Morning Fog Modern Cyrillic Font is a classy all-caps sans-serif typeface with decorative lowercase, clear uppercase letters, and an alternative light decorative set. Perfect for gorgeous logos and titles, Morning Fog Cyrillic Font will pair beautifully with many fonts and work well with whatever project you're working on. You can choose to use decorative, light decorative, or clear glyphs to make your typography more varied. Multilingual Support for 32 languages: Latin glyphs for Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support Russian, Belorussian, Bulgarian, Ukrainian, and Kazakh languages.

Introducing fresh PELORIC sans serif typeface which is well crafted for the classic and modern outlook. It can be read easily from a small size to a large size. Feeling fresh & trendy with it’s distinctive visual. It is well suited for branding, website & mobile layout and many more. It can also be used for branding materials, business cards, social media, packaging, prints, quotes & posters, etc. It comes up with 12 different weights as thin, thin italic, light, light italic, regular, italic, medium, medium italic, bold, bold italic, inline & inline italic. So, if you are looking for a new stylish and unique font, then here is the best font just designed for you and supporting any operating system and platform.

ED Muskrat is a display font family that looks elegant classic and modern, this font is designed from a combination of serif and semi blackletter fonts that add a unique feel to the font. ED Muskrat has 9 styles: Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black. ED Muskrat is equipped with ligatures, alternative characters, and supports multiple languages. and also this font is perfect for your design needs such as branding, poster design, books, fashion, social media design, logos, etc. Features: Stylistic alternates ( C, E, F, I, J, N, Q, S, Z ) Ligatures ( fi , fj , tt ) 9 Styles ( Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black ) Multi Language Support 373 Glyphs

Carouge Pro is a contemporary typeface with a classical twist. This duality gives Carouge an energetic and vivid sensibility. Its subtle shapes are highly suitable for all types of documents, including corporate collateral and publicity literature. The fineness of the types provides a pure and elegant style that is highly valued in the fashion and design industry. While extremely legible in small body sizes, its personality comes into full bloom when used in large type sizes. Carouge comprises a wide range of bold fonts, from Ultra Thin to Ultra. The italic companion of the roman type has a split-line allure with a rounded personality. Carouge Pro is available in eight weights from the UltraThin to an Ultra Black. Each weight is also supported by a strong personality cursive italic. “When I designed Carouge, I wanted to create a typeface with a sober appearance and a dash of audacity. Carouge provides a fine balance between two different worlds.” — André Simard Carouge Pro is a contemporary typeface with a classical twist. This duality gives Carouge an energetic and vivid sensibility. Its subtle shapes are highly suitable for all types of documents, including corporate collateral and publicity literature. The fineness of the types provides a pure and elegant style that is highly valued in the fashion and design industry. While extremely legible in small body sizes, its personality comes into full bloom when used in large type sizes. Carouge comprises a wide range of bold fonts, from Ultra Thin to Ultra. The italic companion of the roman type has a split-line allure with a rounded personality. Carouge Pro is available in eight weights from the UltraThin to an Ultra Black. Each weight is also supported by a strong personality cursive italic. “When I designed Carouge, I wanted to create a typeface with a sober appearance and a dash of audacity. Carouge provides a fine balance between two different worlds.” — André Simard

Magola is a creamy flavor font family whose purpose is to season with emotions the reading of words and phrases formed by puffy glyphs coated with a caramel of empty spaces external and internal. Independently or in groups, members of the family serve to decorate and organize packaging or advertising material in letters apparently crafted for food or entertainment contexts. Its starting point was to draw letters like a ballon fish evolved into a black version with empty areas and microscopic contrasted with colorful inflated and filled areas. Then the challenge was based on the sum transferred between full and empty into a lighter caliber. In that vein, its overall design adapted skeletons of italics and Roman calligraphy. Therefore, its regular, bold and black files have great height "x" with upwards and downwards extremely short and large internal counterblocks to facilitate reading. In this regard, to strengthen its objective and capture the reader's attention, its kind of contrast and simulated auctions flat tip brush strokes, and amount of contrast between thick and thin in the black version is slightly inverted. Its sizes, smooth strokes and irregular lines reinforce its traditional spirit, so it is favorable to shine the information on posters or large-format media. In short, its optical conformation based on a non-literal way, in metrics similar in all family members to be easily exchanged without changing the ìxî height. It is therefore a striking and versatile tool, that besides being useful in large sizes, can be used in small sizes as well. And more importantly, its general concept is more profitable when its members are mixed to nest headings, subheadings and short paragraphs, designed according to size, position, color and location in logos, covers, posters, ads and flyers.

