The Bringhton Script This is a Vintage calligraphy script font that comes with beautiful alternative characters. copper plate mixed calligraphy with handttering style. Designed to convey stylish elegance. The Bringhton Script has a smooth, clean, feminine, sensual, glamorous, simple, and easy to read typeface. The Bringhton Script comes with a Clean and Aged version, beautiful upper and lower case, binding and favored by many finishes. It has Multilingual support (West European characters) and works with the following languages: English, Danish, Dutch, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish. In my example I show how this script can be used. It's perfect for logos, wedding invitations, alcohol labels, romantic cards and more. Recommended for use in Adobe Illustrator or Photoshop. Custom features don't work in Microsoft Word.

Our Pardner font finds its inspiration from the title screens of the 1965 film “West and Soda”, an animated Italian film that was a parody on American Westerns. Director Bruno Bozetto claimed in an interview that he was in fact the originator of the Spaghetti Western, not Sergio Leone. This offbeat and animated serif typeface has characters of varying width and weighting incorporated into opentype scripting as well as numerous alternates to give a lot of fun and frolicking play in typesetting. You can type with just as much diversity as the titling themselves. Opentype features include: - 6 Stylistic Alternate Sets. - A collection of ligatures as well as programming to automatically alternates between Caps and Lowercase. - Full set of Inferiors and Superiors for limitless fractions. - 731 characters of pure joy.

Carpenter® is a beautiful script perfectly suited for invitations and announcements. Created by James West, the design was a facsimile of the penmanship of Mr. Carpenter of R. Hoe & Co. and released by the Cleveland Type Foundry as one weight in 1882. It is now also available in SemiBold and Bold. The style of this script is very reminiscent of formal handwriting popular in the late 19 and early 20th centuries. It is graceful with formal structure. Its x-height is very small, with unusually long ascenders and descenders. Although there are many script fonts available, Carpenter is a historical design with a truly unique personality that will add a truly unique look and feel to your design. From GroupType™, Carpenter is available in TrueType and OpenType.

Miju™ is a display font inspired by Japanese culture. Its contrast-filled characters make it both original and highly impactful. Supported languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, Northern Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, West Frisian, Zulu.

Beauty Flower is a delicate and elegant handwritten font. Its distinct and well rounded letters make this font a masterpiece. Fall in love with its incredibly versatile style and use it to create spectacular designs! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Our newest font named Artho has a strong and bold character but is relaxed and fun to look at. so it is appropriate if you use this font for your project that is friendly fun but has a strong impression and attracts attention. This font is also equipped with three choices of thin, regular, and bold. makes it easier and more flexible for you to combine them to suit your needs. This handwritten font is perfect for children’s magazines, drink banners, games, posters, beverage, outdoor events, thumbnails, food banners, cheerful writing, film titles, quotes, titles, logos, and various kinds of projects you need, of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

Looking for a typeface that will add luxury and elegance to your next project? Akuina is here for you! With a bold sans style, this post-modern typeface is ready to give your graphic designs a new twist. Each font has its own unique style and can be used across multiple media channels including web, print, and more. You can’t go wrong adding this creative font to your library – it’s made with versatility in mind! This unique font pack features 18 beautiful modern font styles that you can use in a variety of projects. Each character has been created to maximize beauty and character. so that your project performs optimally of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

New Lincoln Gothic is an elegant sanserif, generous in width and x-height. There are twelve weights ranging from Hairline to UltraBold and an italic for each weight. At the stroke ends are gentle flares, and some of the round characters possess an interesting and distinctive asymmetry. The character set supports Central Europe, and there are three figure sets, extended fractions, superior and inferior numbers, and a few alternates, all accessible via OpenType features. Back in 1965, Thomas Lincoln had an idea for a new sanserif typeface, a homage of sorts, to ancient Roman artisans. The Trajan Column in Rome, erected in 113 AD, has an inscription that is considered to be the basis for western European lettering. Lincoln admired these beautiful letterforms and so, being inspired, he set out to design a new sanserif typeface based on the proportions and subtleties of the letters found in the Trajan Inscription. Lincoln accomplished what he set out to do by creating Lincoln Gothic. The typeface consisted only of capital letters. Lincoln intentionally omitted a lowercase to keep true his reference to the Trajan Inscription, which contains only magiscule specimens. The design won him the first Visual Graphics Corporation (VGC) National Typeface Competition in 1965. The legendary Herb Lubalin even used it to design a promotional poster! All this was back in the day when typositor film strips and photo type were all the rage in setting headlines. Fast forward now to the next millennium. Thomas Lincoln has had a long, illustrious career as a graphic designer. Still, he has one project that feels incomplete; Lincoln Gothic does not have a lowercase. It is the need to finish the design that drives Lincoln to resurrect his prize winning design and create its digital incarnation. Thus, New Lincoln Gothic was born. Lacking the original drawings, Lincoln had to locate some old typositor strips in order to get started. He had them scanned and imported the data into Freehand where he refined the shapes and sketched out a lowercase. He then imported that data into Fontographer, where he worked the glyphs again and refined the spacing, and started generating additional weights and italics. His enthusiasm went unchecked and he created 14 weights! It was about that time that Lincoln contacted Bitstream about publishing the family. Lincoln worked with Bitstream to narrow down the family (only to twelve weights), interpolate the various weights using three masters, and extend the character set to support CE and some alternate figure sets. Bitstream handled the hinting and all production details and built the final CFF OpenType fonts using FontLab Studio 5.

