This font contains every variant found in the Hebrew Bible such as the “mutilated” Waw in Numbers 25: verse 12, the small Heh in Genesis 2: verse 4 and the Nun Inversum before Numbers 10: verse 35 and after verse 36 and elsewhere as well as oversized consonants and various double-wide consonants used in inscriptions.

A neat handwritten font in 2 styles- one with hearts and one without hearts.

Hearts, and wings are both powerful symbols.The heart represents the seat of the emotions, and Wings represent movement upward, even spiritually, in the case of angel wings. These images have been drawn with a brush, some of them on rough paper, and are available as a black or white version.

If you're looking for something offbeat and animated with an attitude, well, you've found it! Hot Streak is a retro font inspired by an old pulp paperback called Sin on Wheels, and it gives what started as a simple title a lot of life. Let Hot Streak turn up the heat on your designs! You'll find the Standard Ligatures feature changes up double letter combinations, the Stylistic Alternates feature raises up all of the smallcaps to align at the top of the capitals, and the Contextual Alternates feature turns on an automatic bounce feature that brings eve more life and attitude to an already spunky font.

A font family inspired by the twists and turns of North Americas first planned community.

Hot Cup Cake is a relaxed, fashionable and delicate script font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. Hot Cup Cake font contains is supporting 66 languages, which includes: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu.

t can be complicated to create unique, attractive designs for your latest projects especially when you are left with an abundance of boring fonts because ordinary fonts make your designs less prominent, unattractive, and unprofessional. Therefore, we would like to introduce you to Hello the Dog. Hello the Dog is a display font with cute, charming characters inspired by a dog theme. All of its letters and characters are created in a cute way that portrays a dog’s characteristics, such as long ears, big eyes, and a cute nose. It has various sizes and variations ranging from uppercases for title displays and lower cases for softer text displays. Hello the Dog font, of which available features and a clipart bonus you can enjoy, will live up and charm your designs in order to attract the audience with the theme you have. In fact, it will also help you build up your brand identity to be unique and memorable, particularly brands related to dogs or pets. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Hello the Dog fits best for various design projects, such as brandings, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

As a binary system, at the junction to two antagonist drawings, the Blue (Not) Mono typeface is a hybrid between the monospace and the humanistic sans-serif families. Declined to several variants and weights: a true monospace and a proportional one, a roman and italic style, bold and the main purpose is obviously to maintain in the same time a calligraphic identity, and a computing legacy.

Classic yet intimate hand writing with energetic flow and class!

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

What’s the good word? This elegant, stylish typeface, based on an early twentieth-century Barnhart Brothers & Spindler release, named simply "Engravers Upright Script". Based on French ronde letterforms, this version is bolder—which makes it suitable for text settings, even at smaller sizes—and has more pronounced stroke contrast—which makes it suitable for headlines. Versatile, handsome and charming, this typeface is an invaluable addition to any type repertoire. Both versions of the font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.