Quiroh is a functional typeface that expresses both artistic life and emotion. Taking its inspiration from the industrial revolution of the 19th Century where romance and science coincided. With a cushioned finish and designed according to traditional conventions, the sentiment is equally as important as the reason, resulting in a very pleasurable read. Quiroh includes both heavy display weights and lighter weights for small copy, it's a perfect tool for communicating to the masses. Tall ascenders and descenders give the typeface a distinctive look with an elegant feel, and while these expressive forms invite the reader to observe its visible shape and appearance, its rhythm and function invites the reader to peruse at their leisure. Full details include 7 weights from thin to heavy with over 470 characters, manually edited kerning and OpenType features.

Stefano is a meld of traditional Roman typeface design and calligraphic hand lettering. It is bold yet refined; elegant yet forceful. Stefano will enhance the urbane and elevate the prosaic.

Sagebrush JNL was modeled from examples of a vintage French Clarendon wood type in which many of the characters had rounded parts rather than the traditional all-slab serif approach.

Illumini is a thin and rounded neoish sans-serif suitable for everything from logotypes to large text blocks. It contains several of the traditional ligatures normally found in serif fonts.

Megaflakes™ 2011 is a geometric set. Looks like this might become a tradition for Baseline Fonts. They are terribly fun for the holidays as well as Christmas in July.

ButtonFaces explores just how much emotion and description of a character can be put into a simple iconic representation of a face. Use them as 'Emoticons' or traditional printers ornaments.

The oldest known form of visual communication, rock art expresses the culture and traditions of primitive humankind. P22's Petroglyphs picture font presents ancient drawings and illustrations from four continents.

Two fonts with traditional hungarian flower illustrations and repeatable line patterns - combine and enjoy! No "multilingual character set" as fonts from CheapProFonts usually have, but still with an international flair...

Tapas Signpainting is a typeface based on traditional sign painting letters designed by Cifonts. This family has six variants and is useful to compose display texts, vintage logos, headlines & packaging.

Start 2 is a mixture of modern style with traditional functionality. It is flexible and has many beautiful and wonderful features. This font will work for modern and important designs.

Merry Baubles is a set of fleurons in the form of traditional painted glass Christmas Tree ornaments. That's really all there is to say about this piece of typographic fun.

Czech designer Oldrich Menhart (1897-1962) devoted his life to making letters. He was a calligrapher, lettering artist, and typeface designer with over twenty faces to his credit. The Monotype typeface, Menhart, was the second of his designs. Menhart began work on the design in the early 1930s and turned over his final artwork to the Monotype Drawing Office in 1934. The first size cut was 14 Didot (Didot points are the traditional European system of type measure, and are roughly equivalent to the point system commonly used by today's digital fonts). The 14D font was followed by 18D and 24D, indicating that the design was considered most suitable for display work. However, a 10D size was later cut from the same master drawings at the request of a Monotype customer. Menhart's design was light and open, with an even color and a slight squareness" to its round shapes. Because the Czech alphabet has 15 accented letters, Menhart included these diacritics as an integral part of his design, not as an afterthought. As a result, accented copy set in Menhart has a cohesive quality rarely seen in other typefaces. Monotype's new digital release of Menhart is the first revival since the hot metal fonts were cut. Menhart Display is based on the original Monotype drawings, while a slightly heavier, re-spaced version has been created for text sizes. Both versions offer the full capabilities of the OpenType format, such as the automatic insertion of old style figures, ligatures and small caps. In addition to English, the extended character set supports most Central European and many Eastern European languages. One of Menhart's lifelong goals was to share the richness of his Czech culture by drawing typefaces that uniquely served Czechoslovakia literature. In his words: "I believe that a Czech style of type comes above all from the spirit in which it was designed, which gives it its 'signature,' and not so much from decorative composition, and even less from the geographic location of its creation." The typeface Menhart is a tribute to his values. Now, Menhart Pro and Menhart Display Pro capture the unique personality of this timeless design while greatly extending its range of use. "

The typeface was created for TypeMarket in 1998 by Natalia Vasilyeva. Based on Lainie of Soft Horizons.

Font ArTarumianIshkhan (Ishkhan from Arm. “Prince” was created as a modern stylization of Armenian medieval lapidary letters.

Hans Bacher created a comic styled caps only font with the movement of his bold lettering stylus.

Very light and italicized, this font was created as a somewhat futuristic interpretation of a modern font.

Based on the ATF typeface by Morris F. Benton, circa 1934. Steve created two additional new weights.

A modern rounded typeface inspired by Japanese computer console games. Example: Captain Tsubasa created by Yoichi Takahashi.

This typeface was created based on the handwriting of the famous Ukrainian bard and artist Viktor Bairak.