Sunfice is a heavy retro typeface. In a style that is not quite sans, not quite serif, this bold lettering gives any project the attention it deserves. Use it for a classic logotype or headline to give your work that genuine vintage look. The Sunfice family consists of four high-quality fonts: Regular, Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Gardner Sans is a humanist sans serif with a range of weights, italics, small caps stylistics alternates and a set of decorative ornaments. The light and regular faces work at smaller sizes and the heavier weights are good for display lettering. It is inspired by a few historical sources including Stephenson Blakes' Granby, Gill Sans, as well as some old hand-done lettering for sales tickets. The name (and the basis for the small caps) derives in-particular from the Roy Gardner collection of sales tickets from early 20th century that can be found on spitalfieldslife.com The heavier weights were particularly influenced by a later cut of Gill Sans, Extra Bold 321. The italic is more of a contemporary mix of humanist styles.

Vanitas Stencil is an elegant high contrast contemporary sans. It is rooted in the style of a classic didone, excluding the typical serifs and ball terminals as well as being designed with a cleaner, more reductionist appearance. Strict attention was given to the cohesiveness and balance between letterforms as well as the careful refinement of all curves. The careful, atypically placed stencil marks complement Vanitas’ refined character, presenting a distinct slant on the average stencil treatment. Stylistically, Vanitas Stencil’s alluring, sophisticated sensibility is directly inspired by high fashion. The upright styles are complemented by a pairing of optically adjusted true italics, which were purposefully adapted to retain the sharpness of their counterparts. Abandoning traditionally executed cursive italic letterforms retains Vanitas Stencil’s distinct characteristic through each style.

Macahe is a modern slab serif with dynamic and irregular shapes. It comes with 7 weights, 3 widths and matching (true) italics. The typeface was inspired and name after the city I was born (Macaé-RJ, Brazil), turning the mixture between nature/beach life and the chaotic urban growth into typography. The options (weight, width and true italics) make the font useful both for web and print in multiple occasions; think websites, posters, logos, signage, packaging and etc. Macahe covers multiple languages, including a wide range of Latin and some Cyrillic languages. It also includes a full range of numerals (included old style figures, numerators, denominators), small caps, standard & discretionary ligatures and stylistic alternates. Those features and variations make Macahe a useful tool for any graphic designer.

Diaria Sans Pro is a sans-serif counterpart of Diaria Pro. With its extensive 9 weights and corresponding italics, extensive language support, and various OpenType features it is meant to build visual heirarchies of any detail and complexity in editorial design. This modern sans-serif typeface designed as a universally legible medium for both titles and paragraph text. Its large x-height and static exteriors allow comfortable reading in printed narrow columns as well as in screen graphics. Some of the styles of Diaria Sans Pro can be found in Mint Type Editorial Bundle together with other fonts which make some great pairs. Check it out!

Mosquich is a modern and minimalistic sans serif condensed font. It has a bold and strong character, making it suitable for use in title text, logos, posters, flyers, and social media. Mosquich has wide and thick strokes, which give a strong and bold impression. It also has a compact and dense character, making it suitable for use in limited space. Mosquich is available in various sizes, from standard to custom sizes. It is also available in various styles, including Reguler, Bold, and italic. Mosquich is a versatile font that can be used for a variety of purposes. It is suitable for designers looking for a modern, minimalistic, and strong font.

Victorina Shadow is a fantasy sans letter display, inspired by the Victorian letters whose stylistic influence dominated the scene graph of the nineteenth and Twentieth century. Victorina has a perfect structure rigorous geometry. Victorina comes in several versions, in this set you will find the Shadow version in black and italic to complement the varied repertoire of styles of Victorina family, besides providing small caps and ornaments. Victorina Shadow let to work fine fantasy headlines when they overlap in layers of different styles. Victorina Shadow is a letter designed to recreate, with a contemporary vision, the spirit of those days of the industrial revolution and the early days of modernism.

Simpatico is a clean and fresh looking font, with a … nice character! (Simpatico in Italian language is a nice and funny behavior). Designed in two ways: standard and italic; each of which is divided into four weights: light, regular, semi-bold and bold. Simpatico is a versatile font! It has 595 glyphs including: letters that have been drawn with different accents for particular languages; ligatures between characters (eg fl, fi etc …); mathematical symbols and signs; differentiation between capital “i” and lowercase “l”; alternatives for characters like “a”; and much more. Simpatico is a multi-ethnic font! In addition to the glyphs commonly used, Simpatico is also in Greek and Cyrillic.

