Trained Monkey is a happy serif cartoon font. Use it for your book cover designs, posters, product packaging (may I suggest peanut butter?) and whatever else you may fancy. This monkey was made by hand, so the glyph edges are a bit rough and uneven - giving it ‘ye olde handmade look’. The name? Well, I was watching a movie (can’t remember which one) in which two guys were having a discussion. One of them said to the other: ‘a trained monkey could have done this job!’ That’s all folks.

Fallbreeze is a complete collection of script and sans serif font duo. With bold script stroke, Compressed display sans serif character with a bit of ligatures and has a two files lowercase alternates extra swashes. To give you an extra creative work. Fallbreeze font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Fallbreeze font. Cheers, MaulanaCreative

Technoda is a futuristic font that carries uppercase and lowercase characters with a set of numbers that showcase a futuristic unique design in addition to galactic alternates and a cyberpunk theme. Take a trip through time and use it for movie posters set in space or in the future. Very suitable for sci-fi enthusiasts, create cards and personalized artwork, but don’t let the adventure stop with you. Use Technos for UX /UI, and techno projects and allow the rest of the world to get a glimpse of what the future may hold.

Gecomach robotic mecha typeface is inspired by a modern futuristic. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Bredston is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Bredston comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. You just combine with the another font like script , serif or san serif font and adding some effect finally BOOM..!! you get a great design for your project.

"Japan Wave" is a Japanese-style display font inspired by japanese calligraphy.This font is a handwritten font with a authentic japanese look and feel designed as unique as possible to create a beautiful and easy-to-read combination of sentences. This font is also very flexible for you to use in your various projects, ensuring that your project has a fantastic and appealing appearance that will be remembered by all audiences. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more – may all benefit from this font. The owner of endless possibilities!

Lepharto Is a modern classic mystic with a classic serif style. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Say hello to Rushine Script, a vintage calligraphy brush stroke font. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Baluarte is a display typeface inspired by fortifications and military buildings used to defend and protect a specific place during war times. Its main characteristics are the irregular trace and the solid presence in all its characters. It has 5 weights + obliques It is perfect for titles in big sizes, video game logos, movie titles or credits, posters, and many other visual graphics. Key features Meticulously designed Comes in 5 weights and obliques for each weight Uppercase and lowercase characters Ligatures and fractions Supports a lot of languages Licensed for Personal or Commercial use (OFL)

Introducing Carilo. Modern and classy serif that combines two types of typefaces, classic calligraphy and serif fonts. You will also get 20+ ligatures and several stylistic alternates that will make your work look more unique, luxurious and elegant. This font is perfect for to create logos, branding, stickers, shirts, signs, posters, quotes, instagram posts, procreate designs. book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded Hope you enjoy with our font!

Introducing Silky Harmony Duo, a luxurious duo font an all caps font with a bewitching modern script font. The duo was specifically designed for modern projects, made to match perfectly together. Silky Harmony serif comes in with lots of elegant ligatures to embellish and compliment the handwriting font. Silky Harmony Duo works great in movie posters, stationery, digital assets, logos, quotes and much more... Supported Languages: Bosnian, Catalan, Czech, Danish, German, English, Spanish, Estonian, Finnish, French, Irish, Croatian, Hungarian, Icelandic, Italian, Lithuanian, Latvian, Maltese, Dutch, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Albanian, Swedish, Turkish

MB Narrow is a very compressed display font that comes in three weights. with is full use of the 20 stylistic sets it gives the user a lot of scope to how it look. without using them it has a very rounded and geometric look but with alternates for the Capital A, M, N, V, W, X, Y and the lowercase a, f, g, v, w, x & y you can create a more traditional 'movie poster' look. with standard & discretional ligatures and oldstyle figures there are plenty of opentype features.

Archimelo is a handwritten signature script with a natural & stylish flow. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Miguna is a san serif family with relaxed, clean, and charming characteristics. its use is also very flexible, can be used for various design projects, both formal and informal, this font is really amazing. Miguna comes with alternatives from the thinnest to the thickest, helping you in creating titles and text. This font is perfect for packaging, special moment events, branding, banners, posters, movie titles, food and beverages, quotes, clothing, logotypes, and more. Of course, your various design projects will be perfect and amazing, start using our fonts for your amazing projects.