Introducing Antoine — is a vintage retro display typeface. The three font combinations I launched are very compatible if for the victorian classic design concept. As for if the font was worn by itself, without combinations are also brave!! In addition to many get unique character, luxury, brave and elegant. You also have a collection ornament, very suitable if in the gradient. This font is also very easy to use with other design programs or with out design program. Antoine Typeface is perfect for beverage label design project. coffee label. logotype design, badges, classic wedding concept. victorian design concept and so on. gig poster, letterhead, droop cap, titles, and any artworks. Now it’s your time to go crazy and explore the uniqueness of this typeface!! I invite you to familiarize yourself with the preliminary images and hope that you will be imbued with my vision of this creative font, which, I am sure, will be suitable for all the interesting projects you are working on. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop. Made with love and magic ♡ Thank you for reading it, and do not hesitate to send me a message if you have any questions! ~ Anastasia

Beyond the halls of the ivy league, a vintage sport font from the days of old. A complete family for all of your layout needs. Includes a layered COLLEGE effect to stack up and command those team colors.

Tagline is a Fun, Bold casual font that was born from the New York graffiti style. Good for all your entertainment projects. Though "Tagline" is radical in style it's still very readable and calls attention to your message.

Introducing Kingston an handwritten font with a high detailed dry brush texture. Kingston has been designed to fit a wide range of projects from urban style to classic branding with a full alternative characters set to completely change the look of your design. It also includes a set of 52 hand-drawn elements that will add a nice finishing touch to your text. You can use it for business branding, Instagram quotes, blog headers, fashion apparel, stationery and more... What's included: Kingston • A dry brush script font with uppercase and lowercase characters, alternative alphabet, ligatures, numerals and punctuation. Kingston Extras • A full set of brushed elements : 33 hand-drawn swashes, 4 doodles and 14 paint drips and splatters you can easily access by typing any letter from A-Z and a-z. Multilingual support • Kingston supports multilingual characters for western, central and south-east European languages.

TT Drugs useful links: Graphic presentation | Customization options TT Drugs Condensed—a modern font family which consists of 5 condensed sans serifs with a special contrast formula of lines and stems. TT Drugs Condensed is a condensed version of the TT Drugs font family. These fonts are perfect for design in the pharmaceutical industry: packaging, posters, blissery. However, those fonts can also be used in any other design, for example, in printing, logotypes and websites. Font family includes 10 most popular typefaces: thin, light, regular, bold, black and 5 appropriate italics. TT Drugs Condensed—a versatile tool for any design tasks. FOLLOW US: Instagram | Facebook | Website TT Drugs OpenType features: Case Sensitive Forms, Tabular Figures, Fractions, Numerators, Denominators, Superiors, Scientific Inferiors. TT Drugs language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

ITC Eastwood is the work of British designer Martin Archer and is named for Clint Eastwood. Archer was looking for a plain oldstyle typeface with open lower case forms and used Stempel Garamond as his starting point, although the result ended up well beyond its origins. In small point sizes the typeface looks interestingly rough while at display sizes it looks like a 16th century French typeface and its unique details come forward.

Oh Icons is a family of 382 icons divided into three thematic sets. Each set contains 52 characters, plus alternate glyphs in Open Type Stylistic sets. Every icon can be used independently, but you can also merge them to design an adult or a baby figure, a nursery room or to dress a dog. Black backgrounds will let you colour your icons. Have fun and stay tuned for the new topics already in the works!

Typeface Wesna was created as a reflection of the current state of design whose starting point is rooted in the letterings from the Slovenian posters from the interwar period. Bold strokes, condensed letterforms, sharp stroke joints and unique features are combined in the typeface. Wesna preserves the Slovenian typography heritage and establishes the connection between the past and the present through new digital formation. Available in 3 weights, italics in Latin & Cyrillic.

