Bintrhots is a Casual Script font. With regular mono-line stroke and fun character with some of natural ligatures and lowercase alternates. To give you an extra creative work. Bintrhots font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Bintrhots font. Cheers, MaulanaCreative

Cary Grant was one of Hollywood’s most versatile actors, playing romantic leads, dramatic parts and showing off his impeccable timing in screwball comedies. A perfect example of this is Frank Capra’s “Arsenic and Old Lace” from 1942. The movie trailer for the film had the title hand lettered in a playful and casual slab serif style, with varying character shapes and weights. This is now available as Screwball Comedy JNL in both regular and oblique versions.

Bright Diamond - Handwritten Font Bright Diamond is a script and regular handwritten font with a simple and classy style, this font is great for your next creative projects such as watermark on photography, logo design, wedding, invitation, quotes, book cover, business card, and many other design project. From business cards to photo watermarks. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and glad to help you!

Introducing, Organic Antique, Handmade Blackletter Fonts Organic Antique is blackletter fonts with organic and handmade feels. Containing two styles, regular and true italic, will make your presentations more standout when you use both of the styles. With classic and vintage vibes, you can use this fonts for logotype, quotes, branding, or even movie poster. The hand lettered and rough of this fonts will also make your designs have more stunning and earthy. This fonts also support multi language!

Mores - Minimal Sans Introducing a minimalist style font. Fonts that are suitable for branding, packaging, logos and others. This font comes in regular and medium formats. Including italics in it. If you like this font, don't forget to collect it and share it with your loved ones. If there are things you want to ask or problems you face with this font. Don't hesitate to ask us. Because we are very happy to help you. Thanks Graphicfresh

Aloha Brush This font is a supercharged, street-wise brush font bursting with energy. With extra feel as a real brush would! Letters are made with brushes on paper. Then scanned and carefully drawn into vector format. Thas 2 styles of regular and italic variations with a more natural look to your text. Aloha Brush is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, bulletins, typography, and many other media.

SK Pupok is a soft decorative typeface with rounded shapes. Its friendly appearance is suitable for many design tasks. The typeface has two styles: regular and outline. This configuration allows you to experiment with typeface compositions and styles. The SK Pupok typeface is multilingual and supports many languages, including the basic and extended Latin, Cyrillic, and many others. It is great for creating any design works and will look great in poster design and even in web design.

The lettering style of Location JNL is based on sets of "vintage" metal house identification letters and numbers seen for sale online. As these sets are available from overseas sources, it's not clear whether those metal characters are cast from original vintage dies that have been used for years or just designed to look like a vintage style of lettering. Nonetheless, they make for a great digital interpretation and the design is available in both regular and oblique versions.

Sánchez, designed by Daniel Hernández, is a serif typeface belonging to the classification slab serif, or Egyptian, that bears a strong resemblance to the iconic Rockwell. Offering contrast and balance to the square structure, Sánchez Slab is a new version, more robust with straight edges, that give greater character and power. Sanchez Slab comprises 12 variants, ranging from extra light to black, each of the same x-height. Regular and Italic variants are available for free.

Stillmore is inspired by a modern lifestyle that expresses character with ease. Then a font with two contrasting styles was created, Stillmore basic and cursive, symbolizing that each person has different character desires. Has 3 weights Regular, Bold, Black with unique details in each glyph that make them stand out. This font is perfect for making a stunning impact on designs of many contemporary types. Has more than 430 glyphs in individual styles. Supports many languages ​​including cryllic.

Erlota is a Quirky modern fun sans serif font. With regular consist stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Erlota font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Erlota font. Cheers, Maulana Creative

Periodical JNL is based on one the many stylized titles from the cover of the 1920s Spanish magazine "Nuevo Mundo" (New World). Each cover displayed a beautiful piece of period artwork along with the magazine's name in different lettering styles of the time (Art Nouveau and early Art Deco). The original design features an "engraved" look and now has an oblique counterpart. Also available are solid versions (without the inside lines) in both regular and oblique styles.