Hairy Blood is a cool ink drips font with bold characteristic inspired by vintage horror movies, comics, and Metal music that makes this font looks so cool and fun to use. It will be perfect for your horror and Halloween themed needs! You can use it for anything ranging from t-shirts and clothing, for your scary book designs, Halloween party needs, greeting cards, stickers, posters, banners, or anything that needs a horror touch. Try it to create fabulous designs and feel the horror and Halloween vibes with it!

Lettichossa is an old-fashioned typeface, inspired by victorian and ornamental typography styles. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Dragon Fang is a headline display font set. The style suggests Medieval font forms but in a contemporary sense. The font contains uppercase and lowercase letterforms which include a few alternate characters. Look for the swash “B” and “D” to give your design project a special look. Influenced by everything from Rick Griffin and Linotext to tribal tattoo art this font will bring a contemporary edge to your design project. Fantasy book cover art, album covers, even that horror movie will find many uses for astroluxtype’s Dragon Fang.

Kettonia is a modern aesthetic serif font that is both memorable and stylish. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Introducing Squack, the brush typeface that will turn heads! With its excellent texture and carefree attitude, this typeface is perfect for any project. Whether you need it for a poster, branding, movie title, headlines, or logotype - Squack is sure to give your work an explosive boost! Featuring strong thick strokes and sharp edges on each letterform, you'll get a look that can't be beaten. Squack font includes : Standard Latin. Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Loterio Script is a modern and elegant handwritten font with varying thickness and a charming gesture. This font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark, advertisements, product designs, stationery, wedding designs,label, product packaging, social media, movie titles, books titles, a short text even a long text letter and good for your secondary text font with sans or serif. And also for special events or anything that need handwritting taste. Thanks for checking out this font. I hope you enjoy it!

Sattel Hintar Brush Script Font Sattel Hintar is a brush script font. With rough brush stroke, fun character with a bit of ligatures and has a two files lowercase alternates. To give you an extra creative work. Sattel Hintar font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Sattel Hintar font. Cheers, MaulanaCreative

Introducing Westiga - a Modern & Luxury Serif Font Westiga is a modern and luxury serif typeface designed with beautiful crafted characters that follow the trend. It can be used for adding a unique touch to logos, heading, branding business, magazines, product packaging, invitation, monograms, merchandise, poster book title, movie title or pull quotes and so much more. FEATURES - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Starixo font is a modern and authentic display font. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Introducing QEWUR, our newest font, an authentic font with a Japanese style theme, with an attractive and decent font shape to make your project elegant, special, gorgeous, and charming, and easy to remember for the audience. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Playtoon is a playful display typeface that may be used for a variety of projects. Each letter in this typeface has been specifically created to emphasize a fun, distinctive, and distinct personality. also in a unique pattern on each letter, greatly enhancing the uniqueness and enjoyment of your project. Of course, this typeface is appropriate for a wide range of creative applications, including game covers, titles, book covers, outdoor events, posters, banners, promotional material, movie titles, YouTube covers and thumbnails, children’s games, cartoon projects, and other unique projects.

Eddieth Handbrush is a best-handwritten brush that is written casually and quickly. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Demona the Gunter is the result of a journey towards self-discovery and part of an ongoing process of exploration. A font featuring a more evolved design while maintaining a charmingly simple style. The extreme contrast between thick and thin strokes gives Demona the Gunter a harmonious and stylish look. It comes in 6 weights with matching regular and italic fonts and includes alternate and ligature versions. The entire character set supports many Latin based languages. Demona the Gunter is perfect for editorial design, movie titles, branding, magazines, logos, headers and more

Like spearheads moving in directions, the core idea of creating “Spearion” fonts was originated from concepts of speed, flow and movement. These slab fonts would be great for your next projects such as logos, film and TV credits, marketing materials, and many more!

Natural Blues is my laid back handwriting font, and it is also the name of a song by Moby. Maybe I was inspired by that song … I can’t tell. But what I can tell is that having the blues is a natural thing!

Curser is an oldish-looking typewriter font, decayed and scary. The special characters give an expression that they have been made using the common keys and moving the paper. Curser supports West and Central European languages as well as Baltic, Turkish and Romanian.

