introducing : Alien Spaceship Font ,come with powerful themes. We wanted to create the most unique character. It matches applies in some designs such as the gaming logo, logotype, brand, packaging, quotes, cute poster, kids shirt, cover book, birthday invitation and more custom design. Alien Spaceship Font is 3 style.

Acantis is a strong script font with a vintage look inspired by the lettering designs of the 1980s but updated for today's projects. Acantis is the perfect mix of elegance and informality. Open Type features include a full complement of international characters, standard and contextual alternatives, swashes, stylistic sets, standard and discretionary ligatures. All of this makes the text lively and animated, without the monotony of obviously repeating letterforms. Also, we've included some ornaments designed to support the font, some were specially designed to be combined with the letters for a "more calligraphic" effect (access them via the glyphs palette). Acantis can be the choice to create titles, logos and posters for branding and packaging purposes, invitations, greeting cards, magazine and book covers, children's supplies, fashion, and wherever you want!

The first glyphs of Nougat Script were born in 2010 to honor the birth of my first chubby and charming daughter, Siena. The ongoing project with significant progress was presented at Tipos Latinos, the biennal of Latin America typography where Nougat Script was selected among 70 of the best fonts. After a long pause, the project had a powerful restart at the begining of 2018. In those days, it not only grew in number of signs but in complexity of behavior. There are 4 different types of writing within the same font file accesible via opentype features: Script (base or normal), two glyphic alternatives with well differentiated swashes and finally a small cap version. Nougat Script has a fresh and relaxed lettering attitude combined with the typographic harshness for elegant text compositions.

Teaberry Essence is Sweetness Playful Font,elegant. This versatile has a wide range of applications ranging from greeting cards to kids’ crafts, and is guaranteed to add a sweet touch to your next design.social media posts,advertisements,watermark,invitation,stationery and any projects.

Introducing of our new product the name is Berlion a Handwritting Script Font, Berlion inspired by Bouncy Calligraphy style with a fun theme very good for Logotype, kids poster, flyer, childrenbook, cartoon, comic etc FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Introducing of our new product the name is Stone Ocean a Bouncy Square Font, Stone Ocean inspired by Playful style with a fun theme very good for tropical, kids and playful theme design. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Rockbitz is a cute & playful font that will make your design looks modern, unique and fun. Perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, kids photography , signs, window art, scrapbooking, tags and so much more! Thank You

Carga by Superfried is an angular, brutal, uppercase display typeface. Initially inspired by the use of typography upon container ships, this font is aptly named Carga – Spanish for Cargo. Carga includes 266 glyphs and features two interchangeable character styles switched via shift.

Gloucester is a smart, chipper, and studious typeface that evokes British literature and historic books. It's highly legible and great for kids books. Use this font for a pub sign, a book about British history, or anything else that needs a sophisticated look.

Bearish is a handwritten modern display font, inspired by kids handwriting. It's perfectly suited for crafters and graphic artists to complete their design such as invitations, advertisements, posters, logos, birthday carts, product signs, and many more. Bearish contains all standard glyphs and punctuations.

Fattty is a chunky fun font with plenty of wobbly bits. It's perfect for bold brands and funky projects. It's friendly curves are a great fit in kids books or on chubby posters. But remember, say it loud I'm fat and I'm proud!

Introducing of our new product the name is Biber Beard Playful Rounded Font. Biber Beard inspired from comic style very good for kids poster, flyer childrenbook, cartoon, comic etc MULTILINGUAL ACCENT : ØÆøæ¢ÐŒœÁĂÂÀÄĄÅÃǼĆČÇĈĊĎÉĔĚÊËĖÈĘĞĜĢĠĤÍĬÎÏİÌĮĨĴĶĹĽĻĿŃŇŅÑÓŎÔÖÒŐǾÕŔŘŖŚŠŞŜȘŤŢÚŬÛÜÙŰŲŮŨẂŴẄẀÝŶŸỲŹŽŻáăâäàąåãǽćčçĉċďéĕěêëėèęğĝģġĥíîïìįĩĵķĺľļŀńʼnňņñóŏôöòőǿõŕřŗśšşŝșťţŭûüűùųůũẃŵẅẁýŷÿỳźžż FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Sweet Party Font in 4 styles is a cute and bold handwritten font by @elysarto. Great for a fun and festive mood! The font will be awesome for many industries including : fashion, kids, school and many more! Here’s what you’ll get on the package : What's included? - Uppercase Characters - Lowercase Characters - Numbers and Punctuation

Warning: This font is a large file size for a font. I highly recommend (on a Windows computer) installing it via the alternative method of dragging the TTF file into your C:/windows/fonts folder instead of clicking on the TTF file and clicking "install" on the preview window. Thanks for understanding!

