Linotype Minos is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font was designed by Swiss artist Christian Goetz, who named it after King Minos of Crete of the Bronze Age. Typical of scripts of this time were the ornamental borders around the characters, found on palaces of Knossos, Phaistos and Mallia. These borders surround every character of Linotype Minos, making it exclusively for headlines in larger point sizes. Single characters can also be used as initials mixed with other alphabets, especially with constructed sans serif and modern serif fonts.

Linotype Sinah is part of the Take Type Library, selected from the contestants of Linotype’s International Type Design Contests of 1994 and 1997. Designed by the German artist Peter Huschka, Linotype Sinah is a rounded, ornamental font with many strokes ending in teardrop forms. The letters of this wide-running font do not share a common base line. The capital S and the lower case l both drop under it although neither have descenders. Overall, Linotype Sinah has an almost Asian or Indian feel. The font must be used with generous line spacing and is intended exclusively for headlines or shorter texts in point sizes of 12 or larger.

Museum is the Wundes foundry's first font revival. These letter forms are scanned from the engravings of Freeman Delamotte who in 1879 published a spectacular set of ancient and mediaeval ornamental alphabets. The original forms for this font were created in 1490, a few years before Columbus discovered America. There was not much information on the origin of this font, save that it came from a British museum, hence the name. The original character set was missing the letters J,P,V and W so I've constructed these letters in the same style to complete the alphabet. Other than those 4 additions, the engravings are true to their original forms.

Mostaza is a new lettering font designed by Carine de Wandeleer. The Open Type features include 164 alternates, also in capital letters, and 100 ligatures. All this makes the text lively and bouncy, without the monotony of obviously repeated letterforms. In addition, we have included some ornaments designed to support the font, some were specially designed to be combined with the letters for a "more calligraphic" effect (access to them through the glyphs palette). Mostaza is doing very well to create titles, logos and posters for brand and packaging, invitations, greeting cards, magazines and book covers, children's material, fashion and wherever you want. Enjoy it!

The designer-favorite Blue Goblet series has been extended once again with Blue Goblet Frames and Vignettes. These animated and lively frames and vignettes can be resized easily without any loss of quality, and can easily be converted to outlines and modified. Combining them to form unique compositions or inserting them into chapter headings are just a few ideas for these versatile ornaments. Please see the sample .pdf to see all 96 Frames and Vignettes in action, and be sure to check out the rest of the Blue Goblet series, especially Blue Goblet Frames and Vignettes #2 Blue Goblet Frames and Vignettes is a collaboration between insigne Design and Portland Studios.

Rama Slab is an antique slab serif designed inspired by 1800s-style wood type. All glyphs have been designed carefully to be retro-looking to fill the viewer with nostalgia. This condensed font family with 18 styles is a great solution for posters, titles and anywhere you need impact. To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. Incidentally, -r- has its alternative glyph that can be used with OpenType salt feature. Be sure to check out the sans serif style of this Rama series named Rama Gothic.

Alejandro Paul’s Brownstone Slab is based on his own popular, award-winning, Brownstone Sans typeface.  Like the original Sans, Brownstone Slab is a 21st-century design, influenced by the Victorian decorative motifs of the ironwork and carved decorations of New York City row houses. Brownstone Slab’s sturdy serifs make it slightly more masculine and solid than its predecessor. As with Brownstone Sans, Brownstone Slab includes character sets for Latin-based languages, including Western and Eastern European, Baltic, Turkish, Maltese, Celtic and Welsh. It includes over 1500 glyphs, including small capitals, swash characters, alternates, and ligatures, in both Light and Thin weights. Ornamental frames are provided in all weights.

Modesto Open is now a Chromatic Font Family. The old font Modesto Open has been improved, renamed Modesto Open Primary and joined by four new fonts that ornament and augment the Primary font in many different ways. All Caps. Modesto is a loose-knit group of Font Families based on a signpainting lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Bailey Circus Logo. The Modesto family was not planned. It just happened, a few fonts at a time over about fifteen years. In 2014 seven new Italic fonts and two Chromatic families were added.

Chianti was designed at Bitstream by senior designer Dennis Pasternak in 1991 and initially released in 1995. The intent behind the design was to provide a humanist sanserif of high readability at a wide range of sizes and weights. Humanist sanserifs (others that fall into this category are Linotype’s Frutiger and Optima, and Monotype’s Gill Sans) are an attempt to improve the readability of sanserifs by applying classical roman structure to the letterforms. To enhance its versatility, Mr. Pasternak designed a wide variety of alternate characters, rare ligatures, ornaments and swashes. Chianti is a friendly sanserif useful for a broad range of typographic needs.

