Varese is a geometric and modular typeface inspired by early 1900s Art Deco posters. Its heavy weight is excellent for headlines, display, or large body text. The lowercase is similar to the uppercase, yet many of the lowercase letters have interior spaces and several have some variations on the form (see H/h, E/e, F/f, I/i, J/j, L/l, N/n, T/t). The lowercase also has two alternate glyph sets that are half size and align with cap height. One of the alternate glyph sets has an underline and the other set does not. Varese has a sibling, Varese Soft.

One day my kids asked me: ‘would you rather be healthy and poor or super rich and sick?’ Without a doubt I answered: ‘healthy and poor’. Having money is nice, but it is not what life is about. At least, that is what I believe. Radical Fortune is a font I made after a period in my life that could have ended with a really nice sum of money in my hands - but which I didn’t take. I had to give up too much of myself and that just didn’t feel right. I made Radical Fortune to keep me from thinking too much - and, symbolically, I used a really old and cheap marker pen to draw out the glyphs!

Thinpaw is a serif handwritten font perfect for usage in a really big sizes (50 pt+). The stem width is about 0.5 mm (0.019") in 100 pt size. The font comes with central european character set and a set of various glyphs and icons (see preview images). Opentype features: - Standard ligatures - fi, fl, ff - Discretionary Ligatures - ft, fb, fh, fk, fj - Contextual Alternates - a, e, f, g - Stylistic set 01: A Stylistic set 01 changes every dot into the heart shape symbol. It turns every writing into a nice looking love letter! Thinpaw is perfect for wedding proposals, wedding invitations, happy birthday cards or anything personal. For usage on the computer screen, the stem width is about 1 pixel for 50 pt size, and 2 pixel for 100 pt size.

Nono is the nickname of my oldest son, Konstantin. His little brother could not really speak yet, but he was always looking for him and said something to the tune of, "wea is a nono". From that time on I call Konstantin Nono. I designed a handwritten script with his real name, that i named Konstantin. Now I made this slick version of that script – hence – Nono! I made three basic sets of characters plus a smallcaps version. To top things off, I designed a set of endletters that I throw in for free. Everything can be mixed! I sell single cuts but the best deal would be the entire packet, it goes for a very fair price. Your generous typedesigner, Gert Wiescher

Lightly playful, this font had a lot of influences in its design. I liked the look of this style in three fonts and decided to create my own version. This is it. Included is a version called Italic, but it is not a true Italic, just a variation in some lower case letters.

Farmstand is a fresh and joyful font with the same kind-hearted feeling and naiveté of your local farmstand. Paired with Farmstand Goodies, 52 hand-drawn images of funky farmers' fare, you can celebrate and have some pickles, savor sweet strawberries, or get creative with Cosmos. Sometimes life can be simple.

Polynesiac was discovered deep in the jungle on a cave wall on Gilligan's Island. "I was looking for ancient pictographs, and I find this crap instead!" says designer Wesley Poole. "But, the more I looked at it, the more I appreciated its charms." Sort of tropical, but not strictly Polynesian, this sans serif face never stoops to caricature, and achieves instead, a mysterious new flavor of the South Pacific Islands. Fun as it is, there's a certain dignity to it. "Living in Hawaii you just absorb this stuff. This is a fun loving culture. I hope I captured that, along with some Island Aloha."

Sometimes you need things organised in a neat way. Organic Tuesday has that, but also a will to break free at the same time. Years ago I was at a restaurant where the menu was handwritten with a clumsy, but characteristic and charming, monospaced font. I must have focused so much on these letters that I can’t recall what I actually ate. But what I do remember is that it was a Tuesday, and the restaurant was organic!

This font looks like a natural gel pen handwriting. It supports both uppercase and lowercase Cyrillic and Latin alphabets, numeral, punctuation, symbols, currencies. The story of creating is short: I made a font that would support the concept of the website. And then it seemed to me that this font could have more uses, so I decided to share it. You can use it for any creative project, I’m not going to list examples not to limit you. I am sure that with this font you will convey the vibe you want. Just use imagination, and your masterpiece will look perfect)

A Bloomer is a crusty loaf of bread with rounded ends. I don’t know why I chose this name, but it may have to do with the fact that my wife signed up for a bread baking course. Bloomer is a rounded, hand made cartoon-ish font. It will look especially good on product packaging, but any design in need of some authenticity could do with a bit of Bloomer! Comes with ligatures and a light dusting of alternates.

Mission Accomplished is a fast and furious kind of font. I started jotting down letters with a marker pen as fast as I could to see what would come out. Well, this font came out. Mission Accomplished can be used virtually anywhere, but single origin coffee bean packaging and artisan marmalade labels come to mind. Comes with a bunch of cute discretionary ligatures as well!

