Sign Man JNL is a reworking of Sign Shop JNL, with a lighter font weight and a number of changed characters (including extended horizontal crossbars on the B,E,F,H,K,P and R).

Arial is one of the most widely used designs of the last 30 years. Drawn in 1982 by Robin Nicholas and Patricia Saunders for use in an early IBM® laser printer, Arial has become a staple for textual content. While it is widely believed that Arial's design was based on Helvetica, it is more accurate to consider Monotype Grotesque as its ancestor.

Duplay is a sans-serif designed and developed by darman kadir in this late 2023, influenced by famous Swiss-style typefaces like Helvetica and others. This sans-serif typeface will become an alternative solution to enhance your sports and apparel presence. It has a solid and fast appearance, harder in certain font families, and stronger characteristics that will make your image more prominent.

BRIGNELL SQUARE is a ten font family designed by Ian Brignell. Modern and crisp, this strong-shouldered sans serif offers tonal neutrality. Like Helvetica, Brignell Square is a classic "do anything" font. Spatial balance defines these letter shapes. Creatively, this typeface was born in 1990 out of Ian’s frustration with ubiquitous, barely readable highway signage. Use everywhere. Extended Latin set.

Tuscan Extended, from the William H. Page 1872 specimen book, provided the pattern for this unusual in-your-face face. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Mazzard Soft is a rounded version of Mazzard – a superfamily of three geometric grotesques with three different x-heights (H, M, and L). It features rich language support, includes Cyrillic, and offers a wide variety of alternate forms.

In seeking a strong, utilitarian gothic alternative for Helvetica, we're left with few options for unobtrusive functionalism. As such, we decided to create the Citarella Gothic family. The ligatures are characteristic of the signage and architecture around Sarno, where the Citarella family originates. The sweeping arcs, broad counters, and clean swashes allow for the architectural design to be imbued with the warmth and humanity of its namesake.

A clean, classic woodtype face from the William H. Page Company, as fresh today as it was over 120 years ago. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Here’s a classic face from Dutch master type designer Sjoerd H. de Roos. Use it where timeless elegance is the goal. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

No. 508 is a chunky, friendly, modulated gothic font. Strokes have a gentle inward curve at the median, with the tops and bottoms of the letters slightly wider. The face was introduced by William H. Page & Company in 1890.

Dyane is based on monolinear scripts from the Bauhaus time. But it is very special for ist counterstrokes in the lowercase letters a, h, m and n that gives the script a very distinct rhythm. Your rhythmic type-designer Gert Wiescher

No. 510 is a friendly, slim gothic face. Strokes have a gentle inward curve at the median with the tops and bottoms of the letters slightly wider and thicker. The design was first introduced by William H. Page & Company around 1887.

Issued from the Haddon Foundry in England. Most of their original faces had names beginning with H, like their own name. Some of their types were designed by Phil May, but we cannot guarantee that this is one of them.

No. 507 is an elegant headline font with added angled flourishes. Its unique features are angled terminals, small, pointed serifs, and no contrast in stroke weight. It is similar to No. 506, designed by William H. Page & Company around 1890.

The font is called "Monogram Holder", it is a slab serif display with monogram themes. The font comes with 450+ combined of two letters, you just type uppercase letters with lowercase letters. For example you type "M" combined with "h" then it will become a ligature monogram of "M" and "h". This font includes different widths of alternate glyphs. The Monogram Holder matches apply in some designs such as the logotype, poster, label, badge, packaging, branding, and more custom design. Monogram Holder includes : 450+ ligature monograms All-caps, numeral, symbol and punctuation Alternates Multilingual PUA Encoded Thank you for your support and choosing us.

Varese is a geometric and modular typeface inspired by early 1900s Art Deco posters. Its heavy weight is excellent for headlines, display, or large body text. The lowercase is similar to the uppercase, yet many of the lowercase letters have interior spaces and several have some variations on the form (see H/h, E/e, F/f, I/i, J/j, L/l, N/n, T/t). The lowercase also has two alternate glyph sets that are half size and align with cap height. One of the alternate glyph sets has an underline and the other set does not. Varese has a sibling, Varese Soft.

