Hottera elegant serif with a creative atmosphere and perfect shape, inspired by today's beautiful Display serifs. thick, balanced and varied, born for luxury and beauty. In my example I show how this Serif can be used. It's great for logotypes, branding, wedding invitations, romantic cards, retro labels, packaging, name spelling and more. Hottera comes with beautiful upper and lower case letters, numbers, and punctuation. In addition to the main character set, there are many alternative characters, start and end sweeps. If you have any questions please feel free to contact me! Thank You,

Roseta Display is an elegant script with a creative mood and perfect form, inspired by today's beautiful serif Display. thick, balanced and varied, born for luxury and beauty. In my example I show how this can be used. It's great for logotypes, branding, wedding invitations, romantic cards, alcohol labels, packaging, name spelling and more. Roseta Display with beautiful uppercase and lowercase letters, numbers, and punctuation. In addition to the main character set, there are many alternative characters, early and late sweeps. If you have any questions don't hesitate to contact me! Thank you,

Meet Balisay, A Calligraphy font that is perfect for branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, and more. Features: Uppercase and lowercase letters 70+ Lowercase Swash alternates Multilingual symbols, numerals, and punctuation How do access swashes alternate? https://sronstudio.com/sronstudio-font-guide/ Any question? Don't hesitate to drop me a message :) Follow Instagram: @sronstudio

I was immediately fascinated with the font, Breitfette Unziale, used for Erol Büyükburç's Hop Dedik album cover when I discovered this album. I designed a completely brand new typeface that is inspired by it called Erol Unziale but I also wanted to digitize and revive this typeface since I couldn’t find a digital version of it anywhere online. I took some liberties with the original font and customized it to my liking. Here is my interpretation of Walter Haettenschweiler's font through digitization.

Welcome to the new font! An elegant slim handwritten font created from childhood memory. This is how my grandfather wrote. He seemed very beautiful to me when he was little and I really wanted to write "when I grow up" too:) Perfect for captions in photo albums, on photos, birthday invitations, calendars, magazines, Instagram posts and more! A vector font is composed of uppercase and lowercase letters. Feel free to email me shabanovasprt@gmail.com if you have any questions. :)

Father's Day, or June 17 of this year, is in the middle of Argentinian winter. And like people do on wintery Sunday mornings, I was bundled up in bed with too many covers, pillows and comforters. Feeling good and not thinking about anything in particular, Father's Day was nowhere in the vicinity of my mind. My eleven year old son, Matías, came into the room with a handmade present for me. Up to this point, my Father's Day gift history was nothing unusual. Books, socks, hand-painted wooden spoons, the kind of thing any father would expect from his pre-teen son. So you can understand when I say I was bracing myself to fake excitement at my son's present. But this Father's Day was special. I didn't have to fake excitement. I was in fact excited beyond my own belief. Matí's handmade present was a complete alphabet drawn on an A4 paper. Grungy, childish, and sweeter than a ton of honey. He'd spent days making it, three-dimensioning the letters, wiggle-shadowing them. Incredible. A common annoyance for graphic designers is explaining to people, even those close to them, what they do for a living. You have to somehow make it understandable that you are a visual communicator, not an artist. Part of the problem is the fact that "graphic designer" and "visual communicator" are just not in the dictionary of standard professions out there. If you're a plumber, you can wrap all the duties of your job with 3.5 words: I'm a plumber. If you're a graphic designer, no wrapper, 3.5 or 300 words, will ever cover it. I've spent many hours throughout the years explaining to my own family and friends what I do for a living, but most of them still come back and ask what it is exactly that I do for dough. When you're a type designer, that problem magnifies itself considerably. When someone asks you what you do for a living, you start looking for the nearest exit, but none of the ones you can find is any good. All the one-line descriptions are vague, and every single one of them queues a long, one-sided conversation that usually ends with someone getting too drunk listening, or too tired of talking. Now imagine being a type designer, with a curious eleven year old son. The kid is curious as to why daddy keeps writing huge letters on the computer screen. Let's go play some ball, dad. As soon as I finish working, son. He looks over my shoulder and sees a big twirly H on the screen. To him it looks like a game, like I'm not working. And I have to explain it to him again. This Father's Day, my son gave me the one present that tells me he finally understands what I do for a living. Perhaps he is even comfortable with it, or curious enough about that he wants to try it out himself. Either way, it was the happiest Father's Day I've ever had, and I'm prouder of my son than of everything else I've done in my life. This is Matí's font. I hope you find it useful.

