Zosimo is a neo-grotesque typeface created by designer Ron Gilad (Delicious Type) in cooperation with renowned typographer Oded Ezer based on his ubiquitous Alchemist typeface. Carefully drawn curves, robust shapes and a range of OpenType features make Zosimo a great choice for designing logotypes, signage, titling, texts and more. Zosimo now comes in three families: Standard (full Latin support), Cyrillic (basic Latin and Cyrillic) and Pro (all included). Totalling in 9 weights, roman and italic, Zosimo can accommodate all your type-related design needs in one big happy family.

A display typeface with a muscular character, Doctrine Stencil is the revolutionary comrade of the text typeface Doctrine. Doctrine Stencil was developed from the North Korean national airline livery and, while it retains the idiosyncratic spirit of the original, it has evolved into a more contemporary headline face. Doctrine Stencil draws on elements of neo-grotesque, humanist and geometric styles, and combines them with a playful approach to the stencil model. Doctrine Stencil includes four alternate character sets as well as an array of ligatures and figure styles.

Saffron is an elegant contemporary neo-grotesque sans-serif typeface with strong stylistic geometric contrasts, drawing on the aesthetics and the typographic standards of Swiss modernism. The distinctive wide-open stance was designed to give the right visual consistency for branding and communications. This authentic and original typeface represents the shifting contemporary aesthetics. Saffron is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, and more. The Saffron family includes six weights, with their relative italics with over 700 glyphs and multi-language support.

Presenting ⚔️The Brohero Typeface⚔️ by alitdesign. The Brohero font is inspired by action movie posters with the theme of war or knights in the Japanese Samurai. The bold character of The Brohero font is perfect for making hero movie titles, game titles, logotypes, t-shirt designs and so on with heroic themes. Apart from the regular font, the Brohero also has an italic style which makes the design more dynamic and cool. The Brohero font has alternatives that you can combine between swashes and symbols that have the theme of heroes and war. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Brohero Typeface has a total of 789 glyphs including symbol, multilingual. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Presenting ⚔️The Blowar Typeface⚔️ by alitdesign. The Blowar font is inspired by action movie posters with the theme of war or knights in the Roman era. The bold and bold character of The Blowar font is perfect for making hero movie titles, game titles, logotypes, t-shirt designs and so on with heroic themes. Apart from the regular font, the Blowar also has an italic style which makes the design more dynamic and cool. The Blowar font has alternatives that you can combine between swashes and symbols that have the theme of heroes and war. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Blowar Typeface has a total of 706 glyphs including symbol, multilingual. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Mettalian is an modern calligraphy font that is suitable for branding, signature, wedding invitation, promotion, product packaging, logo, quote, and other needs. This font is modern, simple, but still authentic. You will get full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols, lowercase beginning and ending swashes, and ligatures. All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). To Access Alternate Characters Click The Link Below: Adobe illustrator CS https://www.youtube.com/watch?v=geL0Ye02Ryk Adobe illustrator CC https://www.youtube.com/watch?v=V25yiUh8BcE Ms Word https://www.youtube.com/watch?v=HxkhZiCuwEw Coreldraw X7 https://www.youtube.com/watch?v=UBVsufJjons Adobe Photoshop CC https://www.youtube.com/watch?v=BYKXl58AdNY Indesign CS https://www.youtube.com/watch?v=HgZTCxKG14Q Check my other Font here : https://gilarstudio.com/

New York to London via Europe The hardworking FS Koopman is a crossbred workhorse which draws inspiration from Swiss and Germanic grotesks, American gothics and early British grotesques, but refuses to fit neatly into any of these categories. Its neither one nor the other, but all of the above. Fontsmith designers Andy Lethbridge and Stuart de Rozario decided to take the characteristics they admired from each category and distill them down into one functional family. Neo meets Neue FS Koopman aims to swim against the tide of Helvetica-ish derivatives by bringing some personality and soul to a genre that all too often ends up feeling bland and sterile. FS Koopman subtly embraces the quirkiness and charm often seen in early twentieth century designs but pairs this with the functionality of later pioneers of the genre. It’s a grotesque isn’t it? The term grotesque surfaced around the early 1800s and refers to the early sans serif designs that many initially believed were strange or ‘grotesque’ due to their lack of elegant serifs. Later variations became known as neo-grotesques and this moniker stuck around even after they gained mass popularity. Some American variants became known as gothics. FS Koopman takes cues from all three categories and blends them into one cohesive design.

