Presenting Greatest Richmond! An Authentic Brush Font with 3 alternates and 36 swashes. This font made with the perfect combining of each character. You can type by Mix & Match with alternate version to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, Greatest Richmond looks stylish and wildly on design projects. So, Greatest Richmond can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. Besides that, Greatest Richmond also has some ligature that gives a surprise when you type certain characters combining. The ligatures are ee, ff, ii, nn, oo, rr, ss, st, St, tt, lt, rt, and th. WHAT'S INCLUDED? 1. Greatest Richmond Basic • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Greatest Richmond Alternate One • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 3. Greatest Richmond Alternate Two • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 3. Greatest Richmond Alternate Three • The first version comes with uppercase, lowercase, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 3. Greatest Richmond Swash • The first version comes with 36 Swashes. You can feature all with typing A-Z, a-z, and 0-9 Thank You Azetype Studio xx

A massive grotesque in four weights + obliques! Perfect for your massive poster or news paper headlines as well as your massive text chunks. The four weights elegantly complete each other as the obliques add tension to your work. Each font consists of a 241 glyph character set with beautiful ligatures for ff ffi ffl fi fl st ts es tt ST ET TT and ES.

VVE Giallo brings simplicity, elegance and a certain warmth wherever a contemporary geometric typeface is needed. The balanced characteristics, clear and legible silhouette and simultaneously vivid appearance of VVE Giallo makes it perfect for any needs. VVE Giallo’s characteristic high x-height does not only give perfect legibility but also perfect matching for strong headlines, outstanding logos and also for long texts. By keeping the “o” and “a” perfect circles gives VVE Giallo the minimalist and modernist looking. VVE Giallo has six weights, thin to heavy, give it a full range of expression for branding; in print and on screen. Matching true italics, carefully slanted 10º, are perfectly designed one by one. The family totally consists of 16 styles. lt supports many OpenType features, such as tabular numerals, inferiors & superiors, numerators & denominators, fractions, discretionary ligatures, arrows and etc. It combined more than 500 glyphs.

Here is a decorative condensed antique design that is sure to fit a variety of contemporary situations. The Bruce Type Foundry (later acquired by V. B. Munson) developed this wonderfully shaded Tuscan in the 1880s - or possibly earlier. It was known back then as Style No. 1050 and carried a pronounced three-dimensional look with a thin hairline at the bottom and right of each stroke. It is best to use Frisco Antique in large display sizes because it is easy to lose these delicate hairlines. A lowercase and several alternate characters have been provided for your convenience. Frisco Antique Display is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Here’s what happens when your trusty felt tip marker takes a trip to cartoonland. Each of Valentina’s plump characters has a rough and splotchy texture. Some letters even bounce up and down like a 3-year old. As cartoon faces go, Valentina is a bit on the imperfect side. But that’s normal for a funny face. Use it in a variety of comical situations. Make convincing captions under your own artwork or design greeting cards with it. You can even blow it up to huge sizes to create a wild and crazy look. Valentina Medium is now available in the OpenType Std format. Some new characters have been added to this OpenType version as stylistic alternates. This advanced feature works in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Loventica - Beauty Fashion Serif - Chic and Elegant Font Loventica is a beauty fashion serif font with a touch of elegance and charm.​​​​​​​ With same height for uppercase and lowercase, you can mix and match as you wish. Comes with condensed alternates and symbols It is perfect for your upcoming projects such as luxury logo and branding, classy editorial designs, woman’s magazines, cosmetic brands, art gallery branding, boutique branding, stationery design, blog design, modern advertising designs, card invitations, art quotes, home decor, book/cover titles, special events, and more. Loventica also support multilingual! Features : Basic Latin A-Z and a-z Numbers Punctuation Symbols Opentype Features Condensed Alternates PUA Encode Multilanguage Support I really hope you'll get pleasure using Loventica font and it will be perfect for your daily design! Contact me with an inbox message If you have any issue or question. Thank you! Second Son Radiance Std

