Lichtspiele Reklame is the ultra condensed version of Lichtspiele inspired by the 1920s — the golden age of cinema — where neon lights and marquee letters decorated cinema facades. Lichtspiele Reklame is crafted for large narrow formats and contains the display font and two italics (italic & contra-italic), like in these 20s, a time where movie announcements were shown on huge so called Litfaßsäulen.

Antipodes is a decorative reverse contrast font family. Designed for use in outdoor advertisements, branding, packaging. Antipodes is also perfect for movies and cartoon, video games and mobile apps. Antipodes contains latin, cyrillic and greek gliphs. There is also standard and discretionary ligatures. Any style comes with a wide range of OpenType features: fractions, proportional and tabular figures, contextual alternates, and much more.

"Death Party" is a special halloween font that will make your halloween party even more scary and will make you more total in welcoming the halloween party. This font is very easy to use because it has been specially designed. "Death Party" is also suitable for making Halloween greeting cards, horror movie titles, comic titles, magazines, posters, book titles and more.

Bit Part JNL is an extra condensed monoline sans serif typeface that's well suited for movie credits, disclaimers and other forms of tight-fit word copy. Inspired by just the numbers "65" on the cover of a 1965 high school yearbook, this retro font will fit a lot of copy into a small area. The typeface is available in regular and oblique versions.

Almighton is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Almighton comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more.

Spaceland is a narrow display font family with constant counter width and gradually growing stroke over 11 weights with matching obliques. Spaceland is a perfect choice for designs that require extra narrow but legible letters, such as movie posters, health warnings, bold titles etc. It has rich language support, including Cyrillic, as well as numerous OpenType features to customize your design.

Bloody Nightmare is a fantastic ink drips font inspired by vintage horror movies, comics, and Metal music. It will be perfect for your horror and Halloween themed needs! You can use it for anything ranging from merchandise like t-shirts and clothing, for your scary book designs, Halloween party needs, greeting cards, stickers, posters, banners, or anything that needs a horror touch.

The lettering style of Show Biz JNL is a classic sanserif with Art Deco influences. Slight variations in some letter shapes set it off from similar releases. The basic inspiration for this font was a set of ceramic letters and numbers used for home movie titling, but a few touches were added to give the font its own style and flavor.

Chaos is a caps only modern sans with a geometric and futuristic style touch inspired by “Blade Runner” , “Cyberpunk 2077” , “Ghost In The Shell” and Futuristic UI & Transistor. The difficulty in make Chaos typeface is achieve balance between simplicity and complexity.This font is an exploration of Sci-Fi movies & Futuristic User Interface, using the visual language narratives to catalyze new styles and perception.

Captain Meredith Typeface is a serif modern and classic typeface that has its own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Friem is a hand drawn font inspired by fonts that are usually used for children’s book titles that have a bold, messy and funny impression. Available in two clean and textured styles, this font is suitable for use for logos, book titles, movie posters, YouTube content, quotes, and more. There are ligatures that add features to this font, only in uppercase characters.

Inspired by futuristic vehicle print designs like seen in Star Trek, Blade Runner, Altered Carbon and the Alien franchise. The goal was a clean, abstract design where horizontal, vertical and diagonal 45 degree lines are the primary guidelines. Features : uppercase and lowercase numbers and punctuation multilingual Ideal for: Logo design Movie promotion Book & magazine print Package design Vehicle print designs Game design

Monster Scratch is a display font created to complement each of your Halloween parties. Spooky and incredibly unique, this font will elevate each of your designs to the highest level. Add it to your Halloween crafts, horror movie posters, and anything else that requires a spectacular look. This font is PUA encoded which means you can access all of the glyphs.

Proudly present Mafisha Typeface , created by Storytype, A serif modern and classic typeface that his own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Marshlord is a modern handwriting font with signature style. It included opentype features Ligature. Marshlord support multilingual more than 100+ language. This font is good for logo design, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Marshlord font. Cheers, MaulanaCreative

Prestons signature is made with a medium-sized marker pen with a casual groove. Feel the sensation of natural handwriting. This font is a great choice for digital signatures, brand names, logos, banners, headlines, wedding invitations, business cards, book titles, movies, podcast texts and craft work. we complement with alternate and ligature to strengthen the natural impression on your design

This is another scary font by the good fellows at The Design Speak. Meant to be eerie but also had a stylistic rock and roll vibe. We have you covered for things like thriller book covers and movie posters. Or anything you want to have an eerie feel. This was a hand-crafted font using a Wacom tablet and adobe illustrator.

