Remora is an extensive new humanist sans serif which comes in 2 style variations, the effervescent Remora Sans and its corporate business partner Remora Corp . Both styles include 5 individual width sets ranging from the condensed W1 to the extra-wide W5. Furthermore, with an impressive 7 weights (Thin to Ultra) and true matching italics in each pack Remora is an ultra versatile super family comprising 140 individual fonts, perfect for any typographic assignment or design brief. Remora was designed by G-Type founder Nick Cooke. Both the Sans and Corp families share the same proportions, with the exception of certain key characters that change the overall appearance. Remora Sans is an exuberant and characterful typeface while Remora Corp, as its name suggests, is a businesslike typeface more suited to corporate typography. Quite early on in the design process Nick decided to give Remora Corp equal billing instead of incorporating these glyphs as alternates or a stylistic set that may get overlooked. “I created two separate families after learning a valuable lesson with one of my earlier typefaces, Houschka”, says Nick. “Houschka contained distinctive rounded A’s W’s and w’s, with ‘straight’ styles as character alternates. Even though style sets and alternates are easy to activate they are rarely used, so after many requests for customised versions of the fonts with the straight characters as defaults it was decided to create the separate ‘Alt’ family. So I cut straight to the chase with the two Remora variants and created two complementary families.” Both sets contain many shared letterforms, but it is the alternate characters that significantly alter the appearance of each font. Remora has been carefully designed for optimum legibility at large and very small sizes. Although fairly monolinear in appearance, especially in the lighter weights, particular attention has been paid to optical correction like the overshoots of the curved characters. Open counters and painstaking attention to detail (e.g. weight contrast between horizontal and vertical strokes, junctions of shoulders and stems etc) all boost readability and make Remora a great choice across all media. Remora Sans and Corp are ‘humanist’ rather than ‘geometric’ in style, meaning they’re not strictly based on rectangles and circles, resulting in a warm and friendlier feel. The slightly ’super-elliptical’ rounded forms create generously attractive curves. Remora has very distinctive italics in that they are only inclined by 8 degrees, but are not just based on slanted uprights. The italic styles are very alluring when used for display at large sizes and the good news is they come bundled free with their respective uprights. Each family also contains many OpenType features including proportional and tabular numbers, small caps, discretionary ligatures, plus five stylistic sets for ultra versatile typography.

Remora is an extensive new humanist sans serif which comes in 2 style variations, the effervescent Remora Sans and its corporate business partner Remora Corp. Both styles include 5 individual width sets ranging from the condensed W1 to the extra-wide W5. Furthermore, with an impressive 7 weights (Thin to Ultra) and true matching italics in each pack Remora is an ultra versatile super family comprising 140 individual fonts, perfect for any typographic assignment or design brief. Remora was designed by G-Type founder Nick Cooke. Both the Sans and Corp families share the same proportions, with the exception of certain key characters that change the overall appearance. Remora Sans is an exuberant and characterful typeface while Remora Corp, as its name suggests, is a businesslike typeface more suited to corporate typography. Quite early on in the design process Nick decided to give Remora Corp equal billing instead of incorporating these glyphs as alternates or a stylistic set that may get overlooked. “I created two separate families after learning a valuable lesson with one of my earlier typefaces, Houschka”, says Nick. “Houschka contained distinctive rounded A’s W’s and w’s, with ‘straight’ styles as character alternates. Even though style sets and alternates are easy to activate they are rarely used, so after many requests for customised versions of the fonts with the straight characters as defaults it was decided to create the separate ‘Alt’ family. So I cut straight to the chase with the two Remora variants and created two complementary families.” Both sets contain many shared letterforms, but it is the alternate characters that significantly alter the appearance of each font. Remora has been carefully designed for optimum legibility at large and very small sizes. Although fairly monolinear in appearance, especially in the lighter weights, particular attention has been paid to optical correction like the overshoots of the curved characters. Open counters and painstaking attention to detail (e.g. weight contrast between horizontal and vertical strokes, junctions of shoulders and stems etc) all boost readability and make Remora a great choice across all media. Remora Sans and Corp are ‘humanist’ rather than ‘geometric’ in style, meaning they’re not strictly based on rectangles and circles, resulting in a warm and friendlier feel. The slightly ’super-elliptical’ rounded forms create generously attractive curves. Remora has very distinctive italics in that they are only inclined by 8 degrees, but are not just based on slanted uprights. The italic styles are very alluring when used for display at large sizes and the good news is they come bundled free with their respective uprights. Each family also contains many OpenType features including proportional and tabular numbers, small caps, discretionary ligatures, plus five stylistic sets for ultra versatile typography.