Description: Snappy Fingers is a remake of a really old font, called Joe Schmoe, which I made for my other foundry years ago. I really like this font, but it needed a lower case and some serious tweaking. Snappy Fingers is a fun, handwritten font. I (now) comes with fantastic language support and a new lease on life!

I’d been thinking for a while about making a serif font with ball terminals: big fun round ends to the letters anywhere I can squeeze them in. So I made Breakfast Pastry! I started with a hand-drawn set of basic letters, then went hog-wild making alternates and ligatures galore with fun swirls, curls, and even more balls! I’ve cleaned the letters up significantly to make them smooth and easy for any cutting or printing you may want to do, but I’ve also left in some of the hand-drawn character so that the letters are warmer and not too formal. Then I took the first font, and made a second solid version without the cutouts. After that I thought: I tend to make plumper fonts ... why not make an even thinner version? So I did! All three versions have the same character set (over 700 glyphs total), which means they all have the same extras and alternates. All three fonts have over 300 extended Latin characters for language support, as well as over 200 bonus items: alternate letters, letters with swashes, two-letter ligatures, small caps, catchwords, and even some bonus ornaments and elements to make the fonts even more flexible. (After all, if one swash on a letter is good, two or three might be great!)

Bielik was created for a comic book that I’m working on. Main goal was to achieve random character of texts, so I made three glyphs for every letter, even for diacritics. Firstly I was drawing using brush pen with ink, so thickness of letters was really various. I decided to implement this style into a font. So that is how Bielik came into the world. This is good choice for comic books, children books, display designs and much more. Bielik is a polish word for Haliaeetus albicilla.

When I released Halogen, I asked ‘Who doesn't want or need an expansive contemporary extended sans that has a sense of style and swagger… what if it had a lowercase, small caps and various numeral options… how could you say no?’ Go, click on the Halogen link and read on, if you're interested. Halogen was well-received, so I decided to take it further with Halogen Slab (the name kinda tips you off as to what kind of typeface it is, don't ya think?). As always, I prefer not to take short cuts and provide an anemic offering of glyphs — a modern typeface offered today must provide more than just the basics and this one does — lowercase, smallcaps, old style numerals, tabular forms, stylistic and titling alternates, fractions, case-sensitive features, and even an alternate uppercase ordinal set is included. Now go make cool print and digital things with it, and share them with me.

Magic Sparkle is an elegant display font designed with magical twist to create a classy feeling. It perfectly represents a classic yet modern style. This font is perfect for elegant logo design, packaging or invitation cards. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

Dortmunder Ecke ("Dortmund Corner") is a clean, all caps font inspired by Cubism. It really has nothing to do with the city in Germany, but the name stuck and I kept it that way. Comes with a square amount of diacritics.

I had a cramp in my hand doing this font! Contains authentic scribbling! :) Comes with more than 80 different ligatures, to make it look more like real scribbling! You will need to use OpenType supporting applications to use the autoligatures.

Unitext Variable Regular is a single font file that features one axis: Weight. TFor your convenience, the Weight axis has preset instances from Hairline to Black. This Roman (upright) font is provided as an option to customers who do not need Italics, and want to keep file sizes to a minimum.

