Linotype Flamingo, from German designer Michael Leonhard, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. The figures of this font have pieces missing, the curve of an a, the stroke of an n. The eye fills in the gaps, allowing the designer to present a unique font with reductionist forms which can still communicate written ideas to the reader. A small number of forms come together to create the alphabet and the 'missing pieces' make a light and airy overall impression. Linotype Flamingo should be used in point sizes of 18 and larger and because of reduced legibility should be used only for very short texts.

Construction period of Anafor deeply inspired by the pioneer of geometric abstract art and the creator of the avant-garde suprematist movement Kazimir Severinovic, Malevich’s suprematist compositions. Anafor typeface is separated from the basic Latin letters in terms of character and letter structure. Furthermore, The forms and main structure are designed together with alternatives by taking into account the relationships between the defined angles.Anafor contains certain aspects of a display typeface, due to the structure of the letter forms that are open to abstract connotations. Typeface family includes 2 styles; Anafor Basic and Anafor Crash. Each individual style has 235 glyphs and it has OpenType encoding. Due to the diversity of three styles, Anafor is providing a wide range of possibilities for the user.

Neo Brushly is an enchanting handlettered brush font that encapsulates the artistry of free-flowing strokes and the warmth of handcrafted expression. With each character meticulously crafted, the font exudes a genuine, human touch, reminiscent of brush strokes on canvas. The letters dance dynamically, creating a harmonious rhythm that lends a unique, personalized flair to any project. Neo Brushly captures the essence of spontaneity, making it an ideal choice for designs that seek a balance between casual elegance and a hint of playful sophistication. The organic, brush-inspired design imparts a sense of authenticity, making Neo Brushly an inviting and versatile choice for a wide range of creative endeavors, from branding to invitations, infusing a touch of handmade charm into every typographic creation.

Gridiron Glory is a modern and elegant font that stands tall as a tribute to the world of sports. This dynamic display typeface captures the power and energy of athletic competition with its strong, bold letterforms and sharp angles. Inspired by the lines and precision of a football field, Gridiron Glory exudes a sense of strength and determination. Its clean and structured design, reminiscent of a gridiron play, brings a sense of order and professionalism to sports-related designs. Whether used for team logos, jerseys, or sports event promotions, Gridiron Glory makes a bold statement and evokes a sense of excitement and anticipation. Embrace the spirit of the game with this font that embodies the glory and fierce competition found on the field.

One look at the font Wanted brings to mind swinging saloon doors, double shots of whiskey and sheriff's badges. It belongs to the so-called Italienne typefaces which began to appear at the beginning of the 19th century. The distinguishing characteristic of such typefaces is the robustness of its serifs, which exceeds that of the base strokes. Wanted looks almost as though it were stamped on paper. Small white flecks appear in some of the strongest black strokes just as they would in a stamp which did not get quite enough ink...or are they perhaps the work of a sharp shooter? Wanted is best for short headlines and perfect for anything which should have the look and feel of the Wild West.

The Narsinh Series (from the 1940 Gujarati Type Foundry of Bombay, India) is a modular metal font comprised of 32 basic shape pieces which would be assembled into any configuration to form various letters and numbers. Examples of the alphabet and numerals were set in an Art Deco, condensed sans serif and were the basis for this type revival. Strongly resembling a stencil design, the typeface was named after the revered 15th-century poet-saint of Gujarat, India Narsinh Mehta, and the foundry itself gets its name from the language and script of Gujarati [spoken by the Indo-Aryan residents of the Indian state of Gujarat]. Divided Highway JNL is the digital version of this design, and is available in both regular and oblique versions.

GOOD GOD! You have circumnavigated the globe and chosen wisely...The Grail is FOUND! Oh... no, Zoot set light to our beacon, which I've just remembered is Grail-shaped. But wait, look! There! Carved in the wall... a Legend: "Here may be found the last words of Joseph of Aramathia: He who finds the Grail must face three, maybe four, challenges. First, the path of God; Second, the word of God; Third, the breath of God, and fourth is the Font of God. Only a font that is valiant, pure of spirit and includes international characters, both European AND Cyrillic -- may find the Holy Grail... in the Castle of AARRGGGHHH… That's all it says; the guy carving it must have died before he could finish.

Art Deco turned mundane objects into graceful, sensual works of art, with a nod towards the opulent and extreme. Art Deco sought to build upon the elements of Modern Art movements by focusing on the principal object and removing the extraneous elements found in the Victorian era and in Art Nouveau. The concept of "form following function" and the technological advances of the early 20th century played a very important role in defining the direction of Art Deco. Popular images included stylized people, svelte animals, tall buildings, sleek vehicles and exotic scenes. Art Deco typographic designers were also inspired by these diverse themes. P22's Art Deco font set shows the influence of a cross section of some of the various European and American Art Deco styles.

