Here's an Art Deco classic with a bit of an edge. This typeface is based on a somewhat less refined but more energetic version of Broadway, designed by Morris Fuller Benton for ATF in 1928, originally named Broadway Poster. Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

IngyStarTilings allows one to create a variety of patterns that have stars. Some of them are quite common and others less so. A sample file is available that shows possible patterns that can be constructed with this typeface, including some non-star repeating patterns. As the posters indicate, some of the patterns constructed with the regular version are intended to be multicolored.

Askja – A modern, decorative serif typeface with creative ligatures, larger upper serifs and multilingual support. This decorative font features numerous creative non-standard ligatures incl. nested or overlapping caps. Due to its large selection of ligatures, Askja is a very versatile typeface, covering a wide range of project types. Combine this font with sans serif typefaces for a modern aesthetic.

Kaisar is a geometric sans serif typeface that draws inspiration from Eurostile or similar typefaces, with less boxy feels. It comes with 9 weights and matching italics and contains 400+ glyphs that support broad latin language. Kaisar was designed to give a corporate, technological, futuristic look, great for many contexts from web to print, as a headline or as a body text.

Tourist Gothic is a Lanston Monotype adaptation of Modern Condensed Gothic (a design from the late 1800s.) Rounded alternate caps were designed by Sol Hess in 1928. The alternate version is offered as LTC Tourist Gothic Alt. Tourist Gothic Pro combines both variations and includes a full Central European character set and several other OpenType features. Digitized in 2006 by Paul Hunt.

Skript attempts to capture the essence of handwritten calligraphy. It emphasizes downstrokes and omits hair strokes with a contemporary stencil-like effect. Text is very readable since the foundation of each character remains intact. There many alternatives that make Skript versatile in a variety of applications. Compared to Carnegie Classic, Skript is more legible but less compact. Skript is available in Opentype.

Closer Text is a narrower, more compact version of previously released Closer. Closer Text is a highly customizable Swiss grotesque with overclosed aperture. Featuring some humanistic shapes, Closer Text feels less bland though still relatively neutral. Closer Text comes in 9 weights (18 styles altogether), features extensive language support including Cyrillic and is highly customizable with 7 stylistic sets to mix and match.

Otto Hupp's blackletter font, released by Klingspor in 1911, took its inspiration from the then dominating Art Nouveau designs. Some of its capitals express this with their lovely swash forms, and make this fraktur font less stiff. Hupp Fraktur contains a bunch of usefull ligarures, and by typing 'N', 'o' and period you get an oldstyle numbersign by activating the Ordinals feature.

Cloudbuster is K-Type’s take on the mid twentieth century style of extra condensed slabs/moderns inspired by Imre Reiner’s Corvinus Skyline of 1934. Unusually, Cloudbuster has a printed-look softness, courtesy of very slightly rounded corners throughout, so it looks a little less harsh than similar typefaces. The font is an imposing display face with elegant, unfussy letterforms and a generous x-height.

It is a handwriting-style font for body text that emphasizes gentleness and solidity by using less curvature and making use of a straight feel. The handwriting feeling is emphasized through the style that makes use of the natural bending and stroke order. Softness was added in the shape of a gentle curve, and perspective was applied by setting a vanishing point in the lower left corner.

Poster Casual JNL is based on the hand lettered title on the cover of the 1929 sheet music for the song "Give Yourself a Pat on the Back"; touted at the time as being "the cheer-up song of England". Available in both regular and oblique versions, the font is perfect for applications where a less-formal look is desired in headlines or brief text.

Laughter JNL is a deconstruction of the vintage sign painter's design Brushmark JNL. By flattening most of the curved lines and making other minor adjustments to the original font, the end result was a fun and playful sanserif that is great for lighthearted ads, party invitations, special events, point-of-sale signage and many other applications where a less-than-formal type style is required.

Hello Walter is a nice and clean typography I made for my little boy Walter. The story behind is I want to create a bold font with less holes and funny shapes. More naive but still serious with a lot of glyphs easy to use in many language cyrilic included. Perfect for web and print, for making logos or children book and app. Have lot of fun.

Neubau Grotesque is an upright italics variation of Neubau Sans and is built in three weights. The main difference of this typeface is that it presents a softer and more human look (less techno), while retaining the condensed geometric structure of its counterpart. Neubau Grotesque is recommended for use as a display font, and has been generated in a single OpenType format with Western CP1252 character set..

