This elegant semicursive face is based on the works of J. M. Bergling from his 1914 classic Art Alphabets and Lettering. Suitable for announcements, awards and invitations, or for distinctive and unusual drop caps. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Here’s a techno typeface with a difference. Its monoline stroke and sharp terminals are softened by rounded corners, and its perceptual monospaced widths have been subtly altered and strategically kerned to improve the visual flow. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Another in the Whiz-Bang Woodtype series, based on authentic xylographic designs from the late nineteenth century. Named after (surprise!) a small town in Texas. The net effect is a typeface which can add style and warmth to any project. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

This elegant unicase uncial face is based on a work by German type designer Ernst Engel from 1927.This typeface masterfully combines Art Deco sensibilities with medieval letterforms, and is suitable for both text and headline use. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Atipla ND is a contemporary sans serif typeface. It works best at large sizes, with softened ink traps pair legibility with aesthetic, while its strict horizontal and vertical terminals give it a rigid yet friendly appearance. The typeface contains a stylistic set, case sensitive forms, symbols and arrows, and the font covers all Latin Extended-A languages.

Vabi Dasabi is a unique japanese hand drawn brush font. It comes with uppercase and lowercase characters, set of punctuation marks, numbers, alternative set of latin characters and numbers, Cyrillic characters, ligatures and multilingual support. Perfect for logos, quotes, posters, branding projects, product packaging, t-shirt, book cover, greeting cards and applicable for any graphic design.

A clean, elegant and modern serif that has a strong personality thanks to its soft endings, rounded terminals, inspired from Cheltenham, Belwe and Souvenir. Prody is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Includes: + 4 weights + Script: latin

Blossom Riviera is the perfect brush script font for giving your projects a natural, handmade feel. With its cool, awesome texture, it's perfect for creating beautiful, unique logos and headlines. So what’s included : Standard Latin Numbers, symbols, punctuations and ligatures Multilingual Support. PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You!

Modeco is a merge of modern and art deco styles. Its shown elegance, classy, ??and glamour look as 1920's visual trends, blended with geometrical sans serif in a functionality approach and complete font family styles. Its consist of 9 styles from Thin to Black with each matching oblique. It's contain 400+ glyphs that covered broad latin language.

A 1930s luggage tag from an eponymous hotel provided the inspiration for this face. The uppercase letters lean to the left and the lowercase letters lean to the right, so aLtErNaTiNg the two will give your headlines a little bounce. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Here's an offering from the Blackfriars Type Foundry of London that's perfect for commanding headlines. The letterforms have been carefully kerned for a tight fit to increase the visual color of this nostalgic behemoth. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

The pattern for this classic typeface was originally called "Viking Oldstyle", from the 1909 H.C. Hansen Type Foundry catalog. To enhance its weathered look, the inside corners have been rounded to simulate ink buildup on metal typeforms. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

This typeface appeared in the William H. Page Woodtype specimen book as Gothic Tuscan Condensed Reversed—quite a mouthful. Banner elements appear in the brace and bracket positions, and reversed spaces can be found in the underscore and bar positions. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

This engaging headline face is based on a rather pudgy typeface named “Bullion Shadow”, which was originally released somewhere on the cusp between the hippie and disco eras, and was equally at home in both. Now available in shaded and plain. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Universally Corrupt is a distressed, noisy and corroded font that is perfect for hiding any words of truth by burying it in chaos. A “must have” typeface for any politician or corporate C.E.O! It was expanded to include extended Latin, extended Cyrillic and Greek alphabets so it will work with most languages in Europe and the Americas.

2Mass J1808 is an experimental modern sans serif typeface. Open geometric shapes combined with futuristic style and wide letters make the text he typed quite attractive. Perfect for creating modern branding, logos, website design and many other ideas. Supports extended Latin, Cyrillic and OpenType functions. The font was developed in 2018-2020. Type designer Igor Kosinsky.

Garagum is a display font harmonizing traditional and modern vibes. It has beautifully crafted nine swashes. It’s fun, interesting and perfectly fits different kinds of design works, such as posters, book or album covers, digital spaces, or any other mediums that you want. It supports various Latin-based languages and comes with powerful open type and true type features.

The 1884 specimen book of San Francisco Palmer and Rey Type Foundry featured this elegant design under the name Oxford. The decorative caps, combined with the centered small caps, have a timeless appeal. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Contage is the Display Sans Serif family, designed to look modern & minimal in any setting. Designed for optimal readability, its clean geometric look is perfect for things like fashion, magazine, logo, branding, headers, titles, corporate brochure designs. Typeface also supports Latin-based languages. Other details include 12 font weights, 368 characters, manually edited kerning and the Opentype alternates feature.

