Gangnam is a captivating display font that dances to its own rhythm, embodying the spirit of the vibrant Gangnam district. Gangnam strikes the perfect balance between subtlety and impact, with a weight that is not bold, allowing the Korean-inspired letterforms to take center stage. The characters in Gangnam showcase a unique Korean touch, capturing the essence of the dynamic and stylish district. The large letters, while not bold, maintain a visible presence, creating an overall design that is both graceful and attention-grabbing. Gangnam is not just a font; it's a visual journey through the eclectic streets of Gangnam. In addition, enjoy the features here. Features: Alternates Ligature Multilingual Supports PUA Encoded Numerals and Punctuations The Korean-inspired design ensures that Gangnam infuses a sense of style and cultural authenticity into any project. Gangnam fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The Wella Atimbo Cyrillic font is a handwritten calligraphic signature script font. It is the font pair with will be the best option for branding, logos, wedding invitations, social media, packaging, business cards, DIY projects, social media, and many others.

Nara Typeface is a monospace font that can help display messages in the designs you create. With its unique character, it is suitable for you to use on stickers, flyers, website, social media, vinyl, CDs, Clothing, and many other media.

This Fonts designed so that users can use it more easily and make graffiti designs easier. Zigatos is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, bulletins, typography, and many other media, especially with graffiti look.

Sunkiss font starts from a brush stroke with a script style and also follows the times. Sunkiss is very suitable for use in various media such as: packaging, logo, label, poster, shirt design, quotes of wisdom, hand-lettering, typography and many other media.

The Buum typeface evolved from the explosive lettering originally designed as part of a house style for an interactive science centre for kids. Beside its usual application as a strong display font in print and on screen, the bold angular shapes of glyphs are adapted for negative machine- or laser-cutting into structural materials such as iron sheets, plywood, or stone ... and for creating tactile expressive surfaces and 3D objects. This pictogrammic and dazzling font remotely echoes the morphology of the lettering of futurism and constructivism, when avant-garde typography was once an exciting adventure. It is a lettering building kit with a number of stylistic alternatives of glyphs that enable a user to shape the same word differently each time. Buum is recommended by nine out of ten old school futurists, favored by steampunk CNC operators and respected by the majority of infantile anarchists.

feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards perfectly macth for desgign with valentine theme, any product like book cover, t-shirt, branding, promotion, social media post, quotes, wedding, photography and more.

Valfieris Aged looks as though it just came off an antique printing press. Ink has pooled in the serifs and on the corners, and the metal did not make full contact with the paper in center of the letters. Valfieris Aged includes a full set of OpenType alternates for every character in the English alphabet, swash alternates, ending swashes, titling alternates, oldstyle figures, historical forms, small caps and 64 discretionary ligatures. These ligatures are used to alter the appearance of the type so that the printing appears realistic and without any duplicate letters to detract from the antique appearance.

Proudly introducing Volume Rustic, where hand-craftsmanship meets professional design. Each of these meticulously handcrafted fonts were thoughtfully designed to harmoniously complement one another, oozing the essence of authenticity, warmth, and the human touch. These fonts are tailor-made for projects that celebrate the organic, the handmade, the local, and everything that puts people at the center. Compatible & Multilingual The fonts are in the OpenType font format. OpenType fonts are accepted within the vast majority of design software (including mobile and tablet design apps). Multilingual support is also included for Basic Latin, Western European, Euro & Pan African Latin.

The type “Vandalismo 26” is a tribute to the calligraphy style that 'screams' over the front of the buildings in the center of São Paulo/Brazil. This underground calligraphy, known as "pichação" or "pixo”, is a movement that expresses disagreement and rejection against the system. For some critics, this “vandalism” is considered to be the most disruptive and conceptual contemporary art today. It is a type to be used in headlines. Vandalismo 26 is a mix of the chaotic pixo style representing the nonconformity of a generation. It is a protest to the system in a typographic format.

Shelf Numbers JNL recreates the small plastic pricing tags that were used on grocery, drug, variety and liquor stores shelves for many years. The number keys have alternates in the shift position with a cent sign alongside the numbers. Also included are various phrases such as "for", "each", "lb." in the A-L/a-l keystrokes, and there is an additional set of numbers in the M-V/m-v keystrokes with a decimal point to the right of each numeral for dollar amounts.

Black Devils Monoline Graffiti Font This font designed so that users can use it more easily and make graffiti designs easier. Black Devil is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, bulletins, typography, and many other media, especially with graffiti look.

Vabioxe - Amazing Monoline Graffiti Font This font designed so that users can use it more easily and make graffiti designs easier. Vabioxe is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, bulletins, typography, and many other media, especially with graffiti look.