Aviator, also known as Ventura Slim, is based on an old 1930s lettering style popularized by Carl Holmes in his wonderful book on the subject. Angular and at the same time aerodynamic, this low-waisted typeface is great for tight-fitting headlines and other condensed titling situations. You may find it equally useful in developing company logos with a truly retro look. This resurrected digital version of Aviator comes with a convenient and stylish set of alternate characters and small figures. Now enjoy your flight! Aviator is now available in the OpenType Std format. Some new characters have been added to this OpenType version including stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Recta was one of Aldo Novarese’s earliest contributions to the massive surge of the European sans serif genre that was booming in the middle of the 20th century. Initially published just one year after Neue Haas Grotesk came out of Switzerland and Univers out of France, and at a time when Akzidenz Grotesk and DIN were riding high in Germany and Gill Sans was making waves in Great Britain, it was intended to compete with all of those foundry faces, and later came to be known as the “Italian Helvetica”. It maintains traditional simplicity as its high point of functionality, while showing minimal infusion of humanistic traits. It shows that the construct of the grotesk does not have to be rigid, and can indeed have a touch of Italian flair. While the original Recta family lacked a proper suite of weights and widths, this digital version comes in five weights, corresponding italics, four condensed fonts, and small caps in four weights. It also includes a wide-ranging character set for extended Latin language support.

Yardbird, insinuating prison numerals, was lifted from a wooden block print poster press, that would have indeed besides providing dates for the local carnival would have just as easily ink-chucked them over the backs of those denim blues. Part of Market LTD, a collection of limited faces, mostly alpha-numeric and some just plain numeric, used primarily in retail and display situations and titling.

Lumierre Bear is playful font family which puts a smile on your projects and will inspire you to create something fun and memorable. It is perfect for headings, flyer, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers, etc. . Includes: – Lumierre Bear OTF – Lumierre Bear Doodles OTF Features: – Multilingual Support – PUA Encoded – Numerals and Punctuation Thank you for downloading from Ocean Stud.

This pale face -- a Byronic offering from the disaffected youth section of our library -- will provide that slightly sad, sunken eyed feeling most closely associated with Doc Martins, heavy crosses and clothes as black as the blaquest heart... so if you're looking for tragic tramp stamp typography, we think our tattoo parlor maid to wear font will provide just the right amount of Goth Chic.

Let the natural letterforms flow with Royal Palms, a clean & casual script font by Set Sail Studios. The Royal Palms family includes four fonts; The Signature version contains a larger, more exaggerated set of capital letters which is perfect for signature-style logos and display text. The Regular version offers a more practical set of smaller capital letters, for use when space is more limited. Both the Regular and Signature styles include a full set of alternate characters available as their own separate fonts, which can be used for an alternative word layout, or to mix and match with the regular versions to create a more customised look. It’s a timeless script set which is equipped to tackle a variety of design briefs for years to come. Language Support • English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian. Standard Ligatures • ti, tt, tl, ll, lt, ve, ov, wr, ox, nx, wx, rx.

Just as the camera adds weight to human faces, serifs can add weight to typographic faces. Rod McDonald trimmed and adjusted his new Egyptian Slate design as it emerged from its sans serif predecessor, the Slate typeface family. Slate is a great sans serif design, and the addition of his Egyptian Slate to your typeface library will make it even more versatile. Egyptian Slate is a solid and stylish slab serif design that will look superb in the spotlight of your choosing. Available in six weights – from a svelte light to a commanding black – each upright member of the Egyptian Slate family has a complementary italic. Egyptian Slate fonts are available as either OpenType Std or OpenType Pro fonts; the later options offers an extended character set that supports most Central European and many Eastern European languages. Egyptian Slate™ font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Logos, Best Fonts for Websites

Known to many eastern artists as the California Poster Letter because it originated in the West, this old 1930s style has reappeared in digital form. Carl Holmes, in his wonderful book on old lettering styles, pays tribute to this uniquely American design. Faintly reminiscent of the lettering of Fred G. Cooper, California Poster Bold is at times wildly exaggerated and boisterous. Letters appear to be inflated and loopy. The design might aptly be described as a kind of rollicking Cooper Black (Oswald Bruce Cooper). An extensive range of alternates and figures has been provided for your convenience. California Poster Bold is now available in the OpenType Std format. Some new characters have been added to this OpenType version as stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Veranda Poster was derived from a European art supply manufacturer’s logotype done in the Vienna (Wien) Austria style. This distinctive classic style was used by artists such as Julius Klinger and Willy Willrab in the 1920s. Two new faces have been added to the original version - Veranda Poster Small Caps and Veranda Poster Alternates. Here is an extensive collection of capital and small cap alternates plus a wide selection of figures for almost any use. The contemporary alternate additions have a slightly Russian flavor. The combination of all three styles makes for striking logo and display settings. All three styles are now available in the OpenType Std format. Some additional characters have been added to this OpenType version as stylistic alternates. This advanced feature works in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