Introducing Callgest serif display. A brand new font with tapered serif, made with love to make it more versatile and stylish. This font also suitable for Branding Design, Logotype, Wedding Invitation, Headline, Posters, Business Card and etc. You can combine with Montserrat, Gotham, or Helvetica to make awful fusion combo font! What's inculded? - Callgest Tall - Callgest Regular - Callgest Wide Multilingual Support support many different languages 60+ Thanks & Happy Designing!

A Sans serif that we created special for unique branding needs, with extra ligatures in unique shape will be ready to add value of your brand. Anafiola - Inspired by Helvetica Font ready with: Any options to get creative variations (combination of Ligatures) Regular and Italic Version Preview as a inspirations that you can do with Anafiola font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

The main problem with handwritten fonts is the limited use in body text. Bodyhand is specifically designed to remedy this, for example when designing children's books with a larger amount of text or in similar contexts. Bodyhand is especially adapted to read comfortably even when used in small font size and requires approximately the same space as the fonts we usually use in body text, such as Times or Helvetica.

Page Printer JNL was inspired by “Skeleton”, from the William H. Page Wood Type Foundry circa 1848. Its name is a play on both Page’s surname as well as contemporary desktop printers. Page Printer JNL is available in both regular and oblique versions.

The typeface was designed at the Polygraphmash type design bureau in 1989 by Lyubov Kuznetsova. Based on the typeface Literanutnaya (Latinskaya) of the Berthold typefoundry (St.-Petersburg, 1901), a version of Lateinisch typeface of H. Berthold (Berlin, 1899). For use in text matter.

An offbeat typeface inspired by the titling of the 1969 Pink Panther cartoon starring the Aardvark, "Technology, Phooey". It contains an alternate H and T, as well as a handful of ligature swap outs for doubles like EE OO SS TT, etc.

Compliment is a script design which is obviously based on H. Matheis' typeface designed for Ludwig & Mayer in 1965.Ralph M. Unger redrew and digitized this font in 2004. His work is based on artwork taken from old East German font catalogues.

Arupala Grotesk is a Grotesk font this versatile typeface will grab readers’ Attention. This font was inspired by a character named H. Aroepala. This font is suitable for both formal and informal events and is also suitable for various types of print and digital media.

Mazzard is a superfamily of three geometric grotesques with three different x-heights (H, M, and L). It features rich language support including Cyrillic, and offers a wide variety of alternate forms to choose from. Also check Mazzard Soft - the soft version of Mazzard.

The name says it all—another offering from the William H. Page Woodtype Company, spruced up (ouch!) and ready to dress up your next project. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Bonjour! Embryotic is a mystical display font. This font was carefully crafted and inspired by world top fashion brand. In general, it creates a luxurious and elegant look in design. Coming to you with 90+ luxury alternate to create a perfectly mystical, beautiful, classy, elegant design. Use this font for your fashion brand, resort, cosmetics, invitations, wedding, branding, packaging, magazines, boutique, social media, restaurant, spa, greeting cards, headers, headline and many more. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 B.4 h.3 etc. so you don't need special software. To get results like the preview just type E.4mb.2ryot.3ic

Regina-Cursiv is a warm, bold, casual typeface. Its friendly, rounded curves remind me of the line from a gospel song by the Canton Spirituals, about "smoothin' up the roughway." Jointly released by the Bauer and Berthold foundries of Germany during the fin-de-siecle period, this typeface has some cultural flexibility. There are alternate versions of the uppercase ‘H’ and ‘I’ that can be chosen to reflect a humanist or blackletter tradition, whichever you prefer. Other alternates offer various stylistic choices. Regina Cursiv is a friendly, comfortable font. You will enjoy using it. Alternative letters: D, E, G, I, K, S, T, d, h, k, m, n and z. The numerals are old-style figures.

