Hortensia™ was designed by Natalia Vasilyeva and licensed by ParaType in 2001. An original calligraphic script. For use in advertising and display typography.

American type designer Michael Abbink created this sans FontFont in 2001. The family has 9 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, book text, logo, branding and creative industries, small text, wayfinding and signage as well as web and screen design. FF Kievit provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super—and subscript characters. It comes with a complete range of figure set options—oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. FF Kievit received several awards: the Bukva:raz award in 2001 and the ISTD award in 2001.

Introducing an elegant calligraphy font called Aromatic Ginger. This fonts inspired by dip pen calligraphy that every letter made many stylistic alternates like swash, tail and etc. The Aromatic Ginger font is perfect for greeting card, wedding invitation, logotype, personal branding, signature and many more. What's the feature - Uppercase and lowercase - numeral and punctuations - OpenType features initial and terminal form, swashed, alternates, and stylistic alternates. - Multilingual support more 25 language - PUA encoded Note: For access OpenType features this font, make sure that your software is supported OpenType like illustrator cc, photoshop cc, or Corel x8. If not yet supported, for the alternative to access OpenType can using character map check this video https://www.youtube.com/watch?v=KV7n5nxmsLs&feature=youtu.be Thanks for using this font. Have a nice day:)

Kewl is the result of being caught in the afterimage of one design project while conceptualizing another one. Just before finishing the final tests on Mrs Blackfort, the first of what became a long series of Charles Bluemlein fonts, some of the letters began morphing differently in my mind. The idea was to go on the heavier and more playful side, but with a South American sign letterer’s twist, rather than just good handwriting. I did some sketching, took some notes, then got busy with other projects. Some of that stuff eventually seeped into Candy Script and, to a lesser extent, the Whomp font. But it was only a matter of time before I got back to the original concept and finished it. Kewl is ideal for food packaging, book and music covers, magazines, and window splashes. Illustrations by Catriel Martinez.