Maris is a rich, elegant script, subtly characterized by a whimsical handwritten calligraphy. The family is composed of six different weights, each one bolder than the last but all equally as filling. The lighter weights move delicately through each line, showing a gentle strength in their smaller frame. The six weights from these lighter forms to the bold include some textured versions such as jean, wood, print, rough and halftones. The Maris family performs superbly in custom headlines and logotypes. Turn on Swash, Stylistic or Contextual Alternates for even greater emphasis. Opentype lets you "auto-magically" swap out letter sets with alternate versions and creates the visual diversity that gives you the one-of-a-kind look of custom lettering. It also uses OpenType features to assist with letter flow. When you choose to make use of its open-type decorative glyphs, your headlines will dazzle. For the greatest benefit, grab the entire Maris family. Thanks to its variety of styles, Maris makes it easier for you to design. With this large font family, solve your design problem with just one typeface.

Levato, the first font designed by Felix Bonge, is an Antiqua that is full of character and is refined but by no means sterile. This typeface provides for a wide range of options for creating individual designs. It was not really Felix Bonge's intention to create a whole font family when, as a second year student, he began several exercises in contrast and proportion as part of the typeface design course of Professor Veljovi? at Hamburg University of Applied Sciences. However, these initial studies developed into a project that Bonge persisted with over the following years while working towards his degree. He continually had new insights and ideas that he was able to exploit for his font. Of particular importance, he claims, was a calligraphy seminar, which prompted him to completely rework his concept. It took him several years before his extensive font Levato™ was ready. Although the forms of Levato are ultimately derived from Renaissance Antiqua, Bonge has slightly increased the relative contrast in his version. This gives the font a graceful appearance that is further emphasized by the reduced x-height and the associated prominence of the ascenders. And, in addition, the relatively fine serifs, which are almost linear at their ends, infuse Levato with a hint of classical Antiqua á la Bodoni. At the same time, Bonge cleverly compensates for the sterilising tendency of this font form. Soft and rounded serif attachments and rounded line apexes offset the severe nature of the font and provide it with an aura of vivacity. This effect is promoted by the calligraphic-like foot of the lowercase h, n and m and the not quite horizontal bars of the uppercase E and F. Overall, Bonge has succeeded in creating a refined and yet very dynamic typeface. Levato is available in five weights; Light, Regular, Medium, Bold and Black, in each case with the corresponding italic versions. Bonge treats Levato Italic as a genuine cursive typeface. Its letters are thus slightly narrower than the analogous upright letters and their forms are considerably more curvilinear. All the versions of Levato boast an enormous range of characters to meet all possible requirements. In addition to four sets of minuscule and majuscule numerals for tabular and proportional typesetting, there are also small caps, numerous ligatures, ornamental characters and even swash variants of letters. With their generous, sweeping curves, the swash variants (available as OpenType versions) can be used for striking titling effects or as initials.

Axeo is a freeform serif typeface. With more than 500 glyphs for each cut, Axeo supporting wide Latin Base Languages. The font structures is sans-serif typeface. Then, the fonts is made into serif (serifed) using rhombus and adapted/modified rhombus (before remove overlaps) placed on its appropriate positions. This fonts is released first, while the sans-serif is being in process. There are 10 fonts; 5 weight in normal width: Light, Regular, Medium, Bold, and Black; and 4 in semi-condensed: Light, Regular, Medium, Bold and Black, too. The fonts has some minor character variations, all are sets in SS01.There are also standard and discretionary ligatures, arrow, some geometric shapes and ornaments. With its sansserif structure, the Medium, Bold and Black fonts is playful with text effect in various applications such MS Word, CorelDraw or others to enhance the appearance. Its serif form will make unique enhancements. Thus, the fonts is suitable for Branding, logos, cards, advertisements, banners, display and more; for the main texts or its companions. While the light, regular and medium fonts can also be used as description text, card text, note, caption and longer non-formal texts or other usages.