A long time ago, I lived and worked in the English Lake District. When I first arrived there, I camped out not far from a neolithic monument called Castlerigg Stone Circle. Castlerigg Stone Circle is one of the most beautiful stone circles in the whole of Britain; the views are great and it makes for a nice walk from Keswick. This rather grungy font was made with a Sharpie pen I initially wanted to throw away, because it was dry, but then decided I could at least get one more font out of it. The result is Castlerigg - a rather neolithic looking all caps font. Castlerigg comes with double letter ligatures for the lower case.

The other day, I was cooking a curry and I suddenly realised that we, as a family, eat a lot of meat. At home we do like meat, but given the state our world is in right now, we cannot continue eating meat like there is no tomorrow. As a result, I am hunting the internet right now for good vegetarian recipes (if you have one you’d like to share, then please contact me!). Tournedos is a beefy font family: a chunky all caps set of fonts - and a leaner set to counter and complement this rather heavy dish. And do eat your greens!

Bethlove is modern calligraphy with unique letters. This font is complemented by a heart-shaped swash, so it looks really pretty and romantic. It is suitable for Valentine's Day celebrations, weddings, quotes, telling feelings, Valentine promotions, social media updates and more.

Amanah Script is a handwritten font with a casual and modern calligraphy style. This font offers a large number of Stylistic Alternates, as well as beginning and ending swashes. This font has a total of 1660 glyphs, including capital letters, lowercase, numeral and punctuation, multilingual accents, swashes, and includes a large number of stylistic alternates and heart swashes (for lowercase letters). Amanah Script can be used for wedding card designs, invitation, best for photographer, traveling, blogging watermark or craft. Key Features: - Multilingual Accents - Stylistic Alternates up to 15 choices - Has a heart connected feature - Activate Stylistic Alternate by simply adding "period" (.) and “number” (1-15) to each lowercase letter. - Has ligature features so that the letters connect well together - Has OpenType and PUA Encodes feature. As I mentioned earlier, Amanah Script has a large number of Stylistic Alternates features, up to 15 options for lowercase letters. Interestingly, you can activate all Stylistic Alternates that are owned by each letter, just by typing; letter + period + number. For example: a.1 a.2 a.3 or b.1 b.2 b.3 and so on. As for activating the heart connected for each lowercase letters is quite easy, just by typing; letter + underscore + underscore + underscore + letter. For example: a___a or b___b and so on. If there are things you want to ask, don't hesitate to contact my email. Alifinart Studio alifinart@gmail.com Thank you.

Cosmic Sans was my first font ever created for a school project. The class I made this font for was my Advanced Typography and was a semester project. I really couldn't think of a title for this font, until one of my good friends said, "Why don't you name it Cosmic Sans?" I searched the internet for any other fonts with that name, and sure enough there wasn't. Thus the name stuck. This font is more or less a display font, thus every secondary character was not created. I hope you enjoy this font and much as I have while creating it!

I have been to Japan many times, but I have to admit that I have not (yet) been to Odaiba, so this font is a reminder that I should go there one day. Odaiba is a large artificial Island in the bay of Tokyo. It is a popular shopping and sightseeing destination and its sights include a copy of the Statue of Liberty and a mega-sized Gundam Robot. Odaiba Script is a handwritten font. I used a Sharpie pen on paper, so it is nice and thick. It comes with double letter ligatures and all diacritics.

I seem to be in my comic book font fase. It's not that I have tons of comics lying around (I actually have none), but when I was a kid, I used to read them all the time. Laser Eyes is a handmade comic book font. It is a little rounded, a little fat and very useful. You don't really have to put it to work in an actual comic book; it will feel at home just about anywhere. Laser Vision comes with two sets of alternate glyphs that cycle as you type, plus extensive language support, including Cyrillic and Vietnamese.

In searching for a Roman to use, I found there were bits of Bembo, Times, Garamond, etc., that I liked and bits that I did not. So I set out to take the best bits of all my favorite Romans and tried to create the ultimate Roman Typeface.

I am not one for prophecies of impending disaster and all that, don’t worry! I just liked the name and it seems to suit this handmade font quite well. Symbolic Prophecy was made with a broken bamboo satay skewer and Chinese ink. I quite like using broken satay skewers, as they give a fantastic ‘random’ effect. Use Symbolic Prophecy for your posters, your product packaging and, just maybe, a sign about the end of times… ;-)

I have always been fascinated by Tengu - a mythical creature from Japan. Tengu are usually depicted with a red face, a very long nose, white moustaches and a funny hat. They used to be regarded as harbingers of war, but over the centuries, their image softened and they became the protective spirits of mountains and forests. Daitengu means ‘greater tengu’ and stems from the Genpei Jōsuiki - an extended version of the ‘The Tale of the Heike’ - an epic account of the struggle between the Taira and Minamoto clans for control of Japan. So, now you know about tengu, end of the history lesson! Daitengu is an epic brush font. I made it with a soft brush and China ink (like most of my brush fonts), but instead of forming the glyphs I saw in my head, I let the brush do the work. A more ‘zen’ approach to brushwork if you will! The result is a messy, organic brush font with a lot of spirit. Comes with diacritics and double letter ligatures.

