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  1. Kumachi by Linecreative, $12.00
    Kumachi is an ultra condensed font with a stamp style, and is perfect for logos, name cards, magazines layouts, headers or oven large scale artwork.
  2. Saferick by Awan Senja, $14.00
    Saferick is a quirky and great display font. It’s perfect for logos, stationery, branding, packaging and it will add a cheerful touch to your designs.
  3. Scripty Style by MaxnorType, $15.00
    Scripty Style is a handwritten signature font. It has a natural handwritten style and is perfect for logos, branding, business cards, watermarks, and much more!
  4. Happy Wednesday by Epiclinez, $18.00
    Happy Wednesday is a cute and lovable handwritten font. It is suitable for your crafting projects, but also for logos, quotes and so much more.
  5. Mexa by Nirmana Visual, $22.00
    Mexa , contemporary of Serif font, Mexa offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.
  6. Rachel Karlie by Salamahtype, $17.00
    Rachel Karlie – Calligraphy Font is perfect for branding projects, logo, wedding designs, product packaging, product designs, label, invitation, social media posts, advertisements, merchandise and more!
  7. Elegante Classica by Mokatype Studio, $18.00
    Hello Introducing, Elegante Classica - Luxurious Serif Display is an elegant, inspired by the famous minimalist logo, perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more. Perfect for adding a unique twist to word-mark logos, monograms or pull quotes. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Thank You
  8. Looking to add a little Arts & Crafts flavor to your next project? Perhaps you just need a distinctive, new sans serif design? And one with a large international character set. In either case, ITC New Rennie Mackintosh™ may be the typeface for you. Its narrow proportions saves space, and the design shines at large sizes. While it can be an excellent typeface for Art Nouveau flavored labels, name tags and chapter call-outs, this is a suite of fonts that you can also turn to for a bevy of print and on screen uses. Games and apps, as well as print headlines and menus all benefit from ITC New Rennie Mackintosh’s vintage vibe. Based on Phill Grimshaw’s original 1996 design, Monotype Studio designers reimagined the iconic family, added lowercase characters, a new weight structure of light, regular and a more robust bold design; each with an italic counterpart. In addition, a large international character set that include support for many Western and Eastern European languages – including Cyrillic and Greek – give the family a deep typographic bench. An added benefit: the new designs can also be combined with Grimshaw’s original ornament and initial character fonts.
  9. Karim by Linotype, $187.99
    Karim is a traditional-style Arabic text face, designed in response to a demand for a traditional text face adapted to setting Quranic commentaries. Within the constraints of the standard character set and typesetting program, Karim’s design aims to recall the style and fluency of manuscript Naskh without, however, reproducing the idiosyncrasies of any particular calligrapher. The line weight chosen is heavier than usual for a traditional light face in order to benefit the reproduction of small size Tafsir text. A tall kaf, deep descenders and slightly inclined alifs and lams all help to suggest the cursiveness of manuscript. The type-style that emerges is characterized by restraint and clarity; qualities suited to Karim’s original purpose, and ones that recommend it for wider use. Karim ships includes Latin glyphs from Janson Text Roman, allowing the single font to set text in both most Western European and Arabic languages. Karim’s code pages incorporate Basic Latin and the Arabic character set, which supports Arabic, Persian, and Urdu. The font includes tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.
  10. Organica Pro by Sudtipos, $39.00
    Just as most buildings are based on a structure of vertical columns, horizontal floors, square angles and the occasional arch, most Latin typefaces are designed within a largely uniform, static, alphabetic structure that provides a framework for playing with the style of the terminals —serif, sans-serif, slab-serif, flared, Tuscan— without significantly modifying the deep anatomy of the letters. Orgánica Pro, by contrast, proposes a different structure: curvilinear, subtle and sophisticated, beyond the typical «sticks and balls» model. Organic anatomy, in one word; deliberately dynamic and asymmetrical. Over this radically distinct structure, terminals play a characteristic, expressive role that challenges easy classifications: Is this a serif or a sans font? A semi-serif? A semi-sans? For text or display? Modern or ultra-modern? Joke or serious? All answers are valid. Anyway, its six stylistic variants allow for multiple, diverse uses in text setting, headings and logotypes. In spite of —or perhaps thanks to— its innovative, uncommon structure, Orgánica’s personality is sweet to the eyes, wittily elegant and surprisingly legible.
