An unconventional classicistic Roman typeface This Roman typeface has a livelier effect than is typical of the epoch of classicistic style. In the lower case letters, an echo of the smoother forms of historically early scripts is identifiable. Typical of a classicistic Roman typeface are the emphasized and clear contrast in the weight of the strokes, the fine serifs and the accentuation of the vertical bold stem. Charpentier Classicistique is pleasantly legible. Its effect is much less harsh than other classicistic fonts. The pointed forms of M and N are uncommon. At 30°, the italic version of Charpentier Classicistique is unusually strongly slanted. The italic lower case letters refer, in part, to English handwriting, which also falls under classicism. Especially the curves show forms influenced by writing. Charpentier Classicistique supports all European languages including Turkish, Greek and Russian. It includes lots of ligatures, also discretional ones, as well as tabular figures and cap-height figures.

Reviving a handwriting style from centuries past is similar to playing antique musical instruments; the pleasure of communing with live music arranged centuries ago by brilliant composers is heightened by the use of authentic or reconstructed artifacts. A new revived" script from the Baroque epoch is the Waza typeface, developed by Polish designer Franciszek Otto. Waza is inspired by a Wilhelm Hondius (Hondt) etching. Hondius was a Dutch court engraver for the Polish king, Ladislaus IV of the Vasa dynasty. The decorative character of the script engraved in the etching is a display of Hondius's calligraphic skill. The tangle of the flourishes in the capital letters, as well as the decorative lengthening of ascenders and descenders in the lowercase, contrast ideally with the rhythmic 30-degree slant of the design. Waza includes a set of alternative capital letters that have been deprived of ornaments; these allow the setting of proper Roman numerals, e.g., Ladislaus IV."

Grantig is a bold serif display typeface. Inspired by the opening titles of old western movies, the genre of western slab serifs has been translated into a modern context and adapted to today's needs. As a result, it breaks free from the chains of its genre and opens up to many themes. Grantig is the german word for grumpy. With its massive serifs and strictly rounded curves, it comes particularly close in character to the grumpy Western heroes of days gone by, always in the presence of his two leaning companions, Slant and Backslant. With Grantig, it is particularly easy to create eye-catching and type-accentuated headlines. Its expressive nature makes it particularly suitable for editorial, packaging and advertising. With its 482 characters, Grantig covers the language usage for many Latin-based languages. At the same time, it has the most important open type features, such as lining and oldstyle figures, alternate characters, and arrows.

“Anisha”. This font is the Great choice for brand identity, branding and just branding ... we have studied various branding of modern products and we found a very interesting style, which is a combination of "calligraphy signature and clean sans". This is like combining two different elements and together in a composition that is very luxurious and elegant. Anisha calligraphy, bold and thin sans, all of which consist of regular and slant versions, so the number of fonts in this package consists of 6 fonts, the more choices the more design combinations you can make. Anisha is a beautiful high fashion font that makes for gorgeous logos, posters, blog posts, social media, and more! I love using them together with layer masks in Photoshop, so it looks like the script is running through the lines of the sans serif. Anisha Script includes 2 alternates for uppercase and 4-5 alternates for lowercase, and additional ligatures to make everything look totally hand-done.

As comic book readers know all too well, team ups are every super hero’s bread and butter... when the brave and the bold are in a pickle, and super villains are running onion rings around them, here’s how they roll: They Meat! They Team-Up with your taste buds! They Fight Hunger! Our original Hero Sandwich font has become a go-to for video game and app graphics, due to its easy readability and friendly demeanor. The new Pro version adds nine weights from Thin to Heavy, with matching italics, plus a versatile Variable Font to dial in your preferred combination of weight and italic slant. Each weight includes four numbering options and support for 222 languages, including Cyrillics. So take a footlong bite out of crime, and make the subways safe again with our mouthwatering Hero Sandwich! Prepared with care and plastic gloves by those awfully nice chaps at the Comicraft deli.

