Note: the 'Phone Pro Hebrew' typeface, includes just the Hebrew characters of the comprehensive "Phone Pro" family font, sold separately [on this MyFonts site], so they are economical for those interested just in the Hebrew Characters. And regarding the “Phone Pro” project in general, this is what I wrote: 'PRISTINE'; this font is—neither beautiful nor ugly, neither vigorous nor weak, neither traditional nor modern, neither serif nor sans serif, neither script nor printable, neither a text font nor a display font—it is rather all of the above, which makes it a more versatile typographic tool—[handwritten] characters that are well-suited for a wide variety of applications—from editorial design, [friendly] greeting cards... to branding, advertising, publicity and digital. Each glyph design combines its unique shapes and stylish ink-traps with parabolic curves. Each glyph design has been treated as an 'individual character'—the way I would treat a breathing, living, vulnerable and courteous human being; looking after each and every character as if it was my only child — bringing to light the authenticity and uniqueness of each individual, as well as my objective to bring about peace and harmony between them all as a whole. Designed with the intention of harmonizing between four scripts — Latin, Cyrillic, Greek and Hebrew; the whole family has a comprehensive set of characters—in addition to the Latin letters, the Phone typeface also has a full set of characters for Vietnamese, partially extended Cyrillic, Greek and Hebrew (sold separately). The t_t ligature is something unique to Phone, as well as the t_z ligature, among others and extras. A distinctive trait of the Phone typeface, is a high x-height combined with relatively short ascenders. The Phone typeface is in a way evoking the feeling of some Gaelic font and of the [Egyptian] Papyrus font (by Chris Costello, though, not being based on neither of those), having an exotic and an exquisite look, under the category of "Soft Fonts & Friendly Faces".

This is a modern, wonderful, and beautiful font. This font is super readable and can be used for Posters to books. The readability of this font is amazing. This font has modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

This is a font to build an hebrew Bible (Tanach) or any Hebrew prayer book. Hebrew Classic Tanach has all unicode hebrew marks and others like, ShevaNa, Dagesh Chazak, Qamats Katan and Cholam Chaser. You can even hide marks You don't want to use. This font has a complex and exclusive programmation of opentype features.

Komunidad is the Hebrew version of ”Quintana Light”. Suitable for logos and packaging statements. Invoking the OpenType / CONTEXTUAL variant produces the word terminals for all lower-case letterforms as well as diacritic letters. Final Hebrew Glyphs are also added. This can be done individually for each letter as well. Komunidad also contain alternative Swashes and TabOldstyle numerals. (OpenType-Variants may only be accessible via OpenType-aware applications.)

This is the classical font to make a Tanach, Siddur or a regular hebrew book. These fonts include all diacritic marks: Nikud, Teamim and modern pontuation. You can find in these fonts: shevana, kamats katan, cholam chasser and dagesh chazak. The best program to use these fonts is Adobe Indesign.

Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support. Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

This is a modern font inspired in Avant Garde Gothic Latin font. There are 8 ligatures and You can type the Nekudot in them This font is for logos, covers and small texts This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

This font family is your best choice when you want to effortlessly make your brochure or signs stand out!

This is a modern, wonderful, and beautiful font. This font is super readable and can be used for Posters to books. The readability of this font is amazing. This font has modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

Neue Frutiger Hebrew was created by Yanek Iontef and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Hebrew embodies the same warmth and clarity as Adrian Frutiger’s original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

This is The Classic font of the XX century.

Beautiful font, good for posters, books, and folders. This is a complete font with all Nikud and also Shevana, Kamatz Katan, Dagesh Chazak, and Holam chaser.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

Cursive Signa Script Variable, quite possibly the first true cursive and signature variable font. It has 90 styles that range between weight, slant and alternates. It can be use in a lot of projects, like logos, end of a statement, pairing with a beautiful sans serif like Aleante, in a title, invites and so on. Designed by Pedro Alexandre Teixeira

This classic face is based on Kleukens Scriptura, designed by Friedrich Wilhelm Kleukens in 1926 for D Stempel AG. It served as an alternative to Lucien Bernhard's Cursive and an inspiration for Oswald Cooper's Pompeian Script. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

P22 Klauss Kursiv is the first ever digital revival and expansion of the last face Karl Klauß designed for the Genzsch & Heyse foundry in Stuttgart before he died in 1956. Karl Klauß’s classical training in the graphic arts gave him solid chops to use as a springboard for design ideas that remained relevant among the countless trends fleeting around the turmoil of two world wars. By the mid-1950s, a kind of ornamental deco aesthetic was well on its way into mainstream design in post-war Europe, and demand was high for unique, lively and non-minimal ad faces. Klauß, a reliable designer with a proven track record of calligraphic faces, pushed the envelope on his own calligraphy and designed something that packages elegance in a boldness seldom seen before in luxury scripts. Quite a bit of talent is on display in Klauss Kursiv. In spite of the restraint this kind of design imposes on itself almost by default, the interplay between thick and thin never seems forced or challenging. Clear, natural strokes build a compact alphabet that demonstrates the wrist control of a veteran calligrapher. Creative nib angling segues into very clever start-and-stop constructs to make attractive forms that work quite well together, yet stand well to individual scrutiny. P22 Klauss Kursiv comes with a load of built-in alternates and ligatures in a font of over 470 glyphs, providing extended support for Latin languages.

