ITC Avant Garde Gothic¿ was designed by Herb Lubalin and Tom Carnase in 1970. They based it on Lubalin¿s logo for Avant Garde Magazine - an exciting construction of overlapping and tightly-set geometric capitals. ITC Avant Garde is a geometric sans serif; meaning the basic shapes are constructed from circles and straight lines, much like the work from the 1920s German Bauhaus movement. The early versions of ITC Avant Garde became well-known for their many unique alternates and ligatures that still conjure up the typographic aura of the 1970s. These fonts contain the basic alphabets (without the old unusual ligatures). Still strong and modern looking, ITC Avant Garde has become a solid staple in the repertoire of today's graphic designer. The large, open counters and tall x-heights seem friendly, and help to make this family work well for short texts and headlines. The condensed weights were drawn by Ed Benguiat in 1974, and the obliques were designed by Andr¿ G¿rtler, Erich Gschwind and Christian Mengelt in 1977. ITC Avant Garde¿ Mono is a monospaced version done by Ned Bunnel in 1983.

Geometric sans fonts in the Bauhaus tradition were the inspiration for the design of FF Mark®, for example the Universal font by Herbert Bayer, Erbar® Grotesk, Kabel®, Neuzeit Grotesk and of course Paul Renner's Futura®. From an aesthetic point of view, FF Mark is a descendant of these classics of German typeface design that intends to meet the needs of modern communication. Hannes von Döhren and Christoph Koeberlin had the support of the entire FontFont Type Department in the design of FF Mark, including Erik Spiekermann, who took over the artistic direction of the project. The teamwork resulted in carefully planned, balanced forms, which are responsible for the harmonious overall impression of the font. The capitals are not based on Roman square capitals; rather, they have a uniformly wide letter form in a comfortable ratio to the x-height. Thanks to the x-height, which is significantly larger compared to the historical models, FF Mark is also very legible in small sizes. This makes it a very flexible font in terms of its range of applications. A contrast in the stroke width is barely noticeable. At the same time, light modulation supports readability, especially in the bold styles in small sizes. The uniform line ends are obvious for a contemporary sans family nowadays (unlike some of the historical precedents, which evolved over years). Other details from the predecessors are consciously maintained and provide for added individuality in FF Mark. For example, the limbs in the uppercase "K" and "R" are offset slightly from the stem. Alternative characters with crossbars are available for the numbers "0", "1", "7" and the uppercase "Z" and the lowercase "a" also has an alternative with an open form. German typesetters have the option of uppercase umlauts with points that are set lower, as well as a long "s" from the Fraktur. And last but not least, FF Mark has the very characteristic ft-ligature of Futura. FF Mark is available in ten finely tuned weights ranging from Hairline to Black. A Book style for text setting further emphasizes the well-rounded features of this contemporary typeface. When the font was published, it also included ten carefully designed cursives for all weights. Users also have the option of various numeral sets with old-style and uppercase numbers as well as small capitals. FF Mark also has some geometric shapes and arrows based on the features of Futura. FF Mark is a modern, full-featured, geometric sans serif that you can use without hesitation for large projects in headlines as well as in texts. FF Mark's design is a nod to the historical models and transports their charm, elegance and in some cases unusual design applications into a modern font family equipped with the most current typographical features. NEW: the new FF Mark W1G versions features a pan-European character set for international communications. The W1G character set supports almost all the popular languages/writing systems in western, eastern, and central Europe based on the Latin alphabet and also several based on Cyrillic and Greek alphabets.

Inspired by old engraving and scrolls, this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.

This font is unique by its calligraphic flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm, while preserving the nib strokes.

Motherboard JNL is a retro throwback to the technology boom of the 1980s and simulates an LED readout display panel. Available in regular and oblique styles.

Butter Swany is a Hand lettering Brush font with opentype features.. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work.

Black spoon is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round, clear and modern.

A practical font family with 3 weights for all your needs: headlines, body text, signage etc. So elegant and so classic. High legibility at small sizes.

Stop using Times new Roman in children's books! BrunoBook is here to stay. A complete character set with numbers and most (but not all) special signs.

Inspired by old engraving and tombstones. This font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.

Dragtime is handwritten script font with signature style. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, and many more.

The OTSU SANS family is a new sans-serifs typefaces family based on a geometric design. It can be use for text as for titling applications.

Introducing a new vintage label font named Two Shots. This strong typeface is perfect for lettering on vintage style labels, posters, t-shirts, logos, and more.

The OTSU SLAB family is a new slab-serifs typefaces family based on a geometric design. It can be use for text as for titling applications.

A sans serif with splayed ends, descenders and ascenders of the lower case dropping below the baseline, or above the x-height, very tall x-height.

Caora is a font with strong lines with a sweet and versatile border, this font has a minimalist theme and is perfect for clean design needs.

Inspired by old scrolls and manuscripts., this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.

Windlesham is a more traditional sans serif version of our Guildford typeface. Windlesham contains all the high-end features expected in a quality OpenType Pro font.

Shourtcut is a font designed for the needs of all your retro-themed projects and can be implemented to all the designs you want to make.

The Bathilda is a monoline script font with an elegant style. It has good readability and is perfect for logos, invitations, wedding, signatures, and much more!

Inspired by old engraving and scribes, this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.

Inspired by old engraving and scribes. This font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.

Indulge yourself with the luxurious Galisha script. This font is harmonious and is suitable for high-end branding, logo design, product packaging, design, invitations and more.

New, slightly calligraphic sans family with seven weights, Roman and Italic, all with Old Style Numerals and Small Caps, for both headlines and body text use.

Pinkalova is handwritten script font with love and unique style. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, etc...

Tamarac JNL offers the look of wood type with added serifs. Use Tamarac JNL when you need a change of pace from the "regular" serif fonts.

Algaida is a beautiful modern script font with beginning and ending swashes, All characters that add more beautiful and aesthetic fonts to perfect your extraordinary project.

So friendly yet so naughty. A practical font family with 3 weights for all your needs: headlines, body text, signage etc. High legibility at small sizes.

Seriffi Morgan is a paper-tasting serif typeface, just what you need. It supports West and Central European languages as well as Baltic, Turkish and Romanian.

Introducing Rustic modern script typeface, using style hand made with brushing. Rustic a beautiful for wedding card design, logotype, website header, fashion design and any more.

Inspired by old engraving and scrolls, this font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm.

A jumpy all caps comic font - has got a good handful of funny ligatures! You will need to use OpenType supporting applications to use the autoligatures.

Lingerhend is a classic handwritten script font. It’s the perfect font for wedding invitations, stationery, photography, social media posts, product packaging, greeting cards, and much more!

BluHead Studio LLC is pleased to be working with New Zealand designer Joseph Churchward in the digitizing of his extensive library of exciting and unique designs.

Introducing the elegant display serif fonts very suitable for the use of nature-themed logos, for wedding invitations, print projects, and posters, magazines and much more