Layering of individual styles forms the basis for the sans typeface Clown. The font family comprises 18 various styles that precisely fit together. Simply cover one style over another to create over 150 original typefaces to freshen up your work. Clown is a striking headline font that would work well for a retro-style café, bar or club and evokes the style of a Wild West saloon. A similarly decorated typeface was popular for decorating posters and advertisements in the early 19th century. The font family contains uppercase letters and diacritics for most Latin languages, figures, arrows and currency symbols.

One of the most widely used typefaces in the world is actually a legacy of 18th century aesthetics, representing the spirit of late Baroque design, architecture, fashion and society. It has been created and printed for millions of readers around the world for more than two and a half centuries. It influenced many modern typographers. It shaped culture, education, entertainment and science, but also the development of typography itself. As a calligrapher and technical innovator, Baskerville invented new design, papermaking and printing methods, and his typography is very natural and legible to this day. Graphic design today calls for clean and minimalistic solutions, where the use of historical typefaces can achieve a vivid contrast with contemporary elements on the page or screen. Baskerville is undoubtedly the best choice for any kind of publishing house. In keeping with the original inventor’s spirit of excellence, we hereby offer its most advanced digital version. This is not a precise remake of rare Baskerville prints or a restoration of the original punches cut by John Handy, but rather our ideal essence of transitional typography. The old masters were limited by the technology of the time, but today we can dare to have very fine lines, unlimited ligatures, size variations and sophisticated OpenType functions. Drawing, programming, proofing and testing took us many years of development and brought thousands of new letters and dozens of language options. We are convinced that your readers will enjoy this font mainly for reading extensive works, but also for creating corporate identity, orientation systems and cultural posters. Baskerville is perfectly modern in its antiquity, striking in its modesty and timeless in its transiency.

Space Armada - A Science-Fiction Font for Out of this World Designs! Space Armada is inspired by a 1980s interpretation of the future, referencing blockbuster sci-fi action movies of the period, along with the emerging video-game consoles and home computer technologies. It's nine unique fonts are designed to work together in a variety of ways, so you can layer it's different styles on top of each other to retro-futuristic effect!* Here's an example of how it works: Start by placing the Regular font on top of the Bold for a simple base outline. Add contrasting gradients to both fonts for an instant metallic or chrome effect. Take it a step further with one of the readymade Outlines for an embossed look. Overlay the Wireframe font for a glimpse inside the machine! This looks particularly good when you apply a glow effect and reduce it's opacity so the other layers show through. That's just one way to use it. Check out my visuals for more usage ideas! You can also follow my short tutorial! Space Armada is an all-caps font with unique uppercase and lowercase characters, along with a range of alternatives for experimentation with different looks. It also includes punctuation, numerals and language support, plus a selection of underlines and symbols. It's a highly customisable font, perfect for retro designs such as movie titles, posters, games, book covers and more! Every care has been taken to ensure that all fonts align perfectly when layering. Due to the variations in how different software handles text tracking, some minor tweaking may be required for pixel perfect alignment.

Black Street This is a large and bold font, it is very suitable for all design work, it looks elegant and clear and dares to display a unique impression in it for magazines, clothing posters and others.

Vienna is the work of Dutch graphic designer Anthony De Meester, a light, elegant sans serif. Simplicity is the hallmark of Vienna and it can be used most effectively where a look of regal elegance is desired.

Old Style is an example of classic roman type design. It has little contrast in stroke weight, small rounded serifs, open characters, and is very easy to read. It is based on wood type of unknown origin.

Cast in iron and burnished by the feet of a million Londoners, this font derives from the manhole covers of England’s capital city. It evokes heavy duty machinery, metal castings and worn urban decay with gritty immediacy.

Big Dreams is a handwritten script font. It is casual, classy, and beautiful. It’s a great font for fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects.

Grostique is a bold and solemn sans serif font, perfectly suitable for daring projects that need an outstanding appearance. It works best on streetwear designs, logo branding, editorial designs, music posters, modern advertising campaigns, and many more.

Grozel is Gaming display font. It has fancy, playful, and Cool. It’s a great font for gaming, product, fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects.

Buzzer Three is the work of Tony Lyons and Paul Crome. Its futuristic appearance is in the OCR style, however, it contains unique design characteristics that separate it from the more predictable geometric styles in this category.

Salute Riches is a handwritten script font with a hand lettering pen style, so many opentype features are included in the font. Suitable for element design, wedding, events, t-shirt, logo, badges, sticker, and other awesome work.

Pushki Pro is based on some hand lettering found on a Russian poster. Pushki Pro works with your OpenType-savvy applications, using contextual alternatives, to alternate between the upper and lowercase letters preventing adjacent glyphs from repeating.

Auntekhno Script is Vintage Script Brush Font with Hand-lettering Brush Style, and so many OpenType feature include in the font. Suitable for design, element design, weddings, events, t-shirts, logos, badges, stickers, and awesome work, etc...