  11. PF DIN Serif by Parachute, $36.00
    DIN Serif: Specimen Manual PDF The DIN Type System: A Comparison Table This is the first ever release of a true serif companion for the popular DIN typeface. DIN Serif originated in a custom project for a watchmaking journal which required a modern serif to work in unison and match the inherent simplicity of DIN. As a result, a solid, confident and well-balanced typeface was developed which is simple and neutral enough when set at small sizes, but sturdy and powerful when set at heavier weights and bigger sizes. It utilizes the skeleton of the original DIN and retains its basic proportions such as x-height, caps height and descenders, whereas ascenders were slightly increased. DIN Serif makes no attempt to impress with ephemeral nifty details on individual letters, but instead it concentrates on a few modern, functional and everlasting novelties which express an overall distinct quality on the page and set it apart from most classic romans. This is a low contrast typeface with vertical axis and squarish form which brings out a balance between simplicity and legibility. Its narrow proportions offer economy of space which is critical for newspaper body text and headlines. At small sizes the text has an even texture, it is comfortable and highly readable. The serifs are narrow at heavy weights and when tight typesetting is applied at large sizes, the heavier weights become ideal for headlines. DIN Serif was inspired by late 19th century Egyptian and earlier transitional roman faces. Bracketed serifs were placed on the upper part of the letterforms (this is where we mostly concentrate our attention when we read) whereas small clean square serifs were placed on and under the baseline to simplify the letterforms. In order to reduce visual tension at the joins and make reading smooth and comfortable, a slight hint of bracketed serif was added at the joins in the form of a subtle angular tapered serif, which softens the harsh angularity. These angular tapered serifs tend to disappear at smaller sizes (or smooth out the joins) but stand out at bigger sizes exuding a strong, modern and energetic personality. What started out as a custom 2 weight family, it has developed into a full scale superfamily with 10 styles from Regular to ExtraBlack along with their italics. Additional features were added such as small caps, alternate letters and numbers as well as numerous symbols for branding, signage and publishing. All weights were meticulously hinted for excellent display performance on the web. Finally, DIN Serif supports more that 100 languages such as those based on the Latin, Greek and Cyrillic alphabet.
  12. SDCyberGlitch by Sudezine, $10.00
    SDCyberGlitch is a futuristic cyber-style and dystopian futuristic style font. You can use this font for logos, quotes, invitations, greeting cards, journals, posters, clothing, and more. This font will infuse your designs with playfulness and fun!
  13. Pagram by 4RM Font, $15.00
    Pagram fonts are fonts that have neutral and authentic values, are made without reducing the value of functionality, these fonts are easily adaptable to the use of text and displays such as logos, body text, and others.
  14. Jashel by Typebae, $15.00
    Jashel Font is a stunning handwritten signature script font. With its graceful and flowing lines, this font closely resembles the strokes of a carefully crafted hand signature. Whether used for branding, logos, invitations, or other creative endeavors.
  15. Redotika by Ali Hamidi, $21.00
    Redotika is a versatile script font that has many alternatives for lowercase letters. This type of font is best used for logos, apparel designs, merchandise and whatever designs you need in the future.
  16. Gistela by Solidtype, $15.00
    Gistela is a handwritten script font. Contemporary and fashionable. with Ligatures and Multilingual Support. This font is perfect for modern projects, headings, blogs, logos, branding, business cards, websites, invitations, shirts, mugs, and more!
  17. Sunmood by Seemly Fonts, $12.00
    A distinctive display font is called Sunmood. This font looks great on stationary, logos, t-shirts, papers, print designs, website headers, picture frames, flyers, album covers, posters, and image sliders, among other things.
  18. Anzylna by Cititype, $12.00
    Anzylna is a cheerful and friendly handwritten font. It is perfect for illustrations, posters, logos, book covers and much more! Include this font in your next project and give it a happy personality.
  19. Drum by Peliken, $12.00
    Drum - handmade brush display font in grunge style. This font doesn't have lowercase glyphs. That makes it perfect for headlines, design logos, quotes prints on t-shirts, rock festivals. Includes Russian Cyrillic characters.
