British type designer Neville Brody created this display FontFont in 1994. The family has 5 weights, and is ideally suited for music and nightlife and poster and billboards. FF Autotrace provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining figures.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family contains 2 weights: Regular and Italic and is ideally suited for music and nightlife and poster and billboards. FF Totem provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

A vintage Canadian-published music book circa the 1940s had the title "Strauss Waltzes" hand lettered in a bold Art Deco sans serif that featured block style letters with rounded corners. This was the working model for Formal Dance JNL, which is available in both regular and oblique versions.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family contains 2 weights: Regular and Italic and is ideally suited for music and nightlife. FF Stargate provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

A pretty hand-written font that is very legible and high in style.

The Heinemann fonts were initially developed by the in-house design team at Heinemann educational publishing out of the necessity to find the perfect font for use in early primary reading books and literacy products. Basic Heinemann is defined by longer ascenders and descenders which help children to distinguish between letters; rounded edges on all letterforms help focus the reader on the individual letter shape; and modified characters (eg. a, g,) ensure instant recognition of letterforms. Heinemann Special offers further modified characters and kerning pairs ideal for dyslexic or special needs use (eg a, d, b). The Heinemann fonts were developed in partnership with children, literacy advisors, teachers of special needs/dyslexia and primary school teachers, and are now released in response to hundreds of requests from publishers, designers and teachers to purchase them. They have been trialled in schools and learning institutions over an 8 year period, and are a favorite for use in both print and electronic product. The modern, clean aesthetic of the fonts ensures that their use can span beyond educational application.

The Heinemann fonts were initially developed by the in-house design team at Heinemann educational publishing out of the necessity to find the perfect font for use in early primary reading books and literacy products. Basic Heinemann is defined by longer ascenders and descenders, which help children to distinguish between letters; rounded edges on all letterforms, which help the reader focus on the individual letter shape; and modified characters (eg., a and g), which ensure instant recognition of letterforms. Heinemann Special offers further modified characters and kerning pairs ideal for dyslexic or special-needs use (eg., a, d, and b). The Heinemann fonts were developed in partnership with children, literacy advisors, teachers of special needs/dyslexia, and primary-school teachers and are now available in response to hundreds of requests from publishers, designers, and teachers to purchase them. They have been tested in schools and learning institutions over an 8-year period, and they are a favorite for use in both print and electronic products. The modern, clean aesthetic of the fonts ensures that their use can spread beyond educational applications.

Smashing is a stout typeface, with a twist. It’s a massive all-caps font with bouncing glyphs, positively bold yet quite good-humored. Its upper and lower case slots stores different lettershapes, providing handy options to choose from. When working with OpenType savvy applications you can turn on the contextual alternates feature to instantly get alternating glyphs, which add spontaneity to your artwork and prevent neighbor double letters from using the same glyph. Also try the discretionary ligatures feature to get some cool interlocking pairs. A smashing font for truly smashing designs!

Inspired by old manuscript serif font, this low contrast font makes it high legible for long texts.

Ondine is one of the early typefaces of Adrian Frutiger. It looks as though it were written with a broad tipped pen, however, Frutiger actually cut the forms out of a piece of paper with scissors. The forms of Ondine are reminiscent of the humanist period, the high point of the Italian Renaissance text typefaces of the 15th century. This movement was centered in Florence, the base of the Humanist movement overall, and the home of a famous type school of the time. The main goal of the educated writers was to faithfully recreate the writing of the admired literary works, whose aesthetic was as important as their content. Ondine displays a regular and open character. Texts set in this typeface give the impression of being hundreds of years old. Ondine should be used in point sizes of 12 and larger and is best for short texts and headlines.

CONCEPT/CHARACTERISTICS 
The handmade, dirty and yet modern character of the font was designed with analog tape on paper and later digitized. The motto is sticky, wrinkled and rough APPLICATION AREA The dirty, rough and fancy font „rip TAPE“ would look good at dis­play size for poster, flyer, comics and gra­phic novel let­te­ring and logos. Head­lines in maga­zi­nes or web­sites, packa­ging, music covers or webbanner etc. TECHNICAL SPECIFICATIONS 
Head­line Font | Dis­play Font | Grunge/DIY Font „rip TAPE“ OpenType Font with & 78 gly­phs & 2 styles (regu­lar, fixed).

Sheet music for the song "Beyond the Blue Horizon" from the motion picture "Monte Carlo" had the movie title in hand-lettering reminiscent of the Futura Black style, but with an inline stripe through each character. These few letter examples were the basis for Gambling Resort JNL and conjure up the Nouveau Riche spending their nights in Monte Carlo packing the roulette wheels, blackjack tables and slot machines.

Mermer font family is a contemporary take on Roman capitals in six weights. The font name is the Serbian word for marble, and the inspiration for its creation comes from chiseled street signs in Istria. With lowercase and Cyrillic added, it gets a broader range of usages. Mermer is bold and versatile, can be both sporty and high fashion, looking sharp in more than 40 languages. Thin is thorny and Heavy feels like a block of concrete. Make it LOUD by setting it in large sizes and choosing Mermer Heavy for posters, magazine headings or logos, or you can make it cosy and friendly setting it smaller in Mermer Regular for menus, book covers, invitations or business cards.

This handwritten font was designed with Ashley Sanderson at Flying High In First Grade.