Presenting the LAVOZA typeface from alitdesign. LAVOZA font is designed by combining a slant blackletter font with a classic serif font style. The Lavoza font is inspired by a classic roman design that we apply modern elements according to current trends. This bold classic concept will create a design that is frightening but still looks modern and elegant. The Lavoza font is perfect for the design of young people who dare to be different and unique from the current trending design concept. Lavoza font is highly recommended to be a collection of fonts for current or future design creation. LAVOZA is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with unique and modern and brave concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The "LAVOZA"contains 587 glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Mandevilla is a semi-serif that is ideal for titling, display, and logos. Enrich your design with the expansive selection of 210 swashes and alternates. Create with Mandevilla’s decorative default uppercase set or explore the unadorned and non-stylized titling set. Mandevilla includes a 3/4 size capital letters set, listed as small caps. Used with capitals letters, they maintain a sense of a word shape as they are smaller and less ornamented than the initial cap and are serif-free. Thirty-eight complementing ornaments complete the package. See what’s included! http://bit.ly/2bGS00B *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

The idea was to find common intersections between the humanistic and the neo-grotesque model of sans. This variable font offers everything from the world of sans serif in one place – a broad range of weights, adjustable contrast, and a lot of alternative glyphs. As a bonus, you can choose the “cold” or “warm” impact of the text. The Cosan Cold variant has closed apertures and minimal tension in the manner of Helvetica, and the Cosan Warm is open, more dynamic, and airy. Cosan is very suitable for a parallel bilingual setting, as both types are equivalent in their proportions and text color. Like Yin and Yang, each has a piece of the other in him. The Warm version is not totally dynamic, nor is the Cold version totally rigid.

Gramatika is a typeface family of sans serif from the neo-Grotesque styles. There are four different weights available, ranging from light to bold. Each weight is equipped with an italic style that is a bit like an oblique style and lifted by some unique characters, with an alternative to the single story ‘a’ for example. Inspired by the famous grotesk typefaces such as Akzidenz Grotesk and Bauersche Giesserei’s Venus Grotesk, Gramatika shapes and styles are consistently adjusted for each character to meet the classic contemporary style, treated with some ciruclar-based characters in descender g, y. By balancing balance and flexibility, Gramatika was established to create alternative communication for current trends. The latest version of this fonts comes with Latin plus script coverage, and supported by the basic characters of Cyrillic and Greek.

Presenting the Mattock Germany font duo from alitdesign. The Mattock Germany font duo is inspired by spontaneous and dynamic signature strokes with ink textures that bring the Mattock font to life. The Mattock font looks unique and charming which makes the design using the Mattock font look more prominent and cool. German font with elegant serif characters and has a unique character when combined with the Mattock font creates an elegant, natural and different design. The Mattock Germany duo font is perfect for new font collections on your computer, tablet and smartphone to create unique designs, logos, quotes. The duo Mattock Germany font is perfect for magazine cover designs, brochures, pamphlets. Instagram ads, Canva Design and so on with unique and modern concepts. Besides that, this font is very easy to use both in design and non-design programs because all changes and glyphs are supported by Unicode (PUA). The Mattock Germany duo font contains 769 + 569 glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Presenting the Omed Brush Signature Script font by alitdesign. The Omed Brush Signature Script font is inspired by spontaneous and dynamic signature strokes with an ink texture that makes the Omed Brush Signature Script look real. The Omed Brush Signature Script font looks unique and charming which makes designs using the Omed Brush Signature Script look more prominent and cool. The Omed Brush Signature Script font is perfect for a collection of new fonts on your computer, tablet and smartphone for making unique designs or lettering. The Omed Brush Signature Script font is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with unique and modern concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Omed Brush Signature Script contains 804 glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files. Thank You Alit

