A touch of spice is often what makes a good meal even better. In Danish, spice is called "krydderi" I chose that particular name for this font because it is the kind of brush font that most likely could spice up your next design. I've added 6 different versions of each letter, and they automatically cycle as you type, leaving the result like authentic brush written text. All Caps Fonts.

Say hello to HEARTBEAR! A new handwritten bold script font with a simple and classy style! Really befit to all your design project,like invitation card,product logo,quotes, business card, food brand logo and much more. Heartbear coming with open type features like stylistic set 01and stylistic alternates and support PUA Encoded font files for use with software that doesn't support OpenType features such as Silhouette, Inkscape, etc

80s. , 90s, y2k, sometimes we just wonder, "what year is it today?" everything looks like we're going backward (in a good way though, calm down). Since luck is a form of preparation that meets a chance, again, we came up prepared. Introducing PRESSER. A new sans-serif family with the diverse vibes of nostalgia and modernism in one shot. ps: it's WIDE, like seriously wide, extended. We warned you.

Drunken Tower may look like a bit like my a Drunken Hour and Drunken Shower fonts. But there are a lot differences! This font is way more distorted and rugged than its brothers! The font has got Ligatures for double upper- and lowercase and numbers as well. Plus, an alternate version for each letter - again, both upper- and lowercase! You will need to use OpenType supporting applications to use the autoligatures.

Introducing of our new product the name is Letteris, the bold script font inspired by Bold hand lettering style, Letteris font is good for branding logotype, headline, book cover, Flyer, Packaging, poster, t-shirt design and any more. Letteris have many alternative character and have opentype features like a stylistic alternatice, stylistic set, ligature and swash so you can mix and match like a you want. MULTiLINGUAL ACCENT šŸÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ

Transport New is a redrawing of the typeface designed for British road signs. In addition to the familiar Heavy and Medium weights, Transport New extrapolates and adds a previously unreleased Light weight font originally planned for back-lit signage but never actually applied. Version 3.0 of Transport New features significant improvements including numerous outline and spacing refinements, and a full complement of Latin Extended-A characters. Also, to align Transport New with the 2015 release of Motorway, the other typeface used for UK road signage, Italic fonts for all three weights have been added. Originally designed by Jock Kinneir and Margaret Calvert beginning in 1957 and first published on the Preston bypass in 1958, the original Transport font has subtle eccentricities which add to its distinctiveness, and drawing the New version involved walking a tightrope between impertinently eliminating awkwardness and maintaining idiosyncrasy. The Grotesk roots of the glyphs were investigated and cheekily fine-tuned – uncomfortably close terminals of characters such as 5, 6, C, G, and e were shortened, the S and s were given a more upright aspect and their protruding lower terminals tucked in, overly wide glyphs like the number 4 were narrowed, and some claustrophobic counters were slightly opened up. The question mark was redesigned and parentheses given some stroke contrast. The x height was edged fractionally even taller. The Heavy font is actually more of a Bold, and the Light is pretty much a regular weight, but the original nomenclature has been retained for old times’ sake.

Valuxe — modern and minimalist sans serif. This font pairs well with a basic font like Arial and any script with an elegant style.

How much more multi-cultural can you get, than a Japanese-style Roman font from Denmark? Looks like an LCD font gone awry!

Lenorah JNL is a block-like design with spur serifs and is one of a number of wood type revivals by Jeff Levine.

This is a hand-drawn font with unique quirks like the loopy lowercase l that make it perfect for anything fun and happy.

Quadratish is the nice-looking ultrablack fonts. It have solid and outlined styles; they can be combined in order to get third style.

This font can use in any media like tees design, poster, banner or movie logo type. Let's try ! Awesome font be with you !

A new high contrast gothic; works great for many different applications. This font will add a nice elegant touch to all your designs.

Daily Tabloid JNL was redrawn from a set of wood type that was popularly used for newspaper headlines, posters, broadsides and the like.

Maryhoid is a headline font with a retro vibe. Carefully hand made & designed by TOMO FONTS. It shapes very nice headlines! Enjoy! WWW.TOMOFONTS.COM

The Tebal font is funny font style. It's be nice if you application for cute, funny, happy, cartoon, comic or something abut funny.

FG Ellinor is inspired by a handwriting I saw on a receipt once. I liked it so much I named it after me :)

Created with a fine brush, this font has a robust appearance with some elegant features to it. Use this typeface anyway you like!

