The typeface Wood Type DIY is designed from 2016–2022 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font based on the original wood letter from flea market. The font started from 50 wood letters (analog) and was finally digitalize and extended to 300+ glyphs (digital). 4 font-styles (Rough, Clean, Mix, Impact) with 320 glyphs incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ❤️ or #SMILE for 🙂 as OpenType-Feature dlig) and stylistic alternates (9 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: Wood Type DIY ■ Font Styles: 4 (Rough, Clean, Mix, Impact) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat:.otf (Mac + Win, for Print) + .woff (for Web) ■ Glyph Set: 320 glyphs incl. extras like icons (decorative extras like arrows, dingbats, emojis, symbols) ■ Design Date: 2016–2022 ■ Type Desi­gner: Manuel Viergutz

I just returned from a short holiday in Japan. I stayed in hostels and small guesthouses and noticed a peculiar thing they all had in common: they love little notes, telling you where to go, what to do, how to use the microwave oven and when to check out. These notes were sometimes printed, but more often they were handwritten. I found that the Japanese way of writing roman characters is a little, well, unusual. The letters are correct, but they have that typical ‘Japanese look’ - most notably the a and A the b, d and g, the p and P and the t and T. I can’t really tell you what makes them look different, maybe it’s the proportions, but I do know that a Nippon Note is highly recognisable. So, here is Nippon Note, a highly recognisable, handmade font. You don’t really have to be in Japan to use it, but it will give your designs that extra cachet. And don’t forget Nippon Note Kawaii - the cute doodle font which is free if you download the Nippon Note family! Comes with extensive language support, but unfortunately not Japanese…

Introducing the CA Superpilot Sans & Script family pairing - the ultimate package designed specifically for creatives and designers. The CA Superpilot Sans font family, with its contemporary take on Futura, is the perfect choice for those seeking a sleek and modern typeface. With five weights and italics, this font is flexible enough to be used in any project. In addition, it includes an extensive Central European character set and alternate characters, ensuring that your designs will stand out in any language. On the other hand, the CA Superpilot Script font family is a monoline script font that takes inspiration from vintage camera equipment logos and type designations from the 1950s. The result is a unique and retro-inspired typeface that adds personality and charm to any project. With regular and italic styles, you have plenty of options to work with. Despite being a script typeface, its bold strokes and clean lines make it ideal for captivating and impactful headlines in uppercase. Using these two fonts together gives you unmatched flexibility for any project, whether it's branding, website design, or print design. Don't miss out on this essential font pairing - get it today!

Neo Latina is a classic sans serif typography in small caps of square proportions and rectilinear character with the ends of the rounded horns and a semi-stencil design that gives a futuristic aspect and of science fiction. Neo Latina is the right heiress of geometric fonts from the early 20th century inspired by the Bauhaus school and is specially designed for use in any size for both screen and print. Neo Latina is a very versatile typography for graphic design, you can use it in advertising posters, video games, film titles, logos, editorial design, etc. The Commercial version includes: - Two fonts: Regular & Bold - 460 glyphs. Latin Extended-A • OTF & TTF - Neo Latina fonts can be used unlimited for both Commercial and Personal projects. - The download file includes a PDF with the specimen sheet of typography. - OpenType features compatible with: Photoshop, Illustrator, QuarkXpress, Indesign. - OpenType Features: Subscript, Additional languages, Alternate Annotation Forms, Capital Spacing, Denominators, All Alternates, Oldstyle Figures, Superscript, Superiors, Superior letters, Standard Ligatures, Kerning, Extended Fractions, Small Capitals, Historical Forms, Inferiors, Fractions, Localized Forms, Numerators, Ordinals, Discretionary Ligatures, Scientific Inferiors, Slashed Zero. - Bitcoin & Chaos symbol: b# - a#(ligatures)

Chester Chesire - Elegant Font Duo is a digital product featuring a script and serif font duo designed with an elegant and luxurious style. Inspired by classic design with a modern touch, this font aims to provide a captivating and professional impression in various design contexts. It is particularly suitable for magazines, the fashion industry, headlines, printing materials, wedding invitations, and businesses seeking an aesthetic and beautiful font. One of the key highlights of Chester Chesire is its diverse range of alternative characters, allowing for interesting design variations and personalized text looks. It offers excellent compatibility with different businesses and industries, making it a great choice for fashion companies, design studios, creative agencies, advertising firms, and more. With Chester Chesire - Elegant Font Duo, you gain access to an elegant and luxurious font that enhances your design projects. Its rich alternative characters provide flexibility and creativity, while its compatibility with different software and operating systems ensures ease of use. Elevate your visual message and design impression with this captivating font, perfect for magazines, fashion, weddings, and businesses that prioritize a refined aesthetic. Add Chester Chesire to your font collection and enjoy the benefits of its professional appearance and high-quality design.