Farwell is a stylish and light script font, that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs. Included uppercase, lowercase, numerals, punctuations, ligature, alternate, works on PC & mac, simple installations, multilingual support, PUA encoded.

Topic - Dedicated to writing a Big text in newspapers, magazines, road boards, book , TV and other printing products, and web pages. The Topic font contains 4 styles (Light, regular, Medium and bold) The font includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu.

Hello! Asbanur is here. Asbanur brings modern, clean and neat looks. This font can be used as the logo of your brand, headline title, magazine title or many things. We have two versions: light and regular, but both of the versions is cool! Try them and enjoy!

Vivo sans is heavily inspired by modern technology, the nordic climate & classic video games. Perfect use for game studios or tech brands that aspire to be modern and futuristic. The font is currently available in 2 weights, Light and Regular, and comes with over 200 glyphs.

Branders is a font family that contains a light, regular and bold style. You can use these fonts for various purposes such as making an emblem logo, for promotions, or other purposes that will make your design more real as handmade. This font also support multi language.

Callephane is our newest font. Its retro style is inspired by a unique design in the 60s. This fonts is perfect for any project, posters, clothing, labels, logos, badges, and many more, that would benefit from a retro look. Callephane has 3 styles: Light, Regular and Rough.

Mineola got tired of being like all the other serifed fonts, got some hip body art, and moved to the cool part of town. But every so often, when no one's watching, Mineola puts on a light blue oxford shirt and listens to top 40 radio.

Delphanium is a beautiful light handwritten font with a unique feel and a stunning impact. It will add a luxury spark to any design project that you wish to create! This font was particularly crafted for those who need a beautiful and refreshing look to their designs.

Moneta is an elegant transitional serif with high contrast. Its morphology is based on the study of traditional broad-edge pen script. It comes in 4 different weights (Light, Regular, Bold and Black) and has variable features. Designed by Santi Rey and launched on January 2020.

Canadian designer Anthony De Meester created the font in 1989. Vienna Extended is a light, elegant sans serif. Simplicity is the hallmark of Vienna and it can be used most effectively where a look of regal elegance is desired. Vienna is a trademark of International Typeface Corporation.

Introducing a vintage look label font named "Brew House". All available characters you can see at the screenshot. This font have 5 basic styles - Regular, Full, Shadow, Light and Aged. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

A geometric-ish font family that's a bit off-kilter, offering three families: Regular, Rounded and Hatch as well as the bonus Noise, catchwords and dingbats for some occasions. Each font comes in Light, Regular and Bold styles. Complete latin character set with a range of ligatures.

Shabon Dama is a cheerful fun Arabic typeface, it bridges the gap between formal and fun, thus keeping it readable. It fits well with video games rated for everyone, kids comics and books, and cheerful marketing. Featuring three weights: Light, Regular, and Bold. ARABIC CHARACTERS ONLY.

Britanica is an extremely versatile family inspired by the neo-grotesque typefaces of the 20th century. Its morphology has a modern and geometrical feel and is based on simple and recognizable shapes, making it highly legible. A perfect mix of modern and practical, ideal for any kind of project. Britanica comes in 6 styles and 7 weights, along with a set of bespoke icons.

Amadeus was inspired by an alphabet reputed to be used in the Papal Chancery in the 16th century. It has highly decorated capitals and to be used at its best requires a large point size. The lower-case characters have been deliberately made simple to contrast with the ornate capitals. Included within the font are many extra characters plus a complete set of framed numerals.