LECO 1976 is a headline display typeface in OpenType format. The title at the 1976 bottle of Lečo became an inspiration for creating this font. Besides the regular weight of the font, the font is drawn in light and bold font styles too, while each of these typefaces consists of a special alternative of an embedded diacritic. The font contains several specific styles as Stencil, Pixel, Tride, Shadow which combinations offer interesting possibilities for the typesetting. The metrics and kerning of every glyph of the font (except several glyphs in Bold) are identical. All the signs share the same character and size of the capital letters. This font is best used on strong posters or as a headline display typeface.

The term Old West conjures up memories of vintage movies and TV shows featuring saloons and dancehall girls. Old wanted posters and cowboys. Rowdy prospectors in the Goldrush, mountains and lots of wide open space. Many of the lettering styles of those days are still in use, reflecting the past, present, and probably the future here. Western style fonts appear in the signage of bars, restaurants, casinos and ski areas. It's a style that speaks of the way it once was in a nostalgic way. This family of three fonts pays tribute to the Old West and its colorful history, with a semi-plain style, a decorated style, and a really lively rendition of our gaudy and raucous history from a century or more ago.

Bourne is a comprehensive text and display sans-serif family consisting of 21 typefaces, all with a range of features including stylistic alternates, discretionary ligatures, as well as old-style and tabular numeral forms and fractions. The 21 typefaces include two widths and three weights of type as well as square and round terminal forms and oblique faces. Three specialised display faces are also included. The face is ideal for establishing a consistent 'look' across a range of projects and could readily become the basis of an organisation's house publication style. Bourne works well in poster and large scale design work, as well as for the setting of large amounts of text. Individual faces are priced economically and substantial discounts are offered for packs of multiple typefaces.

Organic Brush, the epitome of green design, seamlessly blends handwritten finesse with organic charm. Its strokes mimic flow of nature, creating an unmistakable authenticity that resonates with eco-conscious consumers. Each letter exudes a raw, unprocessed feel, making Organic Brush the go-to font for brands committed to conveying an earthy aesthetic. With Organic Brush, the typography becomes a celebration of sustainability, mirroring the values of eco-friendly and natural product lines. The font's organic cadence is like a visual symphony of growth, perfectly harmonizing with labels, packaging, and promotional materials, as it weaves a narrative of authenticity and environmental consciousness. Elevate your brand's identity with Organic Brush, where the language of design speaks fluently in the dialect of the earth."

Introducing Noble Serenity, where timeless beauty meets serene elegance. This exquisite serif font is a harmonious blend of sophistication and tranquility, designed to elevate your designs with a touch of refined grace. With its clean lines, delicate curves, and perfectly balanced proportions, Noble Serenity exudes an aura of understated charm and sophistication. Each letter is meticulously crafted, reflecting the meticulous attention to detail and craftsmanship of a bygone era. Whether you're designing wedding invitations, luxury branding, or editorial layouts, Noble Serenity brings an air of refined beauty to your projects. Discover the captivating allure of Noble Serenity and let your designs embrace the essence of timeless elegance. Elevate your typography to new heights with this font that whispers of tranquility and commands attention with its noble presence.

Archemy is a restricted and obscure branch of Alchemy that deals specifically with the life, generation and transmutation of Metals. The Archemy font is primarily a magical and alchemical alphabet. It was created on initiative of Senior Zadith, in order to properly quote older alchemical manuscripts, without the need to insert handwritten symbols. The font combines a unique and elegant Roman alphabet with a set of the most frequently used planetary and alchemical symbols that are common in the Western Mystery Tradition, and as used by those involved in the Royal Art. The Archemy font contains a selection of symbols that are still used by practitioners of the Art today, and for the sake of completeness, a selection of less used and more arcane symbols that can be found in older alchemical texts. In addition a Hebrew Alphabet is included, which will supply practitioners of the Art with the glyphs related to Cabalistic studies. The Hebrew Alphabet in this font does not include vowel points, since they have no place in ancient Hebrew, nor in the Western Mystery Tradition. A selection of the most distinct glyphs as used in the Antediluvian font family - the Alphabet of the Ancients - is included for those that wish to include the archetypal and arcane quality of these glyphs from the dawn of history. By our knowledge there exists at this time no font that includes a selection of Alchemical symbols, let alone combines all of the above mentioned archetypal symbols of occult language in a single package. In that respect Archemy can be considered to be an “Arch” font.