Discover the captivating charm of SP Vincent, a masterfully crafted display font developed in 2023 by Studio Pulp. Inspired by the iconic character Vincent Vega, the central figure in the film classic "Pulp Fiction" (1994), this typeface exudes a powerful and refined aesthetic, befitting a leading role. SP Vincent, with meticulous attention to detail and craftsmanship, showcases versatility that seamlessly complements a variety of design projects, especially excelling in the creation of impressive titles. The three well-balanced weights provide you with the flexibility to unleash your creativity, while the clear, open shapes optimize readability. Anchored in a sleek grid design, SP Vincent embodies modern minimalism and accessible elegance. Whether you are engaged in web design, graphic design, or print materials, this font adds a timeless class to your creations. Be inspired by the seamless blend of functionality and aesthetics in SP Vincent. Specifically designed to meet the demands of 2023, this font brings a contemporary flair to your projects while remaining faithful to Studio Pulp's commitment to quality and innovation. Transform your typographic landscape with SP Vincent and leave a lasting impression reminiscent of the unforgettable moments from "Pulp Fiction."

Lialisa is a smooth, elegant and flowing handwritten font. It has a beautifully balanced character, goes well with many designs. Lialisa features varied baselines, smooth lines, beautiful glyphs, and stunning alternatives. Hand-drawn design elements allow you to create many beautiful typographic designs in an instant such as branding, web and editorial designs, prints, crafts, quotes, It's great for logo types, wedding invitations, romantic cards, labels, packaging, name spelling and other . Add to your most creative ideas and see how they make it happen. Lialisa is coded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any additional characters to paste into your favorite text editor/application. Lialisa includes OpenType style alternatives, ligatures, and International support for most Western Languages. To enable the OpenType Stylistic alternative, you need a supporting program such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ

Do you want something prominent yet legible? This is Long Vacation, our new handwritten font, ideal for all of your design needs. Long Vacation is a visually interesting handwritten font showing a unique handwriting style giving the natural, lovely nuances on your designs. The flowing letters are interconnected and the scratches that connect the letters make the font look more natural. Details on each letter and curves on the edges show high contrasts. Due to its great legibility, you can apply this font to both big and small text sizes. Additionally, enjoy the features available here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Long Vacation fits best for various design projects, such as brandings, posters, banners, invitations, greeting cards, magazine covers, quotes, printed products, merchandise, logos, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The retro-inspired design of Aviano Copper echos the bold style of America’s Gilded Age. Inspired by the copper-inscribed intaglio printing designs of the early 20th century, the powerful, wide character shape of this font walks softly across your page while carrying a big stick. To create the right balance, small wedge serifs were added onto Aviano Sans, giving you a sophisticated style that looks and acts like it belongs nowhere short of Boardwalk. Developed to a new level of excellence, this design offers a wide range of weights from thin to black. There's full multilingual support of all Latin-based languages and five stylistic sets, swash designs, and 1000 glyphs per weight, including some unique ligatures. Number options include old style figures, tabular figures, and superscripts. Unique median spur alternates, swashes, and ligatures will help you customize every single design. The feel of last century’s personal and business correspondence is waiting for you in this member of the Aviano family. While ideal for headings, displays, logos, and short texts, Aviano Copper’s use for everything from letterhead to wine labels may just give you the monopoly you’re looking for.