Reserv was inspired by a logo, which I crated for the company, EVROTERM. Once I saw this logo I asked myself: "Why not font based on this? In two or three weight?" For use in advertising and display typography.

Nouveau Crayon is based on Crayon Crumble, a font I made a long time ago. I changed a lot of glyphs and added a whole bunch of new ones. It has become quite a good looking font to be honest: oodles of crayon goodness, heaps of crumbling bits and a lot of expression. Use it for cafe websites, restaurant menus, children’s books, art fair posters and whatever else you fancy. Nouveau Crayon comes with abundant language support.

Hello everyone, I would like to introduce my newest font Galitha Script is a beautiful modern calligraphy typeface, I hope you will be interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it. contains a complete set of lowercase and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains multiple ligatures and many contain alternative Style Stylistic Sets such as a heart swash alternative. Galitha Script is very suitable for market designs being developed today, this font has a stylish, trendy, natural and soft font, with this font you can take advantage of opportunities every moment is a great way to highlight the celebration of the best of the party, because this font will be an advocate for the purposes such as wedding invitations, branding, parties, graduations, birthdays, gatherings, etc.

As a kid I used to write my favourite football teams name with 3D letters over and over again. I spent hours doing this - often to find out I had the colors wrong, or I had made a spelling error or two - but now, several years after, I have created the "Like a cat" font - so that you can make "handmade" headlines or funny quotes or even your favourite football teams name in a swoosh! If you get the colors wrong, or you make a spelling error, it's fast and easy to correct! :) Like a cat comes with substitution characters for double letters!

I bet a lot of people would love to have a Veggie Spray - I bet they would use it to turn candy, ice cream, cakes and other fattening products into something more healthy! Well, this font has zero calories and is 100% handmade, and comes with contextual alternates - which means that every letter has 5 different versions!

Kitchen Disaster is a wordplay, and not really a disaster! I deliberately made the lines a bit off here and there, to mimic bad poster design. In order to make your text even more natural, I added 5 different versions of each letter - and they automatically cycle as you type! Besides that, Kitchen Disaster comes with multilingual support!

I want the font to have a vitality of life, Visually, the details are beautiful, long and fashionable, low-key and elegant, quiet and delicate, with the aesthetic feeling of fashion, not aggressive.

There's a little restaurant in an old house on a sidestreet in town (Rockland, Maine, USA) called Cafe Miranda. The staff is friendly, the setting intimate, and the appetizer a basket of hot bread fresh from a brick oven. Its ample menu features such entries as "Quasi-Cassoulet" and "Gentle Sole." It's among my favorite local places to dine out. But the menu got photocopied once too often, and Cindy's personable handlettering got faded and broken. So I took matters into my own hands. And here's what I delivered to the newly computerized folks at the little restaurant on Oak Street. You, too, can travel in rather heavy felt-tip style.

A dotted script typeface Puntino is (maybe the first) dotted script typeface and not made up of grid-based dots. They are optical corrected and there is always the same distance between the dots, with the aim to create more harmonic letterforms. The dots also vary gradually in size to reflect the thickening and thinning of strokes, giving the letterforms a sophisticated overall look. Puntino comes up with 4 styles and is perfectly suited for logos, brands, congratulation cards … The language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages. OPEN TYPE FEATURES: Standard ligatures and contextual alternates should be activated.

Burford is a font family that I sketched while traveling through Europe. I was mesmerized by all the unique typography that was showcased throughout the five countries I visited. Inspired by all that I had seen, I found myself spending 4-5 hours per day in Amsterdam’s Vondel Park drawing characters. Once back in the states I digitalized Burford, deciding it would make for a beautiful layer-based font. Burford Pro package comes with all 18 layering fonts including 5 base layers, 3 top layers, 5 bottom layers and 2 sets of graphic elements. They are strategically made to build on top of each other, creating a cohesive and easy to use layer-based family. Each font also comes with a set of Stylistic Alternatives for letters A C E F G H P Q R. Burford Basic package is created for users who don’t have access to premiere design programs (such as Illustrator, InDesign, Photoshop, etc) and are unable to use the layering effect. Burford can still be a powerful tool as each font can also be used on its own. It includes every font file not needed for the layering effect. (Include 13 fonts - Burford Basic, Dots, DropShadow, Extras Set A, Extras Set B, Extrude B, Extrude C, Inline, Line, Marquee, Outline, Stripes A and Stripes B). The Burford Extras set uses all basic keyboard characters - around 100 total elements per set. They are designed to go specifically with Burford and complement its varying styles perfectly. The set includes: banners, borders, corners, arrows, line breaks, catchwords, anchors and many more!

