Dina Stencil is geometric sans serif stencil typeface, an addition to Dina family. Dina Stencil consists of two styles (weights)—regular and bold. The typeface recommended for use in display sizes.
Jh Flynn is modern tall sans serif typeface; a variable type including eight weights: light / regular / medium / bold and the italics; Ideal for headlines, logo design, signage and short text paragraphs.
Blackletter Moderne JNL was inspired by the original 1935 pencil drafts for “Deutsche Schrift” (German script); designed for the country’s railway system – and is available in both regular and oblique versions.
Techla is a futuristic/science fiction typeface in several weights and styles. Techla also comes with stylistic alternatives on several letters. Included: Techla Regular Techla includes multilingual support , numbers and punctuation.
Compass TRF Stencil is an addition to the Compass TRF family and consists of three styles - Regular, Bold and Alternative. It is recommended for use as a display typeface in large sizes.
Here's Brasley, a geometric sans. Brasley is available in six weights - bold, semibold, medium, regular, light and thin - each with matching italics. It also includes contextual alternates, ligatures, fractions, arrows and shapes.
A 1916 recruitment poster from World War I seeking men to join the Army’s Signal Corps provided the lettering inspiration for Recruitment JNL, which is available in both regular and oblique versions.
Dioxide typeface classic taste including two styles regular and texture, its authentic and very interesting to make a memorable vintage logo, packaging, poster or title design with a serif and victorian style.
Pleasant Evening JNL was modeled after an Art Nouveau serif typeface named ‘Racine’ [found in the 1881 Barnhart Bros. & Spindler type specimen book] and is available in both regular and oblique versions.
The gently spurred serif hand lettering found on an advertisement for Berkshire Stockings (circa the 1920s) was the inspiration for Nouveau Elegance JNL, which is available in both regular and oblique versions.
Wood type for display. Serifs like brush strokes are associated with Japanese calligraphy ‘Shodo’. East meets West. There are two styles, Regular for ordinary use and 3D for more eye-catchy part.
Personal Note JNL gets its inspiration from a semi-calligraphic pen alphabet found in the 1960 edition of the Speedball® lettering textbook and is offered in both regular and oblique versions.
Local Jeweler JNL was inspired by an online image of a vintage 1940s-era store sign. This type design features a thin Art Deco sans serif in both regular and oblique versions.
Gluck family is based on sans serif font. It fits to product design, any commercial and decorations. Glück family supports european languages. It includes 5 styles: • regular • stroked • bold • bold stroked • stripes
The simple, hand lettered sans serif title on the 1935 sheet music for "Campus Moon" was the design model for Moonlit Night JNL, which is available in both regular and oblique versions.
The hand lettered opening titles from the 1944 Laurel and Hardy comedy “The Big Noise” served as the inspiration for Movie Screen JNL, which is available in both regular and oblique versions.
Introducing Himalaya Typeface a rounded vintage monoline. Himalaya is clean modern-vintage display font which inspired from old school letterpress 1.Uppercase,lowercase, numeral,punctuation & Symbol 2.Regular 3.Multilanguage 4.Alternate
Labrador is a sans-serif and proportional font designed in 2013 by Chatnarong Jingsuphatada. A regular member of the Labrador font family, this is a elegant, modern, thin, rounded and clean typeface.
Catalog JNL is based on a set of vintage wood type. Its uniform, block-style appearance is perfect for projects where bold, readable titling will apply. Available in regular and oblique styles.
Chubbét (pr. Chub-bay) Distended is the extended version of Chubbét. The regular weight starts off plumper than plump, then it expands inward until there is a minimal amount of positive space.
Rima is a stencil display face with imposing slab serifs, designed to suggest strength, confidence, expertise and efficiency. Regular and Bold weights are included along with two handy italics (optically corrected obliques).
Narrow Nouveau JNL come from the hand lettered title on a 1907 song folio for George M. Cohan's "The Talk of New York", and is available in both regular and oblique versions.
Albeit Grotesk Caps is a graphic geometric all caps display font family of four weights (Light, Regular, Medium and Bold) with slightly exaggarated diacritics for better readability making it ideal for headlines.
The extra bold, squared Art Deco sans hand lettering found on a 1940s travel poster for the Pennsylvania Railroad inspired Rail Service JNL, which is available in both regular and oblique versions.
Hand lettering on the cover of the 1932 sheet music for "Sleep, Come On and Take Me" was the basis for Overnight JNL, which is available in both regular and oblique versions.