This typeface bears a superficial resemblance to Belwe Extrabold, but is based on a work called Thor, issued by Frederic Wesselhoeft Ltd of London in the 1930s. The characters in this font are loosely spaced for use in attention-getting subheads, but you can tighten the tracking to get spectacular headlines, should you wish. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Inspired by vintage labels where there are many types of style in one design label, that's why Boldfrey came up with 6 styles, compressed to superwide for mixing and match each other for design needs. Boldfrey is also available in variable font format. Opentype features with stylistic character, lining figure, and ligature in Co. and LTD. Suitable in display needs, such as headline, logo, T-shirt, signage, poster, etc

Schrödinger's is a remarkable signature font which was made hand-drawn manually using Hitech-C pen, This typeface is very natural-like and make your design stand out! Schrödinger's is perfect for gorgeous logos, cards, quotes, posters, wedding invitations, blog posts, social media, and more! To keep it more natural-like, we provide you hundreds of ligature! Schrödinger's font contains following ligatures: aa ab ac ad ae af ah ak al am an ar as and ant at att all av aw ax ay az bb bl bt cc cd ce ch ck cl cm cn cr cs ct db dd dl dt ea eb ec ed ee ef eh ek el em en er es end ent est et ett ell ev ex ey ez ff fi fl fo gh ght gt he ht ib ic idd ie if ih ik il im in ir is ind int ist it itt ill iv ix iy iz kk la le ll lt mm mt ns nt oa oe of oh oi ok ol om oo or os ond ont ost ot ott oll ov ow ox oy oz pp rr sh sl ss st th the tl tt ub uc ud ue uf uh uk ul um un ur us und unt ut utt ull uv uw ux uy uz wh yy zz nn Not only that, we also include swashes and love swashes for those who interested in valentine stuff! Schrödinger's features: A full set of upper & lowercase characters Numbers & punctuation Multilingual language support PUA Encoded Characters +418 Glyph Up to 163 Ligatures Swashes OpenType Features In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. For more information about accessing alternative, you can see this link: http://adobe.ly/1m1fn4Y

“Corinthiago” feels equally charming and elegant. This stunning handwritten font is a stylish homage to classic calligraphy. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates Alternates to help enrich your designs: 1. Titling (titl) alternates, are accents for initial letters. is the first stroke that is long and and slightly curved according to the letters, both lowercase and uppercase. 2. Swash (swsh) alternates, is an accent at the end of a letter, is an additional stroke to end writing. 3. Stylistic alternate (Salt), is an alternative glyph to add style emphasis. 4. Stylistic set (SS), some additional glyphs for design alternatives. If you use a combination of two lowercase with a combination of tilt and swsh it will produce a harmonic letter that you can use for a logo, no problem also for a logo consisting of more than two letters, all you have to make sure is starts with a titl and ends with swsh. All glyph alternates (titl, swsh, Salt and SS) are also supported by multiple languages. Another OpenType that is also very important is Ligature (league), this font consists of 51 Ligatures including: Abe, Ade, Ale, Ab, Ad, Af, Aj, Ak, Al, Am, An, Ao, Ap, As, Ax, Ay, Az, aa, ar, be, cc, da, de, di, do, du, dy, ee, er, ii, ir, is, le, ll, lt, om, on, oo, op, or, ov, ow, ox, oy, oz, ss, st, th, tl, tt, ur and uu. We continue to see the possibility to update ligatures in the future. This font is the right choice for a modern design, can be applied to invitations, writing messages in the form of quotes, book and magazine covers, and of course for your brand logo text.

Visum means Visa in Dutch. The name was inspired by Dutch soccer club Vitesse's rather sad decision to leave Israeli player Dan Mori behind, after he was refused a UAE visa because of his nationality. Visum font is a tall and proud all caps typeface. It comes with alternates for the lower case letters, some ligatures and an impressive language support. Of course, upper and lower case glyphs can be freely interchanged.