Relove typeface is a all caps typeface decorative-serif font embodying vintage and elegant curves with functional structure with a extra ornaments.it was inspired by natural forms and structures and the curved lines. with strong and sleek letters, which create a brilliant foundation for the flourished alternatives to rest. The result is beautiful interlocking and totally unique designs. Relove Typeface is great for any kind of display purpose from branding, emblem, advertising , t-shirt , etc you name it. Features : Uppercase Numbers & Punctuation Alternate 1 Alternate 2

Dear and Fans is all class. A stylish modern font that is a mix of serif and sans serif. It's soft curves mixed with high contrast glyphs lend it self to both feminine and masculine qualities. With a contrasting light italic, Dear and Fans works great in layout design for quotes or body copy. The Elegant curves also make for a unique logo or masthead. Dear and Fans comes with multilingual support also. Full upper/lower case, numbers, punctuation and multilingual support. Full italic style included also.

Maheswari is an elegant font specially designed for those of you who like luxury. Maheswari has a specialty in sharp fonts but also has elements of curves in some of its characters. This font can be applied to your designs ranging from jewelry designs, hotels, magazines, to branding logos. Thank you for coming to my shop and enjoying other fonts.

Archequare is a square font made with geometric shapes by adding a slight curve to the font to make it more varied and specifically designed for text content, long sentences such as mechanical instructions. However, Also useful for display, titling, captions by their sophisticated glyph shapes and their eye-catching geometry

Cornucurlia is a carefully constructed typeface comprising curvaceously connected characters. Designed as a display font, use it for posters, signage, branding and any type-based artwork that needs stylish, standout lettering. Multi-lingual and with a range of symbols, the font includes 368 glyphs that link together with geometric curves.

Dead Elder is a font that embodies the raw, visceral essence of death metal in every stroke and curve. With an astonishing array of 952 meticulously crafted glyphs, this font unleashes a dark, otherworldly energy that is perfect for conveying the macabre and relentless intensity of the death metal genre.

Moon Dream is a wide sans serif display font that has beautiful curves. Each end is made slightly rounded giving the impression of a comfortable and friendly. Moon dream provides a collection of glyphs with unique shapes. With alternative styles and ligature features, this font is perfect for complementing various projects.

Introducing Blantik Script Font. This font is made with a unique touch of curves and has a vintage feel complemented by an interesting swash. This font is perfect for all your design needs. These include logos, posters, movie titles, branding, book covers, flyers, and others. Whats Include: Blantik Multilingual Support Alternates, ligature, Thank You... Hanzel Space

FunLine is a modern script font, crafted with monoline strokes characterized by curved lines and seamless connections, presenting a classic font with a modern touch. The font family comprises three weights; Light, Regular, and Bold. Suitable for your design needs. The Arabic version will be released, accompanied by the addition of Arabic, Urdu, Pegon, Persian, and Kurdish languages.

Avegas Royale font is modern sans serif font that is made in 4 styles regular, italic, bold, and bold-italic. The shape is made to contrast curves and lines between light and thick so that it looks more stylish and stands out. This font that perfect for logo, headline, advertising, quote text, invitation card, branding identity, and more.

FunLine is a modern script font, crafted with monoline strokes characterized by curved lines and seamless connections, presenting a classic font with a modern touch. The font family comprises three weights; Light, Regular, and Bold. Suitable for your design needs. The Arabic version will be released, accompanied by the addition of Arabic, Urdu, Pegon, Persian, and Kurdish languages.

Introducing our exquisite elegant style font, designed to bring sophistication and grace to your designs. With its refined letterforms, delicate curves, and timeless beauty, this font is perfect for projects that require a touch of elegance and class. Inspired by the elegance of classic typography and the beauty of Serif, this font exudes a sense of refined aesthetics.

Hustlers™ was inspired by carnival, circus and tattoo signs shop from the late 1800's. It works well with normal size text, but works even better for large displays, short words, or just to incorporate a few or single characters in a design.

Go grab this rock’n’roll display typeface especially suited for posters and headlines in general. This typeface also has many banner dingbats which can be combined in many ways, but there are also finished banner dingbats ready to use. The quality doesn’t stop there, as you can also make use of Central European characters, adjusted Scandinavian characters and fine ligatures. Enjoy!

Galifex is a modern and futuristic sans-serif font that includes 4 weights and alternates. It can be used in many many projects. Standard CAPS letters are great in 90% scenarios, it can be masculine strong branding of construction company, but also it can be used in fashion design, interior, etc. you know....it works almost everywhere. But also you can use alternate CAPS and you can create logos of some sort of tech companies, future companies, metaverse, crypto you know...web 3.0. Create logos, labels, use in packaging, advertising, book covers, branding and magazines, headings, banners, posters and much more. Feel free to contact me: andfontscontact@gmail.com

Amanda Manopo is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Amanda Manopo Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose.