This is not a brush font! This is an imitation of brushstrokes, done by pen. But I guess you've already noticed that - the brushstrokes are way too obvious, to have been made by brush. Although being a "fake", the letters leaves you with quite a good impression. Letters were inspired by an old horror movie poster, but is very useful for something less terrifying!

Although less prevalent today, a cover charge was added to better class night clubs of the 1930s and 1940s to discourage patronage by people of questionable social graces. The general idea was that the lower strata of society (meaning the "average Joe" or "hoi polloi") would balk at paying an extra fee just for entrance to a place of good entertainment and fine dining.

In his book, Brushstroke and Freestyle Alphabets, Dan X. Solo called this fabulous fifties face Maidstone Script. Somewhat less willowy than the original, this version is still righteously retro, and takes its name from a collision between a poodle skirt and pedalpushers, two fifties fashion statements. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Our Quintessential Pro is based on the calligraphic lettering style known as the Italic Hand. As speed became more essential in writing hands, styles became less formal and more relaxed. Classic, clean, and casual, Quintessential fits a lot of design uses - hence its name. The SmallCaps and extensive figure sets only work to further expand the usefulness of the typeface across a wider breadth of applications.

Twentieth Century Poster, designed by Sol Hess for Lanston Monotype in the 1940s, provided the inspiration for this family of faces. Although, historically, the design falls outside the time period normally considered the Art Deco era, its sensibilities are pure Art Moderne. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

A very cheerful font. This font is very thick and suitable for use in children's games or animations. With this font, write very attractive, happy and comic titles and use it easily in graphic works. The design of this font looks sloppy and messy, but when you write your own text or title, while each letter is messed up, the text is completely connected.

It is a handwriting-style font for body text that emphasizes gentleness and solidity by using less curvature and making use of a straight feel. The handwriting feeling is emphasized through the style that makes use of the natural bending and stroke order. Softness was added in the shape of a gentle curve, and perspective was applied by setting a vanishing point in the lower left corner.

ITC Mendoza is a serif typeface with old style characteristics. A generous x-height and a lack of contrast between thick and thin strokes, gives the ITC Mendoza Roman font family good legibility and provides a sturdiness which enables the face to withstand low resolution output and less than ideal printing conditions. It is ideal for continuous text use, particularly in small point sizes.

Moku Brush is a structural brush script inspired from handwriting with brush, with straight letterform you will get less formal but more sweet! Moku Brush come with nine weights, so you can use as body text or even better with headline. With nine variations, you can use this font in different sizes with different weights, you will get better balance when do type setup.

Galerie 2 has a narrower styling and less contrast than its sister family but incorporates the same unique characteristics as Galerie within its elegant proportions. The close genetic proximity to Galerie enables dual deployment in text and artwork, each family complimenting the other in combinations of headings and copy. Galerie 2, like the full width Galerie volume, comes in 4 weights from Thin to Bold.

I like Ravens. In fact, I like them so much that I have a tattoo of a Haida raven! Ravenheart was more or less modelled on my Qilin font, but it is completely different. It is scary and inky, but it has a certain flair as well. A bit mystical, a bit evil, but I am sure you’ll find many uses for it. Comes with a fluttering of diacritics.

Developed by Indonesian designer Fadhl Haqq, Ordina is a grotesque-style superfamily with no less than 90 styles to choose from. It supports Latin including Pinyin and Vietnamese, Greek and Cyrillic, complete with Bulgarian alternates. Choose from Ordina’s eight figure sets, fine-tune its appearance with stylistic alternates for key lowercase letters, and put the reliable yet stylish sans-serif workhorse to good use in virtually any typographic application.

Mysterious is a bit of an unusual font. It looks old fashioned, but it comes with cool stylistic alternates, it could be a didone, but it is not (really), it looks formal, but it is rather scary. Mysterious was more or less based on the titling pages of 17th century atlases and my own twisted imagination. It comes with a whole bunch of ligatures and stylistic alternates, plus extensive language support.

Printing Press Elements JNL contains an eclectic assortment of printer's elements. From a set of dice (in both black and white faces) to cartoon embellishments to border and decorative elements there's something to fit numerous uses. Also included is an extendable bracket. The left-facing elements are on the (greater than) keys. The right-facing elements are on the [ (left bracket), \ (backslash) and ] (right bracket) keys.