This font is inspired by clean handwriting that is a bit simple, but still maintains elegance and creates a luxurious feel in the design, Radish and garlick This handcrafted font, so cute and so cute for any design you want to look simple yet aesthetically pleasing, use this design for all your design needs, it will potentially be your best font choice use it for all your design needs, print media, brochures, social media, social media status, letters, invitations, and much more. Thank you very Much

Bankai Street - Realistic Monoline Handwritten Graffiti Font This font designed so that users can use it more easily and make graffiti designs easier. Bankai Street is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, bulletins, typography, and many other media, especially with graffiti look.

Hello, this is Bormbardies modern Graffiti Font! This font was designed so that users can use it more easily and make graffiti designs easier. Bombardies is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, bulletins, typography, and many other media, especially with graffiti look.

A smooth contemplative Antiqua with aspiring to the sky ascenders, inspired by the Quietism philosophy. Clarity of the mind is achieved by bringing the body into a state of calm and contemplation, and this is reflected in the design – the quiet horizontal serifs (body) are opposed to the peaky soaring ascenders (mind). The design also features four optical size subfamilies with different x-height and contrast, oldstyle diagonal stress, oldstyle figures by default, smooth details and slightly dark texture. Variable axes: Weight, Contrast, X-Height. Scripts: Latin, Greek, Cyrillic. Languages: 480+. The complete list of supported languages: michaelrafailyk.com/quietism Kerning: 4553 class-to-class pairs. Hinting: Not applied. Format: TTF – OpenType with TrueType outlines. Variable Font: Quietism Variable provides more options than static versions, and has three axes: Weight (Thin–Black), Contrast (Low-High), and X-Height (Low-High). Variable fonts includes thousands of styles that you can access using a sliders on graphic editor or via CSS on web browser. Mixing different axes gives you extra styles not represented by static fonts. Optical Size: The typeface is represented by four subfamilies: Text (low contrast, high x-height – for paragraph 10-20 pt), Deck (medium contrast, medium x-height – for subheading 20+ pt), Display (high contrast, medium x-height – for heading 72+ pt), Poster (high contrast, low x-height – for big size 120+ pt). Small Caps: Lowercase letters and Oldstyle Figures are replaced with Small Capitals forms. Capitals to Small Caps: Uppercase letters, all figures, and some punctuation are replaced with Small Capitals forms. Case Sensitive Forms: ()[]{}‹›«»-–—•·#%‰@ and Arrows are centered on capitals. Oldstyle figures are replaced with Lining figures. Oldstyle Figures: 0123456789 #%‰. Designed to work with lowercase letters. Used by default. Lining Figures: 0123456789 #%‰. Figures are the same height as uppercase letters (cap height). Proportional Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Tabular Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Ordinals: adehnorst. Superscript, Subscript, Numerator, Denominator: 0123456789. Fractions: ¼½¾⅐⅑⅒⅓⅔⅕⅖⅗⅘⅙⅚⅛⅜⅝⅞⅟ (precomposed). Any other fractions (even those typed through a slash) will also be displayed correctly, with the automatic replacement to Numerator + fraction + Denominator. Slashed Zero: All 0 figures. Contextual Alternates: Number sign character (#) before uppercase letters is replaced by its version centered on capitals. Hyphen character (-) between two uppercase letters is replaced by its version centered on capitals. First of two TT letters is replaced by its alternate form. Letters vwy before the letters fijmnprtuvwxy are replaced with an alternate shorter versions that fits better in the context. Contextual Alternates (Greek): ΆΈΉΊΌΎΏ. Greek uppercase accented characters lose their tonos accent and retain only dieresis in All Caps and Small Caps modes. Turned on by default. If you need tonos accents in All Caps then turn off Contextual Alternates (calt) feature. Stylistic Alternates: FTГТИЦЩцщ and their versions with diacritical marks. Stylistic Set 01 “Arrows”: Left <- Right -> Up Left Right <-> Up Down North West South East \> South West Stylistic Set 02 “Round-Square Cyrillic”: ДИЙЍЛФвгджзийѝклнптцчшщьъю characters are replaced with its Bulgarian or Russian forms. Stylistic Set 03 “Cyrillic Tse Shcha short tails”: ЦЩцщ characters are replaced with its alternate form with short tail. Stylistic Set 04 “Cyrillic I full serifs”: ИЙЍӢ characters are replaced with its alternate form with inner serifs. Stylistic Set 05 “FT bent inward serif”: FTГ characters and their versions with diacritical marks are replaced with its alternate form with right head serif that bent inside. Stylistic Set 06 “Small Caps centered on Capitals”: Small Caps are vertically centered on uppercase letters. Standard Ligatures: fi fl fb ff fh fj fk ffb ffh ffi ffj ffk ffl. Discretionary Ligatures: Th ct st. Localized Forms: 52 character substitutions for Azeri, Bulgarian, Catalan, Dutch, German, Kazakh, Macedonian, Moldavian, Polish, Romanian, Serbian, Tatar, Turkish. Glyph Composition/Decomposition (Diacritics): Full Latin and based Vietnamese set of diacritics (571 characters). Precomposed.