Prism was mainly inspired by two things, the sketches of Rudolf Koch for Prisma and the proportions of Avant Garde by Herb Lubalin. Even when the proportions and widths stay the same from ExtraLight to Black, you get the opportunity to change the weight and get a complete new look for that typeface by changing the grayscale or color. It is a modern combination for headlines, that want to have a different look.

Mrs Green is a great typeface for short texts, invitations, headlines, logotypes and advertising. We’ve started with a heavy capital G and A. At the beginning it was supposed to be just one fat style (still our favorite). But after a few months we’ve ended up with a family of 20 styles. It has contextual alternates, fractions, four types of figures (old style, lining, superior and inferior), ordinals and a case feature.

I've always admired the work of Rudolph Koch. Culpepper is what I think Neuland would have looked like if it had been developed with lowercase, small caps and a range of weights. I started work on this series in the late 80’s and, like so many of my ideas, it was shelved when life drew me in another direction. Culpepper is the name of one of the islands in the Galapagos chain.

Inspired by designs of the early Renaissance, Jenriv brings out a sedate atmosphere and generous inner spaces. Starting with the idea of mixing straightforward strokes and curves, it results in kind masculine figures, but calm and humble. It reminds some archaic air but a simplified one. Jenriv embraces text flows, multiple languages, and various styles with standard OpenType features. It is well adapted to various applications, from medium body text to large headlines, or logotypes.

Beautiful House is a beautiful signature font, fashionable appearance and elegant simplicity of lines. You will fall in love with this font Font is an open type with clean shapes and precise kerning. It includes ligatures encoded by the PUA. Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts

Monday Dream is a beautiful handwritten font, fashionable appearance and elegant simplicity of lines. You will fall in love with this font Font is an open type with clean shapes and precise kerning. It includes ligatures encoded by the PUA. Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts

FHA Condensed French One could speculate that FHA Condensed French probably started life as wood type for displays, headlines and posters. The exaggerated sharp serifs and condensed forms were not uncommon for that period. At some point, sign painters picked up Condensed French added their own character. At the end of the nineteenth century, Frank H. Atkinson included Condensed French in his samples of lettering for his book, ”Sign Painting, A Complete Manual.” This book became one of the definitive guides for signwriting and hand lettering. In 1999, Mike Adkins digitized Condensed to add to our Atkinson collection. For its re-release, Condensed French has been updated with more language support, ligatures, and OpenType alternates. It has true vintage character but still plays well in more modern designs. A font for all seasons, the condensed forms and sharp serifs fit in every layout from wildwest days posters and creepy film credits to Christmas ads and Mother’s Day cards. While I can’t really see FHA Condensed French as the font for phone aps or video game text, it will provide impact to logos, branding, and product labeling.

Daiquiri is a revival of a handlettered font in two weights, from an ad for Puerto Rico Rum dating back to the forties or fifties. I found the ad on a French antique market on my last visit for Mardi Gras in Nice. The ad read "Breeze through the heat, be a Daiquiri fan". That's why they had this "fan" in the illustration! Did they want you to rotate like a fan when you had enough Daiquiris? Or did they just do it for that little "Jeu des mots"? Anyway I found the handlettering very pretty, so I took those few letters and made a whole font out of them. I think Daiquiri has that touch that brings those happy and uncomplicated times back when advertising was still fun. I started something like 20 years later in advertising and things had gotten more stringent. We already had to satisfy those marketing guys with their scholarly attitude. They have taken all the fun out of the job, for the creators as well as for the consumers. I would like to see more uncomplicated ads like this again, yours Gert Wiescher

With all ego aside, Romp was designed and influenced by my daughter, Angel. For some time now, she has wanted me to design a font based on her handwriting. But each time I sit down to do it, I run into more that she needs to do and redo. On a recent attempt, I ran into the same situation again. Instead of moving on to something else, I decided to whip out a sumi brush and start making letters...for me, type design is something a little ‘serious’ and never a time to just have fun. This typeface proved that notion wrong—it really was fun. As a result, each letter encouraged another and the design grew...and grew! The happy result spawned 3 separate sets of letters & numerals (small caps and some ligatures too!). Using the beauty of OpenType, these 3 sets have been fused into one, randomly generating font set. If you are using any type of OpenType enabled application, then the Romp Pro typeface is the way to go. They include everything found in the 3 separate variants for each style as well as entirely expanding offering of additional small cap and ligature sets.