Gidget is an elegant script with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. Not too thin and not too thick, balanced and varied, born to luxury and beauty. Hand-drawn design elements allow you to create many beautiful typographic designs in an instant such as branding, web and editorial design, prints, crafts, quotes, It's great for logos, wedding invitations, romantic cards, labels, packaging, name spelling and more. Gidget includes an alternative to OpenType styles, ligatures, and International support for most Western Languages. To enable the OpenType Stylistic alternative, you need a program that supports Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Gidget is coded with a Unicode PUA, which allows full access to all additional characters without having to design any special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any additional characters for pasting into your favorite text editor / application. How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw Designer: khaidir

Features: Over 1200 gyphs in 14 styles; True form of italics; Humanist character and proportions; Extended Latin, Extended Cyrillic & Greek scripts; For more than 130 languages Moderate contrast; Perfect for text, headlines and web; Coverage of many OpenType features Ligatures, Small Caps, Case sensitive forms, OldStyle figures, Tabular figures, Fractions Named after a star and inspired by the cosmos, Alkes traveled a long way from a graduation project to a published multiscript serif type family. Designed with the intention of harmonising between three scripts - Latin, Cyrillic and Greek, the contemporary, yet well defined humanist serif combines the best out of the digital and analog worlds. Featuring a generous x-height, wide letter spacing, large open counters and angled stress contrast, Alkes is highly effective for editorials and publishing, where long texts and legibility are the key forces. Its attractive details, calligraphic structure and asymmetrical serifs shine through in the larger sizes and make Alkes suitable for headlines. Alkes has a pull with editorial designers, graphic designers and publishers who aim for a clear structure, hierarchy and coherent non-Latin scripts for both print and on-screen environments, in order to achieve otherworldly designs

Want to have a more unique design? Raina is a new way to show uniqueness and freedom in your design. Raina is one of the sans serif font combinations with the display font. Unlike the other solid, firm displays of sans serif font, Raina expresses more artistic, unique displays as a result of the display font’s character combinations. Its differing letter shapes from ordinary alphabets create uniqueness for this font because each letter has no straight lines, but indentations or cavities instead, and no tiny lines or hooks as a sans serif font character. With the unique shape of this font, use this font on bigger screens for a legibility reason. This font has included outstanding features to take your creativity and ideas to the next level. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Raina fits for various design projects, such as posters, banners, logos, book covers, quotes. , headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Feel free to contact us if you require more information when you are experiencing a problem. Thank you. Happy designing.

Destrion – A Modern Display Serif Typeface Destrion, a contemporary display serif typeface, seamlessly blends classic elegance with a modern aesthetic, making it a distinctive choice for various design applications. With its refined letterforms, Destrion exudes sophistication and versatility, making it suitable for both digital and print media. The typeface strikes a balance between tradition and innovation, featuring distinctive serifs that add a touch of timeless charm while incorporating sleek, contemporary details. Destrion’s well-crafted characters exhibit a harmonious balance between readability and artistic flair, making it an ideal choice for headlines, logos, and editorial design where a touch of refined personality is desired. The typeface’s unique personality and attention to detail set it apart, making Destrion a compelling choice for designers seeking a modern display serif that effortlessly captures attention and conveys a sense of timeless style. Destrion is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Escape to the bliss of the Namaqualand. A landscape carpeted in wildflowers and magical star-studded nights. Where visitors come from all over the world to experience the cacophony of nature in its purest form. Introducing Namaqua - A Modern Calligraphy Font. This gorgeous font can be used for a host of different content needs and projects. Use it for your headings, logos, business cards, printed quotes, invitations, packaging, resumes, and even your website or social media branding. Enchant your audience, clients or guests with this versatile, elegant font. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

I had a totally different name assigned to this font at first. Then, while drifting off to sleep one night during the creation process, my sleepy brain said, "You know, BLORP would be a great name to go with these letter shapes." Normally when I have those half-asleep ideas and look at them in the morning, they make no sense. But I decided to make a sample image for BLORP, and it turns out I really like it! So ... BLORP it is! This font is extensively edited for super-smooth lines and curves, so it'll cut like butter in your Cricut or Silhouette machine. Though it's also super cute for print projects, logos, branding, or anything else you want to use it for! It has a funky mix of letter sizes and heights, and two sets of uppercase letters, so you can mix everything together JuSt LikE tHIs, and it'll still look great! BLORP includes over 300 extended Latin characters for language support, including, but not limited to: Catalan, Czech, Danish, Esperanto, Estonian, Finnish, French, Gaelic, German, Icelandic, Irish, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Serbian (Latin), Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh, and more!