The first versions of Nimbus Sans have been designed and digitized in the 1980s for the URW SIGNUS sign-making system. Highest precision of all characters (1/100 mm accuracy) as well as spacing and kerning were required because the fonts should be cut in any size in vinyl or other material used for sign-making. During this period three size ranges were created for text (T), the display (D) and poster (P) for small, medium and very large font sizes. In addition, we produced a so-called L-version that was compatible to Adobe’s PostScript version of Helvetica. Nimbus was also the product name of a URW-proprietary renderer for high quality and fast rasterization of outline fonts, a software provided to the developers of PostScript clone RIPs (Hyphen, Harlequin, etc.) back then. Also in the 80s, a new, improved version of the Nimbus Sans, namely Nimbus Sans Novus was designed. Nimbus Sans Novus was conceptually developed entirely with URW’s IKARUS system, i.e. all styles harmonize perfectly with each other in terms of line width, weight, proportions, etc. On top of that, Nimbus Sans Novus contains more styles than Nimbus Sans.

London-based designer David Quay designed ITC Quay Sans in 1990. One of the precursors to the long run of functionalist European sans serif faces that has been a dominating force in type design since the 1990s, ITC Quay sans is based on the proportions of 19th Century Grotesk faces. Grotesk, the German word for sans serif, defines an entire branch of the sans serif movement, which culminated in the 1950s with the design of Helvetica. ITC Quay Sans is made up of very simple, legible letters. The weights of the strokes throughout the alphabet vary very little. Microscopic flares on the ends of each terminal add a bit of dimension to the design. This helps prevent the onset of the monotony, a danger when one repeats countless near mono-weight stroked letters throughout a large body of text. ITC Quay Sans is a very readable face; it works equally well in all sizes. Six fonts of the ITC Quay Sans typeface are available: Book, Book Italic, Medium, Medium Italic, Black, and Black Italic. ITC Quay Sans is similar to Hans Eduard Meier's Syntax, and Tim Ahrens' Linotype Aroma."

For over 30 years, Tomás Vellvé created beautiful graphics and distinctive typefaces in his native homeland of Spain. First drawn as a phototype display design in 1971, Vellvé’s only typeface in digital form is an uncommon solution to the problem of creating a new sans serif design. The end result, which bears his name, is a design that stands out from the crowd of other sans serif typefaces. The phototype version was only available in a single, light weight. With the release of the digital fonts, however, three additional weights as well as a companion italic for the light weight were created.The typeface designs were originally drawn for Agfa Monotype (now Monotype Imaging) in 1996 as part of the company’s “Creative Alliance” initiative. Through an exclusive licensing arrangement, the Vellvé™ family has now been added to the ITC Typeface Library.ITC Vellvé is a wide design with strong calligraphic overtones. This is no “anonymous” design like so many modern sans. Letters like the `R, `e and `s clearly show the hand of Tomás Vellvé in the design process. Vellvé provides a fresh choice between geometric sans serifs such as Helvetica® and industrial sans serifs like Futura®.

CastleType was commissioned in 1991 by San Francisco Focus magazine to digitize three members of the Standard family. This is a Continental lineale that was popular in Switzerland in the 1950s and later in the United States. A cousin to the classic sans serifs, Standard is an alternative that is considerably warmer and a bit more idiosyncratic. In 2008, CastleType released additional members of the Standard CT family to make it a complete typographic solution with three widths (normal, condensed, extended) of four weights each (Regular, Medium, Bold, and Extra Bold). Some of the original Standard fonts, particularly Standard Regular, appear to have been hastily designed (or perhaps too closely imitated Helvetica); these have been greatly improved in the CastleType versions with more harmonious proportions and other refinements. The three lighter weights of the Extended subfamily were designed from scratch based on the new Standard CT Regular and Standard CT Extended Extra Bold. More recently, four light weights (Light, Extra Light, Ultra Light, and Hairline) have been added to each of the three widths. The entire Standard CT family includes support for most European languages, OpenType features, arbitrary fractions, and a collection of geometrics, dingbats & fleurons.

Basic Commercial is a font based on historical designs from the hot metal typeface era. It first appeared around 1900, and was created by type designers whose names have not been recorded but whose skills cannot be overlooked. This typeface's design has been popular among groups and movements as diverse as the Bauhaus, Dadaism, and the masters of Swiss/International-Style typography. It influenced for a variety of later grotesque fonts, such as Helvetica and Univers. Basic Commercial was distributed for many years in the United States under the name Standard Series. The typeface worked its way into many aspects of daily life and culture; for instance, it became the face chosen for use in the New York City subway system's signage. The Basic Commercial's font family members have a clear and objective design. Their forms exhibit almost nothing unusual, but remain both lively and legible nonetheless. Perhaps for this reason, Basic Commercial's design has been popular with graphic designers for decades. To read more about the history of typefaces like Basic Commercial, visit our font feature, The Sans Serif Typefaces. In addition several weights of this typefamily are available as soft rounded versions."