I just returned from a short holiday in Japan. I stayed in hostels and small guesthouses and noticed a peculiar thing they all had in common: they love little notes, telling you where to go, what to do, how to use the microwave oven and when to check out. These notes were sometimes printed, but more often they were handwritten. I found that the Japanese way of writing roman characters is a little, well, unusual. The letters are correct, but they have that typical ‘Japanese look’ - most notably the a and A the b, d and g, the p and P and the t and T. I can’t really tell you what makes them look different, maybe it’s the proportions, but I do know that a Nippon Note is highly recognisable. So, here is Nippon Note, a highly recognisable, handmade font. You don’t really have to be in Japan to use it, but it will give your designs that extra cachet. And don’t forget Nippon Note Kawaii - the cute doodle font which is free if you download the Nippon Note family! Comes with extensive language support, but unfortunately not Japanese…

Rialto dF is a book face inspired by calligraphic tradition. Named after the famous bridge in Venice, it was conceived as a bridge between calligraphy and typography, roman and italic. It can also be thought of as an imaginary bridge between Italy and Austria, since it is the result of collaboration started in 1995 between the Austrian Lui Karner and Venetian Giovanni de Faccio. The letterforms of Rialto dF were drawn directly in digital format with a starting point deriving from humanistic letterforms memorized in the hearts, minds and the manual ability of its designers… As tradition demands, uppercase, numerals and punctuation are used in combination with italics – the same solution adopted by Francesco Griffo when he cut his first italic for the Virgil, the first of the octavo series printed and published in Venice by Aldus Manutius in 1501. Rialto dF comes in two optical weights: Piccolo, for up to 14 pt, and Grande for 16pt and above. Alternate characters and various dingbats are also provided and these are available through OpenType features developed by type designer and technician Karsten Luecke.

Guinevere Pro is a typeface designed by Icelandic art director Sigurdur Armannsson. It started in 2001 as simple hand-drawn sketches of a few letters built from modules, then became an experiment with four goals: - Construct an original alphabet from a specific set of predetermined modules. - See how certain letter forms built without said modules would behave within the totality of the module-constructed alphabet. - See if certain letters would actually enforce their own shapes to be drawn a certain way within the totality of the typeface. Likewise, see if the totality of the alphabet demands that individual letters be drawn in a specific way, and if so, how much room for variation would there be? - See how all of the above reacts/changes to implementing the alphabet across different weights. The experiment was finessed and re-worked over many years of technology changes, and Guinevere Pro is the final outcome, ten years later. The Guinevere Pro set is four cross-platform Open Type fonts, with built-in small caps, alternates, ligatures, and support for a wide range of Latin-based languages.

Full Tolls is the younger brother of original Full Sans, Full Neue and Full Slab. Full Tools started with Social Media Icons. In the following days coming new icons. For example "Full Tools - Communication" and "Full Tools - Emojis" and mode. To take up less space and simplifying icons on the web and phone apps. All icons bigger 110% from another Full Brothers. Full Tools is the perfect font for web use. You can enjoy using it. EMOJI ICONS - Amazed - Angry - Beard - Crying - Dead - Dissapointed - Embarrassed - Evil - Friendly - Happyness - Happy - Hilarious - In-love - Indifferent - Kiss - Laughing - Lovely - Muted - Nerd - Quiet - Sad - Scaret - Smile - Stress - Sunglasses - Suprised - Suspect - Thief - Tongue - Wink SOCIAL MEDIA ICONS - Amazon, - Android, - Apple, - Bechance, - Bing, - Box, - Buffer, - Creative Market, - Crome, - Delicious, - Deviantart, - Dribbble, - Dropbox, - Etsy, - Facebook, - Facebook Like, - Facebook Unlike, - Flckr, - Firefox, - Foursquare, - Google+, - Grafiport, - Hi5, - Howcast, - Html5, - Instagram, - Klikstarter, - Linkedin, - Messenger, - Myspace, - Myfonts, - Opera, - Path, - Paypal, - Periscope, - Pinterest, - Plaxo, - Quora, - Reddit, - Rss, - Shutterstock, - Skype, - Snapchat, - Spotify, - Stumbleupon, - Twitter, - Trello, - Tumblr, - Vimeo, - Vine, - WhatsApp, - Wikipedia, - Wordpress, - Yelp, - Youtube You can enjoy using it.

