Foundry Dat is created with a common horizontal dash grid structure for accurate layering when characters are superimposed. Foundry Dat’s integrated background aligns vertically and horizontally, when set solid, forming a continuous pattern. Foundry Dat’s companion family Foundry Dit functions as a legible correspondence font, with a ‘typewriter’ feel. Each family contains: light, regular, medium and bold weights. Foundry Dat comes with a series of dashes to extend the background grid. Characters can also be offset to make different patterns – in the process becoming images – a graphic language with total integration of form and function.

Plastilin type family of two weights obtained its name due to the soft, curved, stroke terminals of characters (J, K, L, R and others) and the little pointed serifs, as if extruded from stroke plastic mass. The character set has a lot of additional Latin and Cyrillic ligatures, as well as several alternate letter forms. Plastilin was designed for ParaType by Oleg Karpinsky in 2005. It is for use both in display setting and short text passages. In 2008 the author added two weights (Light and Black) and improved letterforms of some characters.

Dutch type designer Alex Scholing created this script FontFont in 2003. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, logo, branding and creative industries as well as small text. FF Roice provides advanced typographical support with features such as small capitals, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

LP Pinselschrift is a new brush handwriting script from German designer Peter Langpeter (lp-design.de). LP has been running his own design studio since 1995, working as a typeface and logo designer, as a calligrapher, cartographer and illustrator. During this time LP created a large number of excellent new typeface designs. Now, we are extremely happy that LP has chosen to let URW digitally produce and market his designs. LP Pinselschrift is the first LP original typeface of this series. It is a light, dynamic-flowing and modern brush script.

Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine the words Salaam and Shalom to the font family name. Salom’s sibling, Salom Sans, features the same letter proportions and therefore allows a rich spectrum of diverse typography, yet keeping the harmony between all styles. The sans has an additional light weight, while the serif comes with an expressive stencil style.

Bluebell is a modern script type family in the style of copperplate calligraphy. It comes with six weights from extra light to extra bold, all of them maintaining the distinct high contrast. Rich with Open Type features, Bluebell includes Swash & Stylistic alternates, automatic ligatures, old style figures and small caps that work as stand-alone font as well. Each font also comes with a set of ornaments that are found in the glyph palette. Bluebell makes for an elegant, iconic display letter for packaging, books, posters and the like.

Kau is a quirky, sans serif display font in two weights. Its funky, stencilled outline bursts onto the page with in-your-face energy, just demanding to be noticed. Kau Black is big and bold, specially crafted for posters, headlines, ads and logotypes. Kau Light forms a perfect foil - clear, skinny and edgy. Use the two together, in a contrasting explosion of form, to create exciting contrasts and vibrant designs The font has all the features of a fully professional typeface. Language support includes all European character sets.

Dutch type designer Just van Rossum created this sans FontFont in 1991. The family contains 4 weights: Light, Regular, Bold, and Black and is ideally suited for advertising and packaging projects. FF Advert provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Advert super family, which also includes FF Advert Rough.

ZT Rayflo is a sans serif font family with full simplicity, no clutter in it, just fonts with a gentle flow. This font has nine weights from light to black.ft ZT Rayflo even with its simple style is perfect if you need it for your design, it will always look fashionable and stylish wherever it is. ZT Rayflo is a collaborative font between Zelowtype X Madebysafwan. For 3D, you can buy it at Madebysafwan. Free to Try, you can download it on Gumroad I hope you have fun using ZT Rayflo

Nipon has an affiliation with the Far East. The first character I designed for this alphabet was the capital P. The stepped thin lines are linking to the Japanese characters and the circle shape is a classic Japanese element which means literally: the origin of the Sun, Nippon. So this is where the name comes from, I skipped one P in the name, so my Nipon gets his own identity. Next to this oriental look it also carries a light resemblance with a juwel box. Precious and elegant shapes for the gentle touch in writing.

When my Taiji teacher gave all of his students a handwritten card with their name on I noticed that he had an unusual and beautiful handwriting. I persuaded him to write out each of the standard glyphs for me in return for me doing some repairs to his trousers! Earth Encounters Family is the result. The regular font and the light version include OpenType coding to offer the option of different versions of the same letter in words, giving the effect of real handwriting. Earth Encounters also comes with a Shadow style.

