The double amount of Monopoint is Doublepoint - Isn't that simple? By overlaying the single weights from light to bold you will get a nice outline-in-outline look.

Master Flo is a freestyle script based on handwriting. The face inspired by flat-nib felted pen or brush calligraphy. For use in short texts and informal headlines.

Ruby Red is a playful font, made with ink and a brush. Ruby Red would look great in ads and packaging. Comes with a treasure trove of diacritics.

Richard Miller Rounded started out as just a logo for a website/business card. It is a modular sans that works well in both print and web design.

Simplicity JNL is a lightface monoline sans design for titling and short text that is clean and effective without being bland. Available in both regular and oblique versions.

Qasiru is a messy handwriting font with a theme of fun and love, it has bold and irregular lines, but fits perfectly in the whole lettering. Thank you

It is BIG, it is IN YOUR FACE, it is…. Bergelmir font! Comes with character, bravado and fun, language support and legibility. Bergelmir is a typographic Ice Giant!

1up is a retro font that is influenced by classic video games and modern pixel fonts. Looks great in display sizes and also works well when used smaller.

Cuantica font family has been designed for Graviton Font Foundry by Pablo Balcells in 2012. It is display typeface with a geometric look. Cuantica consists of 4 styles.

Cirflex was inspired by a 1930s shop sign, and makes an ideal typeface for Streamline Era and Art Deco design. Cirflex is offered in regular and bold weights.

Based on vintage wood type, Nostrand JNL is a tall, condensed serif face - named for an avenue in font designer Jeff Levine's home town of Brooklyn, New York.

A font family in continuation of the bb-book A , also kicking up weight, width and contrast, but upside down. 4 styles: condensed, regular, expanded and ultra-expanded.

Katiki Can is a bold, messy, painty display font inspired by all of the trashcans in the Outer Banks with names of rental homes painted on the side.

Aquitania Script is a natural but stylish handwritten font with a textured finish. Clearly legible in all sizes, Aquitania is ideal for headlines as well as small text.

Tooned Out JNL gives a serif treatment to the cartoon-inspired lettering of Toon-In JNL. Both fonts are great for any casual or fun messages or themes.

SixMinutesNarrow is - as the name suggests - a narrow version of SixMinutes. Just as quick, dirty and tasty as SixMinutes, but it will fit more text in less space.

Wilma has 19 weights ready to be combined. Please read the instructions for this font carefully, in the PDF. You will find tips on how use it properly.

Kasper was designed by Franco Luin in 1995. It is an informal script typeface and its playful, dynamic characters are perfect for greeting cards and other personal correspondence.

Attractive chess and checkerpieces, as well as board components, in a font. Generate boards with light, bold or no border, or a border with rank and file identifiers.

Paradise is a script font thought to be used in a wide range of pieces of design. From packaging to invitations, Paradise looks elegant and sometimes very playful.

Circumactio, the Latin for Spin, is a thin Typeface based on a grid. The circle in the grid replaces the Crossbar, and gives the Typeface a little differential.

Ducktail is font family that combine elements from display and sans serif categories. Comes in 7 styles with OpenType features: Small Caps, Fractions, 2x Stylistic Sets and Ligatures.

TC Jasper is a headline face with oblongated characters, suitable for letterheads and packaging. The serifs have an engraver's influence, making the TC Jasper font crisp in appearance.

Looking for nice handwriting fonts? Easy Hand from Okaycat comes in 2 weights, Regular and Semibold. You can achieve written by marker look by these easy going fonts!

This is the cutest font in the galaxy. It's neat yet adorable! Use it for posters, note-taking, or even cute logo designs. Your imagination is the limit.

Even as a child, I was interested in letterforms. I admired my grade 4 teacher's handwriting and so Ronita is based on fuzzy memories of her elegant script.

Rudolph Koch designed Zeppelin between 1927 and 1929. This geometric sans serif headline face jumps off the page. Use the Zeppelin font for impact in packaging and posters.

Collage is a font inspired by paper collaging, tearing apart magazines and building unique looking words and phrases. Collage also includes funky symbols and images in the font.

Abaddon has been one of our most popular fonts since it was first released in the mid-90s. It's based on lettering by Alphons Mucha with some modernization.

Xevgo is a syndicate roundel tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf.

Ink by Lio is a handcrafted font for use in many different projects. It is inspired by Japanese ink calligraphy and has all basic glyphs for various uses.

This font based on and inspired by stencil signage in construction site. As you can see, heavy and rugged glyph is very eye-grabbing for headline and titling.

This font was inspired by the LogosNazhdag font, but the font is narrower and softer. Suitable for headings, packaging, logos. Developed and digitized in Germany by Joachim Frank.

A revival of one of the popular wooden type fonts of the 19th century, with classic flat slab serifs, unbracketed, short descenders. Very popular in the 19th century.