Iridium™ was designed by Adrian Frutiger in 1972 for Linotype. It is in the modern" style like Bodoni or Didot, in that it has the sparkle created by a high thick/thin contrast and a symmetrical distribution of weight. But the sometimes harsh and rigid texture of the modern style is tempered by Frutiger's graceful interpretation. Iridium itself is a very hard, brittle and strong metal; yet the Latin and Greek roots of the word mean rainbow, or iridescence. And indeed, this font is infused with a more lustrous and complex spirit than the average rather stark modern typeface - note the stems that gently taper from waist to serif, the nicely curved ovals of the round characters, and the slight bracketing of the serifs. Iridium was originally designed for phototypesetting, and Frutiger himself cut the final master photo-mask films by hand. This digital version has all the craftsmanship of that original and includes the roman, a true italic, and the bold weight. Iridium works particularly well for book and magazine text and headlines."

P22 Preissig Calligraphic was originally designed by Czech typographer, artist, and designer Vojtěch Preissig (1873–1944). Preissig developed this type design in 1928 and has remained unpublished until recently. One can only speculate why this wonderful design was never produced into a commercially available typeface. His original designs feature an accompanying italic as well as small caps. Preissig had originally named the typeface design after his former employer in New York, Butterick Publishing Co. The ‘Butterick’ typeface retains the angularity of his previous typeface, Preissig Antiqua (AKA P22 Preissig Roman), but displays a more fluid calligraphic influence. P22 Preissig Calligraphic was started shortly after Richard Kegler saw the original drawings in an exhibit in Prague in 2004. A sympathetic security guard allowed a few photographs and the contraband images fueled a development of the typefaces. The design simmered for many years and is now ready to enter the world of contemporary design. P22 Preissig Calligraphic is a 2 font family that contains the originally designed small caps as an OpenType feature, as well as all the necessary diacritical to cover most European languages.

Say hello to Viennese Waffles!! :) A nice, wobbly, playful pencil font with a handwritten inscription-with a fine texture built right into it!! Great for outstanding quotes, playful branding, children's books, fancy greeting cards, cooking recipes, menu design and more! Font Features A-Z; character set a-z; 1 language (English); numbers and punctuation marks, symbols A font containing uppercase and lowercase letters, numbers, and a wide range of punctuation marks. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required, and to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love and magic ♡ Thank you for checking it out and feel free to send me a message if you have any questions! ~ Anastasia

Nebora is a typeface that makes a big statement with clean, basic lines and an emphasis on negative space. This geometric style font is excellent for magazine headlines, product packaging, posters, and more, and is inspired by the magnificent beauty and fresh air of the Arctic. In lowercase, Nebora is charming and charismatic; in capital letters, she is sophisticated and authoritative. The humanist feel adds warmth, while hard lines and sharp edges flow into the smooth rounded curve of the letters. To develop a typography-focused design that really jumps out, try it in 16 weights, including obliques. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Sabana is my first step in font design. A font that is born from the organic, from a creative process that starts from improvisation as a result of my training as an artist. To design Sabana I asked myself the question, why not make a font that emulates my own writing? as I found it fun to see my handwriting on a computer. This font can be used in a wide range of projects such as editorial design, motion graphics, web, advertising and branding where emulating handwriting is a necessity. The font has coverage for more than 200 languages ??derived of the latin alphabet in addition to Cyrillic. Sabana is where I come from, where I am from, a constant on the horizon that is occasionally interrupted by vertical lines and that together make a perfect visual symphony.

Start good day for new font! present to you, Freaky! Freaky is a unique display serif font with two versions, regular and outline. Specially designed to create a striking and eccentric look in a variety of design projects. Freaky is a great choice for design projects that require a unique and striking visual identity. From bold branding to creative t-shirt designs, this font will add an unforgettable visual touch to any design medium you use. What did you get? Unique letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. I really hope you'll get pleasure using Freaky font and it will be perfect addition to your font collection! If you have some questions, please write me a letter! Shakira Studio

Check out these Lazy Dance moves - fits perfect to any dancefloor! A tall and thin font made with a brush - it has slightly rugged lines, and a kind of jumpy x-line. All in all it is a font that deserves a design with a handmade look. There are 4 different versions of each letter, and thanks to Contextual Alternates, these automatically cycle as you type. Making your text look really authentic and handmade! There is also multilingual support!

PragmataPro™ is a condensed monospaced font optimized for screen, designed by Fabrizio Schiavi to be the ideal font for coding, math and engineering. More than 9000 characters optimized from 9pt to 48pt to guarantee the best possible readability. Designed for every programming language and context: Haskell, Agda, APL, Needle, IPA Phonetics, HTML 5 entities, all the Unicode arrows, Symbols for Legacy Computing, Git tree command line, Agnoster, Poker cards and all the functional programming languages.