Pitcher is a bold brush with roots in 1940s and 1950s Americana. Pitcher is great for sports team or bar logos, beer labels or anything where you need a strong sturdy script with lots of character. Pitcher is equipped with several OpenType features - keep on Standard Ligatures and Contextual Alternates for smooth connections between letters. Try Swash or Titling Alternates when you need more customised headlines or when designing a logo and look for Glyph Palette for even more alternates. Pitcher Printed is the same font with a worn-out texture and a bit softer corners. Combine Pitcher Ornaments with the script to complete your designs!

The Oyster family is a useful toolkit for hand-draw moods. It's a super casual and somewhat messy font that comes in two flavors: regular and outline, or rather, truly-hand-drawn-outline. Both styles have two choices for each upper- and lower-case letter, for that additional handmade feel. The OpenType contextual alternates feature instantly get these alternate glyphs to dance. The regular style also brings a set of glyphs with filled counters in a stylistic alternates pack, for a little twist now and then. And finally, the family has also a picture font with useful icons and ornaments. Handmadify your message and give Oyster a try!

Inkheart is a handmade font family of 22 fonts designed to play together. Inkheart family covers a wide range of different styles such as script, brush, sans and many other display styles - drawn in the same size so they naturally fit together. Inkheart also has Catchwords, Patterns and Ornaments that play perfectly with the letter-fonts. Inkheart family is a great tool for designing advertising, branding, posters, packaging and anything else with a coherent visual style. Each font goes a long way alone but together they’ll rock! Inkheart family is also packed with OpenType features such as Automatic Ligatures, Swash, Stylistic and Titling Alternates. Go wild with Inkeart!

A cute serif quirky font style Specifics: Cute style with average high of uppercase Ligatures of the lowercase Numerical, Punctuation, Multi language included Happy Designing!

South Louisville is an applicable handwritten font that contains uppercase, lowercase, number and symbol, also comes with ligatures and underline. This font support multi language!

Flamenco is an Andalusian art. Who think in flamenco, think in Spain. Is the result of a cultural mix: Gypsies, Arabs, Jews and Christians mixed elements of their respective cultures with traditional Andalusian elements. It incorporate dance, song and guitar music. Known for its emotional intensity, flamenco is distinguished by the graceful arm movements, ferocious stomping’s flamenco dancer, deep groans and strumming guitar. Flamenco is an art of passion. Flamenca Regular and Flamenca Luz is a brush script inspired by the flamenco dance. Flamenca is an organic, modern and casual calligraphy family font that has preserved in its glyphs its original textured appearance for a more personalized effect even more authentic. 
As an exclusively Open Type release, with 747 glyphs, it has several special alternatives for all letters with lots of possibility an infinity of combinations. There are plenty of options to allow you to create something unique and special: standard and discretionary ligatures, several swashes, initial and terminal forms and stylistics alternates for each letter, catchwords, ornaments that can be added to the beginning or end of each letter, and much more. Ornaments has been created inspired in the bars of the Andalusian patios where flamenco is danced. These lovely fonts have already an extended character set to support Central and Eastern as well as Western European languages. 
As a whole, Flamenca was made to make your project more beautiful and attractive! Have fun with it! Flamenca is fancy, delicious & fresh!

Franz Kafka’s manuscripts have always been a source of inspiration for designer Julia Sysmäläinen. At first she was just interested in literary aspects but later she noticed that content and visual form can not be separated in the work of this ingenious writer. Analyzing Kafka’s handwriting at the Berlin National Library, Julia was inspired to design the typeface FF Mister – by now a well known classic. Over the years, FF Mister K became a handsome typeface family and even produced offspring: the Josef K Patterns. Some of Kafka’s most expressive letterforms were the starting point for these decorative ornaments. How do the Patterns work? Outlines and fillings correspond to the uppercase and the lowercase letters on your keyboard. You can use them separately or layer them on top of each other. If you write a line of “pattern-text” in lowercase and repeat it underneath in uppercase you get a row of fillings followed by a row of outlines. Now you can color them and then set line space = 0 to get a single line of layered colored ornaments. Alternatively, activating OpenType / stylistic set / stylistic alternates will also unite the two lines to a single layered line. Further magic can be done with OpenType / contextual alternates turned on. On the gallery page of this font family is a downloadable Josef K Patterns.pdf with an alphabetical overview of forms. Hundreds of patterns are possible … we’d love to see some of yours and present them here on the website!