Antoge is a handwritten script font with a pretty and cute feel but is still beautiful and elegant to use. This font has its own charm for you to use as a title, write names, words and sentences which of course look good and charming, and certainly this font is not only limited to that purpose but is also very special for every need of your project, be it a project. formal and non-formal, this font is still beautiful and elegant. Start creating incredible designs with this font! This captivating font also offers harmoniously beautiful abstract typography for a wide variety of design projects, including digital natural handwriting for designs, design quotes, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature. , and all designs require handwriting or whatever design you want. What's Included: Font file Standard glyph Binder Works on PC & Mac Simple installation It can be accessed in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works in Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support for; Afrikaans, Albanian, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish

After doing this for so many years, one would think my fascination with the old history of writing would have mellowed out by now. The truth is that alongside being a calligraphy history buff, I'm a pop technology freak. Maybe even keener on the tech thing, since I just can't seem to get enough new gadgets. And after working with type technologies for so many years, I'm starting to think that writing and design technologies as we now know them, being about 2.5 post-computer generations, keep becoming more and more detached from what the very old humanity arts/tasks they essentially want to facilitate. In a world where command-z is a frequently used key combination, it’s difficult to justify expecting a Morris-made book or a Zaner-drawn sentence, but accidental artistic “mutations” become welcome, marketable features. When fluid pens were introduced, their liquid saturation influenced type design to a great extent almost overnight an influence professional designers tend to play down. Now round stroke endings are a common sight, and the saturation is so clean and measured, unlike any liquid-paper relationship possible in reality. Some designers even illustrate their work by overlaying perfect circles at stroke ends, in order to illustrate how “geometric” their work was. Because if it’s measured with precise geometry, it’s got to be meaningful design. And once in a while, by a total freak accident, the now-cherished mutations prove to have existed long before the technology that caused them. Rolling Pen was cued by just such a thing: A rounded, circular, roll-flowing calligraphy from the late nineteenth century seemingly one of those experimental takes on what inspired Business Penmanship, another font of mine. Looking at it now it certainly seems to be friendlier, more legible, and maybe even more practical and easier to execute than the standard business penmanship of those days, but I guess friendliness and simplicity were at odds with the stiff manner business liked to present itself back then, so that kind of thing remained buried in the professional penman’s oddities drawer. It would be quite a few years before all this curviness and rounding were thought of as symbolic of graceful movement, which brought such a flow closer to the idea of fine art. Even though in this case the accidental mutation just happens to not be a mutation after all, the whole technology-transforms-application argument still applies here. I'm almost sure “business” will be the last thing on people’s minds when they use this font today. One extreme example of that level of disconnect between origin and current application is shown here, with the so-called business penmanship strutting around in gloss and neon. Rolling Pen is another cup of mine that runneth over with alternates, swashes, ligatures, and other techy perks. To explore its full potential, please use it in a program that supports OpenType features for advanced typography. Enjoy the new Rolling Pen designed by Ale Paul with Neon’s visual poetry by Tomás García.

Klatter is a font that is "in your face". It can't be ignored, and draws attention to itself no matter how noisy the environment. It is available in three styles: - Klatter Regular is a clean, spunky, non-grunge font that uses a combination of straight lines and sharp angles to make a strong, no-nonsense statement; - Klatter SmallCaps, in which the lower case is a true "small caps" and not a shrunken version of the upper case (generated by the operating system); - Klatter Grunge is based on Klatter Regular but is "dirty" and messy, giving the impression of printing problems and wet ink being smudged. Unlike many other grunge fonts, Klatter Grunge is a font that is full of character. Both styles have a full character set with upper and lower case, numerals and mathematical symbols, as well as a full set of accented and special characters. The font has been carefully letter-spaced and kerned and the vertical spacing has been appropriately set. Klatter Grunge and Regular are appropriately purchased together since they complement one another when used in the same graphic design job.