Developed by Indonesian designer Fadhl Haqq, Ordina is a grotesque-style superfamily with no less than 90 styles to choose from. It supports Latin including Pinyin and Vietnamese, Greek and Cyrillic, complete with Bulgarian alternates. Choose from Ordina’s eight figure sets, fine-tune its appearance with stylistic alternates for key lowercase letters, and put the reliable yet stylish sans-serif workhorse to good use in virtually any typographic application.

Obelysk Grotesk was designed by the Lanston Drawing Office in the late 1980s. This face is a reconstruction of Spire (1937) drawn by Sol Hess. The skeleton of Spire Roman stands with the serifs removed. Like Spire, this font has no lower case, but does offer alternate cap styles in some of the lower case positions. Spire and Obelysk have both been used prominently in the fashion industry.

This font is fast. Carving apexes, drafting competitors, and breaking away for the finish line. This is a sleek and extended font family designed for top speed while squeezing into tight places. Zoom is intended for display and would be right at home, nested gently on a carbon fiber bike frame, forged as the nameplate on the back of a vehicle, or printed stoutly on any number of sporting products.

Originally designed by Sol Hess for the Lanston Monotype Foundry in 1938, this revival was designed by Ann Pomeroy in the early 90s. Spire is a condensed serif with a very 1930s retro look. PLEASE NOTE: Each Spire font (Regular, Extra Light and Monoline) include a companion Expert font in the download. The Experts feature several alternate glyphs. The Family includes three Styles and three Expert styles. 6 fonts all together.

The idea behind Geotica was to build a font out of -more or less- simple geometrical line elements. The open wire frame could then be left open or (partially) filled. Geotica comes in four different grades or line thicknesses (One, Two, Three and Four) so it's suitable for a broad use. Each grade has four styles and is loaded with swashes, final forms, lots of ligatures and ornaments.

Cherish Today is a quotable handwritten sans with cutout form. You can use this font for any project such as a merchandise, t-shirt design, or simple quotes. This font will make your project more natural and humanist. Cherish Today is a nice and never goes wrong choice for your instagram post! This font also contains unique lowercase that will make your project less ordinary. This font also support multilingual.

BRIGNELL SLAB is an eight font family designed by Ian Brignell. Curvaceous and dynamic, this unique slab exudes honesty and personality. A slab serif characterized by a soft treatment where normally you would see vertical serifs. This feature allows for a smoother, less toothy, reading effect. Brignell Slab was born in 2008 and was inspired by the logo and custom font Ian designed for Naturalizer. Extended Latin set.

An online image of a grid page [circa 1930s] showing teachers how they and their students could create cut-out letters and numbers inspired Poster Project JNL. The typeface is available in both regular and oblique versions. A crude, yet charming simplicity to the lettering can help replicate old time school bulletin boards and posters, or simply provide a less formal typographic approach when that is needed for a project.

Hello Giraffe font is inspired by the style of letters in comics which have a less serious and fun character. The letters in this font are sans serif with a font character appearance that gives a fun impression and design for children. The Hello Giraffe font is very suitable for creating designs with non-serious concepts, designs for children, book headers, and of course for text in comics.

Piano Keys is a musically-inspired font. It can be used for commercial as well as educational projects. In other versions, I tried to accurately replicate the pattern of black and white keys across the character set. Of course when used, the randomness of text and characters often produced less than realistic results when needed. This version allows black and white keys to be accurately arranged, if desired.

A personal calligraphic series commissioned by Bitstream from Gudrun Zapf von Hesse. Although Carmina BT is a neutral design, optimized for use in digital publishing, Zapf von Hesse’s unique calligraphic spirit is still quite visible in the family’s letterforms. This is not surprising, as all of Zapf von Hesse’s typefaces are calligraphic in nature. Yet Carmina BT is suitable for almost any conceivable digital text application, from book design up through signage use.

This elegant monocase design is based on a nineteenth-century offering from Britain’s Stephenson Blake Foundry named "Fry’s Ornamented No. 2". Stylish, witty and debonair, it will add grace and charm to any project. The font features bracketed fleurons in the greater than and less than positions, and no math operators. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.