Bitelover is an enchanting font duo brush script typeface with sans serif. clad in an exquisite accents, casual-chic, perfect for you who want a perfect and fabulous font! Suitable for many design projects such as logo design, branding, packaging, blog graphics, stylizing quotes, wedding stationery, art prints, collateral design, packaging, social media, and so on. I’ve truly enjoyed the process of creating this font collection and hope that it will bring some magic into your projects! Whats i get? Bitelover. OTF Bitelover Sans. OTF Whats Includes: Uppercase and Lowercase, Numbers and punctuation, Stylistic Alternate, Discretionary Ligatures, Multilingual Languages Support, Symbols and more. It's highly recommended to use it in opentype capable software - there are plenty out there nowadays as technology catches up with design. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer and also equipped with Multilingual support. So, let's get it! Thanks and enjoy your day ...!. :)

Last Dance: Redux - The 80s Feel-Good Script Font - Updated! Welcome to Last Dance: Redux, a new and improved version of my popular brush-script font inspired by 80s movie posters, VHS covers and Friday nights at the video store! This hand-drawn script aims to capture the feel-good vibes of movie blockbusters that won our teenage imaginations, while serving as the go-to font for recreating this unique and nostalgic period. The original Last Dance font features a gritty, hand-drawn texture that looks equally at home on an aerobics competition poster or steamy urban thriller - making great titles that look distinctly cinematic. Last Dance: Redux takes that original design and strips it back to it’s bare essentials resulting in a clean, uniform look that improves letter flow and readability. It’s also much lighter on system resources making it the preferred choice when using extensively across print and web projects. Both versions come with upper and lowercase characters along with punctuation, numerals and language support, plus two full sets of alternatives and a selection of underlines. Check out the visuals to see it in action!

Ramadan Letter is a striking display font that draws its inspiration from the intricate beauty of Arabic calligraphy. Ramadan Letter is more than just a font; it's a symbol of heritage and visual artistry. It's the perfect choice for projects that require a touch of cultural sophistication and a bold presence. The characters in Ramadan Letter are meticulously designed with a substantial weight that exudes a sense of boldness and presence. The elegant line ornaments add intricate details, enhancing the font's beauty and cultural significance. The low contrast between letters ensures legibility and a harmonious visual flow. In addition, you can also enjoy the features here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Ramadan Letter fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing

King Tut is a restoration and expansion of the original Egyptian Expanded, a single bold face cut in 1850 by Miller & Richard, the famous Edinburgh founders. This aesthetic, though originally issued to help drive simple print advertising of those days, is perhaps the longest lasting genre of typeface. This aesthetic flourished in the later part of the 19th century, helped by the surge of similar faces from England (such as Figgins' Antique 6 and Expanded Antique), and became the defining index of the old American wild west that continues to this very day. King Tut serves up its impact through a balance between the wide, compact letterforms and elegant curvature that manages to come through even in confined areas. The family's weight variety allows for more options in counterspace use as well as precision in the amount of curve definition and contrast needed by the typographer. The lighter weights completely oppose that 19th century boldness and expose the alphabet's skeleton in a strive for simplicity that fits modern applications. With generous language support to boot, King Tut's diverse offerings make it an essential addition to today's designer repertoire.

Busan Garden is a bold display font that brings the spirit of Busan to life. Inspired by the vibrancy of Korean aesthetics, this font exudes strength and cultural richness, making it a captivating choice for designs that demand a powerful and impactful presence. The characters in Busan Garden stand tall with a robust and thick weight, portraying a sense of confidence and solidity. The sturdy letterforms, characterized by sharp angles, create a visually striking appearance that captures the dynamic energy found in Korean design. Busan Garden is not just a font; it's a visual journey through the streets of Busan. In addition, enjoy the features here. Features: Alternates Ligature Multilingual Supports PUA Encoded Numerals and Punctuations Busan Garden fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Premium Sans is a professional typeface which is aspired to solve the major typographic challenges in editorial, print, Graphic design, Commercial designs and other form of templates and documents such as pdf or ms word. It has four weights light, regular, semi bold, bold. Each with an italic profile, so in total it has 8 typefaces. We created this typeface to have attention of reader in Graphic commercial designs and as well as on editorial designs. The X-height plays a great role in readability of a typeface, so we tried to give it a reasonably high x-height with accordance to ascenders and descenders. We've engineered it in such a way that it can easily be paired with script, slab serif and serif typefaces. Premium sans is made on minimum required character set which will be handy while typing currency symbols like cents, dollars or euro and also be very useful when typing the characters consisting of diacritic. We've designed it in such a way that either you write a long content for editorial purposes or you create a typographic or graphic/commercial design it will look nice and fine which is the uniqueness of this font.