The peculiarity of this alphabet is already its origin: the basic drawing was created by narrowing Roman capitals with corresponding lowercase letters. The goal was to create a monumental font for architecture and book covers. Surprisingly, however, Amor Sans has found its way into corporate identity, offices, magazines and packaging design. Its slightly narrowed, economical design predestines it for quick reading of shorter texts, which is why it is also excellent for theater posters and programs. Its moderate width proportions and rich selection of arrows and pointers are excellently used in public spaces. Amor Sans has a neutral expression that works harmoniously in any architectural style. It will serve as an orientation system in a medieval monastery as well as in a modern building, while remaining distinctive even in the dark. The family consists of ten cuts with many functions, such as small capitals, Cyrillic, several types of numerals, a number of ligatures and stylistic alternatives.

Jubilee is a glyphic font family with moderate stress, slightly inclined serifs, and storied history. Its original design was created in 1934 by famous English type designer Eric Gill for the Stephenson Blake type foundry. The development name was “Gill Text,” but this was changed to “Cunard” once the famous steamship company showed interest in using the typeface. The company, however, never utilized it. Stephenson Blake changed the name to Jubilee in 1935 to commemorate George V and Queen Mary’s Silver Jubilee Wedding Anniversary announcement. After International TypeFounders, Inc. acquired the exclusive rights to the Stephenson Blake collection, Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) revived the family exclusively for the Red Rooster Collection in 1994. A new, Medium weight was created to accompany the original Light and Bold weights. Jubilee has an inscribed, Renaissance feel, and performs well at all sizes. Its letterforms are sturdy, yet there is an undeniable delicacy to the face.

Known to many eastern artists as the California Poster Letter because it originated in the West, this old 1930s style has reappeared in digital form. Carl Holmes, in his wonderful book on old lettering styles, pays tribute to this uniquely American design. Faintly reminiscent of the lettering of Fred G. Cooper, California Poster Bold is at times wildly exaggerated and boisterous. Letters appear to be inflated and loopy. The design might aptly be described as a kind of rollicking Cooper Black (Oswald Bruce Cooper). An extensive range of alternates and figures has been provided for your convenience. California Poster Bold is now available in the OpenType Std format. Some new characters have been added to this OpenType version as stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Drop_it is a redesign of fonts originally created to be recognized by computers using OCR (optical character recognition) softwares. Strangely, human beings fell in love for the stylistic inconsistencies of these fonts made for machines. In small sizes, Drop_it emulates the appearance of fonts in antique operational systems monitors. In large sizes, its structure is composed of capsules and pills allude the universe of medicines, drugs and rave culture. Drop_it Dingbats follow the the same grid of its alphabetic version, and can be used side by side in sign projects. Besides the traditional symbols, it present specific images from the rave culture like DJ (Disc-Jockey) and VJ (Visual-Jockey). Drop_it italic set adds velocity to text compositions using six angle variations. All the fun starts with a very unusual Break version. Fall version is a kind of "anti-italic". Slow version put your text in another rhythm. Swing have a little italic emphasis. Italic is, you know, italic. And Speed version run away.

This font was inspired by the Latin script used in European monasteries from circa the 5th to 8th centuries, before the Carolingian “Caroline” (look at our 825 Karolus). It was a regular script, rounded, written slowly, used mainly for specially meticulous books, with a few ligatures, legible, but only with lowercase. The capitals consisted of enlarged lower cases, but here, we have preferred to use two slightly different patterns. Our lower cases are a synthesis from a lot of variants (mainly from the “First Bible” of Charles The Bald), the upper cases were mainly inspired from a 700’s manuscript from the abbey of Fécamp (France). We have adapted the font for contemporary users, differentiating between U and V, I and J, which has no relevance for ancient Latin scribes, and naturally with Thorn, Oslash, Lslash, K, W... punctuation and the usual accented characters which did not exist at the time. It can be used with 799 Insular Title.

Extra Old is a vintage serif typeface. With heavy strokes and miniscule serifs, this classic font family is the perfect lettering for a headline to emit genuine quality. Why not use Extra Old for a traditional logo or balanced product label. Created with pride and care, this type has the optimal appearance of a classic vintage logo but for a modern setting. The font family consists of Regular and Italic, as well as Bold and Bold Italic. Also included are the font styles Coaster and Floria Corner, two typefaces for beautiful decorative elements, combining with the lettering. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).