Ornaments family with four different sets plus a decorative capitals font from the rare, valuable and amazing Allerlei Zierat book from Schelter & Gieseck (1902). A research and free interpretation by Intellecta Design. This encyclopedic specimen book of the Leipzig, Germany type foundry and printing supply house J.G. Schelter & Giesecke features, as the title indicates, all kinds of decoration for supplying printing of every type. On the title page, the firm boasts winning grand prize in 1900 in Paris (presumably at the Exposition Universelle). It is hard to do justice in a short description to the variety of styles (traditional, Jugenstil, etc.) and categories (certificates, letterheads, borders, ornaments, exotic motifs, flowers, animals, silhouettes, menus, greeting cards, vignettes humorous and otherwise, images of bicyclists, occupational symbols, portraits, Classical figures, religious art, heraldry, ships, trains, athletes, etc., etc.) offered in this volume. Some of the examples are printed in color, most are in black-and-white. The Jugenstil cover of this copy shows minor wear and soiling. The plate of “Gust. Carlsson & Co., Stockholm” is attached to the front pastedown. A small fraction of pages show minor soiling, a pencil notation or a short closed tear. Two of the fold-outs at the back have a little more damage-one is missing a 1x2 inch piece along the margin, the other has a 3-inch closed tear and an edge which is crumpled. A rare specimen from the Intellecta rare books library.

Get in the swing with Metairie. This high-contrast script from Jeremy Dooley sets the rhythm for your next headline or short phrase with its fresh, expressive forms. Metairie’s (sometimes exaggerated) scrawled letterforms play on the colorful world of calligraphy to bring you a fully developed personality of its own. Inspired by elixirs and pharmaceuticals of the 1800s, this design has forms that dig down deep to the soul. It brings a unique, vibrant feel for your next message. The typeface supports all major Latin languages, and the expanded OpenType capabilities let you slide elements easily and quickly into your design. Metairie also includes a number of distressed options. Improv a bit, too, with Metairie’s decorative ornaments, variations on the fleur de lis. Ornaments and tails are accessed through the glyph palette or using the Swash function. An extensive set of ligatures gives you more options for humanizing the handwriting on the page. Then take it up a notch by using the glyph palette to find the perfect solution for project. You have full access to this amazing capability with InDesign, Illustrator, QuarkXpress and similar software. We recommend that you explore what this font can offer by using the glyph palette. Get a glimpse of ​​the font’s strength by looking over the brochure in PDF format in the "Gallery" section. Ready to step in? Take a stab at your next design with Metairie. It could be just the color you need.

Parfait Script Pro takes its inspiration from Spencerian script and pointed brush lettering. Technical Parfait Script has more than 850 glyphs. It’s up to you to choose, it’s up to you to have fun. Parfait would love to play. The font has lots of alternates. They'll certainly either embellish your words or provide more legibility. The alternates are: Standard Ligatures; Contextual Alternates; Discretionary Ligatures; Swashes; Stylistic Alternates; Titling Alternates; Terminal Forms; Historical Alternates * ; Stylistic Ligatures; Stylistic Set 1 and 2 * ; Ornaments. (* These Alternates are only included in Parfait Script Pro). Parfait Script Pro contains everything. Advice: Use designing programs that support the OpenType features named above, so you can easily alternate glyphs. However, for those who don't have this kind of program, or for those who don't want the entire font, we offer Parfait Script Pro as several separate fonts: Parfait Script Standard (the best for text); Parfait Script Contextual (decorative); Parfait Script Stylistic (decorative); Parfait Script Swashes (for giving the last letter a nice touch); Parfait Script Titling (both decorative and more Roman); Parfait Script Endings (for giving the word the look of a signature); and Parfait Script Ornaments (a set of swirls). These versions of Parfait Script Pro are Open-Type programmed too, in order to include the Standard, Discretional and Stylistic Ligatures. Pssst!... Take a look at Parfait Script Pro’s Guide in the gallery section in order to discover this beauty!

While in the same vein and spirit as Burgues and Compendium, Bellissima began from an entirely different thread from those fonts. It started with Alex Trochut generously showing me a gorgeous lettering book from his grandfather’s library: Bellezas de la Caligrafía, by Ramón Stirling, 1844. Stirling was one of the Latin calligraphy pioneers who introduced a refined version of English calligraphy in Spain and made it popular in the nineteenth century. Some scans from that book served as initial basis for the caps in my Poem Script. But it was always in the back of my mind that I should do a copperplate, and the Stirling model was the perfect source. My intention was to veer away from Stirling’s exuberant ornamentation, and work within simplified forms of his ideas. As it usually is with most of my projects, Bellissima became its own bird and shaped its own flying patterns. Suddenly there were many ligatures, multiple endings and swashed connections, hundreds of alternates for both uppercase and lowercase. Bellissima has an effusive energy that appeals much beyond its sourcing. It’s intended for these modern times of appreciation for old crafty things like stationery and letterpress, where its origins help it shine brightly. Bellissima Script Pro is a complete font with almost 2000 characters full of alternates, swashes, ligatures & ornaments covering a wide palette of latin languages and Bellissima Script Redux is a random sample of glyphs totally usable with a reduced price.