Maxengine is a bold script font that refuses to conform. This rebellious yet playful typeface marries boldness with a touch of whimsy, creating a dynamic and unique script that captures attention and refuses to be confined by traditional design norms. The characters in Maxengine boast a rounded shape, bringing a sense of friendliness and approachability to the bold script. What truly sets it apart is the intentionally uneven outline details, adding an element of spontaneity and creative flair to each letter. This unconventional approach results in a font that exudes personality and breaks away from the ordinary. In addition, enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Maxengine fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Biotrons is not your ordinary bold display serif font—it's a visual powerhouse that commands attention with its unique design. This font is a daring exploration of boldness and precision, bringing a cutting-edge aesthetic to the world of script typography. The characters in Biotrons are defined by their bold strokes and sharp corners, creating a strong and impactful visual presence. The deliberately uneven outlines add an element of unpredictability, giving each letter a sense of individuality and flair. Biotrons is a font that thrives on breaking away from the expected norms, offering a dynamic and modern take on the traditional script. Enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Biotrons fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

NorB Architect Line architectural fonts will add a beautiful architectural hand-lettering style to all your CAD project drawings. Architects have always wanted their CAD drawings to look more like they were drawn by hand, rather than by a CAD program. These AutoCAD fonts are the first step in bringing back that “artistic hand-drawn” feel to your CAD drawings or any graphic design project that can use true type fonts. They even can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB Architect Line is a retracing from scratch of my "NorB Architect" font coming in a sharp and round look, featuring small caps with some long stems of the following letters: b, d, f, h, k, l so resulting in more dynamic lettering font. It comes with 8 weights: Regular Italic Bold Bold Italic Round Round Italic Bold Round Bold Italic Round Note: The Italic versions are intentionally set to 20° rather to 12° for more dynamic lettering look.

Andrade is a new typeface designed by Dino dos Santos in 2005. This typeface was inspired in the typographic work of Manoel de Andrade de Figueiredo (b.1670-d.1735), Nova Escola para Aprender a Ler, Escrever e Contar, printed in 1722 at Offcina de Bernardo da Costa de Carvalho. This is one of the most important books, and almost forgotten, about Portuguese calligraphy and typography, and the work of Andrade de Figueiredo is among the most amazing examples of type design of the Eighteenth Century. His work inspired Ventura da Silva, a Portuguese typographer, who in 1803 published a book named Regras Methodicas, where he redesigns some of Figueiredo's type specimens. But Ventura's purpose was to create a more elegant and readable typeface than Didot and Bodoni. This kind of typeface used to be called leitura and is a transition between the baroque and modern typography. Andrade is a brilliant text typeface and is available in Regular, Italic, Bold, Bold Italic, Ligatures, Ligatures Italic, Swashes and Ornaments. Andrade is my tribute to Portuguese typography and to the work of Manoel de Andrade de Figueiredo in particular.

Introducing Hoax – a pre-worn sans serif with spirit, personality and distinction. This bold and semi-condensed sans serif is inspired by old copy machines and vintage prints. It is lively and eye-catching, ideal for where and when you want to make a lasting impression. Hoax is a celebration of character, a tribute to curiosity. Use this typeface and let everyone know that you mean business. OPENTYPE FEATURES: This font includes over 40 discretionary ligatures of prepositions and common words in English. These OpenType features can be accessed using OpenType friendly applications that allow the use of discretionary ligatures and stylistic sets. MULTILINGUAL SUPPORT: With over 700 glyphs, it has support for more than 150 languages, including Cyrillic script. List of discretionary ligatures: AND, ARE, AT, BY, FOR, EST, FEAT., FROM, IN, IS, OF, ON, OR, OUR, THAN, THAT, THE, TO, WITH, YOUR, CO. Each word is available in both upright and slanted versions. How to use: Activate the discretionary ligatures as you normally do in your OpenType friendly application. When activated, the words are in upright versions. To access the slanted versions, activate the first stylistic set (“Slanted Ligatures”). Happy typing!