Typefaces don't simply appear fully formed to a designer, even with a clear concept in mind, they evolve naturally during the design & development process. Out of the current 'Artytype' collection, Omni has evolved the most, being a stripped back off-spring from several exploratory exercises. At first glance and particularly at small scale, you'd be forgiven for thinking the basic characteristics have a conventional outlook; but on closer inspection, it's own distinctive, clean cut, subtle styling becomes apparent, revealing enough personality to stand alone or complement a wide variety of projects; subsequently, it's a font that won't go out of style quickly and may even become a modern classic in time. The Omni family has 2 distinct styles, sans and serif, each style being available in 4 weights; all 8 fonts have slanted options to match making a total of 16 fonts. Dictionary definition of OMNI: Combining form - Of all things, in all ways or places. Quite an apt name for a font with ubiquitous aspirations.

Looking like gifted jelly and falling in between cushions and cat food, this plump and inviting letter mixes simplicity with organic style for a wide range of uses. Jellybrush's compact cursive forms and robust friendliness draw on artbrush scripts, blending brush effects with synthetic forms. A versatile workhorse suitable for: * Dairy & beverage * Sweets & soft drink * Five minute food & sauces * Pet food & accessories * Bathroom & kitchen * Cushions, pillows, rubber & swimming pool, etc. Jellybrush is designed to take squishing and outline treatments and still look good. Squish it down in your application of choice, the letter proportions withstand horizontal compression easily. Jellybrush italic is a subtly-slanted fully cursive variant with the character width, counter size and hanging figures required for good text performance. Designed for supplementary text for packaging and advertising comps and any application requiring readable text matching the main font. The font packages contain two (2) formats of Jellybrush, in OpenType & TrueType flavors.

Chop chop! VLNL Cleaver is an important tool in the Vette Letters’ kitchen. It’s a butcher knife of a font. Razor sharp, ultra heavy and with pointy slanted serifs. At first glance it seems straight-lined, but a closer look revails that all straight lines are curved inward slightly, which enhances the sharp image even more. Cleaver was originally designed by DBXL for cutting meat - hell, it even hacks right through bone. It can easily splice a chicken in one slash or seperate ribs, just like that. You can also very well use it to chop up hard vegetables like pumpkin or squash on the chopping block. It gets better, the opposite blunt side can be deployed to crush ingredients like garlic, nuts or spices like black pepper. You could use a grinder, but with Cleaver it’s more fun, isn’t it? VLNL Cleaver is suitable to give a sharp edge to flyers, posters, logos (Heavy metal bands and other) or magazine headlines.

My eldest son Sam always wanted to visit Japan and he has been saving up for a ticket for years now. We should have traveled there this year, but due to the pandemic, that was impossible. We’re now trying to go next year. Sam and I did make some kind of itinerary and I told him how we were going to get around, as I have been to Japan many times. I told him about the Shinkansen trains, the cute Tram in Nagasaki and the immense subway system in Tokyo. One of the lines in Tokyo is the so-called Yamanote Circle Line, which I have used on numerous occasions. A new font name was born and it stuck to this particular font! Subway Circle is a 100% handmade font. It is rounded, slightly slanted and comes with a sunny disposition. I am sure that, when you use it, you will find your 生きがい… ;-)

Clarabela is a handwritten font with varied base lines, designed to convey elegance and style. It's smooth, clean and feminine. Clarabela also has a slanted style that looks beautiful and more elegant. Works perfectly for logos, magazines, menus, books, greeting cards, packaging, labels, t-shirts etc. All your designs will have an amazing homemade touch with Clarabela. Clarabela is coded with PUA Unicode, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows to attach your favorite text editor/application. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. And there are additional ways to access alternatives/swash, using Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs like PopChar (for Windows and Mac). If you need help or advice, please contact me via email.

