Monstera Jam is a Signature Script Font, described by an elegant touch, perfect for your favorite projects. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, social media, magazines, marketing materials, and every other design which needs a handwritten touch. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs! Monstera Jam Features: Regular and Bold Version Uppercase and Lowercase Numerical and Punctuation Ligatures PUA Encoded Multilingual Language Easy To Use

Present Anthem is a modern handwritten script font, described by an elegant touch, perfect for your favorite projects. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, branding, business cards, social media posts, magazines, marketing materials, and every other design that needs a handwritten touch. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs! Present Anthem Features: Regular Version Uppercase and Lowercase Numerical and Punctuation Ligatures PUA Encoded Multilingual Language Easy To Use

Saffron Walden is a small market town in Essex, England. When I created my first ever connected script font, I decided that a 'flowery' name would be best (since that seems to be the most popular choice for connected fonts….). Saffron Walden is a fattish, inky brush font, with a slight tilt to the right. It would be perfect for book covers, magazines, headlines and posters, but could also be used for packaging. Comes with a bunch of ligatures and a heap of diacritics.

Richford is a signature script font, described by an elegant and modern touch, perfect for your favorite projects. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, social media, magazines, branding, marketing materials, and every other design which needs a handwritten touch. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs! Richford Features: Regular Version Uppercase and Lowercase Numerical and Punctuation Alternates and Ligatures PUA Encoded Multilingual Language Easy To Use

Brakoda is a delightful sans-serif typeface that effortlessly combines playfulness with a clean and modern aesthetic. Its lively and quirky letterforms exude a sense of fun, making it a perfect choice for projects that aim to capture a youthful and dynamic spirit. With a balanced blend of rounded curves and straight lines, Brakoda maintains readability while infusing a sense of whimsy, making it a versatile choice for a wide range of design applications, from branding and headlines to digital interfaces and creative marketing materials.

Local Brewery is a vintage inspired font collection that includes six script styles and two sans serif styles. Script styles include a ripple edged, smooth or rough version. The sans serif styles include a ripple edged or rough version. Local Brewery Script comes with lower case y, g and tail alternates. These alternates will give your designs an extra flair and uniqueness. The script and sans serif fonts work exceptionally well together. Use Local Brewery for packaging, magazines, marketing, weddings, beer labels, film and clothing.

Astrida is a beautiful and fresh handwritten brush font for posters / marketing graphics / instagram story design / branding / logotype / decorations / signage / greeting cards / promotional designs and anything that needs the unique casual look. Astrida is completely handmade with perfection and aesthetics at its level best. Advanced Kerning & Extended Character Sets: We have performed advanced, in-depth kerning to make sure the font looks amazing on all possible letter combinations. The font includes extended language support including Western European & Central European sets with a total of 259 glyphs.

Bathella script is the perfect font choice for businesses that want to convey an image of elegance, luxury, and style. The font's smooth and fluid lines create a sophisticated and refined appearance, making it ideal for high-end branding and marketing materials. Bathella script's exquisite details and graceful curves make it a favorite among designers who seek to create an impression of exclusivity and class. Whether used in logos, invitations, or advertisements, Bathella script is sure to leave a lasting impression of quality and luxury.

Garlic Salt is a flavorful, hand drawn, serif font family. Drawn with a single marker pen, it has a monoline appearance giving it a distinct mix of whimsical and modern qualities. The semi-condensed propositions are sturdy and space-saving for your layouts. Choose from either the regular weight or a slightly thicker line in the bold weight to suit your needs. It works great set large as a display font to show off the hand drawn texture, but it also is pleasantly readable set in smaller point sizes because of the carefully drawn letterforms. BONUS: Garlic Salt also comes with a free Extras font of matching ornaments and dingbats to complement your designs! Special features include stylistic alternates and swashes to enhance the type to your liking. Those glyphs are also PUA-encoded to make them accessible in software that is not OpenType-savvy. This font has extensive Latin language support.

This typeface is based on lettering by Carl Marx (1911?1991), designed during his first semester at the Bauhaus in Joost Schmidt?s class, in 1932. Although the letter proportions are based on Schmidt?s teachings, the forms are not constructed from compass and ruler, but drawn with brush and marker, lending the words a warm and lively touch. Hidetaka Yamasaki redrew the letters from scratch and added all missing characters for today?s needs. A set of hanging figures, alternates for some critical letterforms (such as f, r, and t) as well as several ligatures make CarlMarx especially suitable for use in body text. As suggested by Marx, Yamasaki captured two weights from the original drawing and perfectly adjusted light and bold to highlight words and create hierarchy in headlines ? without losing or adding space. True to the original, Yamasaki captured the wobbly contour in CarlMarx, preserving warmth in the condensed geometric style of the early 1930s.

