DF Korolev is a 72 weight geometric sans serif family based on lettering by an anonymous Soviet graphic designer from the propaganda displays at the Communist Red Square parade in 1937. It has been named in honor of Sergey Pavlovich Korolyov, or Korolev, considered by many to be the father of practical astronomics. Rational and robust, it is also elegant and refined. Tracings done in Illustrator over a photograph featuring this type pinned down some of the basic character shapes. These were then imported into FontLab, where the full glyph complement was developed. The lower-case has been designed from scratch, and adheres to the structural logic of the uppercase as closely as possible. The complete Korolev super-family includes standard, italic, condensed, and compressed versions, each in five weights. The Alternate families come with a double-story “a”. Authoritative yet friendly, Korolev Rounded is a versatile addition to the Korolev range.

Honeydrop is a script that mimics the action of a heavily-laden inky pointed brush, dancing across the page . Designed by Jeremy Dooley, its unique form is great for branding and packaging, especially for all-natural food items. The typeface also has a bit of Eastern flavor to it. Five different distressed variants make Honeydrop stand out. Its many alternatives help to advance your project. These variants allow you to change the final character of the lowercase letters. Besides, there are ligatures that extend the natural writing feel. Opentype override options round out the fonts, including random replacements to create a unique look and feel; each time you use the font you get a unique result. Each font has sixty five alternate characters. Also included are many unique textures that help the typeface adapt to different situations; you will find them of great use. Grab the extra sweet and flavorful typeface Honeydrop today.

Diva Doodles Too is more of Outside the Line's top selling font Diva Doodles. More girl things in a line drawn, playful style. Font includes clothes, purses, shoes, jewelry, glove, high heel, bikinis, hats, perfume, flowers and cocktails and the scripted word Diva.

Firstland-Handwritten Fonts have many alternatives that give you the possibility to make your text almost handwritten with all the imperfections and captivating variations that the original handwriting has. Firstland will work perfectly for fashion, brand e-commerce, blog trends, boutiques, store brands, logos, weddings or any business that wants to look luxurious.

Kianda typeface was created as a non-classic, sport logo typeface. Now it has only one style with Latin and Cyrillic uppercase, numerals and punctuation. Almost every letter have 3-4 alternates, which allows you to feature stylish text for your logo. Also this typeface works good with short slogans, packaging and more.

The title and credits for the 1951 Dick Powell and Rhonda Fleming film “Cry Danger” were hand lettered in a freehand brush lettering often seen on store signs and show cards. Serving as the model for Show Card Freehand JNL, this pleasant and casual typeface is available in both regular and oblique versions.

Courtney is a display font, unicase, with thick and irregular strokes. It contains a varied set of ligatures that makes Courtney a very dynamic font, ideal for short texts, magazines, logos, etc. It also possesses a large amount of connectors like for example: and, the, by, among other, designed to complement the font.

Oksana Sans Narrow is a space-saving addition for Oksana Sans Roman faces. In six weights from Thin to Heavy it works well in long as in short texts. Supports Western, Central, Baltic Latin and European Cyrillic codepages. Old-style digits, some ligatures, alternative characters and Ukrainian hryvnia sign are also included.

Gali Modern is a modern typeface that explores the flexibility in contrast inspired by classic Arabic thuluth calligraphy, Designed especially for short texts, headlines, and quotes. Gali comes with 11 weights ranging from thin to heavy, comes with several OpenType features and many characters alternatives, special ligatures supporting Arabic, Farsi, and Urdu.

The Ornaments of Paris were inspired by a recent trip to Paris. Each tiny Paris icon is distilled from a church, a fence, a doorway, a railing, the Louvre, graphics in a store window, a feeling, a rainy day, a glass of wine... For more of the similar see Fleurons of Paris.

In 1994, John Benson designed Balzano, Alexa and Caliban, three typefaces with a similar calligraphic character. Balzano differs from the other in its vertical figures, adding a static element to the otherwise lively, flowing components. Balzano is good for short texts and headlines, anywhere in which a personal, elegant look is desired.

Mix Teapot is a handwritten sans serif, short & stout. This was written on an iPad using the Poppy procreate brush from my Procreate Lettering Brush Bundle. Mix Teapot includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ (plus an alternate for each) abcdefghijklmnopqrstuvwxyz (plus an alternate for each) 0123456789 !@$#%^&*()`~♥• +=[]:;'”,.\|/?{}<>“”‘’-–—_…©®™«»°²³¡¿₱¢€£¥½¼¾ ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜGĤÍÌÎÏIĪĮĴKŁŃÑŇ ÓÒÔÖÕØŌŐŒŔŘŚŜŠȘŞŤȚÚÙÛÜŮŰŪŲẀẂŴÝŶŸŹŽŻ áàâäãåăāąæćĉčçðđéèêëėēęĝgĥíìîïiīįĵkłńñň óòôöõøōőœŕřśŝšșşťțúùûüůűūųẁẃŵýŷÿźžż

Rambla is a humanist sans for medium-long texts. It’s slightly condensed, with a generous x-height and short ascender/descenders. Its proportions have as objective to gain space in height and width. It’s elegant at large sizes and legible at the same time, with a lot of rhythm in small sizes.