Presenting 🍃The Virnature Nature Script Font🍃 by alitdesign. Welcome to the Virnature font page, Thank you for visiting and finding this font. The Virnature font is inspired by elegant script fonts combined with the concept of nature. It can be seen by the beautiful and fitting leaf ornaments that make the Virnature font besides elegance also unique with the concept of nature. The Virnature font includes full set of Uppercase and Lowercase Basic Characters, Numerals, Punctuation and Multi lingual support. Also it contains ligatures and a lot of stylistic alternatives to perfectly re-create natural calligraphy and nature concept designs (check the previews in order to see them all). The Virnature font has alternatives that you can combine between swashes and symbols that have the theme of elegant nature. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Virnature Nature Script Font has a total of 768 glyphs including symbol, multilingual. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Presenting 🍃The Mollani Nature Script Font🍃 by alitdesign. Welcome to the Mollani font page, Thank you for visiting and finding this font. The Mollani font is inspired by elegant script fonts combined with the concept of nature. It can be seen by the beautiful and fitting leaf ornaments that make the Mollani font besides elegance also unique with the concept of nature. The Mollani font includes full set of Uppercase and Lowercase Basic Characters, Numerals, Punctuation and Multi lingual support. Also it contains ligatures and a lot of stylistic alternatives to perfectly re-create natural calligraphy and nature concept designs (check the previews in order to see them all). The Mollani font has alternatives that you can combine between swashes and symbols that have the theme of elegant nature. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Mollani Nature Script Font has a total of 818 glyphs including symbol, multilingual. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

CA Texteron is a modern text font family to cover the most common typographical needs with a minimum of weights. It is aiming for a serious but unconventional look, which is achieved by combining round and edgy forms in the same font, often in the same glyph, and by using Humanist and modern form-principles at the same time. It merges classical type-design with an experimental spirit. CA Texteron combines elements of the dynamic renaissance principle with the static neo-classic style, which makes it hard to classify. The result is a post-modern hybridization. The Regular weight works best in text size, and with more letter-space also for footnotes. The low contrast makes it robust and legible even in very small sizes. Bold, Italic and Small Caps are intended for emphasis. Bold, Bold Italic and Heavy make good headlines, that reveal the unconventional details. The Italic is not just a slanted version of the Regular weight but has individual forms and typical italic characteristics.

June is a contemporary neo-grotesque sans-serif typeface designed to be highly legible, readable, and usable. The clarity and mathematics were inspired by the research into type form by Adrian Frutiger. June was designed by developing a modern and unique approach to his findings. June's legible features include a near uniform stroke width, open apertures and counters, angular cut stems, and a large x-height. Italics are angled at eight degrees and have been redesigned to provide a stylistic difference without reducing legibility. June comes in seven weights, from Thin to Bold, each equipped with OpenType features. June can be used for all print sizes, and has characteristics that are more visible at larger sizes. June was inspired by a close family member of the designer. A part of all sales will be donated to Alzheimer's Society. Free Variable Font: If you buy the full family, you will also receive the Variable Font version of June, without extra charge.

The name Captiva is derived from the word captivate, meaning 'enchanting' or 'capturing the heart'. Captiva is a geometric sans serif font with a harmonious blend of clean shapes and straight lines, diagonal lines, and curves. The simple yet sophisticated design shows a soft yet hard, hard yet beautiful appearance. It has a total of 9 thickness levels, and the edges and strokes are rounded to give the user a peaceful impression. The non-decorated form gives the user a comfortable reading of the text, and the high height value and wide inner space make it stand out from other fonts. In addition, it provides comfortable readability in various digital media as well as in general printing environments. Captiva has the following features: 9 thickness levels (from thin to heavy) extended latin 450+ glyphs fixed width numbers The Latin extension offers more than 130 languages with extensive multilingual Latin support for Western, Central, and Southeastern Europe.

I'm Roberto Teixeira, a Brazilian graphic designer. After looking for a form quite different from the existing types, created in 2019, Di Barros Fonts Family is composed by Di Barros Regular...for while. This,form covers the following, according to the Windows character map: Basic Latin, Latin Supplement 1, Extended Latin A, Extended Latin B, Additional Latin, Cyrillic, Greek, Greek Extended, Armenian and several other special types, such as currency symbols, numbers, fractions, Roman numerals, arrows, symbol of electricity, hearts and vector images, of own authorship and more. Di Barros, with a good length, serves several languages. I think Di Barros applies to fine environments, such as jewelry stores, fashion stores, cultural events and others, where a beautiful and non-aggressive look is required. But there is no better application than the one chosen for its inspiration and creativity. Di Barros Fonts Family was made for you. Thank you for using it.

