Introducing Jakarta Culture, Thank you for visiting Jakarta Culture! A very fun yet elegant script font with lots of energy, it lets you create beautiful handcrafted typography in an instant. With extra curves & twists, Jakarta Culture is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers, weddings and anything else you can imagine. What's really awesome is that Jakarta Culture comes with a full set of lowercase alternatives, which allow you to create more authentic custom-feel texts. This type has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with Jakarta Culture! Feel free to use the #Black Studio tag and the #Jakarta Culture font to show what you've been up to, I really hope you enjoy it! Thank you!

Introducing Sun Beautiful, Thanks for checking out Sun Beautiful! A very fun yet elegant Signature font with lots of energy, it lets you create beautiful handcrafted typography in an instant. With extra curves & twists, Sun Beautiful is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers, weddings and anything else you can imagine. What's really awesome is that Sun Beautiful comes with a full set of lowercase alternatives, which allow you to create more authentic custom-feel text. This type has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with Sun Beautiful! Feel free to use the #Black Studio tag and the #Sun Beautiful font to show what you've been up to, I really hope you enjoy it! Thank you!

**Summer Ocean** Bring a touch of the ocean's breezy energy to your designs with this handwritting flowing script font. Named "Summer Ocean," this font captures the essence of the beach with its relaxed, carefree style. The handwritting script style is accented by a mix of hand-drawn elements, giving it a personal, natural feel. This font will bring a touch of the ocean to your designs. So sit back, relax, and let " **Summer Ocean** " transport you to the beach with its handwritting flowing script style and mix of hand-drawn elements. Its perfect for vacation-themed designs, wedding invitations, or any project that needs a touch of summery charm, and many more! even so contains All Standard glyphs and punctuations --- Thank you for let us be your design partner, If you have any questions please don't **hesitate** to drop me a message

Kairos Sans, designed by Terrance Weinzierl, is an octagonal sans serif influenced by 19th Century Grecians, with the weights and widths of a contemporary palette. The bold simplicity radiates in headlines and sub-heads, with suitable performance in text. Of course, it pairs perfectly with the slab serif companion, Kairos . Kairos Sans is available in 48 styles; 8 weights in 3 widths, all with matching italics. Condensed, Regular and Extended widths range from Thin to Black. There are 4 Rough styles as well, bringing the whole family to a total of 52 styles. It comes in Latin, Greek and Cyrillic scripts. It also comes with some extras and OpenType features: Small capitals, proportional and tabular figures, superscript and subscript figures, support for fractions, ornaments, arrows and Stylistic Alternates. It often looks athletic, industrial, and stern. Kairos Sans is stout, but has energy.

Blackhawk is a supercharged, street-wise brush font bursting with energy. With extra attention to quick strokes and sharp details, Blackhawk is guaranteed to deliver an unapologetically loud & fast-paced message; ideal for logos, apparel, quotes, product packaging, or anything which needs a typographic turbo-boost. Blackhawk Consists of; Blackhawk ~ A hand-made, all-capitals brush font which has a complete set of alternate A-Z characters. Simply switch between upper & lower case to access the alternates. (Tip: Try mixing up both upper and lowercase characters in a word to achieve the best text layout). Blackhawk Italic ~ A slanted version of the regular font, creating faster movement in the characters. Blackhawk Swashes ~ A bonus set of 11 swashes and 4 paint-splatters. Simply select this font and type any A-O character to create one of the bonus elements.

Something beautiful does require extra energy to realize it !!! This Saylove font is very tiring in its work but now you only need a few minutes in an instant to make various crafts that you are working on, which allows you to work on various types of typography you need to get beautiful hands made in a short time. With some interesting initial and final forms, the Saylove font suits your needs in creating logos, invitations, cards, product packaging, headers, and whatever you want. You will be very satisfied with the presence of attractive replacement letters, where you can make according to the shape you expect, Saylove is equipped with a number of small letters including swash that you can use to realize a hand job that suits your imagination. I really hope you will get special satisfaction in using this font.