R21-h sq is stand for "Ratio 2:1 in horizontal square"; a comparison in making a glyph typography, horizontally in the form of a square. R21-h sq font consists of bold-retro typeface with its own unique funky style. Suitable for app design, games, toys character face, storybook covers, logos, advertisements, branding, poster, or anything that needs a daring and fresh typography. Font include: R21-hSq-Latin (+extended) font R21-hSq-Cyrillic font R21-hSq-Greek font* * Additional Light font for Greek only. All styles include Latin standards (except for free/demo version). The glyph 6, 8, 9, x, O, Q and X on display are for commercial version (the free/demo version are different).

Contax Pro is a contemporary design based on generous proportions and clean, crisp lines. Forget about 'Helvetica'. Look out 'Univers'. Contax Pro is the new geometric sans typeface series for the 21st century. Contax Pro makes for easy reading and is ideal for long lines of copy. Contax Pro includes true drawn small capitals and old style figures. The family comes in 6 weights: ultra light, thin, light, regular, medium and bold.

A variation of ”Helvetica according to the blur principle.“ The underlying typeface is ”Helvetica“, the only true ”run-of-the-mill“ typeface of the twentieth century. The distortion principle used simulates the photographic effect of halation and/or overexposure. The light weight, »DeFonte Léger«, nearly breaks on the thin points, whereas on those points where the lines meet or cross, dark spots remain. The characters are ”nibbled at“ from the inner and outer brightness. On the normal and semibold typestyles, »DeFonte Normale« and »DeFonte Demi Gras«, the effect is limited almost exclusively to the end strokes and corners, which appears to be strongly rounded off. The bold version »DeFonte Gros« is especially attractive. As a result of ”overexposure“, counters (internal spaces) are closed in, while characters become blurred and turn into spots; new characteristic forms are created which are astoundingly legible. The fat version »DeFonte Gros« is particularly appealing. “Overexposure” leads to drifted counters, letters blur into spots; new characteristic forms emerge, which are surprisingly easy to read.

Blandford Press strikes again, with a delightful, delicious, de-lovely offering from their 1946 tome, Lettering for the Commercial Artist. The editor, A. H. Hunter, called this one simply "The Elegant Alphabet" and cautioned that it, "being neither quick nor easy, needs to be used with discrimination." Or not...

American type designer Paul H. Neville created this display FontFont in 1995. The family contains 2 weights: Condensed and Black and is ideally suited for editorial and publishing and poster and billboards. FF Extra provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Sheepman inspired by and based on retro William Page’s No.506 typeface which is popular wooden type fonts of the 19th century. To make soft and natural impressions, the original polygonal design was changed to rounded design. All glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This modern wood type includes 3 weights and their matching slanted style and all style have sprayed ends(beginning) alternates for F, H, L, M, N, P, U, f, h, j, m, n, p, q, and u which can be accessed by using OpenType Stylistic alternates or swash alts. Sheepman will be the best solution for posters, titles and anywhere you need vintage lettering.

Introducing, Blink Twice, a unique sans with styled lowercase! Blink Twice is a modern and stylish font based sans that have unique looks. This font contains uppercase and lowercase that have different form. You can use the lowercase and uppercase in the same word that will make your text more stand out! And the best of this font is the italic version as the alternates which mean you can combine it all without worrying about the kerning! You can use this font for the magazine, poster, and suitable for headline. This font also support multi language. What you will get: All Caps Font with different uppercase and lowercase Italic version as the alternates (E H I N M e h i n m). Well Kerned.

House of Cards is inspired by and based on retro Hamilton’s Teniers typeface which is popular wooden type fonts of the 19th century. To make natural and contemporary impressions, the original lowercase design was slightly changed from the original but all glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This modern wood type includes 2 weights and their matching italic style and all style have sprayed ends(beginning) alternates for F, H, P, U, f, h, m, n, t, u, and w which can be accessed by using OpenType Stylistic alternates or swash alts. House of Cards will be the best solution for posters, titles and anywhere you need vintage lettering.