Quieta is a humanist serif typeface inspired by the aesthetics of Italian Renaissance and by the empowering history of the painter Artemisa Gentileschi, first woman to be admitted to an Academy of Fine Arts in Italy. The designer, Maria Chiara Fantini, has used sharp flat-nib calligraphic strokes to add a vibrant contemporary vibe to the traditional humanist proportions. Classical details (such as the beak of the “e” and the angled stress of the “o”), are balanced by a modern and readable low-contrast design, developed in a range of six weights with a matching set of true italics. A Display weight, with lighter shapes and stronger contrast has been developed excel in logos, headlines and captions. The wide array of alternate, decorative and swash glyphs and the full coverage of over 200 extended latin languages make Quieta a solid, highly readable and elegant typeface perfect for body text both on the screen and on the printed page. Graceful and powerful at the same time, this typeface family is ready to help you when in need of the timeless appeal of a self-conscious feminine elegance.

Ready to enchant your audience and enhance your branding? Introducing Bankstory - An Elegant Handwritten Font. This font is all about Elegance, Style, Luxury, Professionalism, and Authority. With elegance and passion edged into every curve and twist of this handwritten font - you’ll be sure to reign in sales and make lasting impressions. Bankstory can be used for a variety of different content needs such as headings, logos, business cards, printed quotes, cards, packaging, resumes, and even your website or social media branding. Let the world see your ideas with Bankstory - An Elegant Handwritten Font. What you’ll get: Multilingual & Ligature Support Contextual Alternatives Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom-created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Is your branding missing something wonderful that makes people going crazy impressed? Have you thought about how you can add that touch of something to your branding and projects? Want to transport your audience to a world of gorgeous, elegant, wonderful, versatile, yet modern? Then, we have the solution for you. Introducing Metrovia, An Elegant Font duo Giving you a simple, yet wonderful solution to your branding. This font is more than just another font duo. It encapsulates the essence of modernity and elegance. With elegance and passion edged into every curve and twist of this font – you’ll be sure to boost your sales and make the best impressions. Features: Beautiful Ligatures Stylistic Sets Multilingual Supports (69 languages) PUA Encoded Numerals and Punctuation Metrovia fits best for any design projects, such as posters, banners, logos, book covers, album covers, quotes, invitations, greeting cards, name cards, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Hopefully, you enjoy your experience in using our font. Feel free to contact us for further product information or trouble complaints. Thank you and happy designing.

Katastrofe is danish for … well, catastrophe - you may have guessed that! This font was almost a catastrophe to make! I cut out all the letters in a cardboard, and went outside to spray the letters with a spraycan. Everything went smooth as planned, but suddenly the wind started to blow and the papers started to fly away! Luckily I found some stones I used to make the papers stay in place. Lucky for me - otherwise it would have been a catastrophe! Seconds after finishing this font project, it started to rain…I just avoided a catastrophe! But is this font really a catastrophe, or does it just mimic punk/spray/grunge/riot? Make your own statements using Katastrofe, or perhaps your very own punk sayings like “Punk is not dead”, “Anarchy Rebel” or what suits you the best. Whatever you choose to write, you will definitely get that real punk look! Perhaps you could even do a t-shirt print that says “Katastrofe” :) Comes with different upper and lowercase letters along with alternate versions of each letter - and of course a lot of foreign letters, because punk is not dead and punk is universal!