There's nothing really disastrous (impending or not) going on in my life right now, but I have always liked the expression. I thought about it when I watched a news item about the recent storm we had in Europe. The news showed footage of a person narrowly escaping a huge falling tree. Impending Disaster font is certainly no disaster. I created it using my fantastic Chinese ink and a broken tapas skewer (I seemed to have run out of my regular satay skewers). The result is a slightly rough, comic book kinda font. It comes with two sets of alternates for the lower case letters (which cycle as you type), one set of stylistic alternates for the 'O' glyph (and all accented O's), an alternate ampersand, asterisk, question mark and exclamation mark and a set of alternate numerals. Impending Disaster comes with extensive language support, including Vietnamese, Greek and Sami - so don't come running and say you didn't have any options! ;-)

Here you go...a handmade sans font without much of surprise...actually, this is how I draw letters with my eyes closed...well, almost! I wanted to make a font with letters that were pretty obvious, but had that handmade look that I love so much. The result is this really painless font - it won't hurt or scare anyone, but it could help making your handmade things (such as posters, postcards, flyers, books and alike) come more alive! Anyway, I've added 3 different versions of each lowercase letter...just to add some spice to the painlessness of the font!

PostScript fonts are constructed by connecting dots, dots that have special attributes that control the shape of the connecting lines. In designing Minimalist, I wanted to see how few dots could be used to construct each letter. This is the source of the name--it is (or was) a minimum-point alphabet. I did not expect much from it, and was surprised that it turned out as well as it did. Since I originally drew it, I have added some points to some of the letters to get them to generate proper bitmaps, so it no longer has minimum points.

Usually I prefer desserts that aren't overly sweet, but a week ago I lost my sense of tasting - due to Corona, and when I wanted something sweet...I preferred it overly sweet...of course because I hardly could taste the overwhelming sweetness! But now, I have my sense of tasting (and smelling!) back, and everything is back to normal. And since I completed this easy-recipe-inspired handmade font while suffering from Corona, I thought I'd name it Overly Sweet. And...well. because, the font is somewhat overly sweet (without being over the top sweet!)

Franz Kafka’s manuscripts have always been a source of inspiration for designer Julia Sysmäläinen. At first she was just interested in literary aspects but later she noticed that content and visual form can not be separated in the work of this ingenious writer. Analyzing Kafka’s handwriting at the Berlin National Library, Julia was inspired to design the typeface FF Mister – by now a well known classic. Over the years, FF Mister K became a handsome typeface family and even produced offspring: the Josef K Patterns. Some of Kafka’s most expressive letterforms were the starting point for these decorative ornaments. How do the Patterns work? Outlines and fillings correspond to the uppercase and the lowercase letters on your keyboard. You can use them separately or layer them on top of each other. If you write a line of “pattern-text” in lowercase and repeat it underneath in uppercase you get a row of fillings followed by a row of outlines. Now you can color them and then set line space = 0 to get a single line of layered colored ornaments. Alternatively, activating OpenType / stylistic set / stylistic alternates will also unite the two lines to a single layered line. Further magic can be done with OpenType / contextual alternates turned on. On the gallery page of this font family is a downloadable Josef K Patterns.pdf with an alphabetical overview of forms. Hundreds of patterns are possible … we’d love to see some of yours and present them here on the website!

In the past it was the monk's duty to duplicate the bible, as they wrote everything by hand. The "Lazy Monk" font shows how these replica could have appeared if the monks had been too drunk or too lazy to rewrite the bible.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations, such as quilting. Most of the shapes in TessieSpinners suggest a spinning motion. Most do not resemble real world objects. The TessieSpinners fonts contain shapes that can be used to construct tessellation patterns. It has two styles, an outline style and a filled or black style. The black style can be used to construct colored patterns. To see how patterns can be constructed, see the “Samples” file here. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations.(Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. Make sure the leading is the same as font size or the rows will not line up.)

