Greenhorn is a hand-traced comic type for headlines. Funky, irregular and smiling. The first inspiration comes from the unique lettering of a classic czech cartoonist.

Take a classic hand lettered Art Deco alphabet, add in a treatment of dual straight vertical lines and the resulting typeface is Double Line Deco JNL.

Happily-lettered handwriting full of optimism. This handwriting was drawn with a chunky round marker and is bold enough for drawing attention yet still completely legible.

Hand lettering on the Art Deco-era sheet music for a song entitled "Rosemary" was the model for this delicate monoline design called Deco Hotel JNL.

Very decorative script inspired by old lettering in Eastern Europe. Eye-catching for picture books, toys for children. There is another font which called Garash Script.

The charm of wood type -- especially in reproductions from worn specimens -- is the combination of hand-crafted letters and numbers and a connection with the past.

Introducing a new vintage label font named Two Shots. This strong typeface is perfect for lettering on vintage style labels, posters, t-shirts, logos, and more.

Serve up a generous portion of nostalgia with this retro font inspired by lettering in old diners, drive-ins and eateries of the 40s and 50s.

The words “Benny Goodman & His Orchestra” on an appearance poster for the band from 1936 were rendered in a beautiful semi-script style of hand lettering.

Hand-drawn playful lettering full of curls and whimsy. This is designed to be completely legible while still offering a fun flair to a finished project.

A product of the Inland Type Foundry, some say stolen from a hand lettering job done by Goudy. (Goudy was one of those who said it!)

A futuristic stylistic font with smooth curves, and rounded corners. Comes with more than 500 different ligatures that curl and swurl the letters in funky forms.

An antique Bradley stencil cutting machine’s letters and numbers were the basis for Dry Goods Stencil JNL, which is available in both regular and oblique versions.

Handmade Stencil JNL was inspired by the hand lettered opening credits of the 1954 film “Human Desire” and is available in both regular and oblique versions.

Quirina is a very elegant joining Script that has – because of its high and open lowercase letters – excellent readability. It has a fat twin called Quiana.

Conversion is a cute handwritten font with quirky letters! This font is perfect for shirts, mugs, signs, children's designs, headings, blogs, logos, brandings, invitations, and more!

Art Student JNL is a limited character set font inspired by hand lettering found on the box for a learn-to-draw set from the 1950s.

Shareholder JNL could possibly be found on a stock certificate, but in truth, it's based on hand-lettering found on some old sheet music entitled "Sharing".

Mix and match the upper and lowercase keys to access swash and non-swash letters in this unconventional serif font with a plethora of European characters.

Quiana is a very elegant joining Script that has – because of its high and open lowercase letters – excellent readability. It has a slim twin called Quirina.

Nouveau Era JNL was adapted from the title of a hand-lettered advertisement found on the back of a 1920s-1930s piece of vintage sheet music.

Noted is that perfect quirky font you'll use again and again! Mix and match upper and lowercase letters to create your own unique hand-jotted look!

Empty Fridge is my crazy, wacky and totally unpredictable comic font. Forget about typographic rules, but play along with the goofiness in each and every letter!

On a clear day you can see all the way to URAL from a high place in Helsinki. There your eyes will meet strange permafrost letters.

The Sabrina is a modern script font with an elegant style. You can alternate between the regular and swashed letters to get a handwritten, professional look.

The Arta font family was designed by David Quay in 1991. Its hand lettered appearance makes Arty a good choice for advertising and other promotional materials.

A more legible version of Janda Love & Rain, these decorative capitals are paired with neat lowercase letters that give you a girly flair with maximum legibility.

Rondos is a squared lettered and robotic styled display font. This font is PUA encoded which means you can access all glyphs and swashes with ease!

Serif Nouveau JNL is a condensed type face based on the hand lettered title of a 1920s-era piece of sheet music for the song "Naturally".

A new take on the perennial Art Deco favorite, Broadway, interpreted by 1930s lettering artist Harold Holland Day, and named after a 1960s R&B song.