Neoro is an Art Deco condensed display typeface with an emphasis on its legibility to work as a “workhorse” typeface. Neoro is developed with the intention to be used in almost all media and sizes. By combining the characteristics of an Art deco type with an emphasis with it’s legibility, this typeface is versatile in almost all medias you can think of! Magazines, body text, captions, headlines, display, albums and almost any media you can think of! *This font includes letters, numbers, multi-language, and all essential marks needed.

Aligarh is a semi-slab serif font formed with a smooth rounded bracket whose edges end with unique shapes, an exploration of combining unique styles in a typefaces. Designed to be used in a variety of media both print and digital media. 18 fonts built from 9 sizes and supported by open types.

Apollon is an angular display font. Made for social media posts and game design purposes.

Barceloneta is a simple sans-serif font, with heavy bold and very characteristic soaring accents, referring to the shape of sharp towers in the building standing in the very center of Barcelona, designed by Gaudí - the Sagrada Familia. Most of the design work on the font also took place during the stay in the aforementioned city. As a result, a typeface with very different thicknesses was created, containing 364 glyphs, characteristic - in eight varieties, which, thanks to its diversity, can be used both as a headline typeface, but also one used for the composition of continuous text (which was not present in the initial assumptions).

A set of transfer patterns for sewing decorative monogram initials on clothing was manufactured by Women's Day magazine circa the 1940s. Designed by renowned Copenhagen-born industrial artist and letterer Gustav Boerge Jensen [April 8, 1898 - June 27, 1954], these initials have been redrawn into a digital font entitled Danish Script Initials JNL. Large initials are on the uppercase A-Z keys, while smaller initials are on the lower case a-z keys and are centered to the larger cap height. An ornament is provided on the asterisk key, and can be placed between the small initials and the larger initial for decorative effect.

Swish is a contemporary geometric font with two 3D orientations that create an alienating effect. The direction is shifted around the center of the horizontal axis. The font is inspired by the change of perspective that the artist Escher used in his drawings. It is a complete Latin font in which all the accents are present. The unique thing about this font is that it is also a stencil letter. The Swish font is designed to work in any printed and on-screen contexts, including logo design, brand identities, websites, packaging, posters and headlines. Optimized for latin based languages. Leon Hulst for TypeFaith Fonts.

It occurred to me years ago that the graphic arts community might find useful a digital typeface that mimicked the classic look of nineteenth-century handwriting. Conveniently, my mother then still volunteered at the Center for American History at the University of Texas at Austin, my hometown. She made copies of the letters of a few famous Texans -- Houston, Austin, Travis, Burnet, Rusk. Thomas J. Rusk’s penmanship caught my eye as the most accessible of the bunch. I hadn't realized at the time what a challenge it'd be to render a realistic-looking script face, but the result has, in fact, filled a niche.

Many items we use in our day-to-day lives offer wonderful source material for font designs. Mailbox Letters JNL was inspired by a set of self-stick adhesive letters used on mailboxes, doors and other areas of identification at home or in business. Each letter, number and punctuation mark is centered on a black rectangle - just as the actual model for this font. Use it as spaced, or hand set it tighter to form a ribbon with white-on-black text. To provide continuity for the ribbon effect, a blank rectangle is provided on the vertical bar key (the shift position of the backslash key). Limited character set.

Chilango is a beautiful new typeface based on the gorgeous hand-painted street signs of Mexico City.., It come with 7 weights and a unique Italic family. Throughout Mexico City, from the Centro Historic (Zocalo) through La Condessa, Polanco and Guerrero - from La Roma to San Rafael to Atlampa to Lomas, you can be sure to see the iconic hand painted blue with white lettered street signs wherever you go. It is an exuberant and flourishing font that represents this fabulous flourishing city to its core. It is a historical one, classy and stylish and deeply routed in the curvature and designs of the Spanish heritage.

Goudy Trajan Pro is based on the drawings by F.W. Goudy of his rendition of the capital letters inscribed on the Trajan column in Rome, rather than on his subsequent metal type, Trajan (Title), released in 1930. Goudy Trajan Pro includes almost 1500 glyphs in each of three weights, including: uppercase, alternates, swash caps, small caps, vertically centered small(er) caps, dozens of fleurons, and much more. Supports Latin, Cyrillic and modern Greek scripts. Many thanks to Krassen Krestev, Sergiy Tkachenko, and Adam Twardoch for their suggestions for improving the Cyrillic glyphs; and to Alex Sheldon for his suggestions for swash caps and improved OpenType features.

Introducing "Khonsong Rounded" a rounded semi-condensed sans serif font that embodies a harmonious blend of modernity, futurism and softness. With its sleek and contemporary appearance, Its semi-condensed proportions strike a perfect balance between space-saving efficiency and legibility, making it an ideal choice for various applications, from online media to print media.

Hello, this is After Brush - Realistic Awesome Monoline Display Font! This font designed so that users can use it more easily and make Monoline designs easier. After Brush is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, bulletins, typography, and many other media, especially with Monoline look.