Mode is a typographic experiment exploring how same sans serif form adapts to different circumstances and what are the possibilities in variations of Thin / Black, Contrast / Negative contrast. Two main groups are Mode 0 (with rounded shapes) and Mode 1 (with angular shapes). Each of them varies from Thin to Black in six cuts, in the same manner it varies from contrast shapes to negative contrast. Mode comes in total of 72 cuts regular and italic, it speaks majority of Latin based languages and is equipped with smcp, c2sc, Old style and all caps numerals. Mode is made by DAGGERtypo during a period of 2019/2020

Exo Soft. Technology meets humanity. The geometric design got organic with carefully crafted smoothed edges. Exo Soft is a contemporary sans-serif font with a warm and humane feeling. It has an extended language support (both in Latin and Cyrillic) and an handful set of Opentype features. The 9 weights plus correspondent italics give Exo Soft a huge versatility. Because aesthetics are not everything Exo Soft was fine tuned in order to perform well both in screen and in print. The large x-height and open counters makes it function well even on small font sizes but the full potential of Exo Soft will be seen on headlines, branding and advertising.

June was first published in 2019 but it got a redesign and upgrade in the character set. It now supports Latin Extended and Vietnamese. It also has OpenType features such as stylistic alternates, case sensitive punctuation, small figures, arrows, superscript, subscript, fractions, and many more. June Pro was inspired by the work of Adrian Frutiger and his exploration into font design and legibility. June Pro is a modern sans-serif family in 10 weights ranging from Thin to Heavy with true italics. It was designed with legibility in mind. It is a versatile and distinctive font that makes it useful for various applications like editorial, web design, or branding.

CA Cape Rock, first released in 2007 and now reissued and expanded, is an impressive display typeface. Designed with a fat Clarendon and wood type in mind, the typeface’s bold and distinctive forms add spice and personality to any design that requires a strong display aesthetic. CA Cape Rock is particularly enjoyable for use in headlines and ideal for highlighted text. With already two dozen existing ligatures and many OpenType swashes, the new edition also received letters for use in the Central European and South Eastern European area. Cleaned and harmonized paths, a completely new kerning as well as a newly added Italic (Slanted) style are also among the new features.

Conceived as an exploration of geometrical type designs of the early twentieth century, Canaro was — in its first design stages — heavily rooted in that time period. During its development and the effort to give it a modern appearance, it turned into a contemporary font with a strong historical background, defined by legibility and functionality. In addition, the lack of spurs provide a unique but unobtrusive character and support the contemporary impression. Typographic features like alternative glyphs, ligatures, oldstyle numbers, arrows, fractions and other special characters, round up the family. Canaro is available in nine weights plus matching italics. Ranging from sharp and elegant thinner cuts to sporty and athletic heavy weights.

Ravenstonedale is a village in Cumbria, England. There’s not much to see in this quaint village, but the landscape surrounding it is beautiful. This font was sort of based on a number of handwritten letters by English author D.H. Lawrence. It is not a true reflection of the man’s handwriting, though, as I had to design a lot of missing glyphs myself; it was merely an inspiration. Ravenstonedale comes in a slightly slanted ‘regular’ version and a more slanted ‘Italic’ version. In order to stay true to the handwritten nature of this script, I have added a lot of ligatures, plus all the diacritics you could hope for.

The Glober font family includes 18 weights - nine uprights with nine italics. It is characterized by excellent legibility in both - web & print design areas, well-finished geometric designs, optimized kerning, excellent web-font performance and legibility etc. Inspired by the classic grotesque typefaces - Glober has his own unique style in expressed perfect softened geometric forms. The font family is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. Glober font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos.

Agakê is a typography for comics with 03 weights, variations in italics and shadow. It has 432 glyphs with support for multiple languages and was designed to adapt to a variety of styles and narrative genres, whether adventure, fiction, graphic novel or even superhero. Traditionally, the typeface in the comics are applied in capital letters, seeking the optimization of the space without losing the readability. But Agakê was designed to work also in lowercase, allowing a greater number of combinations and an incredible reading experience. Valuing the foundations of the graphic narrative, Agakê obtains total harmony next to the most diverse styles of illustration of the comic books.