Fresh script font, Laftale. Laftale help you to make brush font easily. Laftale is casual script typeface with clean characters. This font comes in three style, regular, Italic, and bold. This font is perfect to design especially poster, logo, apparel, book cover, greeting card, birthday card, quotes, advertising poster, and anymore. Explore Opentype features to get unique combination. Feature : · Uppercase · Lowercase · Number · Punctuation · Multilingual (Accented Letters) · Ligature · Swash · Contextual Alternate · Style set (01-03) · PUA Encoded Characters

I love riding English double decker buses! I haven’t been on one lately, but for some reason I had an image of a red double decker bus in my head when I made this font. Doubledecker is a bold, cartoon-like, handmade font. It comes in regular and dots, plus a bonus doodle font called Doubledecker Stuff. Use it for any design that needs a tad of loud, a pinch of unusual and a wee bit of polka.

Introducing Malinsha, a vintage brush font created from manual hand-lettering. Inspired by retro signage and modern calligraphy, Malinsha has a bold letterform that perfect for displays. Available in Regular and Distressed that you can mix and match to be fit your theme. Malinsha equipped with hundreds of alternates characters that ease you to create an amazing typographic design! Malinsha is perfect for logo, logotype, apparel, merchandise, poster, website, label, signage & storefront, badge, packaging, greeting cards, and much more!

Smothy Bubble is a cute and fun display font with bubble style. You will get three types of fonts in this pack, Regular, Bubble and Shadow version. Use this display font to add that special bubble touch to any design idea you can think of! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!

Nisyhad is an unique signature script font. With regular contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Nisyhad font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Nisyhad font. Cheers, MaulanaCreative

Destinys Script and Sans Font Duo is a modern script and display sans font. With regular marker stroke and bold sans stroke, fun character with some of ligatures. To give you an extra creative work. Destinys Script and Sans font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text. Make a stunning work with Destinys Script and Sans font. Cheers, MaulanaCreative

"Crisp Cracks" is a casual Handwritten font. With regular stroke, fun character with a bit of ligatures, lowercase alternates and swashes. To give you an extra creative work. "Crisp Cracks" font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with "Crisp Cracks" font. Cheers, MaulanaCreative

Oblonga shows thin, elegant lines. The continuity of the trace is only suggested through the curves of the letters, a soft effect of bonding that maintains the identity of each character. Oblonga is an Art-Déco font proposed in a modern key, a revival performed without aggression. More than three hundred glyphs (regular and Italic) that ensure legibility in Central-European and Slavic languages, enriched by some appropriate discretionary ligatures that enhance the charme of a time gone away.

Oldion is a captivating display font, draws inspiration from the boundless realms of science fiction and modern technology. With its distinctive and futuristic accents adorning each letter, Oldion breathes life and dynamism into your projects. Available in both regular and rounded styles, infuses a touch of innovation and intrigue into your designs. Oldion is your ideal choice for a wide range of creative applications, from commanding movie posters and attention-grabbing headlines to captivating packaging and distinctive logotypes.

Hitshot is an expressive signature brush script font. With regular brush stroke, slanted and fun character with some of ligatures and lowercase alternates. To give you an extra creative work. Hitshot font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Hitshot font. Cheers, MaulanaCreative

Rasteira is an elegant classical display serif font. Regular contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Rasteira font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Rasteira font. Cheers, Maulana Creative

Drawlers is a organic sans with stencil versionthat effortlessly infuses your designs with a touch casual and a dash of classic. Its unique type- maekt it perfect choice for any projects especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Regular & Stencil Version Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Inspired by the urban typography, which later led to a grotesque style. It can be used for bold editorial statements graphic heavy prints or just as a simple logo. This new type will definitely make your designs stand out and unique. Its robust, strong and contemporary form makes it perfect for any project that needs the extra strength. Humanism is available from A to Z in the regular and italic style, developed in an urban style.

Maryam is an Outras Fontes type family designed by Ricardo Esteves Gomes. With moderate contrast, these fonts have elegant and very legible forms even in small x-height sizes. There are more then 70 ligatures in each font, providing a lot of letterform variations that make this type family looks like a real handwriting on a page. It is currently available in two versions (Regular and Alternate) that you can combine with each other as you wish.