A beautiful and high-quality script font with contextual and stylistic alternates and ligatures.

A special high contrast font with unique geometrical shapes for logos, titles, signage etc.

This high readable font family is highly suitable for headlines as well as text.

Arlequin is a high-contrast sans serif decorative font. The most distinguished characteristic of this typeface is its lowercase letters. Their shapes, a high-contrast clash of bold angular fragments with arched thin counterparts, make for a dramatic impact on entire font visual impression. Arlequin is recommended for use as a headline or short-text font.

Moonbandit presents Predatory, a bold modern sans serif titling font. A multi purpose display font with high impact

Chocolatte font is a yummy, creamy script font, made entirely with chocolate.. No, sorry, that’s not true. It was made with a pen, but I thought I’d create a nice urban myth. Chocolatte is a pretty useful font: you can stick it on your X-mas cards, write a little poem with it and surprise the love of your life with an enormous amount of chocolate, decorate your cake with it (preferably a chocolate cake) or use it for your… well, whatever. Just remember that this delicious font cannot be eaten, but it does come with copious amounts of diacritics for all you chocoholics out there!

The 1939 sheet music for “Sea Dreams” had its title hand lettered in an unusual Art Deco style that employed many unusual character shapes and widths within the font design. A teardrop-shaped ‘D’, a slightly off-kilter ‘S’ and a number of other interesting variations became the model for Seahawk JNL, which is available in both regular and oblique versions. The term “Seahawk” is another name for an Osprey.

Novelty songs and their often crazy or extra-long titles were all the rage at the beginning of the 20th century. A piece of sheet music for the 1920 song "When Chu-Ching-San weds Paddy McCann" had the title hand lettered in an unusually bold form of Asian-inspired lettering. This has been recreated digitally as the type font named for the song - Chu Ching San JNL.

British type designer Neville Brody created this display FontFont in 1994. The font is ideally suited for music and nightlife and poster and billboards. FF Dirty Six provides advanced typographical support with features such as ligatures. It comes with proportional lining figures. This FontFont is a member of the FF Dirty super family, which also includes FF Dirty Four, FF Dirty One, FF Dirty Seven, and FF Dirty Three.

On occasion, when seeking retro source material for font designs, one can unearth interesting examples of typography that bridges decades with its ahead-of-its-time style. The songwriter credits on one particular piece of vintage sheet music had both the Art Deco influence but took on more of a techno look that was popularized in the 1980s. This hybrid of generations is the basis for Deco of Tomorrow JNL.

Street Arts give us inspiration to make a uniquely typeface with a touch of street artistic typeface with graffiti vibes. Waxedtown is a graffiti inspired typeface from us that also comes with multilingual features and extra graffiti swashes to make graffiti vibes. This font look so great when you using it for projects like text headlines, product packaging, poster, music purpose, game logo title, brands, and mascot logo designs.

Qidung Swara is a heritage typeface. Inspired by Aksara Jawa, character that has its own uniqueness and privilege. Qidung Swara was created to support use in all designs, such as branding, magazines, advertising brochures, music album covers and other uses. Qidung Swara also support multilingual language. Available in 2 styles: Regular and Italic. Grab this exclusive and awesome font fast. Don't miss it. Any question? Jusk Ask. Free update Thank You

Chank worked with Josh Eshbach, an intern from Minneapolis College of Art and Design, to create Cocaine as the Chank Font of the Month for November 2000. Inspired by Speedball type designs of the ’20s and ’30s, Cocaine has been redrawn and streamlined for use in the digital age. Curvy and round and relishing in its idiosyncrasies, Cocaine recalls vintage French wine posters and antique sheet music covers.

Kalimba (name of an African percussion musical instrument) is inspired from common simple shapes present in many visual elements of African and Afro-American cultures. With more than 500 glyphs, Kalimba can be used in European languages (central/east). The font includes some OpenType features as ligatures, fractions and ordinals among others. Recommended for logos, illustrations, games and more graphic design pieces that requires an African taste and essence.

The hand lettered Art Deco title on the cover of the sheet music for “There Must be A Bright Tomorrow (for Each Yesterday of Tears)” inspired the font Incarceration JNL, which is available in both regular and oblique versions. Incarceration JNL earns its dubious name from the fact the song was written by Prisoner No. 3223 (Wallace Wysocki) who was held in the Marquette State Prison, Marquette, Michigan (1931)

Tarweed is based on a Gothic Tuscan style wood type. Its floral decorative stem endings are similar to the buds of the pungent Tarweed flower found at elevation in the Rockies. Useful for any 19th century-looking typographic design Tarweed’s style can be useful for flower shops, billiard halls, music venues, restaurants and more. Expertly crafted to be used at large sizes these fonts also work well in digital applications.

British type designer Neville Brody created this display FontFont in 1994. The font is ideally suited for music and nightlife and poster and billboards. FF Dirty Three provides advanced typographical support with features such as ligatures. It comes with proportional lining figures. This FontFont is a member of the FF Dirty super family, which also includes FF Dirty Four, FF Dirty One, FF Dirty Seven, and FF Dirty Six.

Inspired by a vision of the future that's been left in the past, Delphium is a continuation of the cutting edge design language of the 90s, most notably led by the typographic work of The Designers Republic. Designed to embody the pulsing rhythm of electronic music at the turn of the century, Delphium is a bold, highly legible display font that lends itself to impactful contemporary visual communications.