Milliard is a sharp and contemporary family of 22 fonts, taking inspiration from grotesk typefaces developed in the early twentieth century. Its open counters on lowercase "a", "c" or "e" allow for great legibility in small text sizes, supporting an unobtrusive, clear and modern appearance. When set in headlines, Milliard reveals a part humanistic, part geometric voice ranging from elegant and open thin weights to athletic and powerful heavy weights. Milliard comes with many opentype features including stylistic sets, old style numbers, arrows and many more making it a perfect choice for professional type setting in any digital or analog surrounding that requires a clear and modern voice.

Khalifah Script is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Khalifah Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose.

Antura Script is a calligraphic script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Antura Script is an attractive typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or any type of advertising purpose.

As a spinoff to his Tagesstempel™ design, Georg John created Johnstemp™ in 2008. The Johnstemp family has four weights, as well as a special Mix" variant. Each of the basic fonts (Light, Medium, Bold, and Heavy) contain many alternate glyphs, allowing users to set text that realistically simulates stamped impressions. For even faster design, Johnstemp Mix is the perfect choice; it contains letters with far more stylistic and weight variation out-of-the-box, and was developed to create even livelier impressions. Here as well, many alternates are included in the character set to prevent too much repetition of the same glyphs. "

Haystack is a handwritten script with many . You can use also for headline or signature. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Introducing a new Display Typeface called "Classic Ribbon". Inspired from music poster, carnival, typography and tatto from classic culture with inline style. This Inline style font works great as a headline for music promotion, film titles, Youtube tutorials and gig posters, and when combined with the included graphic presets and achieves a truly realistic classic look. This font is suitable for your projects such as logos, wedding invitations, branding, landing pages, apparel, posters, headlines, greeting cards, invitation cards, social media, crafting, quote and more. This font can be used and supported in various programs and OS, such as procreate, cricut, windows, macOS and others. This font is also support multi language.

Introducing the Garden Collection. A new Garden Grown font family by Cultivated Mind Type. This hand-painted collection includes four scripts, two caps fonts, plant art, extras art and free words.  Garden Grown Pro scripts includes 260 alternates and 46 ligatures. Ligatures are programmed to pop up when specific letter pairs are typed. Try the alternates and ligatures together to give your designs a realistic hand-painted look. The all caps fonts and basic scripts do not include alternates or ligatures. Use the free words font for keyword and hashtag ideas. Garden Grown works great for cookbook covers, product design, packaging design, restaurant marketing, magazines and film.

Can't decide whether you're feeling archaic or modern today? Try Fidelma. Fidelma is drawn entirely with straight lines, no curves, giving it a rough but still readable look.Includes four fonts: Regular, Bold, ExtraBold, and a nifty set of Drop Caps.

Mommy and Baby is a modern display font that is readable, fun and stylish. It is defined by smooth curves and is perfect for sweet and funny branding. Add it confidently to your projects, and you will love the results.

A groovy, bold typeface that transports you back to the 70s and 80s. Its sleek curves and sharp angles evoke the spirit of neon signs and vintage design. Get ready to captivate with this striking font that exudes nostalgic coolness.

Hs Alkitab is an Arabic display typeface, under “titles” category. It is useful for book titles, creative designs and modern logos. Also, it is used when a contemporary and simple look is desired that can fit with the characteristics of Latin fonts where horizontal parts are thinner than vertical ones. The font is based on some modern lines of Kufi calligraphy along with some derived ideas of Latin fonts, maintaining the beauty of the Arabic font and its fixed rates. Undoubtedly, the insertion of curved ornament in the vertical parts adds more beauty and fascinating diversity in the flow line between sharp, soft and curved parts. This font supports Arabic, Persian, Urdu and Kurdish, consisting of two weights (regular and bold) which can add to the library of Arabic fonts contemporary models that meet with the purposes of various designs for all tastes.

British designer David Quay originally created Titus Light in 1984. A serif design, Titus Light is a wide, curvy, and round typeface that is best used in larger point sizes.