Myla makes it easier to convey the message in your designs. Use its eastern, old soviet inspired style for awesome display, labeling, clothing, movie screen, posters, movie titles, gigs, album covers, logos, and much more. It comes in 3 styles: Regular, Bold and Black, in 2 variations of regular and italic. Inspired by eastern and soviet traditions, hardworking people and 1960s, Myla is ideal for retro and vintage projects, from clear to rough looking designs. Myla features: Stylistic alternatives Ligatures International characters (Multi-lingual) Punctuation symbols OpenType Features Multilanguage Support: English, Albanian, Danish, Dutch, Estonian, Croatian, Bosnian, Slovenian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanish, Swedish with a lot of other languages; see the Full Character List. Note: To access the extra alternate letters, you will need to use the glyphs panel. Many design programs offer this ability, including Adobe Photoshop CC 2015 , Adobe Illustrator, Adobe Indesign.

**Monkeymod Font** This pair was inspired by the Vintage Cowboy Movie poster design that i saw on some place, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. **Opentype features** Monkeymod font has 200 character set included Monkeymod Font is very good looking in logo, movie poster, retro labels, product packaging, invitations, advertising and others. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Proudly present Clockwork Lemon - Fat Type, created by ikiiko. This typeface is adapted from one of Stanley Kubrick's masterpiece films, Clockwork Orange. Clockwork Lemon has a similar character shape to the movie logo but is more raw, rougher and is a hand-drawn style font. A wilder impression is shown in the curves of the letters, with alternates in the form of a dirty texture. You can play with this font with 2 alternative styles : solid and rough. Clockwork Lemon is very suitable for making a poster or magazine layout, quotes, or simply as a stylish text overlay to any background image. What's Included? 2 Styles : Solid & Rough Uppercase & Lowercase Numbers & Punctuation Alternates Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email

Express your imagination with Wonder Night! a fancy fantasy font inspired by magical storybook and horror-fantasy movies. This font created with a very bouncy of letterforms, and carefully kerned into a readable typeface. Wonder Night is an all-caps font that easy to play with. You can combine the uppercase and small caps to get a more playful design. Also completed with alternates and doodles as the decoration to get a more beautiful design. Wonder Night is suitable for children's merchandise, books, logotype, T-shirt, poster, title, quotes, and more! Fonts featured : - Uppercase - Small-caps - Numbers - Punctuation & symbols - Accented characters - Stylistic alternates - Stylistic set 02-03 - Doodles (simply type 'underscore' and 'A-N'; eg: _A, _B, _C etc) Thank you for visiting and supports. Have a nice dream! ramz

During many years I have been exploring the translation from lettering or calligraphy to type design. Lately I have been designing more big sans and serif families plenty of weight. One of the main things about Hopfen is to bring back the german lettering of Bentele, who also inspired my fonts Semilla and Bowling Script, to a more versatile and useful world. Hopfen has the spirit from the past but with today's flow, it comes in 5 weights, full of swashes, endings and alternates. We imagine it being used from Breweries to book covers, from packaging to movie posters but we prefer to let our costumers to find the better use. When you license the complete Hopfen set we will include the variable version of the set so that you can find the right weight.

A clean and easy-to-read Aurebesh font, inspired by writing in the Star Wars (TM) movies and at Disney's Hollywood Studios (TM). Includes special characters for CH, AE, EO, KH, NG, OO, SH, and TH. If your software supports this feature, then these replacements are automatically made while you type. If you do not want to use them, and you are unable to disable the feature in your software, then please use the GalacticCore_NoSubs file. That file has automatic replacements disabled. It has a different font name, so both files can be installed at the same time. Also includes both styles of numerals, Sabacc dice faces, and card suits. We created this font to be used for typesetting books and stories. But feel free to use it for t-shirts, artwork, or whatever.

In 1952, Charles Peignot made a bold and fortuitous move: he invited a young Swiss designer to Paris to be the art director of the Deberny & Peignot type foundry. This started the professional type design career of Adrian Frutiger; and since then he has designed an astonishing range of masterful typefaces. One of the earliest for Deberny & Peignot was Président, a sharp-seriffed Latin titling face. Latin" is a typographic designation for roman typefaces with wedge or triangular-shaped serifs, a stylistic form that Frutiger would return to later with his beautiful typeface Méridien. Président™ has wide, solid shapes; very little contrast between thick and thin strokes; and an air of assurance. Use this titling font for business cards, announcements, or artistic signage."

Do you find some of the contemporary fonts just a tad too cool, restrained – even arrogant in their appearance? Here’s something to charm your worried clients with – Lagom, a polite and diplomatic type family. Use Lagom and you’ll be able to reach just that fine line between sophistication and mundane. The font family works really well with FMCG (fast moving consumergoods) products, restaurant identities and menus or way finding systems – you could even try it on a mobile app for that more human, ease-of-approach feel. Perfectly adept for contemporary needs, Lagom fonts come with smart Open Type features and the family is kept just the right sized – not too vast, not too compact. Make your designer life easier with Lagom!