Heretic surrounds itself with an atmosphere of evil, carnival freakshow and no-nonsense thuggery. Mix the black and condensed weights of this octagonal blackletter together for more interesting, yet disconcerting results.

Monotype Corsiva is an italic typeface made in the style of the early Italian cursives as exemplified by the work of the writing master, Ludovico degli Arrighi, in the sixteenth century. The capitals of the Monotype Corsiva font are of swash design, with characteristic flourishes, designed primarily for use as initial letters. Monotype Corsiva can be used for short text passages in advertising but is best used to add sparkle to invitations, greetings cards and menus and to give a sense of occasion to certificates and awards.

Carnival VP is a long, clean font with Latin and Cyrillic support, tons of alternate glyphs, and multilingual support. It's a very versatile font that works great in large and small sizes. Carnival VP is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation and symbols Cyrillic support - Russian, Ukrainian, Bulgarian and more Alternate glyphs Multilingual support To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Thank you! Enjoy!

New Cuisine is a departure from formal, handwriting, and retro scripts. Influenced by the DIY lettering generation New Cuisine is a joyful looking script with all the right moves. Its bold graphic presence makes it ideal for packaging, online journals and blogs, signage, logos, and menus. Under the hood of New Cuisine lie precise connections, unique ligatures and alternates, and OpenType programming to orchestrate it all. Because of this, typesetting turns into a simple and playful experience. Also included are a simple fraction feature as well as Central European language support.

Horizone Survive is a brush style font. With a very detailed brush style that looks more authentic. This font makes your designs look natural. This font would perfect for logos, branding, product designs, product packaging, photography, watermark, social media posts, advertisements, invitation, stationery, labels, logos, magazines, books, greeting / wedding cards, fashion, make up, and etc.

Monarch Cultivation - Blackletter Display Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Vamps Crime with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more). There it is. I really hope you enjoy it. Comments & likes are always welcome and accepted.

Be it a blessing or a curse, when a type designer sees a shape that could be interpreted as a letter, his/her mind is off and running. My parents loved to travel; Dad drove to Florida seven different years, winding on (barely) two-lane “highways” clinging to the hills of Kentucky and Tennessee. My brothers and I saw many of these letters along the way. Watch those Curves .

Curve is a modern neo-classical typeface family with some features of the Didone genre, but especially designed for contemporary typography. A large x-height not only creates space in the letters for extra-bold styles, but also lends Curve an open and generous character in the more narrow and semi-bold versions. It has 616 glyphs with small caps, numbers and ligatures in 10 weights. Curve is a contemporary serif typeface, special for logos, brands, magazines and editorial and for setting trends in fashion and design.

Beautiful font, good for posters and small books and folders. This is a complete font with all diacritic marks (Nikud and Taamim) and also shevana, kamatz katan, dagesh hazak and holam chaser.

This is a font to build an Hebrew Bible (Tanach) or any Hebrew prayer book. This is a variable font with 5 styles! Hebrew Esther Tanach Variable has all Unicode Hebrew marks and others like ShevaNa, Dagesh Chazak, Qamats Katan, and Cholam Chaser. This font has a complex and exclusive Programmation of Opentype features. This font is very good to read even in small texts

This typeface is based on Guillaume I Le Bé typeface. This font has all diacritic accents including the chanting diacritic (trop) and modern Nikud (Holam Chaser, Shevana, Kamatz Katan and Dagesh Hazak).

This font contains every variant found in the Hebrew Bible such as the “mutilated” Waw in Numbers 25: verse 12, the small Heh in Genesis 2: verse 4 and the Nun Inversum before Numbers 10: verse 35 and after verse 36 and elsewhere as well as oversized consonants and various double-wide consonants used in inscriptions.

This is beautiful script font based in typeface of the Pirkei Avot book.

This font contains every variant found in the Hebrew Bible such as the “mutilated” Waw in Numbers 25: verse 12, the small Heh in Genesis 2: verse 4 and the Nun Inversum before Numbers 10: verse 35 and after verse 36 and elsewhere as well as certain oversized consonants such as the Shin with hireq from the beginning of the Song of Songs.

his is a beautiful, modern, and super readable font. You can use it in any kind of text, from folders to prayer books. This font is especially good for school and kid's books. This font also has modern punctuation: shevana, kamats katan, dagesh hazak, and holam chaser. This is a Variable font! One font with 5 styles (Regular, Medium, SemiBold, Bold, Heavy)