The Posterama™ typeface family contains 63 fonts and is a true journey through space and time. Designed by Jim Ford, each Posterama family contains 7 weights from Thin to Ultra Black, in 9 distinct families. What makes Posterama so unique and versatile are the eight alternative display families. By making use of a collection of alternative glyphs, Posterama sets an evocative flavor to visualize an entire century of futuristic reference points from art, architecture, poster design and science fiction into one family. Posterama Text is the base family. It has the most robust character set including upper and lowercase glyphs and pan-European language support (including Greek and Cyrillic). Note: all the other Posterama variants described below do not have lowercase letters or Greek and Cyrillic support. Posterama 1901 recalls the decoratively geometric style of Art Nouveau from the turn of the 20th century. Letterforms such as the slender, snaking ‘S’, the high-waisted ‘E’ and the underlined ‘O’ revive the spirit of Charles Rennie Mackintosh and the designers of the Viennese Secession. Posterama 1913 pays homage to the Armory Show, or 1913 Exhibition of Modern Art, which brought the revolutionary work of European artists such as Picasso, Duchamp and Kandinsky to the US for the first time to the shock and astonishment of press and public. Near-abstract, angular characters such as the ‘A’, ‘E’ and ‘N’ hint at cubism’s jagged and clashing planes. Posterama 1919 uses a small, but important, variation to set a tone when the Bauhaus was founded, and the surge in radical European typography that followed. The straight-sided, roundheaded ‘A’ adds a flavor of 1919 – this style of ‘A’ can still be seen in the Braun logo, designed in 1934. Posterama 1927 captures the year of Metropolis, The Jazz Singer and Paul Renner’s pioneering, geometric Futura typeface from 1927, which had a profound influence on design in the US and Europe. Posterama 1933 – With its low-waisted, sinuous designs, the Posterama 1933 typeface family echoes lettering of the Art Deco period, which in turn had its roots in Art Nouveau, the key influence on Posterama 1901. The two fonts make a great team and can be used interchangeably. Posterama 1945 features a few Cyrillic characters to conjure up an era when Russian art and political posters made their mark in cold war propaganda, espionage and also giant aliens and monsters. Posterama 1984 takes its typographic influences from George Orwell’s classic novel, publicity for the dystopian action and sci-fi movies (Blade Runner, Videodrome and Terminator) and games like Space Invaders and Pac-Man that made an impact at that time. Posterama 2001 was inspired by Stanley Kubrick’s science fiction masterpiece, which made extensive use of the Futura typeface. Posterama 2001 finds its cosmic orbit with its nosecone-style ‘A’ from NASA’s much-missed ‘worm’ logotype. There’s an echo, too, in Bauhaus designs from as early as 1920, whose minimalist, geometric lettering also featured a crossbar-less ‘A’.

Power Grotesk is a sans serif typeface with details that give typography that has its own characteristics from the thinnest to the thickest that is slightly widened. The goal is to create a typeface with legibility and good contrast between black and white so that it is suitable for different sizes. The typeface has a special feature that aids in reading and reproducing, trapping the right-sized ink for the text to work. The geometric shapes and structures reflect the inspiration and influence of medieval typography. Power Grotesk moves between the vast historical material that makes up modern typography, combining contemporary details with classic styles.

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

Adamiya Pro is carefully designed with consistent strokes, this beautiful script font offers a minimalist, luxurious, and classy feel. Adamiya Pro is inspired by classical calligraphy. This font is perfect for anything that needs an elegant, pretty, feminine, and dramatic look. You can apply this font to weddings, invitations, logotypes, romantic quotes, labels and branding. Adamiya Pro consists of a complete character set and comes with hundreds of alternative characters that you can use to enhance your designs. As many as 500+ glyphs you can mix and match and multilingual support! What you will get: Uppercase Lowercase Numbers & punctuation Stylish alternative With Love, Pista Mova

Ride my bike is a fresh handmade typeface inspired by street style and the new culture that moves pedaling around the city. Perfect for use in headlines, brands and fashion photography compose alternative, thanks to its leading characters, terminals, alternate characters and ligatures that you can find in the Pro version. This version contains more than 600 glyphs. The 'Dingbats' font in this family has 91 dingbats, very fun to compliment and accentuate the handmade design. If you do not want to ride so fast, you can find a version without OpenType features - Essential. Come! Get on it and let’s go ride my bike! Photography by Seba Sanchez.

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

FT Drobbs is inspired by the Didot font group, known for its neoclassical style reminiscent of the Age of Enlightenment. The font includes a combination of very narrow and very wide lines. FT Drobbs features increased contrast between wide and narrow lines and includes rich teardrop endings. I love to watch how the lines bend, how they move, expanding or going into the thickness of the hair. I love their graceful beauty. FT Drobbs is not alphabetic, but it contains numbers, a set of basic currency symbols, and a few typographic characters. It is suitable for use as accents in labels, posters and infographics.