ATF Headline Gothic cries out to be used in headlines, and that is exactly how it was used after it was first created by American Type Founders in 1936 with newspapers in mind. It would be hard to imagine a better typeface for a shocking, front-page headline in a scene from an old black-and-white movie. With its all-caps character set, and its big, bold, condensed design, ATF Headline Gothic is the epitome of its name. “Extra! Extra!” The style of ATF Headline Gothic recalls the bold, condensed gothic display faces of the 19th century, but with more refinement in its details than many large types of the time (typically wood type). Its most recognizable trait is the restrained, high-waisted M, with short diagonal strokes that end with their point well above the baseline; this avoids the sometimes cramped look of a bold condensed M with a deep “V” in the middle, common in many similar headline faces. The digital ATF Headline Gothic comes in a single weight, all caps, like its predecessor, but offers two styles: one crisply drawn, and a “Round” version with softer corners, to suggest a more “printed” feel, reminiscent of wood type. Of course, in either style it includes a full modern character set, including symbols such as the Euro, Ruble, and Rupee, that didn’t exist in 1936.

Cavita typeface is a mix between both grotesque and calligraphic models: regulars have a rough grotesque spirit; while the italics where inspired in calligraphic gestures. All of these details are reinforced with an inverted modulation (horizontals strokes are thicker than usual). The italics seem to move away from the traditional concept of type system, but work very well along side. This typeface has very particular shapes and rhythm, it's different and identifiable from the rest, making it a very good option to use on every piece of design.

Fly your inner geek flag with this cool new "Eleet" typewriter font. It's kinda like a wonky internet translator that converts normal text into leet-speak, so you can exchange encoded love notes with cyber-hackers and goofy-gamers. The actual glyphs in this font are interchangeable with the more logical Ollivette typewriter font, but here the characters have all been moved around to create stylized interpretation of similar glyphs. So "ELEET" could also be typed "31337". Except you don't have to think about it. Get it? Got it? Good! 3NJ0¥ TH15 ƒØÑ+ & U53 !† 0FT3N.

Created for captions and similar serif situations where small type is required, Freight Micro is amazingly illustrative for large type too. This half-wedge, half-slab design provides the firmest of foundations to build your design on. The abruptness of the sharply carved italics take emphasis to a higher form. Freight Micro is an exercise in whispering very loudly.

Instead of being directly based on classic wood or metal type examples, Mule Train JNL takes a roundabout route in its development. Images of a set of letters and numbers cut from plywood (which in turn were based on a vintage type design) served as the work models. Mule Train JNL is available in both regular and oblique versions.

Beaumont is a modern take on classic 1920's type, playing with stroke contrast and art deco forms. The result is a 10 font family, providing options for setting readable body copy or high impact display headings. With full multilingual character support, stylistic alternates and a range of open type features, Beaumont is perfect for a variety of situations.

Woodbranch JNL is a solid version of the 2013 font release Woodlawn JNL. The design was originally based on examples of an outline (open face) wood type. This interpretation takes on newer, stronger characteristics as a bold typeface when the "inner letters" of the original alphabet were removed, yet the imperfection of the wood type pieces are still maintained.

Linotype Reducta is a part of the Take Type Library, selected from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. It was designed by Austrian artist Herbert O. Modelhart with only a small number of constant form elements. The cool and technical Linotype Reducta is intended exclusively for headlines in large point sizes.

Ten Oldstyle is a four-weight type family from Principal Designer Robert Slimbach at Adobe. He designed it as the Latin component of Ten Mincho, a Japanese typeface by Adobe?s Chief Designer Ryoko Nishizuka. As it began to take the form of a small type family, Robert decided to release Ten Oldstyle on its own as well.

Linotype Auferstehung is part of the Take Type Library, selected from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German designer Johannes Plass was influenced by historic broken letter faces, particularly Caslon Gotisch, although the rounded corners give the font a handwritten look. Linotype Auferstehung is particularly good for headlines in larger point sizes.

Rock Face was inspired by a crude but effective home made sign I came across advertising a garage sale. The lettering was created using sticky black insulation tape which, like a child's drawing, had a certain naive charm. The type design presented here is obviously more considered, but I like to think it has the same raw dynamism.

Take a classic Western wood type where the horizontals are thicker than the verticals and remove the slab serifs… The result is Western Sans JNL, which is available in both regular and oblique versions.

Atol is a contemporary take on classic didone types. High contrast and modern proportions, combined with subtle details, makes it ideal for characteristic, bold, tightly-set headlines in magazines, branding, animated typography and more.

Our penchant for banner types lives on. This one is our take on an 1880s font called Mezzotint. Banner fonts give the appearance of art work, without having to do any. We like that.