Cy Grotesk is the result of combining the clear forms of mid 20th-century European neo-grotesks and the expressiveness of the 19th-century grotesques. It is display typeface with an eccentric character and a special rhythm. Symbols have sharp long angled spurs and large wedge incision between the bowl and the stem, diluting it with smooth curves and the tight aperture. Built like a multifunctional workhorse that has a wide range of font uses. This type family consists of 27 styles that are adjustable in weight and width. Or one variable font with 2 axes. From pure thin to radically black. From roomy key to catchy grand. All styles include an extended set of Latin characters and a basic Cyrillic. Features: – Total glyph set: 676 glyphs; – 27 styles (3 widths x 9 weights) + variable; – Support 210+ languages; – Latin Extended; – Cyrillic Basic. OpenType features: – Uppercase, lowercase; – Proportional, circled, tabular numerals, superiors, inferiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic sets (ss01-ss10); – Ligatures; – Case-sensitive forms.

Internacional, inspired by the International Style, is a Latin American-flavored neo-grotesque sans serif typeface made with organic ingredients and sweetened with organic sugar and chocolate. Internacional is well-suited for corporate identity, branding, publishing projects, logotypes, magazines and advertising. Its large x-height and small difference between x-height and cap-height make it a high-impact font, ideal for powerful headings, while providing legibility. Internacional was designed for use with short and mid-length paragraphs that require a balanced type color. Internacional is an extended width font with rounded forms and angled terminal ends, in characters such as “c” or “a”, which make it suitable for use in advertising and branding. The proportional relation in height between uppercase and lowercase letters may be useful when composing text in German language. The Internacional font family comes in 7 weights with matching italics and includes an alternative version, with the same number of styles, yet it tastes differently. Special thanks to everyone in the Latinotype Team (especially to Rodrigo Fuenzalida) for their support, help with corrections and digital editing.

Introducing Paneur – Expressive Serif Typeface Serif Playfulness Paneur – Serif Typeface is far from your typical, formal serif font; it introduces a delightful touch of playfulness to traditional design. Informal Strokes Notably, Paneur’s strokes take on an informal quality, adding an expressive flair to your projects while steering clear of the formality usually associated with conventional serifs. Endless Expressivity What sets Paneur apart is its ability to offer endless expressivity. It’s the perfect choice for those who wish to break the monotony in design, infusing each project with an invigorating energy and dynamic spirit. Never Boring Design Indeed, Paneur is the antidote to boring and conventional design. Its informal serifs guarantee that your creations are never dull, but rather lively, captivating, and bursting with personality. In Conclusion In summary, Paneur – Serif Typeface is the font of choice for non-traditional expressiveness. It introduces a playful and informal touch to your projects, breaking free from the constraints of traditional serif fonts. By choosing Paneur, you ensure that your designs are engaging, full of life, and far from mundane.

Introducing Nandola Typeface Nandola typeface Inspired by ancient manuscripts in the European area. Carefully designed to work together in harmony making it perfect for wedding favors, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires classic, formal or extravagant. Attempt calligraphy Desired, delight in those riches from claiming OpenType features and tell its exquisite fun and fervor make you euphoric What's more support your creativity! you might utilize this font precise undoubtedly. Elegant script “Nandola Typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA). order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Operetta is a neo-didone display font family inspired on Bodoni, Didot (early 18th century) and Walbaum (19th century). Despite of this heritage, Operetta’s design meets contemporary taste and typesetting needs. With five optical sizes, masterfully navigate between contrast and legibility across various dimensions. The range of eight weights, from the weightless Extralight to the robust Extrabold, let you set your tone: from delicate to exuberant. Operetta's generous character set and opentype features let you meet the most demanding layout needs. And don’t forget swashes, arrows and other extra glyphs, seldom included in a didonesque font. The number displayed in the font family name signifies the recommended minimal print size in points. In web design you should double the minimum value for a retina screen, multiply by 4 for a 72dpi screen. Of course its rendering depends on the printing support, screen resolution etc. Therefore, take it as a suggestion or a starting point; make your own trials. And now, the pièce de résistance: Operetta unveils its italics, adding yet another layer of allure and sophistication.