Night Circus is a capitalized display font in a circus theme having unique, interesting designs with big, prominent letter sizes to catch attention. All of its letters are peculiarly designed in bright colors and many decorative circus elements. The power-expressing big, thick letters are perfect to use in power, boldness message-delivering designs. The advantages of Night Circus font, which provides a clipart in line with the theme, are the abilities to produce unique, charming nuances to your designs and to make your products more interesting which increases the products’ attractiveness. You can use it in big text sizes to be greatly legible and enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Night Circus fits best for various design projects, such as brandings, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Roses Queen is an exquisite serif font made in uppercases that reigns with elegance and beauty. What sets Roses Queen apart is the meticulous addition of ornate details, transforming each letter into a regal work of art and bestowing a sense of opulence to the overall appearance. The characters in Roses Queen boast a commanding size, evoking a sense of authority and grace. The stability of the letter size ensures a harmonious visual flow, contributing to the font's overall sense of refinement. The real magic, however, lies in the intricately designed ornaments that adorn each letter, adding a touch of sophistication and enchantment. In addition, enjoy the features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Roses Queen fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The sans serif linear antiqua Maxima which was created in the beginning of the sixties by Prof. Gert Wunderlich for Typoart Dresden, was newly actualized in 2007 after more than 45 years. Many hands and heads were involved in the successful re-design of Maxima Now over a period of two years to assist the designers of the Elsner+Flake Design Studios in Hamburg, and the typeface family is now available. The re-design happened in close cooperation with Wunderlich who has given support to numerous projects in Elsner+Flake’s studio in Hamburg. A great deal of care was given to the necessary preliminary tasks such as the viewing of the original designs and print tests, the analysis of the digital Typoart data which had been in the possession of Elsner+Flake since 1985 and 1989, and a design conceptualization based on detail correlations, as well as the extension of the character complement. It had been Elsner+Flake’s goal to include as many of the existing Maxima cuts into the re-design program as possible. The result is an extended font family with 25 weights in EuropaPlus layout.

Alio™– Let Your Creativity Flow. Inspired by sleek sans serifs and flowing cursives, Alio™ features the best of both worlds. The hybrid modular design of this display type gives you tons of alternates and options to play. Just let your creativity flow and enjoy creating a broad range of styles from minimalistic modern to decorative flourish. *Alio Pro* comes loaded with extensive ligatures and alternates. When combined this display type with Alio Decor, you can let your creativity flow to the max. Together, you can create stunning flourish designs and unique type treatment to your projects. The Pro also supports most Latin-based languages. Heck, it even covers Chinese PinYin. Perfect for the logo, branding, poster, book cover, store sign, and packaging. [6 weights/12 font styles. 750+ glyphs each] *Alio Decor* is more than just an Alio Pro’s sidekick. You can enjoy creating flourish designs exclusively with Alio Decor. [6 weights/12 font styles, 300+ glyphs each] *Alio Std* features selected glyphs from Alio Pro (fewer ligatures and alternates). Perfect for web headlines and subheads, and minimalistic, modern print designs. [6 weights/12 font style, 400+ glyphs each]

Quill-formed roman/gothic with an olde-worlde flavor. Some background in the designer's own words: "A series of fonts came to mind which would be rooted in the medieval era -for me, a period of intense interest. Prior to Gutenberg's development of commercial printing with type on paper in the mid-1400s, books were still being written out by hand, on vellum. At that time, a Bible cost more than a common workman could hope to earn in his entire lifetime. Men like William Tyndale devoted their energies to translating the Scriptures for the benefit of ordinary people in their own language, and were burned to death at the stake for doing so. Those in authority correctly recognized a terminal threat to the fabric of feudal society, which revolved around the church. "This religious metamorphosis was reflected in letterforms: which, like buildings, reflect the mood of the period in which they take shape. The medieval era produced the Gothic cathedrals; their strong vertical emphasis was expressive of the vertical relationship then existing between man and God. The rich tracery to be seen in the interstices and vaulted ceilings typified the complex social dynamics of feudalism. Parallels could be clearly seen in Gothic type, with its vertical strokes and decorated capitals. Taken as a whole, Gothicism represented a mystical approach to life, filled with symbolism and imagery. To the common man, letters and words were like other sacred icons: too high for his own understanding, but belonging to God, and worthy of respect. "Roman type, soon adopted in preference to Gothic by contemporary printer-publishers (whose primary market was the scholarly class) represented a more democratic, urbane approach to life, where the words were merely the vehicle for the idea, and letters merely a necessary convenience for making words. The common man could read, consider and debate what was printed, without having the least reverence for the image. In fact, the less the medium interfered with the message, the better. The most successful typefaces were like the Roman legions of old; machine-like in their ordered functionality and anonymity. Meanwhile, Gutenberg's Gothic letterform, in which the greatest technological revolution of history had first been clothed, soon became relegated to a Germanic anachronism, limited to a declining sphere of influence. "An interesting Bible in my possession dating from 1610 perfectly illustrates this duality of function and form. The text is set in Gothic black-letter type, while the side-notes appear in Roman. Thus the complex pattern of the text retains the mystical, sacred quality of the hand-scripted manuscript (often rendered in Latin, which a cleric would read aloud to others), while the clear, open side-notes are designed to supplement a personal Bible study. "Tyndale is one of a series of fonts in process which explore the transition between Gothic and Roman forms. The hybrid letters have more of the idiosyncrasies of the pen (and thus, the human hand) about them, rather than the anonymity imbued by the engraving machine. They are an attempt to achieve the mystery and wonder of the Gothic era while retaining the legibility and clarity best revealed in the Roman form. "Reformers such as Tyndale were consumed with a passion to make the gospel available and understood to the masses of pilgrims who, in search of a religious experience, thronged into the soaring, gilded cathedrals. Centuries later, our need for communion with God remains the same, in spite of all our technology and sophistication. How can our finite minds, our human logic, comprehend the transcendent mystery of God's great sacrifice, his love beyond understanding? Tyndale suffered martyrdom that the Bible, through the medium of printing, might be brought to our hands, our hearts and our minds. It is a privilege for me to dedicate my typeface in his memory."

