Pink Lemonade (formerly called Fresh Paint) is just like cool, tart lemonade on a hot summer’s day...refreshing! With varying widths and irregular sizes of the lowercase letters, Pink Lemonade lends a bouncy rhythm to text. Works very well for scrapbooking, invitations, children’s books, recipe books, titling, display purposes, etc.

Agoda is a stylish, classy and delicate script font. It has a clean, thin and smooth vibe and it will be a hit for any design that you want to add it to. Agoda is PUA encoded which means you can access all of the glyphs and swashes with ease!

Yustine Signature is a signature script font, featuring a lovely flow. It has a clean and smooth vibe and it will be a hit for any design that you want to add it to. Is perfect for many different project such as logos & branding, invitation, product designs, label, photography, and more.

Rough and ready artisanal lettering for your fair trade coffee shop, whiskey microbrewery or Victorian bill-poster — or, alternatively, distressed type for the cover of a hard-hitting novel set in a war zone. Fairtrade uses opentype technology to cycle through three versions of each character, giving an authentically uneven time-worn appearance.

With Albafire, Jürgen Ellenberger has played with flames that come out of the exhausts from Michael Schumachers Ferrari, or the hot rod cars in America or at the tractor pulling contests. This gives this sans serif face a speedy and wavy flavour. It fits ideally for speedy headlines like for bikers couriers.

With Linotype Albatross, Hans-Jürgen Ellenberger has played with flames that come out of the exhausts from Michael Schumacher's Ferrari, or the hot rod cars in America, or at tractor pulling contests. This gives this sans serif face a speedy and wavy flavour. It fits ideally for speedy headlines like for bikers couriers.

Seraphon is a stylish and delicate handwritten font. It has a gentle and beautiful flow and it will be a hit for any design that you want to add it to. is perfect for many different project such as logos & branding, invitation, stationery, wedding designs, signature, product designs, label, photography, and more!

"Winter Style" is a display font with winter and Christmas themes. This font is decorated with a snowman as well as a Christmas hat. This font is equipped with uppercase, lowercase, uppercase alternates, swash, titling, lowercase alternates, numeral, punctuation and multilingual support. Perfect for Christmas, winter, valentines, movie titles, logos and more.

Imagine a hot summer day with a cool breeze, watching the sun set over the beach, ice cold lemonade in your hand and some of your favorite music playing in the background. A perfect postcard moment! Use Barbary Pirates to make awesome type designs for logos, posters, album covers, packaging, Instagram posts...

Herbert Thannhaeuser’s 1953 titling font Erler-Versalien which was distributed by Typoart in hot-metal times, was carefully redrawn and redesigned. To preserve its handwritten character, irregularities in the letters’ strokes were left as they are. This font spreads best its beauty in book titles, magazines, diplomas, greeting cards or as initials.

A childhood of Westerns, a cap gun, chaps, spurs, cowboy hat and boots plus a trip to Texas was the inspiration for Cowboy Doodles. If you need a doodle font for your next roundup, rodeo or cattle drive themed invitation check out Cowboy Doodles. 29 cowboy themed illustrations plus wild, wild west lettering.

Cool and contemporary or hot and happening? Street smart or down and dirty? You decide. Either way Rough Stuff will add a dash of style and the stamp of authenticity to your graphic projects. Perfect for tee shirt slogans or gig posters. Suitably distressed 'warning' symbols are also supplied. See also Export Drive.

The Destiny is a monoline handwritten font. It has a clean, thin and smooth vibe and it will be a hit for any design that you want to add it to. Suitable for any projects such as logos & branding, signature, invitation, stationery, wedding designs, social media posts, product designs, label, photography, and more!

Cacao is another one of my "found fonts". I found this one in an old advertising for a French cocoa drink. Since I am a vervent lover of cocoa, I will give you my recipe for a normal coffee mug full of delicious hot cocoa. Mix three heaped teaspoons of sugar with one and a half to two teaspoons of finest cocoa powder. Then add a little cold milk, stir, add a little cold milk, stir, and so on until you have a mushy creamy consistency. Now slowly add - always stirring - boiling hot water til the cup is almost full. Top with a little liquid cream and enjoy! If you have a package design job, use my Cacao font and stir in some creativity. Your sweet-tooth designer, Gert Wiescher.