Gernsheim is a semi condensed display sans serif font family. This font family has been created for use in headlines and logo display fitted on showcase screen. 9 weights and 18 font styles make up the initial release. To increase the adoption of a wide range of display fonts, the individual glyphs' handle fluctuations were subtly applied. The compromise of disproportion between straight lines and curves improves glyphs autonomy and relieves tension. And by applying rounded corner effects to each style, it presents the reader with softness and comfort. It is designed so that the rebellious disproportion created by heavy styles transition to flat and classy tenderness as the thin style approaches. Try the uniqueness and excitement of individual styles for yourself

Edith is a handmade serif typeface that can be used for long texts. To make it even better suitable, it is equipped with all the major features you’d expect from a traditional text-font, such as case sensitive forms, old style figures (lining figures are accessible via an opentype feature), fractions and good kerning. To keep up the handwritten appearance, two versions of each letter (A-Z & a-z with diacritics) and number are available and substituted automatically if the same ones meet. Edith is also nice to look at in larger sizes and therefore a great fit for any packaging, advertisement or headline. Edith is for you, if you plan on doing childish things, DIY things, traditional things, illustrated things, nautical things, grungy things or any handmade related things.

With the display typeface Flogert, you can create stunning headlines that will grab attention. Let Flogert impress your viewers and help deliver your message with strong impact.

Algeko is a simple, adaptable and vintage syled sans serif font. Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.

Intro Rust is one of the biggest packages on the market, including 214 fonts. The font family is a rough version of the famous Intro. Intro Rust includes 4 sub-families - Intro Rust, Intro Script, Intro Head and Intro Goodies. It can be used to create almost all types of design projects like print materials and web design. Just use your imagination and your project will become more alive and vivid than ever with one of the Intro Rust fonts. You want to make a greeting card or a package design, or even a brand identity? Feel free to play with all the patterns and shapes, scripts or those cool fonts with the dots and that will lead you to your next successful project.

Latex was initially a single multi-script all-cap font commissioned in 2012 by a company we can't name, to market a billion-dollar superhero movie we also can't name. A year later the commission grew to include a shaded variant and a set of DIY-like fonts, with different layering possibilities for dimensional manipulation. Each of the five Latex fonts come with a character set of over 600 glyphs, supporting the vast majority of Latin languages, as well as Cyrillic and Greek alphabets. Lots of stylistic alternates are also included, including some for Cyrillic and Greek. Superheroes are cool, though their costumes need more pockets, for credibility's sake. Maybe some superheroines should find something more practical than stilettos. Or maybe not. But definitely more pockets.

Altum Sans is a new clean and contemporary typeface. The geometric and condensed letterforms are designed for use in larger texts and display applications. With over 500 glyphs Altum Sans supports many languages as well as two different figure styles, interpolation breakpoints, subscript, superscript, contextual alternatives, ordinal indicators, fractions,...

Furriatt is a heavy weight bold all caps display typeface. It’s perfect for posters, logos, merch, covers and all stuff you want to print or display in larger format. Font also contain alternative characters set, you could match it with standard glyph to get the best rhythm of letters.

Inspired by handwritten roman lettering, Elisabeth maintains a classic antique appearance but its rough edges lend an air of character and charm. Good looks aside, Elisabeth is technologically up to today’s standards and works well in many applications. Use at larger sizes, headings, invitations, scrapbooking, menus and advertising.

Wulf Utility is a heavily degraded font that evokes information in a utilitarian manner without any pretence to elegance, fuss or refinement. Gruff and direct, it is about as basic as a font can be. The Dirty version can be layered over the Rough version for two-tone effects.

Thickness is a handmade font created with a casual feel that works well at larger sizes in headers or titles. Also works great in branding applications. Thickness is all cap, but with variation in the lower and uppercase so you can mix and match for a more handmade feel.

Another beautiful script design by German type designer Ralph M. Unger. Atramant is casual and easy, ideal for any setting in larger sizes. Still, due to its excellent legibility, it can also be used for short text blocks in smaller sizes. Atrament was originally designed for the URW++ FontForum.

This double-wide wonder is based on Oswald Cooper’s original drawings for the typeface Cooper Fullface. ATF rejected this offering because they felt that several of the letterforms, and particularly the numbers, were a little too wacky for the mainstream. By now, you know that such an accusation is a "Please don't throw me in the briar patch" plea to yours truly. So, here, proudly and true to their designer’s original intent, are two versions of a really fun font. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Aladdin Black is the 3rd member of our Aladdin Bold Font Family. This new style is extra bold and slightly rounded on the outsides of the glyphs. It is fat, fancy, fearless, forward, devilish, heavy, and stylized. Aladdin Bold was my first font introduced in 2012. I've always felt there were possibilities of adding styles to this family and something triggered the decision, so...here it is. I took much time deliberating over many of the finer details in this version of Aladdin and I hope the 'devil is in the details' for whoever decides to try on Aladdin Black.