HS Albadr is an Arabic display typeface. It is useful for book titles and graphic projects where a contemporary, geometrical and streamlined look is desired. The font is based on the simple lines of modern and simplified Kufi calligraphy that support Arabic, Persian and Urdu. It has one weight only which is similar to the bold weight. This typeface is created for being used in technical and engineering companies under strict geometric conditions . The company desires to follow the geometrical shape with uniform and equal dimensions in both vertical and horizontal storks; where some parts of the letters are to be cut at a slanting angle of 45 degree to give the impression of a coherent geometrical nature for this font. The typeface HS Albadr is considered as a chain of geometric fonts series designed for engineering companies. After HS Almohandis and HS Alhandasi were designed we are looking forward to giving some additions to the geometric typefaces field.

“Due Giorni”, two days in italian language, express a measurement of time, it can be little or a lot, depending on who or what it is used for. “Due Giorni” is a script font very expressive, fresh, agile and dynamic, hand-drawn with connected forms on slanted angle of 23º This font contain 542 glyphs with plenty OpenType features: Standard and discretionary ligatures, stylistic alternates, swashes, Old style figures, small caps, case sensitives and ornaments. It come also, with three kind of capitals: Roman Capitals, Small Caps (different proportions) and Swashes. Roman Capitals are inspired on the beautiful inscription found in the Augustorium’s house in Ercolano, Naples.those letters have been carefully drawn and sculpted. Swashed Cursive Capitals are similar to 18th century penmanship. “Due Giorni” is a versatile font that may give you the chance to create original logos and headlines, specially by many stylistic sets, ligatures and alternates that can be combined with them.

M Banquet is a humanistic script written by a Chinese restaurant owner, which the name ‘Banquet’ comes from. It is a calligraphic style that always being seen in traditional Chinese banquet menu. Incorporated a feeling of masculinity, fill with strength and energy and attracts eyeballs of customers. It was written with a thin ball pen in a unique, personal and expressive writing style, such that it is realistic, natural and masculine. Contrast of strokes is low and the text is visible and eye-catching. Its light to medium stems (豎) make it suitable for small text to subheading with little conglutination. All strokes are irregular, inconsistent, irregularly oriented and tightly coupled. Spatial distribution, positioning, size and relative proportion of radicals fully reflect a natural and personal style. It is one of the few proportional-width font in a full scale. It is best suited for casual lively atmosphere, illustrations, set upright (non-slanted), non-condensed.

Front Desk is designed to be easily readable, its increased legibility coming from the slightly enlarged lower case letters (a greater x-height) which make it easy on the eye. Also it is slightly slanted (but a lot less than a normal italic angle) to give it a more informal and modern look than a perfectly upright font would be, which is also intended to contribute extra dynamism while reading. Five available weights give adequate variation, and there are some Condensed and Expanded varieties in the complete set. A primary feature of this font is that the serif bases and tops are not indented or concave, which gives clear straight edges to the serifs, and the removal of this complexity adds to the clean lines and crispness of the font. The package contains both OTF and TTF versions - install either OTF or TTF, not both versions of a font on the same machine.

The award-winning Scala family (1990-1993) is a worldwide bestseller and has established itself as a ‘classic’ among digital fonts. It was one of the first serious digital text fonts to support small caps, ligatures and different set of numbers. In fact Scala and Scala Sans (1990-1993) are two workhorse-like typefaces sharing a common form principle: the skeletons of both Scala and Scala Sans are identical, therefore they can be combined perfectly. Where many of the modern sans serifs (like Helvetica and Univers) have rather ‘closed’ letter shapes, the same elements in Scala Sans are much more ‘open’. This greatly improves legibility, especially in the smaller point sizes. The italic of Scala Sans is not a slanted version of the roman, but rather a ‘real’ italic. Another part of Scala is very popular among its users: Scala Hands, containing more than one hundred decorative hands and pointers, is included in the Scala fonts and is a free bonus.

Big Bang! Cute Sans with Additional Swashes Introducing the elegant "Big Bang!" Cute Sans with Additional Swashes If you are needing a touch of funnies chic cute sans for your designs, this font was created for you! Big Bang was built with OpenType features cute characters for uppercase and lowercase letters, loads of different swash character for numerical, uppercase and lowercase letters in file with the name Big Bang Swashes, in other side for Bing Bang regular and slant version include numbers, punctuation, ligatures and it also supports other languages :) Accessing the swashes / opentype features / glyphs: This font works best in a program that supports OpenType features such as Adobe Indesign, Adobe Illustrator CS, or Adobe Photoshop CC. You can access the swashes and alternates from the 'Glyphs Panel' in these programs. More Questions? Here are some (potential) answers! You are not permitted to resell this font in any way. Multilingual Support is included for Western European Languages Cheers!

