can use them in any application. Just be aware that if your application doesn’t support OpenType features, you’ll have to choose the glyphs you need manually.

Futura Display was designed by Paul Renner in 1932. Its original German name was Futura Schlagzeile, which means “headline”, alluding to its suitability for display use. Its forcefulness and robustness have made it a widely used typeface in film posters, advertising, logos, and music covers. Futura is a Trademark of BauerTypes SL

If John Baskerville had been born in Seattle in the 1960s his type would have looked like Nirvanium: a wide, extended body with chunky Dr. Martin serifs, an assertive inelegance and a sense of rebelliousness. It�s a display face, too big, too chunky and too rambunctious for text, but always friendly.

As a stand-alone version of our original Sablon, Sablon B delivers a bold expression without any distracting moments. The completely redesigned letters and numerals are available in four weights and are complemented by a vintage stylistic set based on lower horizontal lines. Wide language support including a complete set of Cyrillic characters.

A classic Art Deco period style inspired by Samuel Welo, circa 1930. Letters are widely spaced to allow the subtle beauty of the letters to shine. Includes over 30 bonus alternates and two sets of small caps which are designed to be used at the cap height rather than sit on the baseline.

Segnieur Serif is a high-contrast serif typeface leaning to the strong dutch typography tradition. Segnieur is family of 5 weights with italics suitable for a wide range of application. Segnieurs' OpenType features includes variety of ligatures, upright numerals and more. Segnieur supports over 200 latin based languages spoken in 212 different countries.

Fidelio is a chancery italic typeface with swashes, designed by José Mendoza y Almeida in 1980. Written with a broad nibbed pen, it has Caps with swash versions, Lower Case and a wide number of ligatures. It is one of the most complete and appealing calligraphies. Fidelio is a Trademark of BauerTypes SL

Backslash is a new display serif typeface with nicely balanced curves, tons of alternative characters, ornaments, multilingual support and unique ligatures. Its wide range of stylistic alternates allows for versatile design options and works perfectly for headlines, logos, posters, packaging, T-shirts, postcards, bold magazine imagery, wedding invitations, branding and so much more.

A vigorous typeface suited for bold designs, Dynatomic is inspired by an amazing hand-drawn lettering of a 1964 polish movie poster designed by Andrzej Krajewski. It's a very eye-catching typeface that works surprisingly well even at not-so-big sizes, making it a great choice for a wide range of applications.

The Craprio is a unique, simple, clean and well appointed display serif. It is perfect for gorgeous logos, titles, web layouts, fashion magazine and branding. It looks very nice and classy in an all-caps with a wide-set spacing, and also very beautiful on its own in capital and lowercase letters.

Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn’t even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born. Photo (Fragilité): Karin Topolanski / Post: Raw (www.raw.com.uy) - María Pérez Gutiérrez

Looking for a font that exudes style and elegance? Look beyond the KOHIRUG Blackletter font. This font evokes a strong, confident personality with striking details on each side of the lettering. Whether you’re creating a vintage-inspired project or want to add a bold classic look to your visuals, this font is a perfect choice.

Matchout is caligraphy sans serif with seven variation weigh, This font is comes in uppercase, lowercase, punctuations, symbols, numerals including basic and advance cyrillic. Matchout can used in various styles, casual, fun and simple letter. You are also worry-free because with more than 323 glyphs every weight, and Support for up to 73 languages Matchout perfect for branding, websites, quotes, invitation, flyers, greeting cards, poster, education, fun, logo, and marketing purpose

If you like a bold and powerful all-caps sans-serif font to make your message stand out, Toner can be the choice to maximize your goals.иThis type family furthers the angular design by styling characters like O, R, P, etc. to be rectangular. To make it more attractive, Toner also provides opentypes features such as stylistic alternates and a stylistic set. Best for expressive headlines, posters, billboards and of course brand identities.

Design System is a great type system consisted of 5X7X2=70 font styles from 70s-style simple square sans to the widest style of all time that are best for titles, logo and text. Their simple form does not limit the target of design and can be used for any creative work. Additionally they all have been designed not to provide a feeling of strangeness when they are used in mixture each others.

The typeface was baptized as "Caldense" in order to honor the city of Caldas da Rainha, a small city in Portugal, the typography's birth place. It has three weights, Regular, Demi Bold and Bold and it is a sans serif and grotesque. Each character was based on a grid and was built in modules, having round edges and straight finishes. The font can be used in titles and normal text while being easy to read.

Sabu is multitasking, modern sans-serif font family, and a great solution for anyone your project. It includes upright and Italic style, each of them has weight weights from thin to extra bold. This is a multi-purpose one that is perfect for big and small text, it is constructed modern and easy to read. With it, you can create logos, banners, use in advertising, packaging, books covers and magazines, headings, descriptions and much more.

Introducing rounded sans serif Spiro. The family includes 3 styles: regular, bold and italic. Spiro supports multi language symbols as æ, ß, ç, etc. It also has all necessary ligatures and extra glyphs you may need. To use them you have to open glyphs panel in menu Window. The font is compatible on both Windows and Mac. You can use it in all popular apps like Adobe, Corel Draw, Microsoft, Final Cut etc.

Yes, you're right. Blauhaus should have been 'Blaues Haus', as that is the proper way of saying Blue House in German. But hey, Blauhaus sounds much better and in writing, it is quite similar to Bauhaus. Blauhaus is a stylish, rounded sans serif font, modeled after some early 20th century German typefaces. It is easy on the eye and it will certainly give your work a sophisticated punch. Comes with a classy collection of diacritics.

Jacaranda JNL is a casual and fun font—resembling lettering made with the broad side of a chisel-tipped marker. Perfect for anything that is relaxed and not-too-serious, it is flexible and versatile for many ad projects.

No. 508 is a chunky, friendly, modulated gothic font. Strokes have a gentle inward curve at the median, with the tops and bottoms of the letters slightly wider. The face was introduced by William H. Page & Company in 1890.

Michelle BF is the sister font of Monique Sans BF, in serif form.

20 kopeek is sans serif font with a slight touch of a steampunk.

Kamber is a playful and approachable, neo-grotesque sans-serif with a handful of humanist flourishes. Subtle convex terminals and a curved structure create it's friendly personality and bouncy rhythm. If you're looking for a warm typeface that's affable without straying into cliché, then Kamber is your new best friend – like the labrador of typefaces. Kamber's balanced yet quirky nature makes for a fun and interesting display face, without compromising on legibility at smaller sizes. The lowercase letters have an elevated x-height, sitting at around 70% of the cap height – this means running copy remains clear and readable. Available in 8 weights, each with a corresponding italic, Kamber is a widely functional typeface that can hold it's own, regardless of the use case. It includes all the usual open type features for further adaptation and variation, including small caps, ligatures, stylistic alternates and more. The primary numerals are lining figures, but tabular figures, old style figures, and a combination of both are also included. If you're looking for something to stand out from the sea of overly geometric faces and soulless helvetica variants, then Kamber is ready and waiting. Perfect for editorial design, branding or anywhere you use text – Kamber is the typeface that smiles.

Pema – a contemporary Tibetan sans serif encoded in the Unicode standard. This is the first Tibetan typeface influenced by western sans serif fonts. It was designed especially to match multilingual purposes. The rather calligraphic Tibetan scripts did not match with the design aesthetics of western and Indian fonts and so I came up with the idea to design a “modern” Tibetan sans serif. Pema comes in two weights, Regular and Bold, each equipped with almost 1.300 glyphs.