German designer Jürgen Weltin designed Linotype Finnegan, a modern text design with roots in the humanist letterforms of the Renaissance. As the recognizable direction of movement in writing runs from upper left to lower right, Weltin mimicked this in his design: Linotype Finnegan's up and down strokes end in residual serifs. All of the thick strokes have a taper; horizontal strokes and curves are noticeably thinner than the verticals. This dynamic nature lends a combination of individualness and energy, along with a high degree of variety, to Linotype Finnegan. Linotype Finnegan is a wholly new and unique typeface. It distinguishes itself through its extreme legibility, originality, and formal excellence. Linotype Finnegan makes fun to read longer texts non-stop. However, the typeface never distracts the attention from the text's content by forcing itself too much into the foreground.

Thanks for checking out Madisya Script! A very fun yet elegant script font with lots of energy, it lets you create beautiful handcrafted typography in an instant. With extra curves & twists, Madisya Script is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers and anything else you can imagine. What's really awesome is that Madisya Script comes with a full set of lowercase alternatives, which allow you to create more authentic custom-feel text. This type has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with Madisya Script! Feel free to use the #Black Studio tag and the #Madisya Script font to show what you've done, I really hope you enjoy it! Thank You!

Introducing Regitha Script, Thanks for checking out Regitha Script! A very fun yet elegant script font with lots of energy, it lets you create beautiful handcrafted typography in an instant. With extra curves & twists, Regitha Script is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers, weddings and anything else you can imagine. What's really awesome is that Regitha Script comes with a full set of lowercase alternatives, which allow you to create more authentic custom-feel text. This type has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with Regitha Script! Feel free to use the #Black Studio tag and the #Regitha Script font to show what you've been up to, I really hope you enjoy it! Thank you!

FF Sizmo™ is available in two flavors. One is an honest, industrial strength, somewhat condensed, sans serif family. The other builds on the first, and is a display design with horizontally connecting baseline strokes. The five weights of basic the FF Sizmo typefaces are ideal for print and digital projects. Character spacing is generous, counters are open and apertures are wide and clear. Banners, navigational links, sub heads, and short blocks of contextual copy are natural on-screen uses for the design. Print projects from branding to way-finding also fall easily into FF Sizmo’s range of applications. The “line” versions of FF Sizmo can be arresting stand-alone typefaces – or distinctive complements to the basic roman and italic designs. In either instance, the line designs make powerful statements in headlines, subheads, posters and cover art. OpenType® fonts automatically insert beginning, middle or ending line element characters into the copy. Drawn by Verena Gerlach, both designs were inspired by the same source, a commercial signage system that enabled quick and easy copy changes. “The idea for the typeface,” explains Gerlach, “is a housing complex index board, on which movable white plastic capital letters were fixed by a thick line to the wooden board. This line is an important part of the font’s appearance.”

Brillig is a loose and informal handwriting font. It comes in four flavors, each of which has a very different feel. Brillig Gimble: more formal in that the characters are interconnected as in cursive script. To further enhance this effect, the characters have been created with a slightly "blobby" pen which provides a suggestion of precision. Brillig Earth: is bold and strong. It is more "down-to-earth" than the other styles, however, the boldness is tempered with quite wispy ends (terminuses) to the characters. It conveys a suggestion of speed and strength. Brillig Aire: is the most delicate and ethereal of the styles. Think of fairies, dandelions and dragonflies and you have an idea of what Brillig Aire conveys. Not only are the characters very light in weight, but they terminate in a wispy, delicate end. In spite of all this, Brillig Aire is very readable and can be used in a variety of contexts. Brillig Brave: is quite like Gimble in its feel with one important difference -- the characters are not connected as in cursive script. Each character stands alone. Brillig Line: is a clean, lightweight style using a mono width line for an informal, handwritten feel. There is a collection of the above four styles that is attractively priced and gives you the ability to use these four fonts in a variety of ways within the same document. The font is particularly useable for the promotion of products aimed at designers of: wedding invitations, party invitations, young clothing ranges, magazines, cosmetic packaging. It has been carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