Cacko has a functional look with an elegant touch. The family is available in 18 weights with complementary italics. Cacko is very readability so is ideally suited for books, magazines, catalogs, posters, invitations as well as web design. Its simplicity with elegance details will also look great in logo, titles and short sentences.

Introducing Glamoure Everyday Serif Font Family. a variable font, 8 weights regular, and italics. Glamoure Everyday is made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design, modern logos, websites, social media quotes, wedding branding, modern and vintage design.

Regina is a broad, welcoming, and highly legible script. Its languorous letterforms are a reminder of an era when people took the time and care to share beautifully penned thoughts by hand. Regina shines when used in display or text settings on letters, invitations, and menus. See what’s included! http://bit.ly/2bOqfVW

The idea of Amsterdam Modern comes from the roofs of buildings ranged along the canal in Holland and the font was designed to have not only an industrial but also a handcrafts atmosphere. The family consists of three weights and is the best used for packaging, logos of products and short sentences.

The Scrivano family was designed by Ricardo Esteves Gomes, inspired by some handwritings from the Middle Ages and Renaissance period. There are four elegant organic font styles (Regular, Italic, Bold & Bold Italic) that can be very useful to compose long or short texts in graphic standards that need some 'old style' feeling.

Calling Cards is simple and clear, slightly condensed sans serif font family in 3 styles: Regular, Italic and Bold. Each font includes ligatures and stylistic alternates. Calling Cards looks great in quotes, logos, print, and social media, and is perfect for both short and long texts, at small and large font sizes.

Groovy Boss is a decorative type, inspired by the playful aesthetics from the 60s and 70s. Groovy and Boss were words used in those decades to refer to something as cool or trendy. Great for titles or short phrases, the curves and psychedelic forms of each letter will contribute to creating amazing compositions.

Mosherif is a type of sherif font created with the aim of using for logo branding and print media. This font has three style that can be combined manually with one another in one word / text so that it looks unique and interesting. One example is in the first preview ( cover ), where the word "MOSHERIF" was made using three font styles ( Mosherif Regular, Mosherif Tall and Mosherif Short ). You can make it manually by making a space and remove some characters between words "MOSHERIF" becomes "M HE F" with using the font "Mosherif Tall" and fill it with "Mosherif Regular" in character "O" and "R" and "Mosherif Short" in character "S" and "I" by stacking them. By bringing the concept of vintage, clean, thick and sharp, hopefully Mosherif can provide choices for designers. Enjoy!

Marathon was originally designed by Rudolf Koch in 1931 for Schriftgiesserei Klingspor. It is a roman with short ascenders and descenders. The serifs are small, but longer at the ends of the arms of E, F and L, M is rather splayed and is without top serifs, like M in other typefeaces designed by Rudolf Koch. The lowercase g has no link and an open tail, again like the g in other Koch types. U has the lower-case design. In the W the middle strokes cross, the lower case w has no middle serif. The figures are short-ranging. Ute Harder from the Fachhochschule Hamburg had redesigned Marathon with the help and supervision of Professor Jovica Veljovic. She has added a book weight to offer more flexibility with this beautiful typeface.

It all started with a simple idea back in 1998: do a digital version of a "lost" 70's typeface, and make up the missing letters that were not present in the only available example Jeff Levine had to work with. Jeff wasn't yet doing his own digital font creation, so he hooked up with Brad Nelson who owns a small foundry called Brain Eaters Fonts. Together, they collaborated on "Action Is"- a freeware font named after the source of the type example. This was a title page for a commemorative photo album of images from the 60's TV music show "Where the Action Is", formerly hosted by Jeff's employer at the time, singer-writer-producer Steve Alaimo. The free font took off like a rocket, being released just at the peak of the 60’s/70’s retro craze in the late 1990’s, and it was EVERYWHERE! It showed up on TV shows, packaging and web design -- and was even spotted on signage used on the side of a major amusement resort’s retro-themed hotel. From that point on, Jeff kept getting requests for a version with a lower case. Although they shared the copyright in the freeware version, Brad Nelson gave Jeff his blessing to re-work and take Action Is into the realm of commercial type. Newly improved and re-released as Groovy Happening JNL, it became one of Jeff's better selling type designs. A simplified, yet similar font was issued called Groovy Summer JNL. Now, after about a decade, Jeff had decided to clean up the 3-D (drop shadow) version that was originally freeware with many minute design flaws and re-release it commercially. Groovy 3D Caps JNL is an all-caps, limited character set font which ties in well with the previous releases, yet retains itís 1960s-1970s era charm. The font flag art is courtesy of Barbara D. Berney and is used by permission.

MB NEGATIVESPACE was inspired on a trip to Birmingham with my wife, seeing a billboard with the main text and parts of it missing. The idea is to use it sparingly; use a good amount of tracking to fill in the blanks and it works even better. Great for headlines, displays logotypes and short texts.

In the 1943 Three Stooges comedy short “Higher than a Kite”, Curly reaches into a box with the label “hand grenades” painted on its side and pulls out one of the devices. The bold, squared stencil hand lettering on that prop inspired Stencil Label JNL, which is available in both regular and oblique versions.