There is something special about thin fonts. On one side there is the sensitive, charming and warm touch, on other side they are uncompromising, thoroughgoing. Here the contrast can't hide the clear shapes. Hilton Serif and Hilton Sans are a pair of highly legible, subtle and elegant sans-serif and semi-serif display faces. The quality of spacing and kerning are ensured by Igino Marini.

AMA Greek and Latin Font is a hand-made display font. Of course, the font supports a full set of Greek chars and an extended Latin character set with diacritics. Τhis typeface can be a mighty companion to your next graphic design project. From “hand-written” quotes to product packaging, merchandise, and branding projects, this font is so versatile that it can cover them all.

Arethusa is a versatile font after the 'transitional' style – a style that has been evolving for 250 years. The balanced design of familiar letter forms blends form with function to create highly readable text. Twelve fonts organised in three sub-families provide a range of weights and styles. The standard character set covers many roman-based languages. For extended language support, see Arethusa Pro.

Organic Cotton is a straightforward, friendly and highly legible typeface. The lettering is based on contemporary brush/pen lettering with a little fun and lushness added. It is solid, fluid and organic without being hippie-dippy or whimsical - not that I am opposed to those things. Organic Cotton is well suited for packaging and branding and it comes with a 69 alternates, 28 swashes, and 14 ornaments.

Hametts is a dazzling brush script font. This font is nearly crafted and highly detailed. The texture looks cool and authentic, suitable to enhance the quality of each of your posters, flyers, or print Features : Basic Latin A-Z, a-z, numbers, symbols, and punctuations Hametts is supporting 66 Languages: from Afrikaans Albanian Catalan Danish to Dutch English Spanish Swedish Zulu. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you

Steve Jackaman & Ashley Muir. Packard New Style is a smooth version of the lettering drawn by Oswald Cooper for the Packard Motor Company (ATF 1913). The bold weight is credited to Morris Fuller Benton (ATF 1916), but it is highly probable that Benton did the adaptation for both weights. Packard New Style Pro contains all the high-end features expected in a quality OpenType Pro font.

Bravecho is a highly detailed and distinct display font. Use this serif display font to add any design idea you can think of! Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

There is something special about thin fonts. On one side there is the sensitive, charming and warm touch, on other side they are uncompromising, thoroughgoing. Here the contrast can't hide the clear shapes. Hilton Sans and Hilton Serif is a pair of highly legible, subtle and elegant sans-serif and semi-serif display faces. The quality of spacing and kerning ensured by Igino Marini.

Introducing, Lava Cookies - A quirky display typeface. The unusual quirky style make this font looks great and standout for tittle, branding, logo, packaging, etc. Features : uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations Thank You!

Rainbowie is a font that's ideally used for festivals, artists and logos. It has 3 different widths to make it ideal to use in small and wide spaces. The font has a stencil style that can be used in suprising ways for an unique touch in your design. It also provides several special characters with a star, sun, cloud, trees, guitar, lightning bold and heart.

Flavium is the reconstruction of the typographic character used in the engravings of the marble street name sign of Rome from about 1970 until the end of the eighties. It is an uniquely uppercase Roman font whose letters are confined within the space between the baseline and the caps line. Its style is severe but elegant, very useful for expressing authority and officialdom with simplicity.

Combining handcraft serif and simple script, Love Struck is an authentic typeface that gracefully marries a delicate and refined aesthetic with a hint of rustic charm. Features : Uppercase & lowercase Numbers and punctuation Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Bouclé is a monoline decorative typeface family of three subfamilies—Plain, Round and Loopy. Plain and Round come in two weights—regular and bold. Bouclé Plain, as its name states, has minimal decorative features in comparison with Bouclé Round, and especially Bouclé Loopy. Thus, Bouclé Plain fonts could be better used for display text purposes. Round and Loopy fonts are reserved for highly decorative cases.

Stratham is vigorous sans-serif inspired by the slab serif Clarendon. It is a heavy display face, and has a tangible modern British feel to it. The italic is especially dynamic and forward moving. Stratham includes OpenType titling and swash alternates, old style figures and small caps. Stratham is useful for headlines, highly legible signage or posters and works well in conjunction with the always popular Clarendon.