Big River is an elegant sans serif and handwritten font duo with lots of extras. It includes: - A wide sans serif font in three weights (with caps and small caps); - A handwritten font with a regular and slant version, and bonus swashes to give your designs a more natural look. Each font includes: - A-Z, a-z, 0-9, accents, punctuation and symbols - Contextual alternates (script) - Ligatures (script) This font duo makes it so easy to achieve beautiful and eye-catching designs, and is perfect for both short and longer texts. It can be used for making postcards and notes, creating logotypes, social media posts, branding and packaging, etc. Please note: No special software is needed in order to access the extras, as they are in a different font file. You can simply access them directly in your font bar (a-z for terminals in regular, A-Z for terminals in italic, and 0-1 for squiggles).

M Banquet is a humanistic script written by a Chinese restaurant owner, which the name ‘Banquet’ comes from. It is a calligraphic style that always being seen in traditional Chinese banquet menu. Incorporated a feeling of masculinity, fill with strength and energy and attracts eyeballs of customers. It was written with a thin ball pen in a unique, personal and expressive writing style, such that it is realistic, natural and masculine. Contrast of strokes is low and the text is visible and eye-catching. Its light to medium stems (豎) make it suitable for small text to subheading with little conglutination. All strokes are irregular, inconsistent, irregularly oriented and tightly coupled. Spatial distribution, positioning, size and relative proportion of radicals fully reflect a natural and personal style. It is one of the few proportional-width font in a full scale. It is best suited for casual lively atmosphere, illustrations, set upright (non-slanted), non-condensed.

Quars is a text and display typeface family designed to work on magazines. However, it is also suitable for books and other editorial material. It has a strong personality with elegant, sharp and contemporary features. This typeface comes from several subtle influences, from the contrast of the Scotch Romans to the sharpness of contemporary Dutch designers. Quars is a crystal clear and neat typeface full of small details, its structure is bursting with curves and accurate features which gives it its firm personality. Its italic experiments with the boundaries of italics themselves; with just 1 degree of slant Quars Italic accomplishes its purpose of highlighting pieces of text within its Roman. This carefully thought out inclination protects the uppercase from the usual distortion which Italic caps suffer. It offers a generous glyph set with many ligatures specially crafted for titling and ornaments based on anonymous metal types found in the drawers of an old printing workshop in a coast town near Barcelona.

Hold the line, True Believer! Stand together. Stick up for the vulnerable. Challenge bullies. Don't let the forces of evil reign supreme. Expelliarmus! A worthy companion to our Balloon Lettering family FACE FRONT, TRUE BELIEVER is a scripty serif handwriting font for wizards everywhere. Features Four fonts (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters.

Halloween Rules is a cool-lettered and spooky decorative font. It is perfectly suitable for any Halloween-related project or crafty idea! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated. Halloween Rules is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Let me introduce you, Happy Panda, is a font that combines tall uppercase letters and mini lowercase letters, both of which have their own uniqueness when used, especially when combined, they produce a unique font combination. This font is very suitable for designing quotes, magazine covers, and others. If you have any questions, don't hesitate to contact us

If you're searching for the perfect beat, let us guide your soul deep into the abyss. Reach higher ground with the ambient textures and boomboy shredder baseline of this funky dope font created by our digital chemist and cerebral craftsman, John "JG" Roshell. Rave un2 the joy fontastic. Rain or shine, you are covered, see you on the dancefloor.

Trackpad is the work of British designer Timothy Donaldson, an easy, free-spirited typeface. Don't let the undisciplined style fool you. Despite its casual appearance, it has been carefully worked to ensure legibility even in small sizes and retain its handwritten appearance. The jagged features of Trackpad give text a pleasing texture and produce an informal yet striking appearance.