Hello there! We are introducing my new font - Skypilot! This font is carefully selected from hundreds of letters. We manually created this font using a flat pen and make it as close as possible to street graffiti style. Not only that, we also make another typeface that is perfectly suited for this theme, Skypilot extruded! With those fonts, you can combine them as a pair to make them a layered style! You will make exquisite real street graffiti art just like on the wall that you saw in the city! Besides all this, the Skypilot Swashes and ornaments are designed to make your designs more fun! You can apply this font to t-shirt designs, posters, covers, video thumbnails, merchandise, wall, and so on to make it look special. ——— Skypilot features: A full set of uppercase and lowercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features Layered Style +379 Total Glyphs +100 Graffiti Swashes and Ornaments included! ——— ⚠️To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe InDesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as Pop Char (for Windows and Mac). ⚠️For more information about accessing alternative, you can see this link: http://adobe.ly/1m1fn4Y

Pickle Standard is the display version of bb-Standard rigorously built on a grid. Read the article by Madeleine Morley for Eye on Design: A Font as Crisp, Squat + Rounded as a Pickle 3 styles: italic, regular and reversed italic

This smooth, modern typeface named "Sweet & Fresh" has a trendy look with nice rounded shapes and multi-lingual support. Thank you and have a nice day!

Hello Stranger is handwritten font that contain ligatures, stylistic alternates, swash, and more to create your own customized handwriting. This font also includes multi-language support.

Alfrere Sans is a clean Sans Serif display family inspired by a well-known 1950s television caption. The family of seven faces have been designed for independent use, but they also have an extra feature. All faces have identical metrics and can be overlaid with each other, to yield an unending range of multi-colored lettering effects. Bring a touch of the 50's to your next poster design. Better yet, explore the world of multi-colored overlaid typefaces....

Introducing, Philosophy - a stylish and sophisticated serif! Philosophy is an elegant and unique serif with a bunch of features that will make your presentation or logo more stunning, beautiful and sophisticated! You can use this font for any purposes such as a wedding invitations, logo, or even for branding!** This fonts support Multi Language. Also comes with beautifully crafted details that make this font more stylish and meaningful. Features Uppercase & Lowercase Number & Symbol Multi language Alternates PUA Encoded

P22 Araminta is a new font family from the prolific hand of Ted Staunton. Araminta Regular is a Tuscan style decorative font in the Victorian tradition. The Araminta Caps features a multi-font chromatic type system which allows for layering in colors using optional floral embellishments or simple colorful splashes in drop cap settings. Araminta Regular includes over 390 glyphs for multiple language options, while the multi-layer caps fonts contain only the capital letters A–Z.

Introducing, brand new serif, Merova - a classic serif with alternates! Merova is a classic and elegant serif with many style. Merova contains a bunch of alternates for each characters that will make your presentation or logo even more stunning and stand out! Merova also support Multi Language. and already PUA Encoded! Features All Uppercase Number & Symbol Multi language Alternates for each characters PUA Encoded Don't hesitate to send me an email at saridezra@gmail.com Happy Creating!

Java Heritages Typeface is a multi-layered type family with opentype features, inspired by vintage signage that have unique decorative shapes. Comes with 4 font system that can be layered to create different effect (Regular, Drop Shadow, Inner Shadow & Inline). Java Heritages Typeface includes a full set of character A-Z, as well as multi-lingual support, currency figures, numerals, and punctuation. Java Heritages Typeface family is perfect for logotype, gig poster, letterhead, dropcap, titles, and any artworks.

Sambi Lemon is an uppercase awesome font suitable for your many great project as branding, packaging, poster, comic, flyers, and more. Features: - Uppercase & Lowercase - Multi-lingual Support

Hi Everyone! Introducing our newest font : BRACING ! This is a new modern “racing speed car motor theme” display font. BRACING is a sophisticated cool font which will be perfect for branding, logo, sticker, decal, signage, flyer, brochure etc. There are many industries that is suitable for this font : car, racing, automotive, tournament, cup, futuristic startup, etc

Compliment is a script design which is obviously based on H. Matheis' typeface designed for Ludwig & Mayer in 1965.Ralph M. Unger redrew and digitized this font in 2004. His work is based on artwork taken from old East German font catalogues.

In 1960 Ludwig & Mayer released this Matheis design which was completely redrawn, digitized and extended for most main European languages, West and East. To take advantage of all ligatures in this font, I recommend to activate both OT features, standard and discretionary ligatures.