Sacred North is a beautiful, stylistic uppercase display font inspired by Scandinavian history and culture. It features elements of nordic elegance that is so popular in brands these days, combined with runic elements of the Viking Age. I'm from Denmark myself (and live in wonderful Copenhagen), so I've pulled inspiration from my everyday surroundings too. The uppercase letters have a decorative, geometric appearance while the lowercase letters feature a more elegant and simple appearance which means the two variations complement each other really well and allow for versatile design options – it's almost as if they were two different fonts. This font works perfectly for headlines, quotes, posters, brochures, packaging, T-shirts, postcards, logos and so much more. Product Content: - Character set A-Z - Includes 208 characters that covers all major Western languages. - Numerals & Punctuation If you have any questions, send me a message and I'm happy to help!

Proudly present Microphone Check - Marker Type, created by ikiiko Microphone Check is inspired by the bold and expressive signature strokes of the 90s street hip hop movement. In that era, freestyle marking was a method of self-expression that was closely associated with the underground graffiti scene. This typeface perfectly encapsulates the vitality, attitude and resilience of life on the streets. Sharp lines with bold, bold bodies characterize this type of marker, allowing for substantial fills and bright colors to stand out on any surface. It gave them the opportunity to express their originality and creativity while leaving their mark on the urban environment. This type is very suitable for making a street wear brand, book cover, movie title, magazine layout, poster, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Alternates & Ligature Multilingual Support Works on PC & Mac

P22 Graciosa is a five font family based upon designs for a metal type by Carlos Winkow (1882–1952), a German type designer who lived and worked in Spain in the early 20th Century. Graciosa is a sort of hybrid blackletter/text font, with simplified blackletter caps and a serifed lowercase with subtle script flare. There is a Regular, Black, an open version called White, and an engraved version called Gris. The version called Multi serves as a fill font to allow for multi-colored layering options. A revival of these designs was initiated by Matthias Beck in 2015. The character set was expanded for use in 21 languages (OpenType Standard). The digitization and reintroduction of these old fonts—created in Spain and practically forgotten—makes them regain a new life. This project was subsidized by the Spanish Ministry of Education, Culture and Sport.

Near the end of his life, legendary type designer Eric Gill lived in Jerusalem, and became interested in the typesetting of the Hebrew alphabet and the challenges it entailed. He designed his own Hebrew font which has not (to my knowledge) been digitized before. It is sometimes held up as an example of how not to do a Hebrew font: Gill introduced strange serifs and shapes that were jarring to readers used to more traditional fonts. But it is quite readable, and does start to grow on you after a while; extended text in Gill Hebrew is possible. I've added a set of alternate digits that are based on the shapes of the letters (Gill's digits are pretty standard text figures). I've also made some of the Unicode Hebrew symbols that Gill didn't (e.g. New Sheqel Sign, Alef-Lamed ligature, etc.) and also included vowel-points.

In a design landscape dominated by modern advancements, ZT Ravigsfen emerges as a stunning turning point. A work of sans-serif grotesque font that celebrates the style and audacity of classic sci-fi, this font takes users on a journey through time. With Nine Weights spanning from delicate thin to commanding black, ZT Ravigsfen offers boundless flexibility to embrace any design project. Its unique alternative style, featuring a central split, creates characters shrouded in mystery and wonder. This is more than just a font; ZT Ravigsfen is a narrative. Each letter is a blank canvas waiting to be filled with stories and adventures. Both uppercase and lowercase letters, while sharing similar forms, exude distinct auras, framing each word with a signature touch. ZT Ravigsfen Key Features: 9 Remarkable Weights 3 Styles (Grotesque, Oblique, & Alternate) Captivating Alternative Style Distinct Aura in Every Thickness Rich with 525 Glyph Free Updates Download now, discover unforgettable retro aesthetics, and embrace boundless creativity with ZT Ravigsfen. This font is the gateway to a new dimension of design waiting to be explored. I hope you have fun using ZT Ravigsfen. Thanks for using this font ~ Zelowtype