Wasabi is one of the key ingredients in the Japanese kitchen. Also known as japanese horseradish, it is an extremely spicy condiment made out of the graded root of the Wasabi plant. Its spiciness is different than that of a chili pepper though, more like a hot mustard. The spicy taste shoots right through your nose, but does not last for long. Wasabi is traditionally used in sushi and sashimi dishes, soba noodles, and in a number of Japanese snack foods. Equally sharp and stingy, VLNL Wasabi Turbo was designed by Donald Roos. Despite its japanese outward appearance, the font has its origin in lettering found on a German book. It is hot, and edgy like a samurai sword. Wasabi Turbo will stand out as headline and logo!

Joachim Müller-Lancé's Uppercut is a rather sporting fellow, originally developed for the Krav Maga training center of San Francisco (Krav Maga is a simple and efficient self-defense system that has become equally popular in Hollywood and with law enforcement). Joachim has spent several years training, hitting things and people whenever he needs a break from kerning. Uppercut can be seen on the school's t-shirts and other articles. Despite bearing the same moniker as an upwards punch to the chin, the name actually fell together quite naturally as Uppercut is an all uppercase typeface, and the word "cut" is also historically used to describe a type style in hot metal type. For this slanted look, "Angle" felt just right (with thanks to Mia McHatton). The design idea sprang from pencil sketches for the center's new identity. Uppercut's shapes are not calligraphic or handwritten, more like lettering seen in comics or sports logos. Its brush movements are imaginary, not too literally brushy. During development, details were simplified and reduced until a bit of a cut-paper feel emerged, but more fluid like writing. The shapes are economical and efficient; simplicity makes the font versatile, holding up in small as well as big sizes. Uppercut is decidedly analog, muscular but not bulky, with the fluid but determined movements of a boxer or martial artist - not theatrical but powerful, fast, confident and dynamic. Well... it has punch. In the proportions, there is emphasis on a strong upper edge "keeping its guard up", while several stems protrude downward, giving the impression of leaping or being "light on the feet". Use Uppercut to pick up the pace, add snap, verve and drive - on movie posters for action and adventure, to advertise your dojo, rumble or prizefight, racing team or tuning shop, or invite friends to your barbecue with old time rock'n'roll and homemade hot pepper sauce.

Get ready to burn rubber with Heavy Heap—the ultimate typeface for fans of hot-rod culture and high-speed thrills! This groovy psychedelic typeface is on fire, with a scorching look that’s sure to turn heads. With three sizzling weights to choose from, you can customize your typography to match your project’s intensity level. And with blistering mathematical symbols, torrid OpenType fractions, and a range of searing hot currency symbols, Heavy Heap is ready to take on any design challenge. But this headliner is more than just a pretty face—it’s a powerhouse of design options. It looks outstanding when used with warp and envelope effects, allowing you to create dynamic, eye-catching layouts that really pop. And with its bold, energetic style, Heavy Heap is perfect for any project that needs a little extra heat. From posters to flyers, from logos to website headers, this font is the ultimate choice for anyone who wants to make a brave statement. So rev up your engines and get ready to hit the road—with Heavy Heap, you’ll be riding in style! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Franklin fracture - Blackletter Something New, the fracture blackletter, has been designed with logo designers and typographers in mind. This display font is the perfect addition to your t-shirt, jacket, hat, design studio, ready for your next logo, barber shop, coffee shop label. Modern blend of fracture and blackletter with a touch or vintage

Pop Tune JNL comes from the hand-lettered title on sheet music for "Does Your Heart Beat for Me?". This 1940s hit was co-written and made famous by Russ Morgan and His Orchestra. Many vintage pieces of sheet music employed hand-lettered titles and cartoon illustrations to emphasize the topic of the song itself.

Let your night images come to life! The Fontazia Insomnia set features a strange and unusual assortment of surrealistic hand-drawn images - a tribute to the nocturnal spirits that seem to come to life during those hot sleepless summer nights. These characters are sure to add a little fun and mystery to any project.

Picking up a concept of Fritz Richter, Circensis is the realization of an adorned diplay font which had not been hitherto available, neither as a hot-metal font nor digitally. It is a great and legible font for circus and variety ads and posters, as well as for films, cafés, ice-cream parlors etc.

Graphique was originally created by Swiss designer Hermann Edenbenz in 1945, and issued as hot metal font by Haas'sche Schriftgie�erei, Switzerland.German type designer Ralph M. Unger digitally remastered and expanded the typeface for profonts, and the digital OTF Pro version comprises of more than 400 characters including the complete Latin and Cyrillic glyph sets.

Sarion is an elegant signature font with a monoline style, featuring a lovely flow. It has a clean, thin and smooth vibe and it will be a hit for any design that you want to add it to. It’s perfect for many different projects such as logos and branding, invitations, signature, labels, photography, and more!