This is the kind of letters I drew in school back in the 1980ies. I would never have guessed that I would do the same thing like 40 years later! I remember making a simple space game for my VIC-20 computer, and I needed some "data letters" (as I called it) - as far as I can remember, this is close to what I made 40-like years ago. Also, I was inspired by the well known series "Stranger Things" - you know, all that 80ies theme stuff took me down memory lane! :) Anyway, all the letters are handdrawn, using a squared paper as guide - at it may look simple, but it took me quite some time to finish this font (hence the name!)

New from Black Studio, presenting bentoga is a typeface that is feminine, adaptable, contemporary aesthetic and creates endless variations for your creative needs. Its striking contrasts and subtle details, together with its sumptuous strokes and voluptuous curves, create a beautiful and powerful statement for any typographic composition, blending glamor with a contemporary aesthetic. Bentoga really helps you create unlimited variations for your creative needs in making your project titles: such as Books, fashion, magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books, websites, etc. WHAT IS INCLUDED • Bentoga – Regular • Bentoga – Italic This type of family has become the work of true love, making it as easy and fun as possible. I can't wait to see what you do with Bentoga! Feel free to use the #Black Studio tag and the #Bentoga font to show what you've been up to, I really hope you enjoy it! Thank You!

Need to cram a zillion words on to a single page? Nicotine is your vice. Cram it. Nicotine Jazz is a bit more musical as it trades uppercase and lowercase letters for an interesting unicase effect. Italic can be used for extra emphasis. The condensed nature of the Nicotine fonts allows for impressive use at larger, poster sizes. Another interesting tidbit? The I in Nicotine is a silhouette of a traditional filtered cigarette; that's how the font got its name.

VVDS Benigne Sans is geometric font family consisting of 8 weights ranging from Thin to Ultra Bold with matching italics. Balanced and gently Thin or fat and heavy Ultra Bold, good wide range of widths, which allow use this font not only as a Headers, also as sub-headers or block texts. Also, I love how it looks in infographics. VVDS Benigne Sans is latin-based multilingual and contains all mathematics symbols. OpenTypeFeatures Ligatures, alternates, old style numerals and fractions. Enjoy! VVDS

In 2014 I made a font called Whatnot. I think I made with with a roller ball pen, but I am not sure, as it was a long timer ago. I have always liked Whatnot font and I think it deserves a second lease on life, so I made a new (and improved) version of it, called Whatnot 22. Not Catch 22... It now comes with better kerning, multilingual support (including Vietnamese, Sami and Greek) and a cool set of contextual alternates that cycles as you type.

My handwriting with a speedmarker turned into a font - well, not really, to be honest! Personally I did do all the writing of letters, but in order for the letters to fit perfectly together, I manipulated them - just a tad! But the result is a hasty set of letters! When I say I wrote all the letters, I mean it literally!!! All letters are unique, meaning all the accented characters are unique! On top of that, Laxory comes with ligatures for both double lowercase letters and numbers! You will need to use OpenType supporting applications to use the autoligatures.

Fox Cupid is a cute and fun color display font. Fall in love with its authentic feel and use it to create gorgeous invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards. Add this beautiful font to each of your creative ideas, and notice how it makes them stand out. 🌺🌺 Please note that the Canva do not support color fonts! 🌺🌺

LouLou is a scriptlike typeface that looks as if it came right out of the sixties and seventies. Flowerpower! I enjoyed doing this one. Your swinging type designer Gert Wiescher

An irresistible design by my (11 year old) Granddaughter; it brings that child innocence to font design. When she first showed it to me I was so impressed I could not resist I had to make it into her very own font. Alexandra is also the designer of the font flag and says she is working on new font ideas.