TT Tricks useful links: Specimen | Graphic presentation | Customization options TT Tricks is a modern serif font family whose design refers us to the style of transitional serifs. The distinctive features of TT Tricks are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized businesslike nature. The original idea of TT Tricks is based on the graduation project of student Sofia Yasenkova, who chose to create a daily planner font as her final project. This led to many stylistic decisions, for example, the large and asymmetrical serifs, low contrast strokes, and the presence of interesting details. In the process of working on TT Tricks, we have significantly revised the initial idea and expanded the areas of possible font application, while maintaining the original spirit of the project. Despite the large number of display details, the typeface looks great in a small point size, and also when it is used in large text arrays. TT Tricks features an original stylistic set which, when turned on, adds features of typical pointed-pen serifs to some of the lowercase characters. In addition, TT Tricks has small capitals for Latin and Cyrillic alphabets, as well as several interesting ligatures. The TT Tricks font family consists of two font subfamilies, these are the main version and the version with the original stencil cutting. Each subfamily consists of 12 fonts: Light, Regular, DemiBold, Bold, ExtraBold, Black + True Italics. Following a good tradition, TT Tricks supports a large number of OpenType features: ordn, case, c2sc, smcp, frac, sinf, sups, numr, dnom, onum, tnum, pnum, dlig, liga, calt, salt (ss01).

Storehouse Font is an old fashioned typeface with a modern touch. Inspired by tradition, hardworking brewers and 1800s it come up with 10 strong, confident and powerful styles, included: Regular, Italic, Thin, Black, Outline, Shadow, Used, Wide, Soft and Stencil. The font looks great when put on signs, shirts or labels of the bottles. Also, it works perfect as font for a branding and commercial uses. What is included: Shapes: 1.Storehouse Shapes EPS – EPS file 2.Storehouse Shapes PDF – PDF file Fonts: Storehouse Regular - OpenType font file - Regular old fashioned typeface with a modern touch. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Thin - OpenType font file - Thin version. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Wide - OpenType font file – Wide version, big spaces. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Black - OpenType font file - Extra, extra bold version. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Outline - OpenType font file – Outline version of regular version, amazing in matching with regular version as a back shadow. full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Shadow - OpenType font file – Old fashioned shadow of regular version. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Italic - OpenType font file – Regular version with smooth edges. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Soft - OpenType font file - full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Stencil - OpenType font file – Stencil font with amazing old fashioned modern touch. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Used- OpenType font file – Softer edges, smooth lines. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Multilanguage Support: English, Albanian, Danish, Dutch, Estonian, Croatian, Bosnian, Slovenian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanish, Swedish with a lot of other languages; see Full Character List. Note: To access the extra alternate letters, you will need to use the glyphs panel. Many design programs offer this ability, including Adobe Photoshop CC 2015 , Adobe Illustrator, Adobe Indesign. Works with Cricut, Silhouette, PicMonkey, Photoshop, Illustrator and many more applications!

The life of Molière is a story of struggle, hard work, domestic unhappiness, death and burial in obscurity and almost in shame. Molière left behind a body of work that not only changed the face of French classical comedy, but has also come to influence the work of other dramatists from around the world. Despite his own preference for tragedy, which he had tried to further with the Illustre Théâtre, Molière became famous for his farces, which were generally in one act and performed after the tragedy. Both the comic and the serious drama were powerfully affected by the work of Molière, not only in his own age and country but everywhere and up to the present time. Didot is a name given to a group of typefaces named after the famous French printing and type producing family. The classification is known as modern, or Didone. The typeface we know today was based on a collection of related types developed in the period 1784–1811. Firmin Didot cut the letters, and cast them as type in Paris. Along with Giambattista Bodoni of Italy, Firmin Didot is credited with establishing the use of the "Modern" classification of typefaces. The types that Didot used are characterized by extreme contrast in thick strokes and thin strokes, by the use of hairline serifs and by the vertical stress of the letters. As in the extreme contrasts of the literature of Molière, in Didione's typefaces, thick and thin strokes, straight and curved, are the most relevant characteristic for an era marked by the changes.

Made with a wide pen, with a lot of love! Loads of international letters, and 6 different versions of each lowercase letter (these cycles automatically AS you type - just like magic!)

Formasi, Azeri for "Form of," resulted from the concept of a civil war between serif and sanserif. What would the aftermath of such a war be? The answer is simple: Formasi!

Loosely based on an early 20th century type from the Brussels foundry of Van Loey-Nouri. Many European foundries had fonts of this general design. Schelter & Gieseke of Germany had several.

Based on the handwriting of Taryn Sutherland of Twinkle and Toast. Great Lakes Lettering is thrilled to release Bon Voyage. Add a flair of elegance and whimsy to your DIY designs.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text, expanded, unusual Antique, with unique features in lower case design, g, k, y, a.

Josephs Brush Pro is one of the fonts of the SoftMaker font library.

Thousands of glyphs: swashes, ligatures, ampersands & alternates for the pleasure of typeface lovers.