First place in a spelling-bee competition, a Harvard University diploma or the Nobel Peace Prize? You can't go wrong with this classic Swedish calligraphy font, created by veteran designer Bo Berndal. He named Gertrud after his better half, but was also inspired by old handwritten documents: "Gertrud is a calligraphic letter design from the 16th century. I used it when I engrossed diplomas with a flat-nibbed pen in the 1980's. When I got my Mac I generated the typeface in Fontographer." Gertrud (the typeface) comes in three weights, with roman and italic. It is an OpenType creation, for both PC and Mac. Swedish type foundry T4 premieres new fonts every month. Gertrud is our sixth introduction.

Motley Crew is my last font for 2016. It is quite a lively, quirky and a little bit scary typeface, which will give your designs a little more ‘joie de vivre’. It was made with a soft brush and Chinese ink. The splatter was added after I had painted the glyphs. I forgot to put away my laptop, which now looks like this font… Motley Crew wishes you all the best for the coming year - in a lot of languages, as it comes with a generous splatter of diacritics.

Streetscript Redux is an update to the now discontinued Streetscript. In the original version, it seems a lot of users didn't like the s’s in the font, and after seeing them redrawn (not always with the best results!) a few times, I decided to make a new version of the font with less idiosyncratic s’s, and this is the result, Streetscript Redux. (I should have listened to my other half - “those s’s look like fives,” she said) All other features of the original Streetscript are intact (barring a couple of s-ligatures no longer necessary). There’s been a little tweaking of some outlines, and slight changes with spacing too, but for the most part, all I've done is redraw those pesky five-like s’s, so that you don't have to.

Being a geometric sanserif ocr-t comes in eleven weights from ultrawhite to infrablack (brightwhite, white, silver, lightgrey, grey, darkgrey, anthracite, black, jetblack). With more than 600 glyphs it covers all your typographic needs and manages to stay at the same place no matter which width you’re using. Its readability and legibility is more than fine although it needs no kerning. The infrablack is really black, in order to achieve this, the form of letters change from darkgrey to anthracite from upright to some kind of upright italic. This also gives opportunity to mix two weights with same colour but different architecture. Find also stylistic sets, alternate letters, lots of bullets, different arrows, hands and well: kind of hearts.

Nasti Sweet is a round bubble display font, a very unique trendy font with a combination of modern character bindings, and I think this product suits the teaser display theme in every headline design, business cards, leaflets, magazines, children's events, and brand screen printing. Come on, take a look and be happy to hear the review. If you have suggestions about this product, please let your work environment know whether this product is good for them. Thank you so much for everything!!

Caltic-Holiday, Caltic-Festival, and Caltic-Straight are three eye-catching, very bold typefaces that are suitable for posters and signage. Caltic-Holiday and Caltic-Festival base letter shapes on trapezoids with curved sides but with curves that are reversed going from one to the other. Caltic-Straight has letters based on trapezoids with straight sides. None are suited for text and with their built-in spacing will not work as all upper-case or all lower-case. All three come in two widths, regular and wide, giving the Caltic family six members. Caltic has nothing to do with Celts. The Calt refers to the calt or contextual alternative OpenType feature that makes this typeface work. When the letters on the upper-case keys alternate with the letters on the lower-case keys, they fit snuggly together. As long as the user has a word processor that supports the contextual alternatives feature, there is no need for the user to alternate letters; the calt feature does it automatically. Although the fonts seem similar to hand-drawn lettering that was done on posters and signs during the hippie era of the 1960s and 1970s, I can find nothing quite like them. My inspiration for them is older, in a newspaper from 1932 that led to the typeface family PoultySign. Caltic (and Lentzers) are the result of seeing what else I could do with the inspiration that sprang from that 1932 newspaper.

The roots of this font go back to 1967. A book title in trendy letters was created in a completely ingenuous way as a film prop for a Super 8 fun film. I drew the letters with felt-tip pen and poster paint without thinking too much about it. It wasn't until a good 50 years later that I realized, this was a first awkward typeface draft. The flower power vibe was captured here subconsciously. In 2019 I completed the few glyphs and created variants that I would not have thought of at the time.

The roots of this font go back to 1967. A book title in trendy letters was created in a completely ingenuous way as a film prop for a Super 8 fun film. I drew the letters with felt-tip pen and poster paint without thinking too much about it. It wasn't until a good 50 years later that I realized, this was a first awkward typeface draft. The flower power vibe was captured here subconsciously. In 2019 I completed the few glyphs and created variants that I would not have thought of at the time.