Apothecary is a modern stylish font duo that includes a sweet flowing script font and a typewriter font made from an authentic typewriting. Combine both fonts to create beautiful logos and branding. Design professional apothecary and botanical labels and packaging or make elegant wedding invitations. Includes: Apothecary regular: a script flowy monoline font Apothecary typewriter: an antique typewriter font perfect for small texts, taglines or info Lowercase and uppercase characters Numerals, alternates and ligatures. Language support

Lalalo is a casual, modern sans-serif font family based on hand-lettering. It's oval letter shapes provide soft and friendly appearance. Lalalo font is very legible with a warm touch perfectly suited for children books. Lalalo family consists of 6 weights ( Extra Light, Light, Regular, Semibold, Bold, ExtraBold). You can use it with normal fill or outlined. You can mix various colors and stroke widths to gain interesting results. There is also a set of nice frames available.

Turnkey is a modern grotesque typeface, it could be described as a neo-grotesque with hints of geometric shapes. A workhorse typeface designed to be versatile for both small and large sizes, ink traps have been used as a design feature above 26pt and a technical feature when printing small body text. The combination of 36 weights and styles allows you the freedom to create. Each weight includes extended support for over 90 languages (Including Cyrillic), fractions, tabular figures, arrows, ligatures, alternate glyphs, and more. Demo licenses are available from colttypeco.com In addition to a standard style set, the Turnkey family also has an italic set plus soft versions of both. Turnkey Soft is a slightly rounded version of the standard and italic, which looks more friendly, warm, and soft. It's corporate but with a personality. Current instances are: Turnkey Standard - Thin, Thin Italic, Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Heavy, Heavy Italic. Turnkey Soft - Thin, Thin Italic, Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Heavy, Heavy Italic When used as body type, Turnkey pairs well with: Take Note, Stroom and Markout. Turnkey is perfect for; headings, titles, body copy, logos, magazines, editorial design, corporate branding, brand identity, websites, blogs, apps, games, ebooks, publications, and signage. Turnkey can be found in the Typodarium 2024 OpenType features: Access All Alternates, Glyph Composition / Decomposition, Discretionary Ligatures, Denominators, Fractions, Kerning, Standard Ligatures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Numerators, Proportional Figures, Scientific Inferiors, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Subscript, Superscript, Tabular Figures. Support for 95 languages: Belarusian, Russian, Ukrainian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu

Greenhorn is a hand-traced comic type for headlines. Funky, irregular and smiling. The first inspiration comes from the unique lettering of a classic czech cartoonist.

This typeface was developed by Roland John Goulsbra in 1995. Almost like the printing of a child, the irregular forms of Agrafie make a unique impression.

Roundel is a paradoxical, modern heraldic typeface. It is a display face of simple, angular and curved shapes, with each main glyph contained within a circle.

Gallicide is a Handmade Modern Vintage Textured Display Typefaces. This fonts is combining the style of modern handwritten style and classic vintage looks. It comes with 3 Styles (Rough, Reglar and Outline). This font will look good on any retro design like poster, t-shirt, label, logo etc.

TT Corals useful links: Graphic presentation | Customization options TT Corals is a modern humanist sans-serif which has many typical traits of the beginning of the 20th century. For increased functionality, we created 6 styles of various weights: thin, light, regular, bold, extrabold and black. Its distinctive smooth lines and separate elements allow TT Corals to be used for a variety of design applications. It fits classical literature or music perfectly, and is appropriate for any creative or innovative content. TT Corals inspires new ideas for your creativity and art with its freshness and novelty. FOLLOW US: Instagram | Facebook | Website TT Corals language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