Digitization of some of classic William H Bradley's characters, from America vintage heritage

Violin Script Pro is one of the fonts of the SoftMaker font library.

Amsterdamer Garamont Pro is one of the fonts of the SoftMaker font library.

Caslon Antique Pro is one of the fonts of the SoftMaker font library.

a naive interpretation of Samuel Wello art deco sans serif style of typefaces

Spotlight was created by British designer Tony Geddes in the tradition of the bold serif fonts of early 19th century England. It too is a robust alphabet exhibiting extreme stroke contrasts, however, Geddes gave his font a more relaxed feel by not filling in the strokes completely. Long white rays break up the otherwise dark black strokes, following the form of the outer contours and giving the figures a three dimensional look. Spotlight is also reminiscent of the decorative advertisements of the 1930s and of the glamorous revues and shows of this time. Spotlight is perfect for headlines and display in larger point sizes.

Scala Jewels is a set of four highly decorative typefaces, based on the bold capitals of Scala. Whereas Crystal and Pearl are modelled on historic examples, Diamond and Saphyr are original designs. Scala Jewels offers the possibility to set decorated borders, designed in the style of each of the four variations. There are corners and different sorts of long and short elements. One of the best ways to use Scala Jewels is as a two- or three-line drop cap at the start of a chapter. The award-winning Scala family (1990-1993) is a worldwide bestseller and has established itself as a ‘classic’ among digital fonts.

Font mavens of the world unite! Constructivist recreates the bold graphic design of early Soviet Era Russian Artists such as Rodchenko and Popova. The Constructivist family contains 5 fonts plus a set of decorative extras. Constructivist Pro is an Opentype adaptation of the P22 Constructivist Set font system which combines the 5 font styles and adds Opentype features such as alternate Latin and Cyrillic letterforms, full Central European Language support and changes in line spacing and optical sizing of some characters for improved harmony. In all over 1200 Glyphs for maximum flexibility and design choices. Seize control of the means of desktop production with this revolutionary font collective!

Kolm Keltek is a collection of ornaments organized into two font files. The ornaments can be divided into two groups: Friezes (borders) and Rapports (patterns). All ornaments belong to the Celtic culture. These ornaments are taken from manuscripts. This makes the font exclusive and unique among other digital collections of ornaments. These patterns perfectly suit to be used in the design of invitations, diplomas, certificates or other printed materials in historical style design. Kolm Keltek - Demo Guide contains basic examples of how to combine the ornaments that significantly facilitates the use of the collection. Kolm Keltek is one of the many high-quality ornamental fonts offed by the 2D Typo foundry.

Victorina Shadow is a fantasy sans letter display, inspired by the Victorian letters whose stylistic influence dominated the scene graph of the nineteenth and Twentieth century. Victorina has a perfect structure rigorous geometry. Victorina comes in several versions, in this set you will find the Shadow version in black and italic to complement the varied repertoire of styles of Victorina family, besides providing small caps and ornaments. Victorina Shadow let to work fine fantasy headlines when they overlap in layers of different styles. Victorina Shadow is a letter designed to recreate, with a contemporary vision, the spirit of those days of the industrial revolution and the early days of modernism.

Inspired by Art Deco packaging, Rosa fits comfortably into that classic genre. It’s namesake in the collection of La Sociéte Parisienne de Savons is described thusly: In mythological legend, Chloris, the goddess of Spring flowers transformed the body of a nymph into the first Rose. Aphrodite gave her beauty. Dionysus, the god of wine gave her a sweet fragrance and the Three Graces, charm, joy and radiance. Equally compatible with Machine Age, Streamline, Moderne and even Memphis design motifs, it presents the unique option of serving as both the typographic and decorative components of a design. Use Rosa to evoke a sense of elegance, high style and historical context.

Program is a type designer’s typeface. It’s about the craft of typeface design and the particular details and effects that type designers fret over when they design type. It mixes different structures, stem endings, and weight distributions not usually employed in a single family of fonts. It features both rounded edges evoking the effects of reproduction, and ink traps, the technique used to counteract that effect. The idea was to create a series of fonts with strong individualistic features, challenging the constraints of a central theme that is usually imposed on a family of fonts, while still relating to each other in terms of overall look and feel.

Historism Border 2D is a collection of ornaments organized into four font files. The ornaments can be divided into two groups: Friezes (borders) and Rapports (patterns). All the ornaments attribute to the period of Historicism, which prevailed in art in the middle of the 19th century. The ornaments are based on elements of architectural decorations of Lviv buildings in Ukraine. The author personally collected the material and embodied it in the font. This makes the font exclusive and unique among other digital collections of ornaments. These patterns are perfectly suited to be used in the design of invitations, diplomas, certificates or other printed materials in classic-style design.