Drawn by George Ryan and named after Robert Givens, the co-founder and first president of Monotype Imaging, the Givens Antiqua™ typeface speaks with elegance and subtle authority. The design's open proportions, generous x-height and soft serifs lend Givens Antiqua a gracious quality that invites reading. I didn't work from any single design model," Ryan recalls. "The face grew out of my experimenting with several characters from a hand-lettered headline in a magazine. I worked on the shapes and forms for some time before I put the drawings in a drawer." At that point Ryan had finished the basic alphabet in two weights, but had not yet tackled the italics. A new project came along that demanded his full attention, and it was two years before he revisited the drawings. He liked what he saw and decided to finish the job. "The italics were the most problematic designs in the family," says Ryan, "but once I had their basic shapes and proportions, the rest was basically a production project." Another year of sketching, testing, editing and reworking characters ensued before Givens Antiqua was ready for release. The result is a four-weight family of roman designs and small caps, with complementary italics for the lightest three weights and a suite of swash caps for the italic designs. Givens Antiqua and Givens Antiqua Light show a modest stroke weight stress and a light, even text color. Givens Antiqua Bold is an effective emphasizer for text copy and an authoritative communicator at display sizes. The Black weight performs best at large sizes and makes a powerful statement without shouting, while the italic swash capitals possess enough vitality to serve as standalone initial letters."

Minimal, modular, modern—at first glance, Materia shows a contemporary flair, combining pure, strong geometrical form with a subtle, distinct appearance. Actually, the design was inspired by lettering from the turn of the 19th to the 20th century that still can be found in the East of France. While its formal origins date back as far as this, revived e. g. by the constructivists into the nineteen twenties and later on by Dutch information designer Wim Crouwel in the nineteen-sixties, the visual language of Materia still speaks of the »future«. Following a minimalistic concept the font is formally built on a grid. Wherever optical curves are needed for a smoother, more comfortable shape of letters than a simple rectangular block, diagonals cut off the egdes – like a diamond is cut to achieve more beauty. Thus headlines and texts set in Materia are given a certain »egdy« feeling, whereas their tonality is still kept well-balanced, keeping concentation all on information in a nonconfomist way. Materia comes in eight styles, from elegant Thin to attention-forcing Ultra. Even a regular Italic is available, following the classic type-set-principle. Two of the styles are explicitly designed for display use, Shadow and Code. Both are ready for combinations with Bold or each other respectively, the layering of Shadow and Code e. g. allows astonishing effects or highlighting within the letters. For OpenType-users Materia is a real Pro, containing accented Latin letters for over 70 languages, small caps, old style, tabular and lining figures and special condensed titling all caps for cases in which space is all that counts. How useful all of the above mentioned is may be seen in the book David Lynch – Lithos, designed by Koma Amok, published in 2010 by item éditions, Paris, and Hatje Cantz, Germany, which was typeset completely in Materia.

Plz Print Brush is a good solid font for posters, headlines and accent words like - SALE! It gives the slightly irregular look of handlettering.

Salty Cracker is a display font with Black Letter elements. The symbols have a nice shape and long ascenders and descenders. Display font Latin

A special offer by RMU Typedesign for those who like it old-style. Now finally with the possibility to create a Greek Meander frame.

I made Company into a font after several inquiries from designers in America. I always liked Company and was quite happy to digitize it.

Colaneira is handwritten font. Will be nice if you application this font for cute, special moment, beauty, tees, simple word quotes, wedding party, invitation.

Degaule is handwritten font. Will be nice if you application this font for cute, special moment, beauty, tees, simple word quotes, wedding party, invitation.

The Kidprint font is designed to look like a child´s printing. Kidprint is useful any time a playful or whimsical look is required.

Lo-Fi Copy is a good way to add an analog look to your design. Brutal pixels have chaotic errors, like a damaged signal.

Bored by ancient Western typefaces? Try Secca Saloon. If you like the ornaments in the back, have a look at the Accolades from Astype.

Pukupuku is a cute round font. This font is designed based on the shape of clouds and beans, which looks somewhat like handwritten letters.

A decorative Barnum-like design. Great for headlines with that circus type atmosphere; will also work for Christmas, western and children's books and ads.

Ding pro! is a typographic family that contains many alternatives from ligatures to styles like Rough, Hand, UltraLight-Heavy, special for children-Youth titles.