OnepunchJim got its name from the way it was created; every character was made in one 'punch'. Very suitable for kids stuff.

Apple Juice has a straightforward, childlike simplicity, but has been divided in the middle to create a bottom-heavy contrast. Kids welcome!

Is there such a thing as an easy answer, or is it just because you know the question? Anyway, as a kindergarten teacher I like to make these quizzes with the kids. The object of the game is not to answer right, but to get a feeling of knowing a lot. I thought of these questions as being logical and really easy, but I also found out that it is a great way for the kids to remember and recall their knowledge! This font is easy to read, even if you use some of the many choices of swashes!

The mischievous elves crowding the keys on Santa's Little Keyboard might not make Santa's work easier (even though they're supposed to!), but they'll certainly help you and your kids put together greetings and decorations for the holidays. Lovingly illustrated by 'Lilou', Santa's Little Helpers will liven up cards and letters alike -- or just print them out for your kids to color while they're trying to get to sleep on Christmas Eve!!

Since the beginning, “Histories” has been inspired by the shape of the letters displayed on the cover of fairy tale books or animated film covers. Likewise with the naming of the font "Histories" so that the message of the letters is conveyed. And this stylistic combination should also be reflected in the lowercase set which also allows to open up a spectrum of possible uses. Basic calligraphy represents a solid basis for the development of lowercase glyphs, ensuring proper interaction with uppercase letters. “Histories” features multiple ligatures that combine the playerful structure with a more attractive feel. With glyphs, it provides a wide range of uses across ligature combinations, alternate marks, pre-caps, assortments and connectors; each of which can be accessed via Open Type.

Taca is a typeface built around a shape that Portuguese designer Rúben R Dias calls a “squircle” — neither square nor circle. We usually associate the rounded, convex box with the television screens of the 1960s and Aldo Novarese’s classic typeface, Eurostile. But whereas Eurostile is cold and machined, Taca is warm and rugged, as if it was molded from clay or carved from stone. Taca’s organic nature is also derived from another unique feature: rounded crotches at the right angles where perpendicular strokes meet. This subtle finish, along with blunt stroke endings, softens the otherwise rigid skeleton. With such a strong conceptual vision, Taca could be relegated to the bin of experimental designs, severely limited in their application. But that fate is usually born of a less experienced maker. As a teacher, designer, and letterpress printer, Dias is a type user, keenly aware of the functional requirements of good type. Taca is therefore not a slave to its concept, but a working font family, effective in various sizes and environments. Its lettershapes break away from the base shape whenever it makes sense for legibility, while still maintaining the flavor of the design as a whole. That said, a set of squircle-shaped alternates give the user the flexibility to get more stylized if the situation calls for it. Fitting to its functional aims, Taca has many of the features one expects of a proper text font: upper and lowercase figures, case-sensitive punctuation, and Extended Latin language support. The simplicity, openness, and squareness of Taca’s forms also make it an ideal design for the pixel grid of screen displays.

JH Lea cursive is a school kids typeface; it is designed based on cursive handwriting , typical for children books, first hand calligraphy experience.

The block style lettering with rounded corners found on a package for model railroad kit parts was the inspiration for Model Railroad JNL.

Tosca is a new face designed by TOMO FONTS. Is a massive all-caps font with a stone age feel. Good-humoured shapes ideal strong messages. Very useful for kids related stuff, like books, posters, or websites. Lowercases are a slightly different from uppercases for a more natural look. Enjoy!

Summer Fruit is a fresh & modern playful font. It has a bold cute style and will add an upscale to all your designs. This Font is perfect for many different projects such as logos & branding, birthday parties, stationery, kids, posters, advertisements, product packaging, product designs, special events, and much more!

Lord Kiddos font has a unique look. This cute font is best suited for use in the children's world. Making it a book title or a children's t-shirt design, must be very fun. Get creative with child like games, and use them to brighten up kids and school projects!

Mister B is my go on a handmade organic font. The letters are clumsy, with the width and height somewhat off here and there. Nevertheless, the result is a naive and charming font, which is suitable for most things that has to do with kids toys, organic products or comics.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.