Proper was based on handwritten characters (of my own) that I scanned and then digitally touched up. I kept the digital editing to a minimum so as to preserve the freshness of the original. I did, however, want to convey a sense of propriety and regularity and so my original handwriting was done with quite a lot of control. I kept the size of the lower case characters quite large and this makes the font very readable, even at quite small point sizes. Proper may be used when you need clean, legible text, with a natural look, e.g.: -- magazines aimed at the natural health market -- "natural look" fashion pages -- "natural look" decor pages -- natural food products -- natural beauty products -- children's books -- packaging for children's toys, games etc. -- educational material -- comics Proper contains a full character set with all upper and lower case characters, numerals, symbols, accented characters and it has been carefully spaced and kerned.

Five years into the 21st century and the promise of nanotechnology, high-end popular culture design seems to thrive on combining opposites and drawing a fine line between traditionally contradictory ideas. This is seen in modern society's usual cultural frontrunners - like consumer electronics, fashion items, music packaging and publications, where it is evident that traditionally complex marketing statements of fashionability and lifestyle are attempted with simple minimalism. But at the typographic end of this realm, the creative majority still uses old faces that help the modern statement only in passing. Some of the more adventurous creative professionals actively seek new elements to emphasize contemporary impact in their modern design. To those adventurous types (pun intended), Canada Type presents this new face called Go. It is very much a child of the new millennium, inspired by the unmistakable minimalist style of modern 21st century corporate logos, recent design shifts in electronic music and club-marketing collateral, and disc jockeys who have enthusiasm, energy, precision and total control of each and every vibration traveling from mixer to speakers. Go is an original modern techno-lounge face that offers the eyes pleasing collages of friendly minimal forms that give the words an impression of simplicity and depth at once. This is a font that prides itself on its precise grouping of elements and just enough original creativity in combining those elements. The precision builds the sharp edge sought for modern statements, while the creativity keeps the message rejuvenated, clear and interesting. Go's character set consists of a versatile and unexpected, yet mild mix of the uppercase and lowercase forms, with multiple variations on the majority of the letters. The e being a vertical mirror of G is only the first of the pleasant surprises. More than 30 alternates are inside the font. All the accented characters in Go have been meticulously (perhaps obsessively) drawn to be unusual for logos and short statements. Take a look at the character map and be ready for a space-age surprise. To borrow a Star Trek cliché, this font can Go where no font has gone before.

Mikha, designed by Carine de Wandeleer, is a delightfully handwritten family font which keeps the casual drawing of a marker with clean strokes. Its slight bounce and intentional irregularity, gives your words a wonderful flow. This new font family with 736 glyphs, includes Regular, Condensed and Sans. It has OpenType features such as Stylistics alternates, Swashes, Ligatures, up to five Stylistic sets by letter, initial and terminal forms in upper and lower, ornaments that allow you to mix and match pairs of letters and a Central European language support to fit your design. This OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. This will help your creativity and make it easier to make expressive and elegant your typographic work. Also with Mikha Sans it is possible to write all in capitals. Mikha looks lovely on wedding invitations, greeting cards, logos, posters, labels, t-shirt design, logos, business-cards and is perfect for using in ink or watercolor based designs, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds! Enjoy it!

Introducing Regave, a typeface inspired by Danish style lettering based off the work of Knud Valdemar Engelhardt (1882–1931) who designed the street signs for the Copenhagen suburb of Gentofte. The Engelhardt's design was loosely based on the lettering of two Danish architects of the time: Thorvald Bindesbøll (designer of the Carlsberg logo) and Anton Rosen. The signs were so successful that they’re still in use today. The most noticeable characteristic of Danish style are: a flat apex of the A the widening of diagonal terminals a double-storey g with its loop terminating before it forms the bottom most stroke (Erik Spiekermann coined this a Danish g) a single-story g with a stumpy tail a K with an almost laterally moved crotch, connected to the stem by an extra horizontal stroke widened diagonal connecting strokes forming flat apex or baseline strokes Regave comes in 11 weights from Thin to ExtraBlack with matching italics and also available in Variable Font format for more flexibility in weight selection. This family also equipped with useful OpenType features such as Ordinals, Superscripts, Subscripts, Stylistic Alternates, Stylistic Sets, Proportional Lining, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 490+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Regave will be suitable for many creative projects. This masculine, strong and unique typeface will be suitable for logos, posters, presentations, headlines, lettering, branding, quotes, titles, magazines, headings, web banners, mobile applications, art quotes, advertising, packaging design, book title, and more!