  20. Trostie Love by Lemonthe, $9.00
    Trostie Love is a handwritten font, cute and fun. This font is perfect for quotes, headings, blogs, logos, invitations, wedding, watermark, social media posts, product packaging, product designs, label, special events and more!
  21. Breadfast by Letterhend, $19.00
    Breadfast is a handwritten font that contain uppercase, lowercase, symbol, alternate, and also support multi language. you can use this font to make a logo for branding, quote, and playful design. Happy Creating!
  22. Hello Signature by Romie Creative, $15.00
    Hello Signature is a handwritten script font, this font is perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product design, labels, photography, watermarks, special events, or anything else.
  23. Morevibe by Sakha Design, $14.00
    Morevibe is a handwritten brush font with a youthful spirit. This hand-drawn font has a boho feel that is great for posters, magazine covers, logo design, wall art, and so much more.
  24. Qundeasy by Tanya Savchenko, $12.00
    Qundeasy is a sloppy and cute handwritten font. First of all, it is suitable for handmade style design. Сan create interesting logos, posters, banners, social media creatives, postcards and greetings with this font.
  25. Darkening by Seemly Fonts, $12.00
    Darkening is a brush display font. This font works well for many different things, including stationary, logos, t-shirts, papers, print designs, website headers, picture frames, flyers, album covers, posters, and image sliders.
  26. Delik by Typefactory, $14.00
    Delik is an interesting display font inspired by the style and feel of Arabic. This font is suitable for branding logos, Islamic themes, Ramadhan themes, and any other projects you can think of.
  27. Something by Krntype Studio, $16.00
    Introducing Something! A stylish signature font. designed to display luxury and shopisticated writing. With this font, you can built an amazing work. Such as stylish branding & logos, packaging, handwritten quotes, merchandising, advertising, etc.
  28. Best Forest by Rhd Studio, $17.00
    Best forest is a modern handwritten script font. This font is perfect for svg designs, shirts, crafts, websites, farmhouse décor, branding, blogs, logos, invitations, and more! Most accent characters are included. Thank you!
  29. Quillain by Nurf Designs, $16.00
    Quillain is a casual, fun handwritten font, created by using a marker. Clean and stylish, this font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.
  30. Bucknord by Sibelumpagi, $15.00
    Bucknord is a cool and playful handmade marker font. This font is designed to help your needs such as logos, product packaging, invitations, branding, headlines, signage, labels, book covers, posters, quotes, and more.
  31. Marijose by FHFont, $19.00
    Marijose is script font with handlettering brush style, inspired feminime signature style with opentype feature include of the font. Suitable for wedding, logo lettering with feminime style, apparel, card invitation, and awesome project.
  32. Walentiny by Stringlabs Creative Studio, $25.00
    Walentiny is a Script Font with Handwritten Style. The Walentiny font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.
  33. Arionna by Stringlabs Creative Studio, $25.00
    Arionna is a Script Font with Calligraphy Style. The Arionna font made with modern digital brush pen strokes that making this font look beautiful. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.
  34. Firsta by Stringlabs Creative Studio, $25.00
    Firsta is a Script Font with Handwritten Style. The Firsta font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.
  35. Baliung by Stringlabs Creative Studio, $25.00
    Baliung is a Script Font with Handwritten Brush Style. The Baliung font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.
  36. Reinstay by Stringlabs Creative Studio, $25.00
    Reinstay is a script font with textured brush style. The Reinstay font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.
  37. Vagnotie by Stringlabs Creative Studio, $25.00
    Vagnotie is a Script Font with Modern Brush Style. The Vagnotie font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.
  38. Rakeboom by CBRTEXT Studio, $16.00
    Rakeboom is a cute handwritten font. This font is equipped with uppercase, lowercase, symbols, and punctuation. This font is suitable for branding purposes such as logos, book covers, quotes, crafts, magazines, advertisements, and others. This font also supports multi-languages.
  39. Vezthisory by Stringlabs Creative Studio, $25.00
    Vezthisory is a Script Font with Handwritten Style. The Vezthisory font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.
  40. Blantica by 4RM Font, $35.00
    Blantica font is inspired by something harmonious and is made with variations in inktrap with bold font sizes making this font look unique and harmonious. suitable in the use of display fonts and graphic designs such as logos, covers, and others.
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