Pargrid is a grid-based typographic experiment from the young Swiss designer Michael Parson. In the Pargrid family, which contains three separate weights, Parson has created an intriguing system of small circles-similar to LED's or light bulbs-that live separately on a grid, creating unique letterforms. In small sizes, these circles blend together to create seemingly fluid lines, giving Pargrid's letters a wide, rectangular appearance. In larger sizes, the letterforms transform themselves into objects d'art-virtual and ordered communities populated by various points. Fantastic in both display settings as well as short strings of text, Pargrid may offer the exact look that your next project is looking for. Pargrid and nine other constructed type designs from Parson are included in Take Type 5 collection, from Linotype GmbH."

Linotype Funny Bones is part of the Take Type Library, chosen from the contestants of the International Digital Type Design Contests of 1994 and 1997. The font was designed by the German artist Ingo Preuss and is available in two weights, one and two. Linotype Funny Bones one consists of two different alphabets containing only capital letters and offers a variety of interesting combinations. Weight two and one set of capitals of weight one are somewhat light and delicate, while the other set of capitals of weight one are of a strongly constructed nature, which makes for a good contrast. The carefully constructed details of the font detract from its legibility, but Linotype Funny Bones is perfect for short texts and headlines in point sizes larger than 12.

Don't you HATE it when this happens? You're protesting the war in Iraq, and the other protesters keep pointing at you and giggling. You can't figure out what they could possibly be laughing at...You look up and then it hits you: you're holding a sign that looks like it was made by your 5-year old kid brother. It's sloppy, the words are crooked, hell, it's BARELY READABLE. How is anyone ever going to take you seriously with THAT SIGN???? There's only one solution...To further your cause, you need Burghal Design's Peace font. Peace contains upper and lower letters, numbers, punctuation, even foreign accented characters! Clean, concise, and oh, SO legible, you'll have no problem getting your message across with this typeface. Who knows, you might even make the evening news.

Linotype Scrap is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The font is available in two weights and was designed by German artist Ingo Preuss. It is as though the forms of the basic weight were cut with scissors out of pieces of paper. There are no inner contours, only the outer silhouettes. The capital letters which make up Scrap Bonus are set on black rectangular backgrounds and are white and framed with a white contour. This weight includes a number of different pictograms which were also not spared the scissors. The decorative Linotype Scrap embodies the comic style of the 1990s and is meant exclusively for headlines of points sizes 18 and larger.

Aphrosine is a font based on pointed pen script. A huge lot of alternatives and smart OpenType features allow it to look almost indistinguishable from real live handwriting. Aphrosine is something between handwriting and calligraphy: it took too much effort for being “just handwriting” but lacks seriousness and regularity comparing to true calligraphic fonts. That’s why it was called after a peculiar character from a children’s book: a witch who was very fond of dressing, makeup and writing letters. Aphrosine has three faces. But unlike most other type families, the glyphs from one face do not match exactly the glyphs from another one. The faces are based on writing with different nibs but by the same hand. The type is designed by Alexandra Korolkova and Alexander Lubovenko and released by ParaType in 2015.