Arsis is a condesed modern headline face that was originally produced and cast in hot metal by the Dutch type foundry Lettergieterij Amsterdam. The Arsis font family was designed by Gerry Powell in 1937. Arsis is a Serif (Antiqua) Modern Style font. Arsis font family attributes include roman serif, Didone, elegant, formal, modern style, feminine.

Long before there was Scooby Doo, there was scooby-dooby. This exuberant font is based on the works of whacked-out 50s album-cover artist Jim Flora, whose imaginative illustrations defined hot jazz and cool cats. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Primrose Gardens is a lovely, loopy all caps font. Mix and match loopy capitals with plain jane lowercase letters for a whimsical vibe. The loopy alternates are coded as uppercase letters for ease of use. Hit shift on b, e, k, m, r, w, and y for a loopy alternate. Includes characters for Western European languages.

Combustible is a hot, handwritten script font. I don’t really know why I named it Combustible - maybe because I scribbled this one down with near frozen hands. Combustible was made with a medium sized Japanese brush pen. It is a messy script, yet highly legible. Comes with double letter ligatures and a matchbox full of diacritics.

This typeface is a carefully crafted display-typeface of fairy-tale breadcrumbs and fleeting love messages in the sand: Dusty or sparkly, legible or hard to decipher … but always a little bit magical. DEUTSCH: Hänsel und Grete hätte ihre Freude an diesem magischen Brotkrumen-Font. Ob taubig, sandig oder funkelnd. Dieser mit viel Liebe kreierte Font hat viele Anwendungen…

Party Doodles Too is the companion font to the popular font Party Doodles. 29 fun icons including a tray of champagne glasses, appetizers, balloons, pinwheel, stork with a baby, ace of hearts playing card, top hat and tunes, dice, bowling ball and pins, gifts, party umbrellas, cakes, cupcakes, ice cream, lollipop, drinks, corkscrew, noise makers, banners and candy.

"Fantastic Christmas" is a very elegant Christmas themed font. This font is very unique with its embellished Christmas hat, Christmas tree, and reindeer antlers. "Fantastic Christmas" is perfect to add to your Christmas atmosphere. This font is very easy to use and very complete because it contains basic characters, swash uppercase, swash lowercase, ligatures, multilingual support, numerals and punctuations.

Pointone is a stylish and well balanced monoline script font. It has a clean, thin and smooth vibe and it will be a hit for any design that you want to add it to. Is perfect for many different project such as logos & branding, invitation, stationery, wedding designs, social media posts, product designs, label, photography, and more!

Christmas Doodles Too is the follow up font to Christmas Doodles. More Christmas icons including a tree, fun new ornaments, a dove, gifts, pine trees, a church, drinks, sleigh, tree lights, drum, horn, Santa hat, holly, snowflakes, stockings, candy, and mistletoe. This font works well with Holiday Doodles and Holiday Doodles Too which also have Christmas icons in them.

Ravager is an organic typeface that consist of 10 fonts that you can choose. With Sans and Serif combo to make your project more stand out! Suitable for branding logo, hand lettering, or apparel design. this font also support multilingual. We hope you enjoy the font, please hit us if you have any question Rillatype@gmail.com

Brush textured with casual handwritten gesture, say hi to Konichiwa. This is hot and tasty font that very recommended for food branding such as Burger, BBQ, Coffee and Pizza. It's also great for fashion and cosmetic projects that need diversity. Features: Uppercase Lowercase Numbers & Punctuation Standard Latin Multilingual Support Ligatures Easy to use on any devices

The Bipolar family of fonts is a synthetic blend of digital grid and historical blackletter forms, combining readability and ornamentation into a single modern interpretation. If you feel like you recognize this font style, you may have seen it as the menu font in the popular RockBand series of games. This trendy neo-medieval revival is hot!

Monotype’s hot metal Bell series from 1931 was based on original types made by the punchcutter Richard Austin for the foundry of John Bell in the 1780s. The different sizes of Monotype’s series were not all based on the same model. As type historian James Mosley wrote on Typophile, “For 18 point and above (the metal type was cut in sizes up to 36 point) Monotype’s model was a larger type [than the model used for the text sizes], the ‘Great Primer’ cut by Austin. This has greater contrast in the capitals and a flat foot to letter a.” The digital Bell closely follows the design of the hot metal 18pt version, and is therefore somewhat lighter in color than the text sizes of Monotype’s original metal face. James Mosley’s Typophile article can be found here.