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well. The serif version has been designed to work best at small point sizes (around 8, 9 points). You will not achieve calm, boring or invisible look of your text with Preto Serif. Its long, spiky and sharp serifs contribute to give the typeface a distinct and energetic character. It is very suitable for magazines, corporate identity, brochures or other print materials where a typeface for continuous reading is required. The ligatures in Preto Serif are very special. You can set them in different tracking values and spacing will increase/decrease consistently in the ligatures as well. Alternative characters in the font files allow you to change the feeling of the text from typical to more special (J, Q, g , &). Each font contains a full set of small caps and many alternative characters for complex typesetting.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well. The serif version has been designed to work best at small point sizes (around 8, 9 points). You will not achieve calm, boring or invisible look of your text with Preto Serif. Its long, spiky and sharp serifs contribute to give the typeface a distinct and energetic character. It is very suitable for magazines, corporate identity, brochures or other print materials where a typeface for continuous reading is required. The ligatures in Preto Serif are very special. You can set them in different tracking values and spacing will increase/decrease consistently in the ligatures as well. Alternative characters in the font files allow you to change the feeling of the text from typical to more special (J, Q, g , &). Each font contains a full set of small caps and many alternative characters for complex typesetting.

Carnac, a minimalistic monoline face follows the same linear structure as its earlier released, rounded counterpart Carnas. Carnac, however, appears crisp and fresh because of its squared edges and angular contours. It is a clean, contemporary face with a wide range of styles from Thin to Black. Designed to be ideal for shorter and longer text applications and also for headlines and signage. The Carnac family consists of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Richello Same is a decorative sans font with a mix of vintage styles, carefully crafted and clean, with neatly arranged node dots, Richello Same is a great vintage inspired font. This font consists of 2 types with lines and without lines, so that it adds to the impression of luxury in designing your product, plus some alternative uppercase and lowercase letters to add to the luxurious impression, we also include very attractive ornaments for you to use for your design. Richello Same is perfect for branding, quotes, greeting cards, invitation cards, t-shirts, signatures, and many others, you can try it. whats include: – Richello Same Clean – Richello Same Line – Richello Same Ornament Multilingual support

TradaSerif is a new addition to the Trada family. Crisp and clear in appearance, it preserves the same formal spirit and the principal structural elements of TradaSans. TradaSerif offers a wide range of styles, from tenderly thin to thundering black. It also affords excellent text qualities and works brilliantly as a distinctive headline face. TradaSerif consists of 20 well-tuned weights and is well-equipped for advanced typography. It comes in OpenType format with extended support for up to 80 languages. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows, and alternate characters.

Roihu is a sans serif type family with 16 fonts: eight upright and eight italic weights. Each weight offers more than 1,100 glyphs. Roihu includes some groovy stylistic alternates and swashes that make your titles, packaging, logos, etc. pop out. Roihu also includes small caps, old style and lining figures, and ligatures to make sure your text and designs won't be boring. Download the PDF specimen from the Roihu gallery to see more-specific OpenType instructions and a full glyph set. Opentype features: - small caps - stylistic alternates - swashes - proportional lining figures - proportional old style figures - tabular lining figures - tabular old-style figures - standard ligatures - discretionary ligatures - case-sensitive punctuation - fractions - ordinals - superscript - subscripts - arrows

Askan is a new serif face which is suitable both for a pleasant experience in reading texts as well as for striking headlines and for subtext applications with the heavier weights.  Askan shows that it was designed in 2019, generally avoiding any reference to historical models. The reduced number of formal elements results in a clear and contemporary look.  The Askan family consists of 18 styles and is well equipped for advanced typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Carrara is a highly readable text face with a loose reference to classical transitional types. Carrara was designed 2016. It presents a solid structure which makes it very assertive in text applications. In headlines it shows the individual details of the forms which gives it a gentle flow and makes for a distinguished and distinct appearance, while avoiding any noisiness. The Carrara family consists of 12 styles and is well equipped for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

The characters of Skagwae have no curves, just straight line segments. The letter shapes themselves are fairly standard, but the choppy line segments used to construct them give the fonts a crude, unfinished look that is highlighted at large point sizes. At small point sizes the fonts are surprisingly legible. The family has nine styles. The regular, bold, italic, bold italic, shadow, and shadow inside styles are proportionally spaced. Shadowinside is very similar to regular but is spaced to be used in a layer with the shadow style. SkagwaeMono-Regular and SkagwaeMono-Bold are monospaced versions of the family. A third monospaced style, SkagwaeMono-Rippled, is a distorted version with squiggly lines full of curves.