Canadian type designer Silvio Napoleone created this sans FontFont in 2004. The family has 20 weights, ranging from Light to Black in Normal and Extended (including italics) and is ideally suited for book text, editorial and publishing, logo, branding and creative industries as well as small text. FF Hydra provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Selna is a modern, elegant serif font that includes four typefaces ( regular, outline, oblique, and outline oblique). This font has a light weight and looks amazing in logos, branding, arranging wedding invitations, business cards, packaging, titles and much more and also works perfectly with text, it is very readable and recognizable. This font includes alternates for Uppercase and Lowercase, with them you can make your project more elegant and unique and the slanted style will add dynamics to your design. This font is easy to use has OpenType features.

Belle Sans is a clean, straightforward sans serif typeface family, and a very large family at that! It has seven widths, from Ultra Condensed to Extra Wide, and seven weights, ranging from Light to Black, all with Oblique companions. Belle Sans offers up great legibility for on-screen usage, and the breadth of width and weight make it very usable for text applications as well. The heavier weights, especially the Black, are exceptional for creating visual impact! Each font supports Western and Central European languages, ligatures, tabular figures, unlimited fractions, superiors & inferiors, and ordinals.

AFTERMATH?? has been designed to come in four different widths; Normal, Italic, Narrow and Condensed, additional to add weight to support various uses ranging from Thin, Light, Regular, Medium, Bold, Extrabold, and Black. AFTERMATH It comes in 40 weights with various features that support designer creativity from the Font Menu and extended language support. AFTERMATH will suit many projects: fashion, magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books, websites, etc. If you have any questions, you can contact us by email: bosstypestudio@gmail.com| Thank you!

Alvarosa is a beautiful, elegant and thin display font. Incredibly trendy and versatile. Inspired by the trends of minimalist looking display fonts that shown on social media, I've made a uniqueness sans serif by adding the quirky elements on a basic letter-form but still easy to read. It can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterhead, signage, labels, news, posters, badges and so much more. Alvarosa comes with 3 different weight : Thin, Light, and Regular. More thin are for Larger text.

Stroma is a serif display faces with moderate contrast and quirky cuts. Intended to use it on headlines in the editorial design environment or big type style graphics, The function of this typeface allows it to use on larger and compact text for any graphical elements that need special treatment. The details interpreted from the straight axis pointed into flourish calligraphic serif, the shape of the letter contains straight details and cuts, this gives them a rich and fine looks. The Stroma family includes four weights, ranging from Light to Bold with italic uprights.

German type designers Axel Bertram and Andreas Frohloff created this serif FontFont in 2012. The family contains 4 weights: Light, Regular, Medium, and Bold and is ideally suited for film and tv, editorial and publishing, small text as well as web and screen design. FF Videtur provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Jalal is a modern Arabic text typeface with two weights: Jalal Light and Jalal Bold. Both of the fonts ship in the OpenType format, and include Latin glyphs (from Optima Demi Bold and Optima Bold) inside the font files, allowing a single font to set text in both most Western European and Arabic languages. The Jalal fonts incorporate the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

VASARELY has famous roots, its name is related to optical arts own Victor Vasarely. Dropping the field of Op-Art, you already know where we have been aiming at. The REGULAR and LIGHT cuts of VASARELY are quite ordinary, rectangular, but legible typefaces, but with the BOLD and EXTRABOLD versions you will be able to build diverse illusive type illustrations and layouts. Being build on a strict grid with same dimensions, the eye-affecting black-and-white contrast should trigger different optical effects. As an extra we build an EXTRUDED version as well. Have fun!

Atrium, designed by Alex Jacque, is a strong, linear, geometric sans-serif display typeface based off century-old pen art by W.E. Dennis. Atrium's stubbornly geometric letterforms are set off with a few softening flourishes on a few glyphs. It's sharp corners, straight verticals and horizontals make Atrium pack some punch when used in headlines, pull quotes, and logotypes. Atrium was released in 2012 in OpenType format and comes in three different weights: light, regular, and bold, with a regular and oblique version of each for a total of 6 styles in the family.