The purpose of this monospace font is to display braille in an original although rather steganographic way. Its glyphs are built from a flat hexagon which can be read as 3 rows of 2 vertices (i.e. regular braille glyph grid). The initial design is illustrated by glyphs 'ç' (no dot) and 'û' (6 dots) as shown by poster 5. Glyphs are connected to each other, thus 6 connections for each hexagon (2 on left/right and 4 on top/bottom). In the final design many diagonal segments of the hexagon were removed for esthetical reason. Text is displayed not as a honeycomb but as a lattice instead which mixes hexagons, squares and "irregular convex octagons" (mostly unclosed), the design favored squares over octagons. The whole slightly resembling a PCB. Text can be framed with 3 sets of Frame glyphs (as shown in Poster 4): Octagonal: { €, °, £, µ, §, ¥, ~, ¢ } which can be mixed with Rectangular High Rectangular Low: { è, é, ê, ï, î, à, â, ä } Rectangular High: { Â, ù, Ä, Ê, Ë, ô, õ, ë } which can be mixed with Octagonal NB: When using Frame glyphs, it is advised to show Pilcrow (¶) and Non Breaking Space, which are replaced by empty shapes (e.g. in Microsoft Word, use CTRL+8 or use [¶] button in the ribbon).

I can’t remember when I had a true lazy morning.. I was a looong time ago, before I had children! Even now, when I’m down with the flu, I can’t stay in bed for too long - it really seems like a waste of time! Lazy Morning is a nice handwritten font. I made it with a Sharpie pen. It comes with all diacritics and double letter ligatures for you to play with.

I do groceries a couple of times a week. When I am shopping for food, I always read the ingredients list; I don’t want too much sugar, nor palm oil, trans fats or a lot of E numbers. It used to be quite hard finding products that didn’t contain artificial flavours or colouring, but it is getting better. Artificial Flavour is an anti-ode to the time we couldn’t get enough of the stuff - it is a handmade, all caps font which comes with extensive language support and a sweet set of alternates.

A font completely made of nature elements. Pieces of wood, branches and leaves. Do not go limp, use Wald instead!

Yes, finally. This one took the most time and the most restarting. Years went into imagining what Lust Text should look like and how it should structurally behave in order to truly improve upon a setting that includes any of the Lust typefaces. I approached it as much from the side of the type designer, as I did a potential user. The flow, the warmth, the personality needed to be there, but all of the excess had to be removed responsibly. In the process, and in need of inspiration, I looked backward to historical artifacts and precedent. In each early Lust Text approach, the solution was lackluster and/or vanilla and not actually a ‘Lust’ typeface. The exercise was not in vain though. By exploring past examples, I found my footing drawing for media now and how it might be used later—all the while, producing seamless, elegant curves and restrained indulgence (that sounds almost silly to say, but I like it). The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

I wouldn't recommend that you use this font for massive text, or text written in CAPS ... but then again, go ahead and try - I even kerned all the capital letters ... just in case that you would do something so crazy! :) Dynamique is a kind of a "straight out of the highway" grid-font. But then again, not ... if you use the lowercase alone, you have this almost monospaced font - try starting every word with a capital letter, and let it end with the alternate ligature, your words suddenly got even more power! If you want to go lightspeed - then use the same technique, but only with the italic version!

Permanent Park - 1990s Graffiti Inspired Marker Pen Font A hand-drawn marker pen font inspired by graffiti tags and 1990s Hip Hop. Permanent Park is a marker pen font with a graffiti tag aesthetic inspired by the golden-age of Hip Hop and 1990s TV shows. It’s 100% hand-drawn and comes packed with alternative characters for creating truly natural looking type treatments. No repeated oo’s, ee’s and ll’s that are a dead give-away of lazy lettering! Permanent Park is a highly customisable all-caps design featuring a complete set of uppercase and lowercase characters, along with numerals, punctuation and language support. It also features a complete set of alternatives with additional lowercase characters (for mixing things up even more), and a selection of underlines and symbols for an illustrative flourish. It’s a uniquely fun, urban looking font, typical of 90s music videos and TV shows, and equally suited to sports, travel and food themes. Check out my visuals for ideas on how you might use it on posters, movie titles, product packaging, broadcast and advertising.