The King Maker is a modern serif font family with a unique style. It has a modern and vintage look. this font is suitable for many projects, modern or even retro vintage design, branding, crafting, sticker, sublimation, wedding invitation, advertising, vintage mood boards, logotype, packaging, titles, editorial design, and many more. This font is PUA encoded, which means you can easily access all of the glyphs and swashes!

King of August is single weight script font. Simple, elegant, designed letters with power to fit and lead any project. It is ideal for product names, labels, packages, King of August works well in titles and shorter paragraphs as well. Comes with Swashes as OpenType feature.

Little King Owl is a simple and interesting handwritten font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. It looks stunning on thank you cards, quotes, greeting cards, logos, business cards and every other design which needs of a art. Add it to your creative ideas and notice how it makes them stand out!

Big King is a spectacular Display font with a Fatty and Thick graffiti style for your design look awesome. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

King and Queen is a contemporary, classy and fresh serif typeface that best suits your design needs. Its ideal for headlines and brand identity design. King and Queen also includes a version, with a greater contrast between thick and thin strokes, for use in even larger sizes. The font comes with italic styles which can be used individually or in combination with the upright variant.

Kings in Disguise is a chunky, balloon font of the sort used extensively during the 1970s. It has a retro, disco feel and is ideal for signs and logos. The name comes from a great comic book series published in the late 1980s. The engraved style has a limited character set.

Paint King dripping graffiti display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Paint King dripping graffiti display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Paint King dripping graffiti display font. Cheers, Maulana Creative

A funny and quirky handwritten script - with an original "monoheight" letter design. It is cute and adorable, and now available for setting text in most latin-based languages. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Down With the King is a very bold all caps font best used for large titles, headers and logo work. The lower case letters have rounded edges for a softer feel.

The King Of Romance is a classic and elegant handwritten font. It is enriched with alternative characters and ligatures that make this font even more beautiful. Add it to your favorite creative ideas and make them stand out!

Created exclusively for an exhibition catalog for the exhibition 'Hail to the King, Baby!'. CA Hail to the King is based upon different letters taken from handmade signs from all over the world. You will find a lot of unexpected specials: irregular character sizes and styles (uppercase characters are bold; lowercase characters are in regular style) everything that makes CA Hail to the King so varied and unpredictable. In addition to west European diacritics an extensive central European character set were added including some very nice stylistic alternates.

Presenting ⚔️The Hero King Typeface⚔️ by alitdesign. The Hero King Typeface is inspired by action movie posters with the theme of war or knights in the night knight. The bold character of The Hero King Typeface is perfect for making hero movie titles, game titles, logotypes, halloween theme, t-shirt designs and so on with heroic themes. The Hero King Typeface has alternatives that you can combine between swashes and symbols that have the theme of heroes and war. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Hero King Typeface has a total of 1052 glyphs including symbol, multilingual. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn’t have Glyphs panel, you can install additional swashes font files.

Hello Aluyeaholics! Be the King or Queen of your project with Baratheon. This display font is inspired by Medieval Knights and crafted with attention to detail. Feel like a Lord or Lady and show your inner King or Queen with Baratheon. Coming with 200+ stunning and super easy to use alternates and ligatures with quick access. To get results like the preview just type B.2a.7r.ath.17eo.2n.14

The Sword has been Drawn! The Quest for the Holy Grail has begun! When Arthur took the mighty sword of Excalibur from the Lady of the Lake, little did he know of the stories that would be spun, the myths that would be built around him, the Legend of Camelot and the Knights of the Round Table! And The Font. Merlin might have been King Arthur’s sage advisor, a font of wisdom and magicks, but never was Merlin available in postscript, truetype and opentype formats, nor was Lancelot, Arthur’s First Knight suitable for Celtic Display Lettering! See the families related to Excalibur Sword: Excalibur Stone.

ITC Blaze was designed by Patty King in 1995. It is a typeface which looks as though it were written by hand with a broad tipped pen on rough paper. The pointed ends of the characters and the leaning to the right give the font a dynamic, energetic feel. Blaze shows the influence of the late 1940s and is best suited for headlines and short to middle length texts.

The Vale Press was a contemporary of Willam Morris's Kelmscott Press. The types used by the Vale Press were designed by artist Charles Ricketts, who also supervised the design and printing of Vale Press books. The main type used, Vale, was based on the Jenson 15th century roman type style. The King's Fount was an experimental semi-uncial font based on the Vale type. The King's Fount was designed in 1903 for the Vale edition of the 15h century poem "The Kingis Quair". This semi-uncial font evokes old English and Anglo-Saxon lettering. P22 Vale Pro combines the two fonts P22 Vale Roman and P22 Vale King's Fount into one "Pro" font. This pro font also includes a Central European character set, old style figures, fractions, ornaments and a special faux "Middle English" feature to make "anee text appeer Olde." This feature is not known to exist in any other font.