We created a serif version of our popular "Werk" Sans Serif that will greatly enhance the Work family of fonts. Like “Werk” Sans Serif, “WerkSerif” is a sturdy, well-tuned font that is a true “werkhorse” with plenty of character without being overbearing. “WerkSerif”is an ideal choice for corporate branding offering a complete typographic solution with the sans and serif range of fonts — also a prime choice for distinctive and dynamic logotype use. “WerkSerif” comes in a range of offerings from Light to Regular, to bold and Black with matching Italics.

HS Ishraq introduces a modern OpenType Arabic Typeface that combines the features of Kufi and Naskh Style with noticeable both curvy and sharp segments beside the refinements of its letters that made it more readable. HS Ishraq can be used in both titles and text in modern graphic and publication projects. It supports Arabic, Persian, Urdu and Kurdish languages and contains five weights: Thin, light, regular, Medium and bold which can add to the library of Arabic fonts contemporary models that meet with the purposes of various designs for all tastes and all projects.

German type designer Jürgen Huber created this display and sans FontFont in 2002. The family has 5 weights, ranging from Light to Regular (including italics) and is ideally suited for advertising and packaging, editorial and publishing, poster and billboards, small text as well as software and gaming. FF Ginger provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Egyptian ephemera is a typeface inspired from basic block lettering, widely used in art and craft of sign writing. 5 styles available from light to bold. and for the first time it is also available as variable fonts. One of the uniqueness of this font is the small spur on each stem, and the terminal, which intends to simulate an entry and end brush stroke. OpenType features support such as Smallcaps, Tabular Figure, Superscript, and 2 alternate of ampersands. This typeface was created for Display needs, such as headlines, signage, logotype, badges design, packaging, etc.

Gilroy is a modern sans serif with a geometric touch. A younger brother of the original Qanelas font family. It comes in 20 weights, 10 uprights and its matching italics. The Light & ExtraBold weights are free of charge, so you can use them to your heart’s content. Designed with powerful opentype features in mind. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

Carnas, a new monoline sans with a light, slender and informal appearance. It is however forceful and strong enough for headlines and signage. Despite the reduction in its shapes, it is pleasantly readable for both shorter and longer text applications. The Carnas family consists of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Mayblossom was named after an old French fairytale (The Princess Mayblossom),which is quite similar to the tale of Sleeping Beauty. Mayblossom font is a fairytale font. It was made with a magic wand (with a Unicorn hair core) onto centuries old parchment. The font was then blessed by 12 lovely fairies. Of course, I had the evil thirteenth one kidnapped before she could cast her spell. In other words, if your work requires a certain lightness, a pinch of fairy dust and a sprinkling of magic, then Mayblossom is your best pick.

The capital alphabet Charlemagne was designed in 1989 by Carol Twombly. The basic forms are modelled on those used in classical Roman engravings. They are distinguished by pointed serifs which sometimes extend beyond the bounds of the forms, for instance on the E, F and S. These serif forms have made other historial appearances, for example, in handwritten rectangular capitals of the 9th century. The serifs lend the typeface a light ornamental touch. Charlemagne is a typical titling typeface and is best used in large and very large point sizes to emphasize its classical elegance.

Dranskof is a light-hearted, cheery font. It is inspired by a page from an extraordinary serbian publication for children by the writer, poet and journalist Duško Radović. Dranskof whimsical letterforms are full of joie de vivre, consisting of different glyphs on upper and lower case slots for added flexibility.The contextual alternates feature will instantly alternate glyphs. To literally add a twist here and there, Dranskof is equipped with a spirited set of stylistic alternates, easily accessible through stylistic alternates feature or by the glyphs palette. This is definitely a 'make feel good' font. Enjoy!

Twirrewyn is Frisian for ‘Whirlwind’. I have always liked the Frisian language; it’s like a crossover between English and Dutch. When I studied journalism in Zwolle (a city close to Fryslân) there were a lot of Frisian students and I did pick up a few words! Twirrewyn is a handmade font family: the fat version was made using a brush and ink; the light version was made using that same ink, but with a broken satay skewer instead of a brush. And yes, you have guessed right, we eat a lot of Satay! ;-)

Marek is a slab serif font it takes it's name from a football player from the Naples soccer team  “Marek Hamsik”. It is composed of 5 weights (thin, light, regular, bold and black with matching italics), it's ideal for big headers as for magazines, t-shirts, branding and much more. It is available in open type format and includes alternative fonts (a,K,k,g), ligatures, oldstyle and linear number. Moreover, it includes the glyph of the new bitcoin currency, supports more than 80 languages and it's composed of 392 glyphs.