The Bree font family is a spry sans serif by Veronika Burian and José Scaglione that delivers a spirited look and feel for branding and headline usage. As an upright italic, Bree shows a pleasant mix of rather unobtrusive capitals with more vivid lowercase letters, giving text a lively appearance. Bree is clearly influenced by handwriting. As such, some of its most characteristic features are the single-story ‘a’, the cursive ‘e’, the outstroke curves of ‘v’ and ‘w’, the flourished ‘Q’, and the fluid shapes of ‘g’, ‘y’, and ‘z’. Alternates of these letters are available when a more neutral look is desired. Bree has a touch of cheekiness, a wide stance for each character, and an extra-large x-height. All this adds up to a big personality, so even when set in small text there is no skimming past the words Bree voices. In 2019, the Bree font family got a huge update. A few shapes were updated or added (the ‘k’ and German capital ‘ß’), two entirely new weights were added (Book and Book Italic), and spacing was perfected. More than that, Vietnamese support was added to Bree Latin, and the Bree Greek and Bree Cyrillic scripts were designed from scratch to parallel the Latin’s tone. Additionally, Bree was designed in variable font format for those who want complete control over the font’s appearance while simultaneously saving digital weight in the form of kilobytes and megabytes. Bree is in the perfect position for the next digital revolution. The complete Bree font family, along with our entire catalogue, has been optimised for today’s varied screen uses. Bree has been chosen for such wide-ranging uses as Breast Cancer Awareness Month in the US, the branding for the country of Peru, and numerous layouts including mobile apps, magazines, newspapers, and books. Awards – Tipos Latinos exhibition 2008 – Several best-of-the-year typeface lists of 2008 MyFonts Top 10 Fonts of 2008 Smashing Magazine: 60 Brilliant Typefaces For Corporate Design https://www.smashingmagazine.com/2008/03/60-brilliant-typefaces-for-corporate-design/ Die besten Schriften 2008 http://www.fontwerk.com/619/die-besten-schriften-2008/ – Selected for Typographica’s Best Typefaces of 2008 – Won Bronze for Original Typeface in the 2009 European Design Awards

Casler Font is a display font designed for any creative project that needs to be stand out. While get inspired by some vintage aphotecary labels, Casler Font wrapped as firm yet unique font display that consists over 1000 glyphs and 26 icon as extras. A terrific combo that gives experimentally mood in classic and modern style. Casler Font is a best thought for any advertisements usage, logos, headlines or headings, book covers and many more. A must have display font collection!

Introducing, Black Point - Modern Font Duo | Stencil Serif & Signature Script Black Point is perfect combo fonts with modern stencil serif and signature script font. Contain two fonts, the delicate and stylish stencil serif and a free hand writing script. This font duo also support multilingual, number and symbol, with many ligatures in the signature script. You can use this font for any purpose and of course without trying to find the font pairing. This font perfect for branding, logo, fashionable design, magazine, and more.

This font takes its name and the overall shape from modern bentwood furniture, namely Scandinavian designs since the 1940s. The curved corners of the letterforms are practically hyperbolic, to convey the tension and strength of the bent plywood. These curves are meant to appear more dynamic than circular or elliptical segments of traditional sans serif fonts. The letterforms are simplified, without extra corners, stems, connections or hooks, yet remain legible at any size. Now at version 2, Bentwood contains Central/Eastern European, Baltic and Turkish character sets and more ligatures with Open Type functionality. Some minor corrections were made to letter shapes and positions, as well as to kerning and spacing.

Holografik is a Neo-Grotesk sans serif font inspired by scientific progress, existential wonder, and social oneness. With its wide structure and light airy weights, Holografik is an optimistic take on a Grotesk font. The stark Swiss style of the characters is softened with playful curved details, such as a bowed descender in the lowercase y, connected descenders in the alt lowercase g and y, and the curved bottom serif in the alt uppercase B and D. Featuring three weights and italics, it is ideal for use at larger scales like headlines, packaging, editorial, branding, and posters. Includes punctuation, glyphs, diacritics, numerals, icons, and multilingual support.

Bovary is an elegant, stylized and expressive script font inspired by those beautiful calligraphies of yesteryear, but in a modern point of view. Bovary is full of personality! When I designed it, I started from the Clauques Script. Therefore, Bovary can be perfectly combined with Clauques Sans. Bovary includes almost 900 glyphs with many stylistic variations, swashes, ending and initial forms, catchwords and ligatures for both uppercase and lowercase, assuring almost infinite combination possibilities. In addition, the font includes a set of very useful ornaments to combine and give an ornamental aspect to the calligraphic text. All our fonts are carefully controlled and tested in both aspects: readability and technical aspects. We deal with the kerning pairs, optimization of hinting information to avoid pixel grid, and the precise programming of the OpenType features; as well as drawing smooth curves points and the final touch of each glyph. Remember that to access to all additional characters, you must use software that is truly compatible with OpenType, such as Adobe CS applications, or we recommend using the Glyphs palette.
 This family font is perfect for logos, magazines and book covers, fashion, headlines and short phrases, cards, posters, websites, and packaging. Bovary is the brand new modern script, designed by Carine de Wandeleer and published by Eurotypo.

Stencil Project JNL combines a number of themes within the many decorative stencil designs re-drawn from vintage sources.

A bold new look great for headlines, magazines very powerful yet very distinguished works extremely well for many applications.

A wild and wacky fun filled extreme design that can be used in many ways even in text sizes.

Give your designs an authentic handcrafted feel. � Stereoflows� is perfectly suited to stationery, logos and much more. Many Thanks!