This variable font is a Fabrizio Schiavi typographic interpretation and development of the legendary coop logotype designed by Albe Steiner and later improved by Bob Noorda in 1985

"Oase desert" is an old-style serif font, perfect for traditional themes, headlines, etc. Features: Uppercase, Lowercase Punctuation & Number, Support in Mac and Windows OS Multilingual Support ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝ

Introducing Meritocracy, a full-featured handwritten font with tons of alternate characters and OpenType features. My goal with this font was to make you a typeface that will look as much like hand lettering as possible. Using the built-in OpenType pseudo-random contextual alternates and over 300 individually drawn ligatures, you can infuse your typography with personality and variety.** OpenType Features Meritocracy comes with more than 900 glyphs! Specific OpenType features include contextual alternates, stylistic alternates, a second stylistic set for variety, multiple alternate glyphs for many letters (accessed through the glyphs panel), multilingual support (including multiple currency symbols), standard numbers, and seven ampersand styles. It also includes 325+ standard and discretionary ligatures, all of them individually hand-drawn to be different from all other glyphs in the font. These ligatures allow you to give a super-realistic hand-lettered look to your typography. You can write the same word in so many different ways if you combine the default set, stylistic set 01, and standard and discretionary ligatures in different ways. SPECIAL OPENTYPE FEATURE: If you are using OpenType-capable software like Adobe Illustrator, Photoshop, InDesign, or CorelDraw and you have contextual alternates turned on, you can see the letters randomize themselves as you type, mixing from the default character set and stylistic set 01. (You can always turn on contextual alternates after you have already typed your passage and it will randomize all at once, or you can choose to turn off contextual alternates and substitute specific glyphs yourself - I find that if I'm typing a word or two, I prefer to control the individual glyphs myself; if I'm typing a paragraph, I like to use the built-in randomness of the contextual alternates feature). Note that this pseudo-randomization (aka contextual alternate feature) is ON by default in Apple's Pages app and OFF by default in Microsoft Word, but it can be turned on. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access most of these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu. If you have questions about this, ask me!) Files included: Meritocracy-Regular.otf Please note: there is only one file for this font. That's the magic of OpenType - all of the alternates, ligatures, etc. are built right into the .otf file! Mail support : julie@upupcreative.com --- Find inspiration (and sneak peeks at my next font-in-progress) on - Instagram: http://instagram.com/julieatupupcreative - Facebook : https://www.facebook.com/upupcreative - Pinterest: https://www.pinterest.com/upupcreative - My website: http://upupcreative.com --- **PLEASE ENJOY! I can't wait to see what you make with Meritocracy! Feel free to use the #upupcreative and #meritocracyfont tags to show me what you've been up to!**

Worldly Even though it’s a new arrival, FS Brabo has seen the world. Designed by a Brazilian working in London and studying in Belgium under a Dutchman, it’s certainly well-travelled. And it was inspired by the extraordinary archive of early book typefaces at the world-renowned Plantin-Moretus Museum in Antwerp, while Fernando Mello was attending Frank Blokland’s Expert class Type Design course at the Plantin Institute of Typography. It was there that Fernando became engrossed in the collection of early metal type, matrices, punches and type samples by figures such as Garamond and Granjon. So much so that he took on the mighty task of developing ‘a beautiful, functional, serifed text font’ of his own. Heroic FS Brabo’s journey from sketch to font family took an epic three years, starting in Antwerp, continuing at Fontsmith in London, and reaching its conclusion back in Fernando’s home city of São Paulo. No wonder Fernando was reminded of another titanic face-off: that of Antwerp’s Roman hero of legend, Silvius Brabo, and the evil ogre, Antigoon. Brabo came to the town’s rescue after the tyrannical giant had been charging ships’ captains extortionate taxes and chopping off the hands of those who refused to pay up. Having finally downed Antigoon after a long and terrible duel, Brabo cut off the giant’s own hand and threw it into the river Scheldt, unwittingly giving the town its name: the Dutch for ‘hand-throw’ is hand werpen. What better way for Fernando to name his literary typeface than after the hero of Antwerp’s oldest tale? The garalde factor FS Brabo is not a revival, but a very much a contemporary, personal interpretation of a garalde – a class of typeface originating in the 16th century that includes Bembo, Garamond and Plantin, with characteristically rounded serifs and moderate contrast between strokes. Brabo’s ‘ct’ and ‘st’ ligatures, upper-case italic swashes and contextual ending ligatures – ‘as’, ‘is’, ‘us’ – all preserve the beauty and character of traditional typefaces, but its serifs are chunkier than a garalde. Their sharp cuts and squared edges give them a crispness at text sizes, helping to bring a beautifully bookish personality to hardworking modern applications. A workhorse with pedigree It may give the appearance of a simple, four-weight typeface, but FS Brabo has hidden depths beneath its simplicity and beauty. OpenType features such as cap italic swashes, contextual ending swashes – programmed only to appear at the end of words – and stylistic alternatives make this a complete and well-equipped typeface. Comprehensive testing was carried out at text and display sizes, too, to prevent counters from filling in. All of which makes FS Brabo a very modern take on a traditional workhorse serif typeface: colourful and versatile enough to adorn not just editorial projects but also signage, advertising and logotypes.