Samosata NF is based on Lucian Bernhard’s eponymous Gothic, but it employs all of the alternate characters seldom seen today. The result is an elegant, classical typeface with subtle Art Deco shadings. Available in two weights, all versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Fire the retro rockets! Here's a decidedly different take on techno type, patterned after Robert Williamson's Program 32 from the 1970s. Despite its machine-readable pretensions, it renders remarkably warm headlines. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, along with localization for Lithuanian, Moldovan, Romanian and Turkish.

Emporia OT Roman and Italic, a classic, elegant font with upper and lower case, swash alternatives lining and old style figures, ligatures and small caps. Includes more than 500 glyphs supporting more than 80 latin-based languages. Suitable for both display and text settings it will enhance and preserve Roman history with sheer elegance, grace and style.

Coda Pro is a simple but decorative and controlled sans serif design. Coda literally means ‘tail’ (Italian, from latin cauda) and refers to the way the letters h, m and n stretch below the writing line towards the end of a sentence or before a final stop. Coda Pro is an elegant and contemporary font suited for display purposes.

Here's another gem from Samuel Welo's perennial classic, The Studio Handbook, originally called Goddard Classic. Welo's inimitable penwork manages to be both worldly and whimsical, and remains as fresh today as when it was first introduced in the 1920s. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.

Bovino is a display serif font family. It was formed in a strong and sharp characters. The moderate x height and high contrast strokes make it attractive for titles and large size usage. Bovino contain more than 400 glyphs which covered broad latin languages, its consist of 9 styles from thin to black with each matching italics.

This timeless classic is patterned after the typeface Camelot, designed by Morris Fuller Benton for American Type Founders in 1926. Its elegant lines and pleasing color make it suitable for both headline and text use. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Porlane™ is a condensed sans-serif typeface created to be used for bold titles with distinctive shapes into a display fonts way to make it legible for contemporary use. Come with single weight, legible and expressive shapes. Its glyph catalog provides an easy to compose system for Latin languages with high x-height and tight line spacing.

Drakkar is a Latin typeface based on runes, the medieval script of the Vikings and Northern Europe. It imitates letters carved in wood with flared strokes. Just as the actual runes, it is a single-case font; instead of lower case letters, Drakkar has a set of slightly changed caps to enable the user to express handmade lettering.

Mawoot is a geometric display font. This design has a strong technological feel and modern playful shapes, it will suit any project you can think of. Mawoot comes with many OpenType features, and with broad multilingual support covering many Latin-based languages. Mawoot is a nice fit for many design projects, for example logo, branding, posters, etc.

A single line of type, identified as "Ornamented No. 5" and spelling out "ROPE ONIONS", from the 1888 MacKellar, Smiths & Jordan specimen book provided the pattern for this whimsical face. Offbeat yet elegant, graceful yet bold, it’s a natural choice for distinctive headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Cut Cut Cut is a decorative font family. Designed for use in outdoor advertisements, branding, packaging. Cut Cut Cut is also perfect for children's books and cartoon, greeting cards and posters. It is also suitable for use in online activities. Cut Cut Cut contains latin, cyrillic and greek gliphs. There is also a free symbols style.

Subtly distressed Pacifico and Pacifico Alternate use the OpenType ligature feature to substitute unique glyphs when any upper or lower case character is keyed twice in a row. Pacifico Shadow font can be used with Pacifico to color the drop shadow separately. Pacifico Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

In his book Victorian Display Alphabets, Dan X. Solo called this specimen "Marquette". This unicase version features a complete character set, and is named after a favorite watering hole in Texas on the Guadeloupe River. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

This elegant face with a few semi-script flourishes is based on Morris Fuller Benton’s Announcement Roman, designed for American Type Founders in 1917. It’s perfect for invitations, programs and all kinds of formal ballyhoo. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

This casual, carefree face is based on a showcard alphabet presented by Cecil Wade in his Manual of Lettering. Its extrabold weight, sketchy styling and playful letterforms make it perfect for attention-getting headlines. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

This curious little gem is patterned after a typeface named "Bloomsbury", released by P. M. Shanks & Sons, Ltd. of London in the 1920s. Its gentle curves and somewhat quirky construction combine to create a warm and friendly, if slightly offbeat, antique charm. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

This charming, disarming, roly-poly typeface is based on handlettering discovered on a Sabena Airlines travel brochure of the 1930s. Include it in your next project, and a good time will be had by all. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

This elegant titling face is based on an American Type Founders release from the 1920s named Sterling. Hairline serifs and graceful curves give this typeface a certain grace and charm that will brighten up any project. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

This typeface is an amalgam of two cut-paper typefaces, as presented by Margaret Shepherd in her book, Calligraphic Alphabets Made Easy. Also included are a glue bottle at the bar position, and round-edge scissors at the dagger and double-dagger positions. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Baby Fat, designed by Milton Glaser in 1964, saw a lot of action during the psychedelic poster phase. This little dumpling is based on that workhorse, and takes its name from a phrase that also got around a lot in the 60s. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).