The Ahoura font family, designed by Naghi Naghashian, was developed considering specific research and analysis on Arabic characters and definition of their structure. The Ahoura innovation is a contribution to modernisation of Arabic typography; gives the Arabic font letters real typographic arrangement and provides for more typographic flexibility. This step was necessary after more than two hundred years of relative stagnation in Arabic font design. Ahoura supports Arabic, Persian, and Urdu and includes proportional and tabular numerals for the supported languages. The Ahoura Font family is available in three weights; Light, Regular and Bold. Each has two different styles-- normal and italic. Ahoura is the first real italic Arabic typeface known until now and its intuitive design arrangement fulfils the following needs: - It is precisely crafted for use in electronic media and it fulfils the demands of electronic communication. Ahoura is not based on any pre-digital typefaces and it is not a revival. Rather, its forms were created with today’s ever-changing technology in mind. - Ahoura is suitable for multiple applications, and gives the widest potential for acceptability. - It is extremely legible not only in its small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Ahoura's simplified forms may be artificially obliqued with In Design or Illustrator, without any degradation of its quality for the effected text. - Ahoura is an eye-catching and classy typographic image that developed for multiple languages and writing conventions. - Ahoura uses the very highest degree of geometric clarity along with the necessary amount of calligraphic references. The Ahoura typeface is of a high vibration that is finely balance between calligraphic tradition and the contemporary sans serif aesthetic commonly seen in Latin typography.

Unconventional beauty FS Kim is bold and intriguing – exuberant and unmissable, but playing a supporting role when needed. This typeface shines brightest as a display font, and is perfect for applications across fashion, theatre, cultural projects and pretty much any brand that wants to make a statement. While FS Kim is dramatic, it’s incredibly versatile, too, and works to showcase content in a stylish, striking way. This font makes you look, and makes you curious – perfect for brands and publishers that relish unconventional beauty. A playful text version While FS Kim’s text version is more constrained than the display, the strength and playfulness remain. Modifications for the text version include larger x-heights, longer ascenders and descenders, wider proportions and spacing, longer and more defined serifs and a lower contrast. “The overall idea is that it’s not an optical size,” Radoeva explains. Text and display maintain a strong connection that mean they can be used together. A display with a twist The calligraphic starting point helped to create familiar forms, while a contemporary display feel is achieved through short wedge serifs, with bold touches added through the font’s exaggerated forms and details. FS Kim’s narrow proportions, short ascenders and descenders, and tighter spacing make the font suitably compact for display use. The overall aesthetic feels bold and sharp, but closer inspection reveals that all the corners are softened. Decorative inlines In an unusual twist, FS Kim’s display version was first drawn using a broad-nib pen to create familiar forms and elegance while still breaking from serif traditions and making it all about standout character. There are also two additional styles, based on the Regular and Black with inlines – in uppercase, figures and symbols. The inline brings an extra option for an even stronger, more decorative display use.

Unconventional beauty FS Kim is bold and intriguing – exuberant and unmissable, but playing a supporting role when needed. This typeface shines brightest as a display font, and is perfect for applications across fashion, theatre, cultural projects and pretty much any brand that wants to make a statement. While FS Kim is dramatic, it’s incredibly versatile, too, and works to showcase content in a stylish, striking way. This font makes you look, and makes you curious – perfect for brands and publishers that relish unconventional beauty. A playful text version While FS Kim’s text version is more constrained than the display, the strength and playfulness remain. Modifications for the text version include larger x-heights, longer ascenders and descenders, wider proportions and spacing, longer and more defined serifs and a lower contrast. “The overall idea is that it’s not an optical size,” Radoeva explains. Text and display maintain a strong connection that mean they can be used together. A display with a twist The calligraphic starting point helped to create familiar forms, while a contemporary display feel is achieved through short wedge serifs, with bold touches added through the font’s exaggerated forms and details. FS Kim’s narrow proportions, short ascenders and descenders, and tighter spacing make the font suitably compact for display use. The overall aesthetic feels bold and sharp, but closer inspection reveals that all the corners are softened. Decorative inlines In an unusual twist, FS Kim’s display version was first drawn using a broad-nib pen to create familiar forms and elegance while still breaking from serif traditions and making it all about standout character. There are also two additional styles, based on the Regular and Black with inlines – in uppercase, figures and symbols. The inline brings an extra option for an even stronger, more decorative display use.