ITC Greengate is the result of a time-traveling, intercontinental collaboration--one between 21st century South African designer Richard Every, and early 20th century Scottish artist Jessie Marion King. Jessie Marion King (1875-1949) began her professional career as a book designer and illustrator, but over time her creativity found its outlet in many forms, including posters, jewelry, ceramics, wallpaper, fabrics, murals, interior design and costumes. After eventually settling in Kirkcudbright, Scotland, she founded Green Gate Close, a center for women artists. Although her style is reminiscent of the Art Nouveau artist, Aubrey Beardsley, King's aesthetic was an offshoot of the “Glasgow Style,” a Scottish hybrid of the Arts and Crafts movement and Art Nouveau. Often, her illustrations included hand lettering. It was just this kind of lettering that gave Richard Every his inspiration for ITC Greengate. When he saw some children's book illustrations that King created in 1898, he knew on the spot he had to complete the hand lettering as a typographic font. He began working on the typeface in 1996, but it took six years to be released as an ITC typeface. Every simplified and harmonized King's letterforms slightly and, most importantly, added a suite of lowercase characters. The result is a somewhat earthy Art Nouveau design, with a character quite distinct from typical digital revivals. Every's career has been as diverse as King's. He was born in Durban, South Africa and studied graphic design at ML Sultan Technikon in Durban. He's been an art director, freelance designer, the owner and manager of a nightclub and co-manager of a South African band. “Through it all,” he says, “typography has always been one of my passions.”

XPawnShop is a typographical chess font; the pieces are letters. The Pawn is an awkward letter P, the knight is a horse in the shape of an h, the bishop is a decorative letter B, the rook is an elephant with an R shape, the queen is a Q, and the king is an ornate K. Two other XPawnShop fonts are made of very simple pieces, but as a bonus, both have the set of dominoes from the unicode block 1F030 to 1F093. The key layout is a bit complicated; see the key guide for detailed information on how to position pieces correctly.

Chamberí is designed to be Vogue España's bestpoke typeface. An ambitious typographic branding project made for one of the most iconic magazine headers of the world, it defines the Spanish edition’s personality through a blending of the functionality of XIX Century Modern Romans (also known as “Scotch" typefaces) and the gestural expressiveness of typographic Baroque. Chamberí is a peculiar combination of the rational and the delicate, the sturdy and the feminine. The family is organised in a broad spectrum of 56 variants in which the transition from the restrained text version to the flamboyant, elegant display is modulated by contrast. The family is organised in seven weights: from Extra Light to Black, plus four optical sizes : Text, Headline, Display and Superdisplay. All this with its own Italics, Small Caps and Old Style Figures, besides the due refinement to resolve any editorial and communicative requirement.

A wise orange cat said once: There are three things certain in life. Death, taxes and teddy bears. The closest thing to a fourth is red tape. Restricting you, bounding you to the rules of a bureaucratic organisation. My advise, carry a scissor with you all the time to cut through it. WBP Red Tape is a great monospace font specifically designed for headings and logo design.

Arethusa is a versatile font after the 'transitional' style – a style that has been evolving for 250 years. The balanced design of familiar letter forms blends form with function to create highly readable text. Twelve fonts organised in three sub-families provide a range of weights and styles. The standard character set covers many roman-based languages. For extended language support, see Arethusa Pro.

Gionni was designed by Cindy Kinash. This is a hand drawn, tall, light, thin retro inspired font.

Shabwa is An Arabic typeface for Print And screen. this font family is from Kufi style and contains 3 weights: Regular, Medium and bold. Shabwa is simple and a little detailed font and its three weights are fully harmonized, one letter with one length on the line, and words with a uniform length on the line, gives a comfortable reading look.

This typeface takes most of its design cues from Isonorm, developed by the International Standards Organisation in Switzerland in 1980. In this version, the overall design has been homogenized to eliminate some of the anomalous forms in the original. Suitable for both text and headlines with a cutting edge vibe. All versions contain the complete Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 character sets, with several language-specific localizations.

Arethusa Pro is a versatile font after the 'transitional' style – a style that has been evolving for 250 years. The balanced design of familiar letter forms blends form with function to create highly readable text. Twelve fonts organised in three sub-families provide a range of weights and styles. Language support includes Greek and Cyrillic and each font contains small capitals, superscript, fractions, ligatures, old-style numerals, case-sensitive forms and other opentype alternatives.

Hand lettered with a pointed brush, this font strives to be evocative yet remain readable, even for medium length passages of text.