Amherst is a family of blackletter-inspired typefaces. This family, created by British designer Richard Yeend in 2002, is unique in that it mains the feel of blackletter/medieval type without relying directly on historical forms. Amherst is split into two different sub-families, Amherst and Amherst Gothic. Amherst is very geometric interpretation of Fraktur. Fraktur was a style of German type very popular in central Europe from 1517 until the early 20th Century. Its letters appear "broken" at certain angles and joints. Still, we recommend using it primarily for display purposes. Amherst is available in three weights: Regular, Bold, and Heavy. Amherst Gothic is very loosely inspired by late medieval letterforms, often called Texturas or Gothics. However, the letterforms of Amherst Gothic seem just as inspired by the Art Deco movements of the 1920s and by contemporary sans serif type design as anything else. Nevertheless, certain letters in this typeface do appear more "gothic" than others, especially A, D, M, Y, d, r, and x. Amherst Gothic is made up of three fonts, Amherst Gothic Split, Amherst Gothic Split Alternate, and Amherst Gothic Italic. Amherst Gothic Split has in-lined characters, and appears very ornamented. The alternate characters in Amherst Gothic Split Alternate are quite medieval in their appearance. Amherst Gothic Italic is the least medieval-looking of the set; its characters are very round, and more geometric. All six styles of the Amherst Family are OpenType format fonts, and include old style figures.

The inspiration behind Amarga comes from the bitter taste of coffee. Amarga is a serif typeface with high contrast and pointed terminals, composed of 9 weights that range from a very heavy black version to a thin version plus italics, with a total of 18 fonts. Amarga has a great visual impact and is perfect for display uses in editorial design, web, branding, posters and many others.

Medoc is a clean and fresh font, designed with the intention of producing a good readable modern typeface. Medoc has historical roots, though it's redesigned with precision and a high contrast. Medoc will catch the reader's eye immediately. Both the regular and italic match in perfect harmony. Useful for titling, head text, magazines, posters and all your graphic work that need a nice and modern look!

Zolanti is a handwritten brush font for those who want a rough looking brush font, and to use it on many kind of design projects like logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc. This font comes in regular, italic, and underline. It is also complete with multi-language support, numbers, punctuation, and some ligatures are also provided.

Mazot is a modern sans serif with a compact and low contrast structure. Low contrast structure and terminals being flush with the body, gives it a raw effect. Perfect for Branding, Poster and Packaging designs. It has rich OpenType features. It consists of a total of 18 styles, from Light to Heavy with 9 weights and matching italics. It is available in 2-axes variable version.

MVB Aunt Mildred has a vintage charm that evokes hand-lettered postcards or advertising. Akemi Aoki drew the letterforms with a fine-tip felt pen and named it after her great aunt. Since its release in 1995, Aunt Mildred has been a popular choice for children’s books. Italics and bold weights have been added, making it even more useful for publications, packaging, and greetings of all sorts.

Suprala is a contemporary delicate humanist serif typeface, with beautifully balanced forms, perfect for branding and communications projects. Suprala’s round, elegant, and classically elegant design, supports all major Latin-based languages in twelve styles. True italics advance the aesthetics, bringing energy and making it suitable for modern applications. The Suprala character set incorporates numerous OpenType features - additional symbols, stylistic alternates, and unique ligatures both standard and discretionary.

As a binary system, at the junction to two antagonist drawings, the Blue (Not) Mono typeface is a hybrid between the monospace and the humanistic sans-serif families. Declined to several variants and weights: a true monospace and a proportional one, a roman and italic style, bold and the main purpose is obviously to maintain in the same time a calligraphic identity, and a computing legacy.

Original released in 2006 Depot has now been updated to Depot New. While staying true to its original robust charm Depot New has been reexamined from the ground up with improved outlines, spacing, kerning and opentype features. Depot New also boasts two new weights with Thin and Thin Italic added to its arsenal, making it the perfect choice for the most demanding of jobs.

Toska is a geometric sans serif font. This font has a strong but friendly impression because the rounded corners make the eyes feel comfortable. Suitable for headings, poster titles, logotypes, signage, packaging and Toska can even be used for interesting paragraphs. Comes in eight weights, each weight having an italic version so you are free to pair various weights to make your typography more attractive.