ITC Belter was designed by Andreu Balius in 1996. Out of a purposely limited form repertoire Balius created a constructed typeface with a cool and technical character. A distinguishing characteristic of this font is the cross at the ends of many strokes. The figures seem to be products of mass production, which heightens the mechanical feel of the font. Belter is meant for point sizes of 10 and larger in headlines and shorter texts and must be set with generous spacing.

Peter Kin-Fan Lo designed the award winning Linotype Ancient Chinese™ in 1997. It is a symbol font that contains 92 “portraits” of figures who look as if they could have populated ancient China. These portraits are black and white symbols, gathered together into a font. This symbol font may be used for any design piece dealing with history, China, Chinese restaurants, or Asian art. To clearly see all the details, these symbols should be used at larger point sizes.

Linotype Bariton is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designer Alexej Chekoulaev designed his font in one weight to mirror the Zeitgeist of the early 1930s. The characters of this extremely bold font are based on the form of a rectangle though its rounded edges soften its look a bit. Linotype Bariton should be used only in larger point sizes in headlines which should really catch the eye.

ITC Cheltenham font in its present form is the work of designer Tony Stan. Originally designed by architect Bertram Goodhue, it was expanded by Morris Fuller Benton and completed by Stan in 1975 with a larger x-height and improved italic details. ITC Cheltenham font is an example of an up-to-date yet classic typeface. In 1993 Ed Benguiat added the Handtooled weights to this family. ITC Cheltenham® font field guide including best practices, font pairings and alternatives.

Lumina is a font that exudes sophistication and style. Combining modern and classic elements, it boasts a unique and distinctive look that sets it apart. This versatile font shines brightly in larger contexts, making it ideal for various design applications. Whether you're working on a logo, web font, or looking to add a touch of elegance to your project, Lumina is the perfect choice. With its radiant presence, Lumina effortlessly elevates any design, adding a dose of charm to your visual creations. **Uppercase

Accidental grotesque with a fiery character. Three font styles: Regular, Italic, Retalic. For each typeface an additional ornament was developed. The «Ogonyok» works well in larger sizes. Looks cool on titles, logos, music album covers, posters, packaging and in short texts. Special gorgeous ornaments will complement and enhance any design. Just try to type the text at the bottom of this page and you will see for yourself. Multilingual. Support: Cyrillic, Latin, extended Latin (Western European, Central European, South-East).

A futurist headline typeface exploring the concept of sub-baseline interconnectivity and flow. Boasting over 450 glyphs, this typeface comes with an enormous amount of ligatures to achieve optimum flow between letterforms. Its sources of inspiration are endless (old science fiction, Arabic letterforms and 90s UK garage/rap album artwork featuring futurist custom type.) The typeface is best suited to headlines and larger type. Currently available in Bold with an Italic version coming in the not too distant future. Enjoy!

In a career spanning the early 1900s through 1940, George M. Cohan wrote and produced over 50 plays, 300 songs and was also an actor, singer and dancer. Many of his works honored his Irish roots, and the cover of one piece of sheet music called “The Irish American” (1905) had its title hand lettered in a condensed Art Nouveau type design with tiny spurred serifs. This is now available digitally as Dress Rehearsal JNL, in both regular and oblique versions.

Kakadu is a squarish sans serif, designed to work equally well on paper and on screen. The angular curves in this typeface create a firm and dependable appearance. The square-like forms also provide an inward openness and allow large and open letterforms, adapting perfectly to the orthogonal pixel grid of the monitor. Kakadu works well in small sizes while, it appears strong and distinguished in larger ones. Play the classic snake game and see the Kakadu fonts in action here.

Linotype Bariton is part of the Take Type Library, chosen from contestants of Linotype's International Digital Type Design Contests of 1994 and 1997. Designer Alexei Chekulayev designed his font in one weight to mirror the Zeitgeist of the early 1930s. The characters of this extremely bold font are based on the form of a rectangle though its rounded edges soften its look a bit. Linotype Bariton should be used only in larger point sizes in headlines which should really catch the eye.

Diablo Light was originally called Fabric and was issued by the Farmer, Little & Co. foundry in New York. We liked everything about this font except for the lowercase 'g'. So we changed the offending letter, but for purity kept the orginal as an alternate. We created a bold version of Diablo Light, with minor changes to accomodate the bolder stroke weight. Although the original design is over a century old, the style seems to have an up-to-date look.

Felt tip-written and full of expressive lines, Brandy BF exudes much verve and energy; and unlike many scripts, sets rather well in all caps situations. Use Brandy BF as a superb choice for everything from upscale restaurant menus to projects requiring a personable touch.