A heavy, cartoonish and fun font based on a hand lettered 1960s advertisement. The hand-lettered original gave me the idea to expand this into an OpenType font with multiple interlocking ligatures. There are over 260 alternate ligatures found the in the "Discretionary Ligatures" OpenType Feature, which will lend the font a hand drawn look. The ligature glyphs can also be accessed via the glyph palette. Great for any design that requires a fun and light-hearted mood. Contains language support for both Latin-based and most Eastern European languages.

Slovakian type designer Peter Bil'ak created this sans FontFont in 2001. The family has 20 weights, ranging from Light to Black in Condensed and Medium (including italics) and is ideally suited for book text and editorial and publishing. FF Eureka Mono provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with tabular lining figures. This FontFont is a member of the FF Eureka super family, which also includes FF Eureka and FF Eureka Sans.

Leksa is an oldstyle, even a bit old-fashioned text family in 12 faces, including six upright and six italic ones, from Light to Black, with both oldstyle and tabular digits and true small caps. The typeface works best in the books of classical style, and looks good in both small and large point sizes. One of the main features of the typeface is its professionally-designed Cyrillic which (together with sans-serif companion Leksa Sans) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.

Kanvas is a flowing calligraphy script. The typeface was drawn and created by Måns Grebäck between 2017 and 2020. Its flowing shapes are inherited from mid-century advertising, being soft and friendly while retaining a sturdy forward movement. Kanvas is a typeface family consisting of five weights: Thin, Light, Regular, Bold and Black. Use it for an invitation card, in a celebratory context or as a logotype. The font contains all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering all European Latin-based scripts.

Mercusuar font FAMILY – an expansion on Mercusuar that includes 16 fonts, regular and italic, from Thin weight to Bold, and still has all the clean lines and trendy minimalist vibes! Mercusuar is a stunningly crisp upper and lowercase typeface that looks incredible in both large settings as a display text. Includes: Mercusuar Thin (Regular & Italic) Mercusuar Extralight (Regular & Italic) Mercusuar Light (Regular & Italic) Mercusuar Regular (Regular & Italic) Mercusuar Medium (Regular & Italic) Mercusuar Semibold (Regular & Italic) Mercusuar Bold (Regular & Italic) Numbers & punctuation Foreign language support Hope you enjoy. Intuisi Creative

Originally Mamontov has been inspired by poster (usually wooden) types of the end of 19th—the beginning of 20th centuries. The type family was named after Savva Ivanovich Mamontov (1841-1918), Russian industrialist and patron of the arts. Massive asymmetric serifs, stocky proportions, type weight... are traces of harsh imperial reality. And soft forms of ovals, exaggerated compensators, humanistic curves of serifs and horizontal strokes betray the sensitivity and artistry of Savva Ivanovich. Mamontov has 25 styles, ranging from Light to Black and from Condensed to Wide, with more than 1000 characters per font.

The BrightIdeas family contains two novelty fonts that have letters on light bulbs. The fonts have some characters on standing bulbs and some on hanging bulbs and these two sets are made to alternate with the OpenType contextual alternatives (calt) feature. To use only one set of bulbs, this feature must be turned off and character spacing adjusted. The family contains a style with clear bulbs and one with filled bulbs. They can be used in layers to add color. Both are monospaced. The characters on the bulbs are derived from the font Myhota-Bold.

Nena Serif is a transitional readable typeface, with a contemporary style, designed for extensive reading in books, newspapers and magazines. The font is very legible when used in small body text, with medium x-height and moderate contrast it creates an elegant look on the page and is well suited for stylish headers and various on-screen uses. The Nena Serif family is available in 6 weights, ranging from light to heavy, with matching italics and alternate glyphs. The font contains a character set of 411 characters supporting 206 different languages.