Stencil Round Ends, is just that, a stencil typeface with rounded terminations to each line rather than the squared terminations found in your typical stencil font. This design was developed while designing a typeface for engraving. The end mill tools used to engrave a font are round, thus the lines will all end with a rounded edge. While designing the engraving font I also designed this font to make sure that the single line version will have the desired aesthetic. Unlike many stencil fonts that have a limited range of glyphs I made this to contain the majority of letters, accents, ligatures, and mathematic symbols commonly used in most latin based languages.

TE Nastaaliq Font It is one of the Persian calligraphy or ta'liq line that appeared in Persia in the seventh century AH (thirteenth century AD), as it was extracted from the lines of naskh, patch and thuluth. It is a beautiful font whose letters are distinguished by precision and extension. It is also characterized by its ease, clarity and lack of complexity. It does not tolerate diacritics, despite its difference with the line of the patch, as it is one of the best fonts in the world and the best without a competitor and admires many Arab calligraphers, and no cultural or literary exhibition is devoid of a painting written in Persian script. It is one of the most beautiful lines that has a special character that distinguishes it from others, as it is characterized by gracefulness in its letters, so it appears as if it descends in one direction, and its beauty is increased by the soft and rounded lines in it, because it is more flexible in drawing and more flexible, especially if it is drawn with precision, elegance and good distribution, and the calligrapher may baptize In his use of decoration to reach strength in expression by taking advantage of arches and circles, in addition to the grace of painting, the artist may link the letters of one word and the two words to reach the composition of a frame or curved and wrapped lines in which he shows his genius in imagination and creativity.

Beverly Catherine is a bold hand-drawn all-caps marker font that has really original brush edges and is rough in every stroke. Great for logos, merchandise, product packaging, quotes, comic book text, and hard-hitting titles. It also includes multilingual support.

Sweet Kitten is a elegant handwritten font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Features: Standard Ligatures PUA Encoded Multilingual Support Numerals and Punctuation by Yumnatype

Invaded 2600 is based on the screen font of the 70's arcade classic Space Invaders for the Atari 2600. Each time you use Invaded 2600 you will be at war with enemies from space who are threatening the earth. Good luck!

Poetry Grow is a bouncy and timeless handwritten font. It is the best choice for creating eye-catching logos, branding, and quotes. Every letter adds a unique and beautiful touch to your design, making it come alive with a classy and elegant look.

Boomboyah is a natural dry brush font. This font has a striking look and a good flow that can add a stylish touch to your designs. It’s perfect for logos, quotes, posters, for clothing, and every other design which needs a unique touch.

Perhaps all people knows that oranges are healthy. One single orange provides almost every daily need of vitamin C. This font is called Appelsin, which is the danish word for orange. Perhaps this font is just as healthy for your designs as well? ;)

Tabina is a sweet, romantic and timeless handwritten font. It looks stunning on wedding invitations,thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.It features a varying baseline, smoothlines, gorgeous glyphs and stunning alternates.

It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise & social media posts

Black Asgard is a natural dry brush font. this font has a striking look and a good flow font that can add style to your designs. It’s perfect for logos, quotes, posters, clothing, and every other design which needs a strong touch.

Fresh Orange is a type of font that presents a unique style for every design project such as cartoons, comics, poster designs, and so on. Fresh Orange has two styles: regular and extrude, which will create a great layered look when combined.

Puppy Baby is a elegant handwritten font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Features: Standard Ligatures PUA Encoded Multilingual Support Numerals and Punctuation by Yumnatype

For Halloween season, we thought we'd better trundle out a nice, crude prehistoric font to meet the growing need. Paleos features many different versions of almost every character so you can give it the natural variety of lettering hand-carved by a troglodyte.