Yoko is a straightforward font with a straightforward message, and an interesting finish. Yoko wants you to enjoy life, live to your fullest and be happy. Yoko understands that it doesn’t look easy, but it can be, and you can achieve it. Straight lines and perfect corners make Yoko’s messages come across simply and openly. There’s no fancy flourishes in what you say with this font, just a goal and a solution. That’s not to say it’s dull though, because the textured finish gives Yoko a depth that carries its own form of weight. The solid impact of the shapes and the rough texture of the finish make Yoko’s message stand out, whatever you choose to say with it.

Taco is a new Mexican style font family based on our Tavern and Algerian Mesa type designs. When I finished the extra heavier weights for Tavern I decided to play around with a decorated version, the extra bold letters allowed for much more room to work with an inlay pattern. After experimenting with several designs I decided on a Mexican pattern because the original base font is very popular in Mexican restaurant logos and menus plus it's frequently used on Tequila bottle labels. I originally planned three weights for the Taco font family, however, after completing the bold weight I've decided to release it now so you may put it to use while the regular and extra bold are being produced, sorry I can't estimate a release date for the two other weights. To use the fill font layers you'll need an application that allows you to work in layers such as Adobe Creative Suite products. The Taco Fill Uno font may be used as a stand alone font, however, we recommend searching for our Tavern font family where you'll find three different bold weights of this same design. Opentype features aware applications are also needed for accessing the many alternate glyphs in Taco, all the alternates that you love in our Tavern fonts are also available in Taco. While the fill font layers are in registration with one another some applications may throw them out of alignment by changing the spacing. Custom inter letter spacing in Adobe Creative Suite may also throw the fill fonts out of alignment. We recommend doing your custom spacing first then duplicate the type layer and change to the next fill font and color. The inspiration for the Taco name of this font family was from a homemade Taco dinner I made for a guest at my house, after dinner I searched to see if there was a commercial font named Taco. There was no such font named Taco and the rest is history. The old Stephenson Blake Algerian font has come a long way since 1908, and we're not done with it yet. We hope you enjoy our Taco font family, we're looking forward to see it in use.

Bomb is a heavy futuristic industrial font that doesn't like being pushed around. If Bomb says it not moving, Bomb's not moving.

Looking for a royally fun font? A dash of elegance with a dose of quirkiness – not unlike our modern day royal types.

This face was drawn on paper with a calligraphy pen and way too much ink. It's perfect for that spooky globular look.

Paper Hearts mimics childhood construction paper creations. It's perfect for a homemade Valentine's Day feel without the safety scissors and glue sticks.

OnepunchJim got its name from the way it was created; every character was made in one 'punch'. Very suitable for kids stuff.

The first photo-typesetting machine in operation, the Uhertype, was introduced in 1925. It was a combination of manual phototypesetting machine and make-up machine. The machine’s typefaces were designed by Jan Tschichold. The patents on Uhertype were bought up at the time to prevent the invention of filmsetting spreading. Jan Tschichold has been very influenced by Gill Sans (1928) for this humanistic sans serif drawn in 1933/36 for Uhertype.

Sagebrush John, your bank robbin' days are over. I'm throwin' you in the hoosegow! Hoosegow JNL isn't a small town jailhouse, but it is Jeff Levine's take on a classic wood type that brings out the Old West in any design layout. The beauty of many of these vintage wood type alphabets is their "imperfect" letter forms - giving your work a touch of the old days of letterpress printing.

Oodles of doodles! Altogether brings not two or three, but eight - yep! - flavours for each letter. Original, creative, authentic flavours. Sometimes sweet, sometimes fun, sometimes weird. A bit eccentric, let's say. So we can say it different. Let the autopilot cycle all these glyphs by simply turning on the contextual alternates feature inside your application. If you prefer, handpick your choices from a glyphs palette. And, mainly, have fun!

One in the series of fonts celebrating the Halcyon Days of Handlettering. Wigwam evokes, among other things, memories of summer camps and trailer parks of a bygone day. Based on a font presented in the 1933 book Lettering of Today by W. Ben and Ed C. Hunt. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.