BlueCreek is a extra condensed geometric typeface, and works best in text and display applications, such as headline, posters, signage, magazine, print, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface.

A circa 1900 type from the foundry of W. Grauneau, Berlin. A great utility face as it works well as the "plain" face with other decorative type of the same era. Reads well in paragraphs of copy.

Legende was originally designed by Friedrich Hermann Ernst Schneidler. In reminiscence to the good old times, Ralph M. Unger redrew and digitized this font in 2003. His work is based on artwork taken from old font catalogues.

Spookyman is a halloween Font. It has spooky, mysterious, horror, classic. It’s a great font for events, halloween, fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects.

Refracta is the work of British designer Martin Wait, a simple, condensed italic sans serif capital alphabet. The letterforms were designed with a shadow effect for extra impact. Refracta is ideal for a wide variety of applications.

Calinastiya is a curly playful display typeface with some beautiful cursive glyphs. Calinastiya is perfect for branding projects, logo, book cover, social media posts, advertisements, product packaging, product designs, label, and any projects that you work on.

Both Hermes DTC and Imperial DTC font families are strongly influenced by Schnebel’s work on Latin characters to fit Japanese Kanjis. DTC Hermes is well-suited for office documents, looking good on screens as well as printed.

Browsing through images of old wood type for sale, a Western type design with some interesting character variations made the perfect subject for a digital revival. Western Territory JNL is available in both regular and oblique versions.

Hand lettering from the 1965 movie poster for “The Loved One” – a classic 1960s spurred serif design with added curly-tailed terminals was the working model for Groovy Tuesday JNL – available in both regular and oblique versions.

A pen stroke Roman with a medium thick to thin contrast and slightly flared stroke endings. Capital was designed for all media and works best at 30 point and above. Capital requires subjective display kerning and compensation.

Scenders was inked first then digitized for the masses to use. Strong ascenders and descenders embellish the font, so the lowercase characters are quite compelling. Scenders is versatile, but it works very well in all caps headlines.

Today We Escape has got rugged edges and a slightly worn surface without overdoing it. The letters are ALL CAPS, but upper and lower case are different. Today we escape comes with substitution characters for double letters!

Roquette is the work of British designer Martin Wait, a casual all capital wedge serif typeface which brings the 1950s back to life. The undulating baseline and lively spot illustrations of Roquette will pep up any headline.

Katigert – is a rather friendly italic with a touch of measured severity, combines very sharp angles and bold shapes. The font works best for display. The font includes extended Cyrillic and Latin alphabets, punctuation marks and currencies.

Abxr is a cool, robotic styled display font. This font is ideal for logos\names and pretty much anything else that requires a unique touch. My opinion it can works perfectly in music, sport and art industry.

Bokarms stencil is a condensed font with a distinctive look Created for military-themed design. Perfect for industrial projects. It will also work as a universal typeface for promotional poster designs, branding, logo design, and clothing branding.

Outlaw marauders! Stand in awe of the magnificent Captain Shipwreck! Works excellent in all caps, and has a great set of lowercase to match. Capture this treasure of the high seas for a steal of only $20

Break Stones is Script Brush Font with Vintage Style, include 1218 Glyphs and so much opentype feature include of the font. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, etc...

Chicken Salad is a playful and easy going sans serif font. A closer look reveals influences from both graffiti and comics. This font works very well in small and large sizes and in both lower and uppercase!

Jushley Shine is a brush font made from handwriting. It contains lowercase, uppercase, symbols, and also support for multiple languages. Jushley Shine also works well on posters, branding, packaging, beautiful fashion design, wedding invitations and handwritten quotes.

Aaarp's an arty farty cut paper display font - inspired by Jean Arp & Henri Matisse’s amazing work. Get creative with extra glyphs and shapes... Aaarp also has alternative letters so you can make all your designs look unique.

Pickfair JNL is based on the vintage wood type Vandenburgh Tuscan (circa 1867), and gets its name from the mansion owned by Douglas Fairbanks and Mary Pickford—two of the founding partners of United Artists movie studios.

AZ Imperial font was inspired from miscellaneous vintage tin packaging. Complete with an "old look" to the line work with barely a serif still visible. Ideal for use as headline or sub-head text in you design.

Old Style is an example of classic roman type design. It has little contrast in stroke weight, small rounded serifs, open characters, and is very easy to read. It is based on wood type of unknown origin.

Public Safety JNL was inspired by a 1940s-era health poster issued through the WPA (Works Progress Administration). The font’s bold, blockish sans lettering commands attention and has been made available in both regular and oblique versions.

Here is a sans-serif built up on an old-style design framework especially perceptible in the italic. It is the conjunction of contradictories feelings: pointed / soft, classical / modern. The smaller the typesetting, the better it works.