Gistany Font is an exquisite handwritten signature script font that exudes elegance and sophistication. Whether it's a logo, invitation, or branding materials, Gistany Font brings a sense of refinement and style, making every word appear like a work of art. Elevate your designs with the captivating charm of Gistany Font and let your words speak with elegance.

FRUTTA (Fruit) is a new typeface made with the ever expanding food industry in mind. But don’t let that deter you from using our font on the cover of the forthcoming cd of the Black Keys or Beady Eye or Damon Albarn or Paul Weller or Daft Punk or Whatever... Concept/Art Direction/Design: André Toet © 2017

Sanstara is rounded, modern all caps sans serif font. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated. -Letters, numbers, punctuation, multilingual support. -Italic and regular versions Any Questions? just ask!

Fantera is a script typeface vintage style. Every letter has been carefully crafted to make your text look beautiful. This font is perfect for logos, badges, shirts, labels, clothing designs, etc. With Fantera, enjoy the wealth of OpenType features and let elegant fun and pleasure make you happy and increase your creativity! You can use this font very easily.

Betterlove is a beautiful script font with many swashes at the beginning and end strokes, which let you make beautiful swash characters. This font includes full set of swash heart lowercase letters, numerals, and punctuation. Also it includes OpenType ligatures and stylistic set. This is so perfect for invitations, monograms, weddings, fashion, branding, labels, or logotype.

Boo! Welcome Halloween with Mr. Halloween font! Mr. Halloween font is specially designed for Halloween or another spooky yet horror occasion. This font has rough texture, so it will bring the creepy atmosphere in every glyph. It's really horror when your project didn't meet the perfect font. So let Mr. Halloween be friends with your design and craft projects.

Transmogrified started out as a special project for a client. It's a lovely sans serif font, casual, with sweet swirls over here and there. It is based on Transmogrifier , from which uppercase glyphs were selected. Next, new lowercase glyphs were drawn and a bold cut was also developed for added flexibility. Let your messages be transmogrified!

Tangers font is a trendy, bold and stylish serif font. It is PUA encoded which means you can access all glyphs and swashes with ease! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated. Tangers includes: All uppercase & lowercase letters All numbers 0-9 & Punctuation Ligatures & Alternates Symbols Multiligual Letters

Angekia a groovy fonts, including Regular. This font is casual and beautiful . It can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and many more. If you need help or have questions, please let me know. I am happy to help :) Thank you & Congratulations on Designing

Wedney a groovy fonts, including Regular. This font is casual and beautiful . It can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and many more. If you need help or have questions, please let me know. I am happy to help :) Thank you & Congratulations on Designing

"Switzal Font" speaks a universal language of happiness and optimism. It transcends age, culture, and borders, making it perfect for projects that aim to connect with a wide audience. Let your imagination run wild as you create eye-catching headlines, captivating slogans, or playful branding. "Switzal" font is your ticket to infuse a dose of happiness into your designs.

Look well, Fontlovers, we wouldst have words with thee! By Odin's beard, let the naysayers beware, for 'tis true, Thor doth speak --and shouldst speak -- Mighty Words! Yay there shall be a "Thee" and a "Thou" and a "Thy" and a "Smite!" Verily, 'tis understood that Elizabethan English dost suit the Gods of Asgard, mortals can never get enow.

Experience the enchantment of Halloween with Night Mares a mesmerizing duo font that weaves elegance and minimalism into the spooky season. This font brings a touch of eerie sophistication to your designs, whether its haunted invitations or modern posters. Unleash the magic of Night Mares and let it create a bewitching atmosphere for your Halloween creations.

Clinica Pro is a modern take on Swiss grotesques, with a little bit of an added personality. It features 8 weights, italics, 6 sets of figures, small caps and a bunch of ligatures. Still relatively neutral, it lets a brand stand out of the grotesque-crowded environment with support for multiple languages as well as Cyrillic script.