At first glance, Else may seem to be similar to many of the Century typefaces, with its prominent figures and sturdy alphabet. But when Robert Norton, of Norton Photosetting Ltd., designed Else in 1982, he added a bit of flair to that basic model. Note the bowl of the g, the splayed legs of the M, the sharply curved G and J, as well as the leading strokes of v and w and both of the graceful ampersands.

AllSmiles is a sunny little face in which all the letters smile at you. It can be used in notes and cards of congratulation or in celebrating good-news announcements. In the update of 2011, emoticons were added in the appropriate unicode slots (unicode 1F601 to 1F640 slots). For the sad version, see BringInTheFrowns, and if you only want to proclaim a little joyfulness, you can temper the feelings with a plain version of the typeface, FebDrei.

A lament is a sad song, and the music of the cowboys of the Old West had their fair share of them. However, a vintage piece of sheet music from the early part of the 20th century with the title "The Dying Cowboy" brought at least one positive trait to its mournful song. The title lettering was drawn in a fashion that emulated lettering made with quick strokes of a paintbrush, and became the inspiration for Cowboy Lament JNL.

The first inspiration for Missiva was a sixteen century letter from S. Francisco Xavier (St. Francis Xavier) but then I adapted my own handwriting in order to have the basic character set.

Lettering Lesson JNL is a bold serif alphabet found within the pages of the 1922 instructional booklet from the St. Louis Show Card School, and is available in both regular and oblique versions.

Thunderboss is a strong modern sans style with upper and lowercase feel nice balanced. Its wide range of uppercase with alternates and ligatures allow versatile design options and works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Font Features : Regular and Italic version Character set A-Z Ligatures in Uppercase Alternates in Uppercase Numerals & Punctuation Accented Characters Multiple Languages Supported Format File: OTF Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please klick fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please klick fi symbol How to access Alternate Characters? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Haksen Std

Moho is inspired by the Victorian sans shapes, movements and expressions of modernism art deco and constructivism, conceiving a decorative and elegant font, modern and readable display. This provides a retro look style of elegance of the 30s. Moho Condensed font family is straight, vertical, with joints and links or curvilinear or angular. Moho provides an innovation in the form of letters, to replace traditional forms of curves by straight or vice versa. Condensed Moho is a category of square letter, has an efficient OpenType programming for Moho OT Condensed, and basic for Moho Std families to compose texts in European languages ​​of East and West, having wide set of over 610 glyphs. Designed to hold and typesetting over 14 pts or less increasing readability depending on the tracking. Moho Condensed is ideal for publishing newspaper and magazine design, convenient for the design covers and labels due to its space saving. Moho Condensed typefaces are closely related to the arts and fashion are very useful in creating logos and brands.

This design is one of the true gems to come out of the 1930s typeface era. Even though the face was originally designed to counter the invasion of European sans-serifs, it remains faithful to the principles found in its creator's poster work. Lucian Bernhard's lettering creation for American Type Founders is to this day a favorite among font connoisseurs worldwide. It has a unique personality. This deluxe version is packed with extras including the original oldstyle figures, alternates, and ligatures. A number of styles and alternate characters have been added to the family such as heavy italics, extra heavy italics, and capital figures. And an easier-to-identify "flagged" figure one and the new euro symbol are now located in each individual style. Bernhard Gothic is also available in the OpenType Std format. Lining and oldstyle figures, stylistic alternates, and additional discretionary ligatures are now combined in each style. These advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

German type designer Ingo Preuss created this family between 2014 and 2016. Instance is a new classic built on the foundation of over two centuries of history. Fresh and contemporary, while feeling familiar. This typeface is a high contrast sans serif typeface family and was designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. A flexible, medium to high contrast, sans serif less about designing a stylish decorative design and more about applying contrast onto a neo-grotesk skeleton. Instance is more than just chopping off the serifs. The classical proportions of the capitals and x-heights were maintained, but the letterforms were rebalanced for use without serifs. Contemporary modifications were made to some widths, as well as an all new Light weight was created. Please note: Instance STD Office Packages is only as TrueType (* .ttf) and Standard-Version. Also, the character set has been reduced to Standard (without OpenType-Features, SmallCaps, old style figures, etc.). Ideal for testing and for Microsoft Office applications.