Here comes our new font Good Explorer This is a handwritten brush that is written casually and quickly. comes in two mode = Standart and italic. this font are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Good Explorer has Rough and strong characteristic more natural look to your text with a more modern look to your text.

MAGICA is a book and display face that is both distinctive and legible – clear letterforms and a generous x-height make Magica a good choice for text or titles. The typeface has elegantly chamfered serifs and a confident, vivacious character that is equally suited to formal and informal usage. Magica is available in three weights – Regular, Medium and Bold – each supplied with a free italic.

Our Quintessential Pro is based on the calligraphic lettering style known as the Italic Hand. As speed became more essential in writing hands, styles became less formal and more relaxed. Classic, clean, and casual, Quintessential fits a lot of design uses - hence its name. The SmallCaps and extensive figure sets only work to further expand the usefulness of the typeface across a wider breadth of applications.

Mersh is a type system that provides a wide range of options for any design project. The typeface comes with 9 weight in both regular and italic styles. Mersh is the result of exploring minimalist design trends and classic typography. Have the ability to be a display font and writing text well. Mers sans serif family is a very versatile font suitable for headlines, posters, logotypes, etc.

Slabton is a font family in the slab serif style. There are six defined weights, from thin to black, and six italic weights as well as a variable font. All latin small caps are integrated and the font contains a lot of useful open type features and options. Also, there is an additional shaded decor style for decorative matters and elements like headlines and initials.

Have a great day!Hello my new font was present. The Billion Butterfly The Billion Butterfly is a an elegant and smooth combine typeface regular and italic serif font. It’s a very versatile font that works great in large. The Billion Butterfly Perfect for editorial projects, Logo design, web font, branding, product packaging, magazine , or simply as a stylish text overlay to any background image.

Eckhardt Poster Brush JNL is part of a series of fonts emulating many of the various styles of hand lettering employed by sign painters and show card writers. The series is named in honor of the late Albert Eckhardt, Jr. - a talented sign writer and a good friend of the font's designer, Jeff Levine. Eckhardt Poster Italic JNL is an angled treatment of the font.

Neubaufra is a geometric modernist type family. Originally released in 2012 as Baufra, Neubaufra is a considerate restoration of the original work. Inspired by the early 20th century designs, Neubaufra gives special kudos to the Bauhaus influence. Complete with 8 weights + Italics, new design retained its prime modernist characteristics with the improvement to the legibility for text and web use. Extended language support includes Latin and Cyrillic.

Feonie is a classic and slightly curved serif typeface. This Serif comes in 2 styles, regular and italic versions. They are classy and the perfect match combination. Feonie is soft curves mixed with a high-contrast font perfect for feminine logo marks, fashion mastheads & editorial design. It's comes with a multilingual support also. Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Ligatures · PUA Encoded

EVERY is designed to be the most valuable typography equipment in your repertoire! It immediately reveals its true greatness and grandeur. Its sublime generosity, expressive aesthetics and unique presence underscore its image befitting its status. Tell us how you like this font: hello@typethis.studio This version covers all the essentials of Every 265 Characters 8 Styles, including True Italics Western European Language Support Numbers Symbols Punctuation

Dobra is a very geometric and robust typeface with Sans and Slab Serif companions, specially suited for magazines and newspapers, although it works great as a corporate typeface. With five weights ranging from Light to Black with matching italic, available in both styles this highly readable typeface is full of OpenType features such as Small Caps, Tabular Figures, Central Europe characters and Historical Figures, among others.

British Empire is an attempt to re-create some of the typographic characterisics of countries within the former British Empire. It is a sans-serif with unusual up-facing serifs on some of the caps and the lower case round characters have flick round terminals Though designed as a headline face it still works well in limited text. There are four weights with four corresponding italics.

Remedios, is a full-featured and elegant script font with many alternative characters and OpenType features. Handwritten in heavy italics, Remedios is perfect for invitations, branding, and editorial designs. Remedios comes with specific OpenType features including contextual changes, style changes, initial and final forms, several alternative glyphs for multiple letters (accessed via the glyph panel), multilingual support (including several currency symbols), and standard numbers.

German type designer Christoph Kalscheuer created this display FontFont in 1995. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as sports. FF Maverick provides advanced typographical support with features such as alternate characters and case-sensitive forms. It comes with tabular lining and proportional lining figures.